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Medium: Pencil
Deneb (the brightest star in the constellation Cygnus) by renowned CA artist
Located in New York, NY
WILLIAM T. WILEY Deneb, 1996 Multi Color Lithograph on wove paper with one deckled edge 25 × 17 3/4 inches Edition of 265 Signed, dated inscribed "Ed. 265" Published by: Print Club of Cleveland Printed by Shark's Ink, Published by Print Club of Cleveland Unframed Fantastic multi color 1996 lithograph, hand signed and numbered by the remarkable well listed California artist William T. Wiley. Some people include Wiley in the genre of California funk...
Category

1990s Abstract Pencil Prints and Multiples

Materials

Lithograph, Pencil

Red Boats on Orange, Abstract Surrealist Lithograph by Lebadang
Located in Long Island City, NY
Artist: Lebadang, Vietnamese (1922 - 2015) Title: Red Boats on Orange Year: circa 1970 Medium: Lithograph on Japon Paper with Remarque Drawing, signed in pencil Edition: EA Size: 29 ...
Category

1970s Modern Pencil Prints and Multiples

Materials

Pencil, Lithograph

Floating Cards (pencil signed Artist s Proof) 1960s lithograph on Arches Mourlot
Located in New York, NY
Joe Goode Floating Cards, 1969 Lithograph on Arches paper with two deckled edges. Hand Signed. Dated. Annotated Hand signed, dated and annotated Artists Proof on the lower front 22 1/4 × 29 4/5 inches Published by Mourlot, Paris Provenance: Reese-Palley Gallery, Atlantic City, New Jersey Unframed Part of Joe Goode's five part 1960s series "Floating Cards". Rarely to market. The provenance of this print is from the Reese-Palley Gallery. The famous dealer and adventurer Reese Palley of Atlantic City New Jersey - was the second gallerist in the 1960s - after Paula Cooper - to set up shop in SOHO. Hand signed, dated, and annotated Artist's Proof aside from the regular edition. Pop art pioneer Joe Goode (born 1937) was born in Oklahoma City, Oklahoma, in 1937. In 1959 he moved to Los Angeles, California, where he attended the Chouinard Art Institute until 1961. First recognized for his Pop Art milk bottle paintings and cloud imagery, Goode's work was included along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Robert Dowd, Edward Ruscha, and Wayne Thiebaud, in the 1962 ground-breaking exhibit New Painting of Common Objects, curated by Walter Hopps...
Category

1960s Abstract Pencil Prints and Multiples

Materials

Pencil, Lithograph

Meeting in the cathedral. Mixed media drawing, Black and white, Polish artist
Located in Warsaw, PL
ZOFIA ANNA MISIAK Zofia Anna Misiak is a contemporary painter from an artistic family. Her parents are Janina Żylińska and Stanisław Misiak. Zofia Anna Misiak graduated from the Acad...
Category

Early 2000s Abstract Pencil Prints and Multiples

Materials

Paper, Ink, Gouache, Pencil

Do You Know...?, from the New York Collection for Stockholm portfolio (Signed/N)
Located in New York, NY
Nam June Paik Do You Know...?, from the New York Collection for Stockholm portfolio, 1973 Silkscreen on paper, in original portfolio sleeve Signed and dated '73 and numbered 36/300 i...
Category

1970s Modern Pencil Prints and Multiples

Materials

Screen, Pencil

Portrait of Nobleman - Pencil Drawing - Late 18th Century
Located in Roma, IT
Portrait of Nobleman is a Pencil and Pastel Drawing realized by an unknown artist of late 18th century. Good condition on a little yellowed paper...
Category

Late 18th Century Old Masters Pencil Prints and Multiples

Materials

Paper, Pastel, Pencil

Canon (facsimile print in black and white)
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. His pencil drawing is a technique so exquis...
Category

2010s Conceptual Pencil Prints and Multiples

Materials

Paper, Pencil, Carbon Pencil, Carbon Pigment

EVERYTHING IS SHIT Except You Love silkscreen, 1 of 3 signed Printer s Proofs
Located in New York, NY
Stephen Powers EVERYTHING IS SHIT Except You Love, 2014 Screenprint on 335 GSM Coventry Rag paper 24 × 24 inches Edition PP 3/3 Hand Signed and numbered in the artist's distinctive hand. One of only three rare Printer's Proofs Rare collectible! One of only three (3) printers proofs!! For offer here is an 11 Color lithograph on 335 GSM Coventry Rag paper featuring the incredibly popular message : "Everything is Shit Except you Love” by artist Stephen Powers, who recently exhibited at the Brooklyn Museum. The simple messaging with bold, playful lettering with purple background has resonated with so many, and the edition sold out almost immediately. This is one of only three rare Printers Proofs, aside from the regular edition, which is also long sold out. In excellent condition; never framed. Makes a terrific gift that says it all. Excellent provenance: Acquired directly from the printer. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...
Category

