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Etching Prints and Multiples

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Medium: Etching
Le Rhinocéros/Le Rhinocéros d’Afrique - Etching by Jacques de Sève-18th Century
Located in Roma, IT
Engraving on laid paper, within a ruled border. An engraved zoological plate from Buffon’s monumental Histoire naturelle, depicting two rhinoceroses shown in profile, accompanied by...
Category

18th Century Old Masters Etching Prints and Multiples

Materials

Etching

L Etreinte II - Etching by P. Picasso - 1963
Located in Roma, IT
Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...
Category

1960s Cubist Etching Prints and Multiples

Materials

Etching, Aquatint

Lettre a Marc Chagall II, Etching by Marc Chagall
Located in Long Island City, NY
Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall II, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Pr...
Category

1960s Modern Etching Prints and Multiples

Materials

Etching

Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse
Located in Saint Augustine, FL
Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...
Category

1930s Cubist Etching Prints and Multiples

Materials

Laid Paper, Etching, Intaglio

Composition with Semi-Circles
Located in Greenwich, CT
Sonia Delaunay 1885–1979 Composition with Semicircles 1970 etching and aquatint in colors on Arches signed in pencil l.r. and numbered also in pencil 8/125 l.l. image: 19½ h × 15½...
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1970s Abstract Etching Prints and Multiples

Materials

Etching, Aquatint

"Psyche, " a Maltese
Located in Columbia, MO
The Curly Coated Retriever 1887 Etching
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Late 19th Century Naturalistic Etching Prints and Multiples

Materials

Etching

Pablo Picasso, Le Repos du Sculpteur II, from La Suite Vollard, hand signed
Located in Chatsworth, CA
Pablo Picasso Le Repos du Sculpteur II, from La Suite Vollard Hand signed by Picasso in pencil in the lower right, Watermark "Vollard" Reference: Bloch 172; Baer 325 Original etching...
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1930s Modern Etching Prints and Multiples

Materials

Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Etching Prints and Multiples

Materials

Drypoint, Etching

Memories of Surrealism The Eye of Surrealist Time
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Memories of Surrealism The Eye of Surrealist Time MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XXX/XL MEASU...
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1970s Surrealist Etching Prints and Multiples

Materials

Etching

Of Time and Age - Etching by Mark Tobey - 1970s
Located in Roma, IT
Of Time and Age is an artwork realized by Mark Tobey in 1975. Etching on wove paper. Signed and numbered 139/150. Published by Baukunst Galerie, Köln. Prov. Coll Jorg Kees. Sheet 65 ...
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1970s Abstract Etching Prints and Multiples

Materials

Etching

"S"
Located in Palm Springs, CA
The single letter "S", from the alphabet, illustrated by a seahorses. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...
Category

2010s Contemporary Etching Prints and Multiples

Materials

Etching, Aquatint

SAN GIMINIANO
Located in Portland, ME
Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...
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1960s Etching Prints and Multiples

Materials

Etching

Petit traite de Morale, Surrealist Nude Etching by Hans Bellmer
Located in Long Island City, NY
Artist: Hans Bellmer, German Title: Petit traite de Morale Year: 1968 Medium: Color Etching, signed in pencil Image Size: 10.5 x 8.5 inches Frame Size: 20 x 16 inches
Category

1960s Surrealist Etching Prints and Multiples

Materials

Etching

L Aigle Mademoiselle - Etching by Hans Bellmer - 1968
Located in Roma, IT
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes passepartout. Hans Bellmer wa...
Category

1960s Surrealist Etching Prints and Multiples

Materials

Paper, Etching

The Spectacle Seller by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...
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19th Century Old Masters Etching Prints and Multiples

Materials

Etching

Cap. Cardoni and Maramao - Etching by Jacques Callot - 1621/22
Located in Roma, IT
This etching is part of Balli di Sfessania, Jacques Callot’s celebrated series depicting grotesque dancers inspired by the Neapolitan commedia dell’arte tradition. The figures Capita...
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1620s Old Masters Etching Prints and Multiples

