Gold Prints and Multiples

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

Set of Four CONCH V, CONCH IX, CONCH X, CONCH XI Color lithograph on handmade paper with gold flakes, 1987, three signed, dated and titled in pencil, published by Crown Point Press, San Francisco and with their blind stamp, the full sheets, framed. each sheets 24 x 17 3/4 inches each frame 28 x 22 1/4 inches Robert Kushner born 1949, Pasadena, CA is an American contemporary painter who is known especially for his involvement in Pattern and Decoration. He has been called "a founder" of that artistic movement. In addition to painting, Kushner creates installations in a variety of mediums, from large-scale public mosaics to delicate paintings on antique book pages...

5-color hand-pulled screen print - -4x metallic inks/white -embellished with affixed hand-punched metallic gold foil dots - on Fedrigoni Ispira - Nero (Black) - 270gsm - 40 x 100 ...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Cosmos I, Pink and White Gold leaf on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded with Pink Gold and White Gold leaf 31 x 31 cm/ 12.2 x 12.2 in (Framed) From Edi...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...

Betty Woodman (American, 1930-2018) Monoprint with gold leaf image size - 11 x30'' frame size - 20 x 39 x 1.75" 1991 Impeccably framed! signed “Betty Woodman, ‘91, AP1” printed by SO...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a scattering of flowers on the surface, all help to convey the dark mystery of a life below the surface." - Valda Bailey...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embo...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...

2 color lithograph on gold abaca. Image of a skeleton surrounded by leaves and letters spelling JUBILATION

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embo...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Paheli #Patal Lok Netherworld hand drawn screenprint on paper with 22 carat gold leaf (variations to the texture and finish of the gold make each piece unique) 3 (edition of 3) th...

Lithograph in 22 colors on Canson Edition paper mounted on cardboard, shaped and applied on gold leaf. Hand signed by Mel Ramos and editioned AP 18/50 on supplemental sheet. Publis...

Manufacturer: Obey Giant Edition Details: Year: 2022 Class: Diptych Set Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered by ...

City of Surprises 2 limited_edition Laser-cut gold mirror Edition number 20 Image size: H:50 cm x W:140 cm Complete Size of Unframed Work: H:50 cm x W:140 cm x D:0.7cm Sold Unframed...

“Aviary” // 24”x36” // 20-color screen print on heavyweight gold foil paper // Edition of 50 // Signed and numbered

Unique UV pigment print on a 6-colour silkscreen printed background 410gsm Somerset Tub-sized Radiant white 100% cotton paper, finished with hand-applied 24 carat gold leaf and ink. Hand signed lower left by Pejac. Hand numbered 723/1000 lower right corner. Artwork size 31.49 x 21.65 inches. Frame size 38 x 28 inches. The artwork is in excellent condition. Certificate of authenticity by Pejac included. All reasonable offers will be considered. HOPE was born in 2020 when, at the height of the pandemic, Pejac painted a mural on a hospital in his hometown – Santander. Seen from afar, thousands of figures formed the illusion of large crevice. The artwork quickly went viral online, and became a symbol of hope for many. Begun in the middle of 2023, our collaboration is centered on the question of how hope is found or created. To create the original work, Pejac undertook a month-long residency at Make-Ready in London. HOPE is an unprecedented collaboration between artist and printmaker. With the edition, Pejac reinterprets his iconic crevice which, seen up close, you will be surprised to see is made up from a multitude of tiny, individually-painted people. Each one plays their part in an overarching story of humanity. In the first print, just three figures appear, in the second, there are six and so on until the final print in the series of 1000, which features several thousand figures – each one unique. About the Artist: Pejac, born in Santander in 1977 is a Spanish street artist known for his minimalist style whilst exploring sensitive social, environmental and political issues. His work is powerful and deliberately provocative about real-world issues and he uses a range of artistic styles and mediums to get his often critical message across. Pejac studied art in Barcelona and Milan where he became disillusioned with the elitist attitude of the art world he was studying; he left formal education and embarked on his street art career. To label Pejac as a street artist is only capturing one element of his work. Pejac works to such fine detail and is technically highly skilled; he is quite capable at getting his message across with silhouette paintings on a wall or floor as he is at producing work in a classical style with exquisite fine detail. Pejac’s art...

Jayson Lilley A little bit of the Thames Limited Edition City Scape Print Edition of 50 Screen Print with Gold Leaf, Pen and Ink on Museum Board Size: H 24cm x W 51cm Sold Unframed ...

Clare Halifax Shimmer and Shine New York City Skyline Limited Edition Silkscreen Print Edition of 30 Image Size: H 100cm x W 33cm Sheet Size: H 110cm x W 3...

woven silk, gold leaf, photo collage screen print

General Idea was formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art. With their subversive approach and intere...

Color screen print on 300 GSM somerset paper. Hand signed and numbered on front by Snik. From the edition of 15. Frame size approx 29 x 29 inches. Artwork is in excellent conditi...

Starbusrs by Valda Bailey, 2017; Golden yellow sunflower paining like photographic Archival Pigment Print, Printed on Museum Glass, Hand gilded with Lemon Gold leaf, in bespoke frame...

Cosmos III, Moon and Pink Gold leaf on glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/ 12.2 x 12.2 in. Framed E...

Cosmos II, #abstract Moon and Pink Gold on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/12.2 x 12.2 in, Frame...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embo...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Supernova 2, 2017 "The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't readily wither and die but remain timelessly viable; their dazzling petals slowly becoming bronzed and desiccated, their statuesque form, elegantly contorted." Valda Bailey...

Lithograph in 18 colors on Magnani paper mounted on cardboard, shaped and applied on gold leaf. Hand signed by Mel Ramos and editioned AP 18/50 on supplemental sheet. Published by ...

This work of art is a screen print, relief, and collage with colored silver and gold leaf and thread on Sekishu Thick, Koso, French Black Hemptone, printed on Rives BFK. The language...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

Screenprint on paper with 24 karat gold leaf, collage and tape on board (Edition of 24) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in Ne...