2010s Street Art Pencil Prints and Multiples

Materials

Screen, Pencil

Jim Dine, I Love Public Television, deluxe hand signed/N 1966 Pop Art Lithograph
Located in New York, NY
Jim Dine Love for Channel 13 Lithograph. Hand signed and numbered recto 27 × 21 1/2 inches Edition 185/200 Signed and numbered 185/200 in graphite pencil on the recto Unframed Rarel...
Category

1960s Pop Art Pencil Prints and Multiples

Materials

Pencil, Lithograph, Offset

Untitled post Minimalist sculptural lithograph by renowned sculptor (signed/N)
Located in New York, NY
Keith Sonnier Untitled post Minimalist lithograph, 1981 Lithograph on watermarked paper with publishers blind stamp Pencil signed, numbered 96/200 and dated on the front Published by...
Category

1980s Post-Minimalist Pencil Prints and Multiples

Materials

Graphite, Lithograph

The Lovers, Felix de Weldon
Located in Fairfield, CT
Artist: Felix de Weldon (1907-2003) Title: The Lovers Year: 2001 Edition: 2/10 A.P. Medium: Lithograph with graphite ink on BFK Rives cream color paper Inscription: Signed & numbered...
Category

Early 2000s American Modern Pencil Prints and Multiples

Materials

Ink, Graphite, Lithograph

Portrait - Original Pencil on Paper by Charles Walch - Early 20th Century
Located in Roma, IT
Portrait is an original drawing in pencil realized by Charles Walch (1896-1948). Good conditions, except for aged margins. Included a Passepartout: 53 ...
Category

Early 20th Century Modern Pencil Prints and Multiples

Materials

Pencil

Passeggiata Romana
Located in New York, NY
A very good impression of this color lithograph. Artist's proof, aside from the edition of 175. Signed, dated and inscribed "Epreuve d'artiste" in pencil. Printed by Desjobert, Paris...
Category

1950s Futurist Pencil Prints and Multiples

Materials

Color Pencil, Lithograph

Miguel Rasero Spanish Artist Original Hand Signed carborundum, chine colle
Located in Miami, FL
Miguel Rasero (Spain, 1955) 'Vinas', N/A carborundum, chine colle on Heavy weight handmade paper 52.6 x 40.6 in. (133.5 x 103 cm.) Edition of 18 ID: RAS-301 Hand-signed by author
Category

2010s Contemporary Pencil Prints and Multiples

Materials

Etching, Screen, Carbon Pencil

The Retreat of Constantine - Lithograph by Auguste Raffet - 1836
Located in Roma, IT
The Retreat of Constantine is a Lithograph realized by Auguste Raffet in 1836. Signed on the plate. Good condition with foxing.
Category