Materials

Etching

Nude - Etching by Edouard Chimot - 1930s
Located in Roma, IT
Nude is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 June...
Category

1930s Modern Etching Prints and Multiples

Materials

Etching

Poseidon, Surrealist Drypoint Etching by Salvador Dali
Located in Long Island City, NY
Poseidon is one of 16 works in a suite by the artist called "The Mythology". The suite included works depicting other Greek/Roman gods such as Hypnos, Jupiter, and Athena, as well as lesser figures and concepts like the gorgon Medusa...
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1960s Surrealist Etching Prints and Multiples

Materials

Drypoint, Etching

Henry Moore, signed in pencil, soft ground etching of a girl
Located in Petworth, West Sussex
Henry Moore (British, 1898-1986) Head of a girl Softground etching signed in pencil `Moore’ (lower right) Conceived in 1983 by the Printmaking Department Trust Fund Appeal, The Roya...
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20th Century Modern Etching Prints and Multiples

Materials

Etching

Chartres; Cathedral of Notre Dame from the River
Located in Middletown, NY
A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches ...
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Early 20th Century American Modern Etching Prints and Multiples

Materials

Handmade Paper, Etching

In Space, Signed Abstract Etching by Hoi Lebadang
Located in Long Island City, NY
An Abstract etching by the artist Lebadang. The Minimalist composition uses only green, orange, and black to create a stark contrast of shapes. This piece is signed and numbered in p...
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1970s Abstract Etching Prints and Multiples

Materials

Etching

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
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1930s Modern Etching Prints and Multiples

Materials

Drypoint, Etching

La Boullie (The Porridge), Old Masters Drypoint Etching by Jean Francois Millet
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category

1860s Impressionist Etching Prints and Multiples

Materials

Drypoint, Etching, Intaglio

La Taupe Hilare, Large Abstract Modern Signed Etching by Joan Miro
Located in Long Island City, NY
The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...
Category

1970s Modern Etching Prints and Multiples

Materials

Etching, Aquatint

GAEU AWA
Located in Santa Monica, CA
MARGUERITE KIRMSE (American, 1885-1954) " GAEU AWA c. 1940 Etching, signed and titled depicting a Scottie dog on a dock, plate 6-5/8" x 9-5/8" plate. Sheet 11 ½ x 13 ½”.Generally ...
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1940s Modern Etching Prints and Multiples

Materials

Etching

Nude Bather - Etching - Early 20th Century
Located in Roma, IT
Nude woman is an original etching realized after Pierre Auguste Renoir (1841-1919) in the first decades of 20th Century. In good conditions. Not signed. Image Dimensions: 16 x 11 / ...
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Early 20th Century Impressionist Etching Prints and Multiples

Materials

Etching

I Refuse To Have A Bath Until I See The Trees, original, contemporary art
Located in Deddington, GB
I Refuse To Have A Bath Until I See The Trees is a limited edition drypoint etching by Kate Boxer. Kate Boxer's combination of imagery and text in I Refuse To Have A Bath Until I See...
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2010s Contemporary Etching Prints and Multiples

Materials

Etching

Large Aquatint Etching A Red Color MInimalist Abstract Etching Robert Mangold
Located in Surfside, FL
A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...
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1970s Minimalist Etching Prints and Multiples

Materials

Etching, Aquatint

The Spire -- New York
Located in Plano, TX
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
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20th Century American Modern Etching Prints and Multiples

Materials

Drypoint, Etching

Helen Fay, Brodie Standing, Limited Edition Print, Dog Art, Affordable Art
Located in Deddington, GB
Brodie Standing by Helen Fay [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon...
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21st Century and Contemporary Minimalist Etching Prints and Multiples

Materials

Paper, Etching

Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist
Located in Surfside, FL
Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...
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1960s Surrealist Etching Prints and Multiples

Materials

Etching, Aquatint

"Der Maler in der Landschaft" original etching
Located in Henderson, NV
Medium: original etching. Printed in 1919 and published in Berlin by Paul Cassirer. Plate size: 6 1/2 x 4 1/4 inches (165 x 110 mm). Not signed.
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1910s Realist Etching Prints and Multiples

