Stencil Prints and Multiples

Paul KLEE (after) Analysis of Various Evils Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : Thi...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/2 x 8 1/2 inches (163 x 214 mm). With full o...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 4 1/2 x 5 1/2 inches (112 x 140 mm). A text inscripti...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 13 1/4 x...

Jack Youngerman, American (1926 - 2020) - Blue Circle, Year: 1981, Medium: Screenprint, Pochoir and Intaglio on Arches Paper, signed, dated and numbered in pencil, Edition: 11/75...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Jack Youngerman, American (1926 - 2020) - Orbit Yellow, Year: 1980, Medium: Screenprint, Pochoir and Intaglio on Arches Paper, signed, dated and numbered in pencil, Edition: 73/7...

Medium: pochoir (after the collage). Printed in 1957 at the atelier of Daniel Jacomet for the rare XXe Siecle (No. 9) published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 in...

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte a la cruche (Still Life with Pitcher), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Martial, from the album Georges Rouault, Visages (Faces), originates from the 1969 edition published b...

Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...

Medium: pochoir on sandpaper (after the oil painting on sandpaper). This unusual work was printed in 1967 on actual sandpaper for the rare catalogue "Oiseau solaire, oiseau lunaire, ...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Amusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...

Medium: pochoir (after the poster). Published in Paris in 1930 by Arts et Métiers Graphiques. Size: 11 3/4 x 8 1/2 inches (300 x 218 mm). Signed in the plate, not by hand.

Medium: pochoir. Printed at the atelier Jacomet in 1958 for the hard-to-find XXe Siecle (issue No. 10) published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 242 mm). ...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

This circa 1930 stencil print, La partie de pelote basque by Jacques Le Tanneur, vividly captures the spirit of the Basque Country through its depiction of a traditional pelota match...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Au Musee du Louvre, Rue de Rivoli (At the Louvre Museum, Rue de Rivoli), from the album Paris Capitale (Paris Capital...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 11 1/2 x...

Medium: pochoir (after the oil painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 6 inches (193 x 150 mm). A text inscription...

Serge POLIAKOFF Abstract Composition, 1956 Lithograph and stencil (Jacomet Workshop) Printed signature in the plate On wove paper 31.5 x 24 cm (c. 12.2 x 9.4 in) Edition San Lazarr...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Table before Window, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

Fernand LÉGER Tea Time : The Samovar, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Constructeurs (The Builders), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Cont...

Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 4 1/2 x 4 3/4 inches (115 x 120 mm...

Medium: pochoir on sandpaper (after the oil painting on sandpaper). This unusual work was printed in 1967 on actual sandpaper for the rare catalogue "Oiseau solaire, oiseau lunaire, ...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Portrait de petite fille (Portrait of a Young Girl), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Delaunay’s modern sensitivity to rhythm, structure, and expressive clarity, translating the original drawing into a refined synthesis of color and form through meticulous printmaking. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 13.39 x 10.83 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Sonia Delaunay (1885–1979) Title: Portrait de petite fille (Portrait of a Young Girl), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 13.39 x 10.83 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the project inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars. About the Artist: Sonia Delaunay (1885–1979) was a Ukrainian born French painter, designer, and avant garde visionary whose revolutionary use of color, geometry, and abstraction transformed twentieth century art and design. Born Sarah Stern in Odessa, she moved to Paris, where she became a leading figure of modernism and a pioneer of Orphism, a lyrical offshoot of Cubism founded with her husband Robert Delaunay that fused structure, rhythm, and pure chromatic energy. Deeply influenced by the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Delaunay absorbed the experimental spirit of the European avant garde while extending abstraction beyond the canvas into fashion, textiles, interiors, and stage design. Her theory of simultaneity celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Russes and Atelier Simultane introduced geometric modernism into everyday life. Like Picasso, she sought to unify art and existence; like Kandinsky, she viewed color as a spiritual force; and like Duchamp and Man Ray, she embraced modern technology and materials as tools for innovation. Her works from the nineteen thirties through the nineteen sixties captured the rhythm of modern life through radiant compositions of interlocking forms and shifting hues. The first living woman honored with a retrospective at the Louvre in nineteen sixty four, Delaunay remains a cornerstone of modernism, with works held in the Museum of Modern Art, the Tate Modern, and the Centre Pompidou. Her highest auction record was achieved by Rythme couleur (1964), which sold for approximately 4.3 million US dollars at Sothebys Paris on November twenty four, two thousand twenty one, confirming her enduring influence and global stature. Sonia Delaunay lithograph...

This exquisite lithograph and pochoir after Eugene Delacroix (1798–1863), titled Enfant nu (Nude child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a D...

This exquisite lithograph and pochoir after Jean Auguste Dominique Ingres (1780–1867), titled L enfant a la chevre (Child with a goat), o...

This exquisite lithograph and pochoir after Cornelis de Vos (1584–1651), titled Enfant endormi (Sleeping child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de D...

This exquisite lithograph and pochoir after Guido Reni (1575–1642), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer ...

This exquisite lithograph and pochoir after Annibale Carracci (1560–1609), titled Portrait d un jeune garcon (Portrait of a young boy), originates from the 1968 folio Visages d Enfan...

This exquisite lithograph and pochoir after Federico Barocci (c.1535–1612), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants. Quinze Dessins d...

Pablo PICASSO (1881-1973) Diurnes, Woman with Horse, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 5 5/8 x 3 7/8 inches (143 x 98 mm)...

Paul Cezanne Small French Garden, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMAT...

Medium: pochoir. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 9 1/2 x 12 3/8 inches (242 x 315 mm). Signed in the...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Mirliflor (Dandy), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 3/4 inches (125 x 96...

Jack Youngerman, American (1926 - 2020) - Orbit, Year: 1981, Medium: Screenprint, Pochoir and Intaglio on Arches Paper, signed, dated and numbered in pencil, Edition: 75, AP, Ima...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

LIFE IS FATAL II (2019) by Prefab77 Hand Finished Mix of Acrylic, Screen Print, Spray Paint, Stencil, and UV Ink on 350 gsm Fabriano Cotton Paper 70 x 100 cm Limited Edition of 15 Si...

Street Connoisseur - Life Is Beautiful, Red. Archival Paper with dimensions of 20 x 16 in. 5-Color Screenprint with 1 Hand Finished Stencil Layer Edition of 15 Certificate of Authent...

Paul Cezanne Still life, Fruits and wine, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) ...

Capricho de Goya n°7 is an héliogravure and stencil, realized in 1977, hand-signed and numbered n°125/200. Published by Berggruen Paris in 1977. Image dimensions: 21x15 cm. Incl...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 14 (Plate No. 14), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 6 x 3 3/4 inches (152 x 97...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Trois Graces (The Three Graces), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of th...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled a Notre-Dame, La Cite (At Notre-Dame, The City), from the album Paris Capitale (Paris Capital), originates from the 1...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...