1830s Modern Pencil Prints and Multiples

Materials

Ink, Pencil

Print of Brice Marden s studio (hand signed by Brice Marden), Nan Goldin photo
Located in New York, NY
Brice Marden's Studio Offset lithograph poster (hand signed by Brice Marden in 2015) This print was published on the occasion of Brice Marden's 1996 exhibition at the Matthew Marks Gallery in Chelsea, New York City. The image is based on Nan Goldin's 1995 photograph of Marden working in his studio. The print was signed by Brice Marden for the present owner. A collectors item when hand signed! Accompanied by Certificate of Guarantee issued by the present gallery About Brice Marden: Ultimately I’m using the painting as a sounding board for the spirit. . . . You can be painting and go into a place where thought stops—where you can just be and it just comes out. . . . I present it as an open situation rather than a closed situation. —Brice Marden Brice Marden (1938–2023) continuously refined and extended the traditions of lyrical abstraction. Experimenting with self-imposed rules, limits, and processes, and drawing inspiration from his extensive travels, Marden brought together the diagrammatic formulations of Minimalism, the immediacy of Abstract Expressionism, and the intuitive gesture of calligraphy in his exploration of gesture, line, and color. Born in Bronxville, New York, Marden received an MFA from Yale University’s School of Art and Architecture, where his teachers included the painters Alex Katz and Jon Schueler. After graduation he worked as a guard at the Jewish Museum in New York. There, during a 1964 Jasper Johns retrospective, Marden studied Johns’s early works extensively and considered them in relation to the Baroque masters he has long admired, such as Francisco de Zurbarán, Francisco Goya, and Diego Velázquez. Marden’s paintings from the 1960s include subtle, shimmering monochromes in gray tones, sometimes assembled into multipanel works, in a manner similar to the black paintings and White Paintings of Robert Rauschenberg, who hired Marden as a studio assistant in 1966. A trip to Greece in the early 1970s led Marden to create the Hydra paintings (1972), which capture the turquoise hues of the Mediterranean, and Thira (1979–80), a painting composed of eighteen interconnected panels inspired by the shadows and geometry of ancient temples. To heighten the effect of each color, plane, and brushstroke, Marden developed the unique process of adding beeswax and turpentine to oil paint and applying the mixture in many thin layers. Marden employed this technique for the Grove Group paintings (1972–76)—exhibited at Gagosian’s Madison Avenue gallery in New York in 1991, along with related works—and the Red Yellow Blue paintings...
Category

2010s Minimalist Pencil Prints and Multiples

Materials

Pencil, Lithograph, Offset

Characters from the Sketchbooks (from September Storm plus Self Portrait)
Located in New Orleans, LA
This is a page from the artist's sketchbooks. Six pencil drawings show figures that might have been in preparation for future lithographs, Certainly the woman with the umbrella could have been an early iteration for September Storm. There is also a self portrait of Nesbitt. Clearly the works are authentic if unsigned. Provenance: from the Nesbitt studio. From workers wrestling with heavy machinery to a lone horseman traveling down a rut-filled country road; from the animated crowd at a livestock auction to the dignified worshippers at a serene Sunday service; Jackson Lee Nesbitt chose to represent the essence of humanity and the nobility of ordinary folk striving to get along as best they can. He studied with Thomas Hart Benton and John Demartelly...
Category

Late 20th Century American Modern Pencil Prints and Multiples

Materials

Graphite

Yankee Flame Pop Art photorealist Lt Ed Signed/N. Statue of Liberty US President
Located in New York, NY
Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...
Category

1970s Pop Art Pencil Prints and Multiples

Materials

Other Medium, Lithograph, Pencil

1954 Portrait Drawing, American Realist, Pencil on Paper, Unframed
Located in Brooklyn, NY
Paper Size: 14 x 11 inches ( 35.56 x 27.94 cm ) Image Size: 8.5 x 6.5 inches ( 21.59 x 16.51 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...
Category

1950s American Realist Pencil Prints and Multiples

Materials

Pencil, Pen, Paper

Last Call - the facsimile print
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here a post-war telephone set and an ancient Egyptian relief...
Category

2010s Photorealist Pencil Prints and Multiples

Materials

Paper, Pencil, Carbon Pencil, Carbon Pigment

Counting the energy of the shoe
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...
Category

2010s Conceptual Pencil Prints and Multiples

Materials

Paper, Pencil, Carbon Pencil, Carbon Pigment

Canon (facsimile print in black and white)
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. His pencil drawing is a technique so exquis...
Category

2010s Conceptual Pencil Prints and Multiples

Materials

Paper, Pencil, Carbon Pencil, Carbon Pigment

Flash portfolio colophon page, JFK Assassination silkscreen (Hand signed)
Located in New York, NY
Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...
Category

1960s Pop Art Pencil Prints and Multiples

Materials

Screen, Pencil

Silver Bonded
Located in Burlingame, CA
Silver and orange monotype EV —edition variée ed 3/5 with heavy hand coloring. A final work from the artist's mportant Cautionary Tales series, that was her focus throughout 2015. T...
Category

21st Century and Contemporary Contemporary Pencil Prints and Multiples

Materials

Color Pencil, Ink, Mixed Media, Monotype, Paper, Pigment

Place Setting (bread basket, glasses, butter dish) signed/n, top realist painter
Located in New York, NY
John Moore (b.1941) Place Setting, 1979 Lithograph on wove paper Hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front 17 × 22 inches Unframed This elegant still life lithograph is hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front. About John Moore: John Moore is an acclaimed contemporary realist painter...
Category