Materials

Etching

Soaring New York — 1930s American Modernism, New York City
Located in Myrtle Beach, SC
Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...
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1930s American Modern Etching Prints and Multiples

Materials

Etching, Aquatint

Wild Mustard #2, by Stephen McMillan
Located in Palm Springs, CA
Signed and numbered etching and aquatint from the edition of 250. By the end of February the the rows of still dormant grape vines are delineated by bright yellow mustard flowers. These vineyards are in the hills southwest of Napa. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. Stephen McMillan's etchings and aquatint prints capture the landscapes of California...
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Early 2000s Contemporary Etching Prints and Multiples

Materials

Etching, Aquatint

Narcissist Seeks Similar (Large)
Located in Bristol, GB
Etching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...
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21st Century and Contemporary Contemporary Etching Prints and Multiples

Materials

Etching

Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto Etching, 1752 Signed in the plate lower right (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8 .25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
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1750s Old Masters Etching Prints and Multiples

Materials

Etching

New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
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1920s Realist Etching Prints and Multiples

Materials

Etching

Le Compliment Les Bouquets, pair French aquatints by Debucourt , 1787 and 1788
Located in Melbourne, Victoria
'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...
Category

Late 18th Century Romantic Etching Prints and Multiples

Materials

Aquatint

Le Serment des femmes (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
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1930s Cubist Etching Prints and Multiples

Materials

Etching

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category

16th Century Old Masters Etching Prints and Multiples

Materials

Etching, Laid Paper

Guerrier, Abstract Aquatint Etching by Antoni Clave
Located in Long Island City, NY
Artist: Antoni Clave, Spanish (1913 - 2005) Title: Guerrier Year: 1970 Medium: Etching with Aquatint, signed and numbered in pencil Edition: EA Image Size: 23.5 x 15.5 inches Size: 3...
Category

1970s Modern Etching Prints and Multiples

Materials

Etching, Aquatint

Reguliersracht during winter, Amsterdam
Located in Middletown, NY
Etching with drypoint on cream wove paper with a deckle edge, 6 7/8 x 4 7/8 inches (200 x 125 mm); sheet 15 x 11 inches (380 x 280 mm), full margins. In excellent condition with mino...
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Early 20th Century Dutch School Etching Prints and Multiples

Materials

Drypoint, Etching

"Arch of Titus" Large colors etching.
Located in San Francisco, CA
This artwork titled "Arch of Titus" created 1923 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist's estat...
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Early 20th Century Realist Etching Prints and Multiples

Materials

Etching

The Skeleton - Etching by Juste Chevillet - 1771
Located in Roma, IT
The Skeleton is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...
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1770s Modern Etching Prints and Multiples

Materials

Etching

Alice in Wonderland
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Alice in Wonderland MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art EDITION NUMBER: A IX/XL PAPER: Japon Paper MEASUREMENTS: 29.75"...
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1970s Surrealist Etching Prints and Multiples

Materials

Etching

Robert Charles Goff (1837-1922) - Framed Etching, Boats on a Dutch River
Located in Corsham, GB
Robert Charles Goff (1837-1922), original etching. Boats on a Dutch river with horse-drawn carriage running alongside. Signed in pencil to the lower right. Well-presented in a smart ...
Category

Late 19th Century Etching Prints and Multiples

Materials

Etching

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Etching Prints and Multiples

Materials

Engraving, Etching

Old Rinkrank threatens the Princess by David Hockney Brothers Grimm Fairy Tales
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Category

1960s Modern Etching Prints and Multiples

Materials

Etching, Aquatint

La Cité Notre Dame (Duthuit I.248), A La gloire à Paris, Henri Matisse
Located in Southampton, NY
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category

