Paint Prints and Multiples

The Right Trajectory by Amy Gardner [2021] limited_edition Screen Print, Spray Paint, Acrylic Paint Edition number 25 Image size: H:65 cm x W:45 cm Sold U...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: Animated Autumn Landscape Bewegte Herbstlandschaft, 1967 Technique: Signed and Dated Brush, I...

KAWS Along The Way (Black) 2019. New and unopened in its original packaging. The KAWS Along The Way figurine is a rendition of the artist's 2013 eighteen-foot wood sculpture origin...

Artist: Alberto Magnelli Title: Paper Glue on Blue Background Medium: Pochoir in Gouache Date: 1957 Edition: 1500 Sheet Size: 12 1/2" x 9 3/4 Signature...

After Ernesto MICHAHELLES, known as Thayaht Pendant les Modeles, 1922 A hand-coloured lithograph with gouache Signed, inscribed and dated in the plate 8.1/8 x 6 in. (20.7 x 15.3 cm.)

A unique print from an original drawing by Denis Meyers - Artist proof from an edition of 40. The print on paiinted paper features some of Denis Meyers "Word Patterns". Ships flat an...

Keith Haring Andy Mouse art toy: This rare vintage, limited edition Keith Haring Andy Mouse art toy was published in 2005 & is licensed by the Estate of Keith Haring. The collectible...

MARC CHAGALL ( 1887- 1985 ) “ Song of the Bow” 1958 from ‘The Bible’ Original Etching with hand-coloring in watercolor. Signed with initials and numbered ##/100 in pencil, published...

John Doe - In The Wings - Urban Graffiti Street Art Artists Doe, John Edition Details Year: 2021 Class: Art Print Status: Official Rel...

This striking large hand painted limited Edition is No. 1 of only 10 in existence. 80% of the painting is hand-painted in oil and gesso on giclee by Shizico Yi, the edition featuring...

Joan Cornellà Idiotmeter Man (Green): Idiotmeter Man represents Joan Cornellà's signature character clad in a kelly green suit and holding a scanner gun that presumably notifies one ...

Watercolor on paper 32 x 25 inches framed

Watercolor on paper

This piece titled "the same mysterious animacy" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, ...

London: Charles Hullmandel, c1839. Stipple point lithograph with hand coloring in watercolor on cream wove paper, 21 1/4 x 14 1/4 inches (540 x 362 mm), the full sheet. In fair cond...

Basquiat Bearbrick 400% and 100%: Bearbrick and Estate of Jean-Michel Basquiat Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the ...

Artist: John Gould (English, 1804-1881) Title: "Phalacrocorax Graculus (Spectacled Cormorant)" (Vol. 5, Plate 53) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 21.63" x 14.75" Image size: 17.25" x 12.25" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The spectacled cormorant or Pallas's cormorant is an extinct marine bird of the cormorant family of seabirds that inhabited Bering Island and possibly other places in the Commander Islands and the nearby coast of Kamchatka in the far northeast of Russia. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Boris deutsch was born in krasnagorka lithuania june 4 1892 died in los angeles 1978.Entered the polytechnic school in riga 1905.School of applied arts berlin 1912. Settled in l.A. 1...

18th-century celestial FLAMSTEED, John. Cetus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Yellow Rose Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image S...

Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered col...

Hand-Embellished Signature LA Hands Print. Blue and White Edition Signed

Subject for this artwork comes from Miguel de Cervantes' book. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course a...

The print comes from edition limited to 10. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Uni...

The title of the artwork refers to Bożena Wahl - polish paintress. She was active beginning from the second half of XX century, into the XXI century, died in 2025. Together with her ...

This is an exclusive handprinted limited edition cyanotype. "Caribbean Sandy Shore" is a cyanotype of a shoreline on a Caribbean beach. It is a beautiful image for tropical decor and...

Burr, George Elbert. OASIS OF SEVEN PALMS CALIFORNIA. Gouache on paper, not dated, but before 1921. Titled in pencil, lower left, and signed in pencil, lower right, and with the numb...

Andy Warhol Marilyn / Andy Warhil Flowers 400% Vinyl Figures: Set of two (2020-2021): Andy Warhol Flowers & Marilyn collectibles trademarked & licensed by the Estate of Andy Warhol. ...

KAWS: HOLIDAY United Kingdom: Set of 2 works (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. 2 individual works (bla...

Like an exquisite game of hide and seek, Sabina creates art work that immediately draws you in, yet keeps you looking. The central figures - powerful women, keenly wrought - invite c...

Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Cassia corymbosa (Argentine senna)" (T.6. No. 32) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Pl...

Dundonald Blooms is an original painting by Robert Dunt. This is one of Robert Dunt’s Distortion Form paintings. These paintings are inspired by music, and in particular the band the Jesus and Mary...

Bearbrick x Estate of Jean-Michel Basquiat and Andy Warhol Foundation 1000% Figures: Set of three works: Unique, timeless collectibles trademarked & licensed by the Estate of Jean-Mi...

Artist: Nathaniel Wallich (Danish, 1786-1854) Title: "Impatiens puberula (Soft Pink Balsam)" (Plate 193) Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants Year: 1830-1832 Medium: Original Hand-Colored Lithograph on J. Whatman paper Limited edition: 254 Printer: Engelmann, Graf, Coindet & Co., London, UK Publisher: Richard Taylor for Treuttel & Würtz, London, UK Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326 Sheet size: 21.13" x 14.13" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Provenance: private collection - Aspen, CO. Lithography by Maltese artist...

KAWS: HOLIDAY Shanghai: complete set of 3 works: KAWS' signature character COMPANION presented holding the moon, and gazing at the sky. New in original packaging - published to comm...

POSE spray paint can 2021: Limited Edition POSE spray paint can published circa 2021. A unique street art / graffiti collectible that makes for a fantastic home display piece. Med...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

EUGENE ABESHAUS Leningrad, Russia, (1939-2008) Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew Numbered 47/110 Framed 21.5 x 16. image 13.5 x 9 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel. Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form". Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

Friedel Dzubas Untitled, 1982 Monotype on handmade paper 33 1/4 x 33 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painting movem...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Andy Warhol, Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%); A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat & And...

Laura Moriarty's Ex Uno Plures 8 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...

Vicky Oldfield. Summer Flowers- printed on Somerset paper using oil based inks, collage and watercolour, Signed in pencil on bottom right, In an edition of 20. This beautiful work a...

Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Lantana aculeata (Common Lantana)" (T.6. No. 38) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Ple...

London: c1850. Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Corvus, Cornix (Hooded Crow)" (Plate 106) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Original Hand-Co...

Artist: John Latham (English, 1740-1837) Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

Joan Cornellà Idiotmeter Man (Green): Idiotmeter Man represents Joan Cornellà's signature character clad in a kelly green suit and holding a scanner gun that presumably notifies one ...

KAWS UK Holiday Companion Brown & KAWS Passing through: 2 works: KAWS UK Holiday: KAWS' signature character COMPANION presented in an upright and seated position with its eyes covered. Published to commemorate the debut of KAWS’ large sculptures...

FAILE - DIAMOND FAILEDOODLE (RED/TAN) Date of creation: 2022 Medium: Acrylic, spray paint, silkscreen ink and glitter on Archival Lenox 100 Edition number: 11/25 Size: 63.50 x 48.25 ...

The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Images like this were popular as ways of remembering loved ones, an alternative to portraiture of the deceased. This lithograph shows a man, woman and child in morning clothes next to an urn-topped stone monument. Behind are additional putto-topped headstones beneath weeping willows, with a steepled church beyond. The monument contains a space where a family could inscribe the name and death dates of a deceased loved one. In this case, it has been inscribed to a young Civil War soldier: William W. Peabody Died at Fairfax Seminary, VA December 18th, 1864 Aged 18 years The young Mr. Peabody probably died in service for the Union during the American Civil War. Farifax Seminary was a Union hospital and military headquarters in Alexandria, Virginia. The hospital served nearly two thousand soldiers during the war time. Five hundred were also buried on the Seminary's grounds. 13.75 x 9.5 inches, artwork 23 x 19 inches, frame Published before 1864 Inscribed bottom center "Lith. & Pub. by N. Currier. 2 Spruce St. N.Y." Framed to conservation standards using 100 percent rag matting and TruVue Conservation Clear glass, housed in a gold gilded moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 36 in. $ 1,600 40 x 30 in. $ 1,350 An artwork ins...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Artist: William Cavendish (English, 1593-1676) Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, Page 76) Portfolio: Methode et Invention Nouvelle de Dresser ...

Artist: Dale Chihuly (1941) Title: Venetian Series Year: 2018 Medium: Lithograph, silkscreen and acrylic on Waterford paper Edition: 79/125 Size: 37 x 25 inches Inscription: Signed a...

This Limited Edition is 90% hand painted, each edition is painted with hand mixed original paint by the artist, Shizico Yi, therefore the colour of each painting may very depended on...