1970s Realist Pencil Prints and Multiples

Materials

Lithograph, Pencil

Shoreside - Drawing by Albert Besnard - Early 20th Century
Located in Roma, IT
Shoreside is an original drawing on ivory-colored paper, realized by Abel Besnard in the early 20th Century. Pencil Drawing. In good conditions, with tearing and missing pieces of ...
Category

Early 1900s Modern Pencil Prints and Multiples

Materials

Pencil

John Muench at Joan Whitney Payson Gallery of Art (Signed by John Muench)
Located in New York, NY
John Muench at Joan Whitney Payson Gallery of Art (Signed by John Muench), ca. 1982 Offset lithograph poster (Hand signed by John Muench) Hand-signed by artist, Pencil signed by John...
Category

1980s Realist Pencil Prints and Multiples

Materials

Lithograph, Offset, Pencil

Still, mixed media, 4 x 6 inches. Abstract printmaking
Located in New York, NY
Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique
Category

2010s Contemporary Pencil Prints and Multiples

Materials

Metal

Untitled sculptural lithograph (signed/numbered) by renowned sculptor
Located in New York, NY
Keith Sonnier Untitled sculptural lithograph, 1981 Lithograph on watermarked paper Signed, numbered 159/200 and dated in graphite pencil on the front Published by Waterstreet Press ...
Category

1980s Post-Minimalist Pencil Prints and Multiples

Materials

Graphite, Lithograph

Monograph: Christo The Gates Project for Central Park NYC (Signed and Inscribed)
Located in New York, NY
Super rare original signed The Gates proposal book for famous art critic: Christo: The Gates Project for Central Park New York City (Hand Signed and Inscribed to art critic Anthony ...
Category

1980s Pop Art Pencil Prints and Multiples

Materials

Mixed Media, Pencil, Offset, Board, Lithograph

Blu on Red, limited edition print by world renowned female portrait artist
Located in New York, NY
Brenda Zlamany Blu on Red, 2013 Limited Edition special giclee print. Hand signed and numbered. Edition of 100 19 1/2 × 19 1/2 inches Unframed Gorgeous giclee print based upon an o...
Category

2010s Realist Pencil Prints and Multiples

Materials

Pencil, Giclée

Untitled, expressionistic woodcut print, from the Art Against AIDS Portfolio
By James Bettison
Located in New York, NY
James Bettison Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges. Hand signed. Numbered 38/50. Dated. Printer's and Publisher's Blind Stamp. 20...
Category

1980s Contemporary Pencil Prints and Multiples

Materials

Woodcut, Pencil

Untitled, from the Long Point Gallery Portfolio
Located in New York, NY
Judith Rothschild Untitled, from the Long Point Gallery Portfolio, 1988 Woodcut on paper Hand signed, numbered 22/30 and dated on lower fr...
Category

1980s Abstract Pencil Prints and Multiples

Materials

Pencil, Woodcut

James Siena at PACE poster Hand signed by James Siena complex linear abstraction
Located in New York, NY
James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...
Category

2010s Abstract Geometric Pencil Prints and Multiples

Materials

Offset, Graphite, Pencil, Lithograph

Une Bouchee D Amour (signed presentation print by female photorealist artist)
Located in New York, NY
Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...
Category

2010s Photorealist Pencil Prints and Multiples

Materials

Mixed Media, Digital, Screen, Pencil, Graphite

Blocks No 2: With Black
Located in Burlingame, CA
Archival Pigment Iris Print. Edition 5/12 with heavy hand coloring and miced media worked over the print. Kim Frohsin spent 12 years working on monotype ev's and Iris prints, and wor...
Category

1990s Contemporary Pencil Prints and Multiples

Materials

Archival Pigment, Color Pencil, Gouache, Ink, Mixed Media

Fun Vacation (200 Engberg) Lithograph signed 13/16 by Ed Ruscha AND Kenny Scharf
Located in New York, NY
Ed Ruscha and Kenny Scharf Fun Vacation (200, Engberg), 1990 Lithograph in five colors on white Rives BFK paper (hand signed by BOTH Ed Ruscha and Kenny Scharf) 36 × 27 inches Hand-s...
Category

