Urban Landscape Prints

Ari Gradus, Israeli (1943 - ) - Out West, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 18 x 25 in. (45.72 x 63.5 ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Ari Gradus, Israeli (1943 - ) - Main Street USA, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 26 inches, Size: 22 in. x 30 in. ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Valerie Thornton (1931-1991) Bodleian Quadrangle, Oxford (1983) Etching 24 x 35 cm Numbered 13/75 lower left, titled below, and signed and dated lower right, all in pencil. A very good example of Thornton's recognisable and unusual etching style. Her work is deeply concerned with material, and many of her etchings focus on eroded stone, emotive landscapes, and weathered architecture. Here, Thornton draws out the exceptional texture of the Bodleian Library's local stone. Valerie Thornton was a British etcher and printmaker. She was born in London, but was evacuated to Canada with her two brothers during World War II. She returned to London in 1944 and studied at the Byam Shaw School of Art in 1949. From 1950 to 1953 Thornton studied under P.F. Millard at the Regent Street Polytechnic, then spent eight months at Atelier 17 in Paris. In the early 1960s, she moved to New York and worked at Pratt Graphic Art Center. In 1955, she succeeded Howard Hodgkin as assistant art teacher at Charterhouse School and in 1965 she became a founding member of the Print Makers Council. In 1970 she became a Fellow of the Royal Society of Painters-Etchers and Engravers. Thornton was a member of The Regent Street Group (a group of nine artists who studied together at the Regent Street Polytechnic in the early 1950s). The group also included Susan Horsfield, Renate Meyer, Michael Lewis...

Paris, houses and walls is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno Original title: P...

The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...

Arch of St. Marco, Rome- Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This exquisite collotype after Max Ernst (1891–1976), titled Il tombera loin d'ici (He Will Fall Far from Here), from the album Max Ernst, Histoire Naturelle (Natural History), origi...

Pierre BELLIER (1936-) RIVIERA : The Negresco Palace, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On high end Coated Paper...

Maurice de VLAMINCK Main Street of a Traditional French Village, 1951 Original etching with aquatint Printed signature in the plate On vellum 33 x 43 cm (c. 13 x 17 in) REFERENCES ...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm .Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in t...

Viterbo is an original woodcut print realized by Carlo Zuccarini in the early 20th century. The artwork is a glimpse of the Medieval architecture...

Weeping Condo 38.5 x 22 image size: 36" x 19.5" Artists proof printed on 100% cotton rag monochromatic Panoramic Dark. mysterious vintage work by Esteban Chavez

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of 93/199. Excellent condition.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Philippe BENOIST Paris : Saint Paul and Saint Louis Church - 1861 Original two tones stone lithographs Printed name of the artist bottom right On vellum 33.5 x 49 cm (c. 13 x 20 inc...

Bad Gastein Church, Austria Soft ground etching & aquatint, c. 1930 Signed in pencil by the artist (see photo) Image: 18 1/2 x 13 3/4" Condition: Very good...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) Rugby School Linocut 62 x 46 cm Signed, titled, and inscribed A/P in pencil. Possibly unique. Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green lawn peeks out from between the buildings, which lean gently away from one another. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

Artist: Ching Jang (C.J.) Yao, Taiwanese (1941 - 2001) Title: Coca-Cola Year: 1981 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 22 x 23 in. (55.88 x 58....

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Dufza - Paris - Saint Michel - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. Th...

Artist: C.J. Yao, Taiwanese (1941 - 2001) Title: Building Reflection Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Paper Size: 22 x 28 inches

Artist: Richard Haas, American (1936 - ) Title: Cities Services Building (Blue) Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 30 Image Size: 20 x 16 inches Size:...

Landscapes and seascapes are a specialty for McMillan, but capturing the night-time lights of the Grand Canal in Venice is an unusual subject for this artist who usually specializes ...

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Max Epstein, Canadian (1932 - 2002) - NYC #1, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Artist: Mori Shizume Title: New York Skyline 3 and 4 Year: 1979 Medium: Two Screenprints, each signed and numbered in pencil Edition: 210, AP 25 Paper Size: 30 x 18 inches (each) F...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

This screenprint was created by New York-based artist Ken Keeley. Keeley's Keeley's collections of candy bars and magazines; storefronts and street scenes gr...

Ducal Palace of Ferrara is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government,...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Not stretched. Artwork is in excellent condition. Cer...

Giclee print on archival cold press cotton rag. Every print is uniquely hand embellished by the artist with gold acrylic paint. Edition 5 of 10 with 5 APs. In this new series of pai...

Artist: C.J. Yao, Taiwanese (1941 - 2001) Title: Entex Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Paper Size: 22 x 28 inches

Uses and Customs - Piazza dei Signori in Vicenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Franz Xavier Habermann, German (1721 - 1796) - Vue de Boston, Year: circa 1750, Medium: Hand colored engraving on laid paper, Image Size: 9.75 x 15.5 inches, Size: 13 x 17.5 in. (3...

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

Uses and Customs - Pavia Towers is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Uses and Customs - Piazza di Sant'Andrea in Mantua is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Bridge in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...

Uses and Customs -  Ducal Palace in Modena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Uses and Customs - Alberonian College of San Lazzaro out of Piacenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples ...

Howard Cook (1901-1980), Chrysler Building (Chrysler Building in Construction) – –1930, Wood Engraving. Duffy 122. Edition 75, only 50 printed. 19...

Uses and Customs -  Square of San Michele in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Ari Gradus, Israeli (1943 - ) - Knife Sharpener, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 25 inche...

Ari Gradus, Israeli (1943 - ) - Old Quartier, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: 245, AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. ...

Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand signed and numbered by artist with pencil. Edition of 125 prints of which 100 in Arab numbers and 25 in Roma...

This splendid lithograph De Rue de l'Hotel De Ville is part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The s...

Manhattan Island looking out to the Statue of Liberty and Brooklyn as viewed from Rockefeller Centre. One of the greatest views in the world, I will always love you New York... John ...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Antonio Peticov, Brazilian (1946 - ) - Amsterdam Rainbow, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 200, Size: 27.5 x 35 in. (69.85 x 88.9 cm)

Signed, titled and numbered from the edition of 50. This illustration is used in the book The Ballad of Huck and Miguel - a re-telling of Mark Twain's The Adventures of Huckleberry Finn, set in contemporary times and centering around Huck and an illegal immigrant in the urban environment of the Los Angeles River. A young boy looking up at a starlit night sky. Artist statement: “My life has been shared between two countries, the United States and Mexico. I’ve experienced the hard rural life of my parents in Mexico and the dangerous and fragmented life of the inner city. I am a person made up from experiences from both of these worlds. I am Mexican but I am also American and I can slip between these two worlds with ease and exist in both simultaneously. Culture does not honor borders. Culture is about change and growth. My work is inspired by the folk stories that my parents and grandparents have passed on. I have a desire to invent and share my own narratives and vision through printmaking. I want to be able to communicate through the image an invitation to tell a new story to be told or an old one to be remembered." Daniel Gonzalez was raised in Los Angeles, and received his training at the California College of Arts and Crafts. He also apprenticed with Artemio Rodriguez...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.