1930s Modern Etching Prints and Multiples

Materials

Etching

SLM II, male nude etching by Fernando Reyes
Located in Palm Springs, CA
Male nude etching, from a series of 6 male and 6 female images. Signed, titled and numbered , by the artist. Edition of 50. In January 2018, the Mexican Museum in San Francisco mounted an exhibition An Artist’s Evolution, a retrospective which has elevated Fernando’s exposure in the SF Bay Area...
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21st Century and Contemporary Contemporary Etching Prints and Multiples

Materials

Etching

Green Shade — Mid-century Modernism, Abstract Expressionism, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...
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1960s Abstract Expressionist Etching Prints and Multiples

Materials

Etching

Florals Tulips Girafe en Feu
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Tulips Girafe en Feu MEDIUM: Etching on Heavy Arches paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques International...
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1970s Surrealist Etching Prints and Multiples

Materials

Etching

La Duchesse de Marlborough, Consuelo Vanderbilt
Located in Plano, TX
Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...
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Late 19th Century Impressionist Etching Prints and Multiples

Materials

Drypoint, Etching

No Thru Traffic, by Art Werger
Located in Palm Springs, CA
In No Thru Traffic, master printmaker Art Werger offers a striking aerial view of an archetypal suburban neighborhood, rendered with his characteristic precision and subtle wit. Curv...
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1990s Contemporary Etching Prints and Multiples

Materials

Etching, Aquatint

Roy Lichtenstein Pop Art Etching, 1992, Signed, Framed, De Denver au Montana
Located in Washington, DC
Artist: Roy Lichtenstein Title: Illustration for "De Denver au Montana, Depart 27 Mai 1972" (II) Medium: Etching and aquatint in colors on Arches paper Date: 1992 Edition: 37/80 Fram...
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1990s Pop Art Etching Prints and Multiples

Materials

Etching, Aquatint

Le Cocu Magnifique - Etching by Pablo Picasso - 1968
Located in Roma, IT
Le Cocu Magnifique is an original Contemporary artwork realized by Pablo Picasso in 1968. Original Etching Specimen on BFK Rives. Edition of 180 prints. Numbered in pencil on the ...
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1960s Cubist Etching Prints and Multiples

Materials

Etching

The Well, Carcere XIII - Etching by G.B.Piranesi - 1750s
Located in Roma, IT
Giovanni Battista Piranesi, The Well, Carcere XIII , from “ Images of Prisons”, Buchard , Rome, 1749-50 Etching on laid paper. Signed on plate “ Piranesi F.” lower-right. Very good ...
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1750s Modern Etching Prints and Multiples

Materials

Etching

La Montée - Etching by Christian Johannes Nieuwenhuys - 1870s
Located in Roma, IT
La Montée is an artwork realized by Christian Johannes Nieuwenhuys in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of...
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1870s Modern Etching Prints and Multiples

Materials

Etching

Une Bergerie - Etching by Albert Brendel - 1862
Located in Roma, IT
Une Bergerie is a black and White etching realized by Albert Brendel in 1862.  Titled in the lower Image Size: 23x32 Very good impression. Realized by Cadart for the "Société des...
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1860s Impressionist Etching Prints and Multiples

Materials

Etching

VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
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1750s Old Masters Etching Prints and Multiples

Materials

Etching

Find Etchings and Other Prints on 1stDibs

Has the art-collecting bug bitten you? If not, maybe you’re merely looking to warm your space with art. Etchings and other types of fine art prints can help add interest to any room in your home while supporting your effort to tie an interior design together.

First invented in the 1500s, etching is a way of incising lines in a metal plate by first drawing on an acid-resistant coating, or ground, to reveal the metal beneath. The plate is then submerged in acid, which “bites” the lines into the metal plate. The ground is then removed and the plate inked for pressing. Etched lines tend to reveal the movement of the artist’s hand more than a technique like engraving, since the image is created on a softer ground.

“People often ask me what types of prints they should collect — etchings or woodcuts or linocuts or silkscreens or lithographs or whatever,” explains Ryan Cross, associate director of Boston’s Barbara Krakow Gallery. “But it’s really more how the artist used those processes and what he or she was trying to express through the medium.”

Find a collection of etchings and other fine art prints today on 1stDibs.