1990s Pop Art Pencil Prints and Multiples

Materials

Pencil, Graphite, Lithograph

Portrait - Original Pencil and Pastel on Cardboard by Danilo Bergamo - 1980s
Located in Roma, IT
Portrait is an original pencil and pastels drawing on cardboard realized by Danilo Bergamo in the second half of the XX century, in 1980s. Not signed. Good conditions. Danilo Berg...
Category

1970s Pencil Prints and Multiples

Materials

Pastel, Pencil

Steven s Carnage, from the Art Against AIDS Portfolio, Signed/N Lithograph 38/50
Located in New York, NY
Malinda Beeman Steven's Carnage, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges. Hand signed. Numbered. Titled. Printer's and Publisher's Blind Stam...
Category

1980s Contemporary Pencil Prints and Multiples

Materials

Pencil, Lithograph

Untitled abstraction, woodcut, Signed/N, Art Against AIDS, British Pop pioneer
Located in New York, NY
Derek Boshier Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publishe...
Category

1980s Abstract Pencil Prints and Multiples

Materials

Woodcut, Pencil

Untitled Figure signed numbered mixed media print from scarce European portfolio
Located in New York, NY
George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...
Category

1980s Abstract Expressionist Pencil Prints and Multiples

Materials

Lithograph, Screen, Pencil

Paris Review (Lt. Ed. S/N) 1960s print by renowned Pop Artist abstract landscape
Located in New York, NY
Allan D'Arcangelo Paris Review, 1964-5 Silkscreen 32 × 26 inches Signed and numbered from the limited Edition of 150 pencil signed, numbered and dated on the front Unframed Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...
Category

1960s Pop Art Pencil Prints and Multiples

Materials

Pencil, Screen

Stable Gallery 16 October 1962 hand signed inscribed by Robert Indiana - RARE
Located in New York, NY
Robert Indiana Stable Gallery 16 October 1962 (Hand Signed Inscribed) Silkscreen on art paper Signed and Dedicated in pencil on the recto. The dedication and signature reads ...
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1960s Pop Art Pencil Prints and Multiples

Materials

Pencil, Screen

Interstate 2, from the Reader s Digest Assoc. Art Collection, unique abstract
Located in New York, NY
Jennifer Hilton Interstate 2 (Reader's Digest Association Art Collection), 1988 Monotype on paper Signed and titled in pencil by the artist on lower right front. Reader's Digest Association (RDA) corporate art collection label with inventory number on the back This is a unique work Frame Included - original wood frame with plexiglass Jennifer Hilton is a master printmaker, lithographer and longtime art professor at various museums and universities including: Assistant Professor, Montserrat College of Art Faculty, Danforth Museum of Art Faculty, Worcester Art Museum Department of Visual and Performing Art Clark University This impressive, monotype features overlapping geometric shapes of varying opacity, creating a beautiful depth and intrigue of pictorial elements. An excellent work to have for any collector of geometric abstraction. This work was de-accessioned from the prestigious Reader's Digest Art Collection, who originally acquired it from the Bess Cutler...
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1980s Abstract Geometric Pencil Prints and Multiples

Materials

Monotype, Pencil, Lithograph

Male Face - Handsigned drawing
Located in Paris, IDF
Emile GILIOLI Male Face Drawing on art paper Handsigned on bottom left 65 x 50.2 cm (25.5 x 19.6 in.) Good condition, slight tear on the right side
Category

Late 20th Century Modern Pencil Prints and Multiples

Materials

Pencil

The Carriage and Horse - Drawing by Fernand Bivel - Early 20th century
Located in Roma, IT
The Carriage and Horse is a drawing in charcoal and pencil on paper realized in the early 20th century by Fernand Bivel. On the rear, there is another drawing of a nude. The state ...
Category

Early 20th Century Modern Pencil Prints and Multiples

Materials

Pencil

"The Cove" Abstract Landscape of a Desert with Mother and Child Lithograph
Located in Houston, TX
Gray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...
Category

1950s Abstract Pencil Prints and Multiples

Materials

Lithograph, Graphite

Abstract Expressionist Print by famed sculptor (signed/n lt edition of only 58)
Located in New York, NY
Mark di Suvero Untitled Abstract Expressionist Print, ca. 2010 Digital photo lithograph Boldly signed and numbered in graphite pencil from the limited edition of only 58. 13 x 17 in...
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2010s Abstract Expressionist Pencil Prints and Multiples

Materials

Lithograph, Digital Pigment, Pencil

Still Life with Sully and Warhol, Pop Art Mixed Media Signed Painting Drawing
Located in Surfside, FL
Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...
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1990s Pop Art Pencil Prints and Multiples

Materials

Mixed Media, Acrylic, Graphite

Untitled Stockholm print, from the Castelli Sonnabend Collection signed/numbered
Located in New York, NY
Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...
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1970s Pop Art Pencil Prints and Multiples

Materials

Rag Paper, Screen, Pencil

It s All In The Bag - Art Print Series 1 - 4, Four Fashion Art Prints
Located in Mississauga, Ontario
This series of four art prints on recycled paper features strong yet minimalist figurative compositions. A blend of detailed and expressive pencil work balances the contrast between ...
Category

2010s Contemporary Pencil Prints and Multiples

Materials

Mixed Media, Acrylic, Pencil, Color Pencil

The Rider - Drawing by Paul Emile Colin - Mid-20th Century
Located in Roma, IT
The Rider is a drawing realized by Paul Emile Colin in the mid 20th Century. Carbon Pencil on ivory-colored paper Stamped on the lower. Good conditions with slight foxing. The ar...
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Mid-20th Century Modern Pencil Prints and Multiples

Materials

Pencil

Going Retro - Art Print Series 1-4, Four Fashion Art Prints, Black, White, Red
Located in Mississauga, Ontario
This series of four art prints on paper capture the chic aesthetic of times past. Vintage style holds an enduring and timeless appeal. Personalize your space with this fashion statem...
Category

2010s Contemporary Pencil Prints and Multiples

Materials

Mixed Media, Acrylic, Pencil, Color Pencil

Big Blusher
By Torrie Groening
Located in Palm Springs, CA
Whimsical print of a big blush brush, created by the artist as a Valentines Day card, enclosed in a handmade card. The print is separate from the card. Groenig often combines digita...
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Early 2000s Contemporary Pencil Prints and Multiples

Materials

Pastel, Color Pencil, Digital

Characters - Drawing by Adolphe Willette - Late-19th century
Located in Roma, IT
Characters is a Drawing in pen realized by the artist Willette (Adolphe Léon). Signature on the lower right margin. Adolphe Léon Willette (30 July 1857, Châlons-sur-Marne – 4 Febru...
Category

19th Century Art Nouveau Pencil Prints and Multiples

Materials

Paper, Pencil

Nursing Soldiers - Drawing by Paul Emile Colin - Mid-20th Century
Located in Roma, IT
Nursing  Soldiers is a drawing realized by Paul Emile Colin in the mid-20th Century. Carbon Pencil on ivory-colored paper Stamped on the lower. Good conditions with slight foxing....
Category

Mid-20th Century Modern Pencil Prints and Multiples

Materials

Pencil

Pink Lace Kimono Collotype
Located in Soquel, CA
Highly detailed rendering of a kimono by Patricia A. Pearce (American, b. 1948). The ribbons in this piece have a metallic quality to them. Signed "Patricia A Pearce" in the bottom r...
Category

1980s American Realist Pencil Prints and Multiples

Materials

Paper, Ink, Acrylic, Pencil, Lithograph

Helmets - Drawing by Paul Emile Colin - Mid-20th Century
Located in Roma, IT
Helmets is a drawing realized by Paul Emile Colin in the mid 20th Century. Carbon Pencil on ivory-colored paper Stamped on the lower. Good conditions with slight foxing. The artw...
Category

Mid-20th Century Modern Pencil Prints and Multiples

Materials

Pencil

Posing Woman - Drawing by Fernand Bivel - Early 20th century
Located in Roma, IT
Posing Woman is a drawing realized by Fernand Bivel (1888-1950) in the Early 20th century  Pencil on paper, with another drawing on the rear. Good conditions with slight foxing. T...
Category

Early 20th Century Modern Pencil Prints and Multiples

Materials

Pencil

Two Figures - Drawing - Early 20th century
Located in Roma, IT
Two Figures is a drawing realized by an anonymous artist in the Early 20th century Pencil on creamy-colored paper. Good conditions. The artwork realized through deft quick strokes...
Category

Early 20th Century Modern Pencil Prints and Multiples

Materials

Pencil

Pencil prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Pencil prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, pink, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Barbara Shunyi, Ann Chernow, Eve Stockton, and Patricia A Pearce. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pencil prints and multiples, so small editions measuring 0.01 inches across are also available