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Medium: Watercolor
Felis Rubiginosa (Rusty-Spotted Cat) /// Daniel Giraud Elliot Cat Tiger Lion Art
By Daniel Giraud Elliot
Located in Saint Augustine, FL
Artist: Daniel Giraud Elliot (American, 1835-1915) Title: "Felis Rubiginosa (Rusty-Spotted Cat)" (Plate: XXIX - 29) Portfolio: A Monograph of the Felidae or...
Category

1870s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Lithograph

The Alligator (In the Gardens of the Zoological Society) /// Natural History Art
Located in Saint Augustine, FL
Artist: Robert Huish (English, 1777-1850) Title: "The Alligator (In the Gardens of the Zoological Society)" (Plate 26) Portfolio: The Wonders of the Animal Kingdom; Exhibiting Deline...
Category

1830s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Etching

Johann Weinmann: 18th Century Engravings of Sunflowers, Set of 4, Framed
Located in Richmond, GB
A complete set of four hand-coloured mezzotint engravings of sunflowers from: "Phytanthoza Iconographia", c1739, presented in hand-made, parcel-gilt, ebonised and decalcomania frame...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Shtetl Village Doodka Player Judaica Jewish California Modernist Artist Etching
Located in Surfside, FL
Boris deutsch was born in krasnagorka lithuania june 4 1892 died in los angeles 1978.Entered the polytechnic school in riga 1905.School of applied arts berlin 1912. Settled in l.A. 1...
Category

20th Century Modern Watercolor Prints and Multiples

Materials

Mixed Media, Watercolor

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames, Set of 6
Located in Richmond, GB
A group of mezzotint engravings of flowers from: "Phytanthoza Iconographia", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-174...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

19th century color lithograph figures cemetery willow tree memorial headstone
Located in Milwaukee, WI
The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Images like this were popular as ways of remembering loved ones, an alternative to portraiture of the deceased. This lithograph shows a man, woman and child in morning clothes next to an urn-topped stone monument. Behind are additional putto-topped headstones beneath weeping willows, with a steepled church beyond. The monument contains a space where a family could inscribe the name and death dates of a deceased loved one. In this case, it has been inscribed to a young Civil War soldier: William W. Peabody Died at Fairfax Seminary, VA December 18th, 1864 Aged 18 years The young Mr. Peabody probably died in service for the Union during the American Civil War. Farifax Seminary was a Union hospital and military headquarters in Alexandria, Virginia. The hospital served nearly two thousand soldiers during the war time. Five hundred were also buried on the Seminary's grounds. 13.75 x 9.5 inches, artwork 23 x 19 inches, frame Published before 1864 Inscribed bottom center "Lith. & Pub. by N. Currier. 2 Spruce St. N.Y." Framed to conservation standards using 100 percent rag matting and TruVue Conservation Clear glass, housed in a gold gilded moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...
Category

Mid-19th Century Romantic Watercolor Prints and Multiples

Materials

Watercolor, Lithograph

Florida Cormorant /// John James Audubon Ornithology Bird Art Natural History
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Florida Cormorant" (Plate 417, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 6.5" x 10.44" Image size: 3.75" x 6.25" Condition: Some minor discoloration upper center in margin. In excellent condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted in the Florida Keys on April 26, 1832, Audubon's forty-seventh birthday. The double-crested cormorant (Nannopterum auritum) is a member of the cormorant family of water birds. It is found near rivers and lakes and in coastal areas and is widely distributed across North America, from the Aleutian Islands in Alaska down to Florida and Mexico. Measuring 70–90 cm (28–35 in) in length, it is entirely black except for a bare patch of orange-yellow facial skin and some extra plumage that it exhibits in the breeding season when it grows a double crest in which black feathers are mingled with white. Five subspecies are recognized. It mainly eats fish and hunts by swimming and diving. Its feathers, like all cormorants, are not waterproof, and it must dry them out after spending time in the water. Once threatened by the use of DDT, the numbers of this bird have increased markedly in recent years. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Lithograph

Phalacrocorax Graculus (Spectacled Cormorant) /// John Gould Ornithology Bird
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881) Title: "Phalacrocorax Graculus (Spectacled Cormorant)" (Vol. 5, Plate 53) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 21.63" x 14.75" Image size: 17.25" x 12.25" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The spectacled cormorant or Pallas's cormorant is an extinct marine bird of the cormorant family of seabirds that inhabited Bering Island and possibly other places in the Commander Islands and the nearby coast of Kamchatka in the far northeast of Russia. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category

1860s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Lithograph

Set of Six Hand-Colored Engravings from Curtis s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1796-1829 (First-third seri...
Category

1790s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

Bob Marley, Happy Birthday, Mr. Brainwash, Limited Edition, Large Format
Located in Draper, UT
Mr. Brainwash Bob Marley’s 74th Birthday Limited Edition Screen Print with Watercolor from 2019. Iconic, beloved artist, Bob Marley is a pioneer and legend of Reggae music. "One Lov...
Category

2010s Street Art Watercolor Prints and Multiples

Materials

Spray Paint, Watercolor, Archival Paper, Stencil

Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854) Title: "Impatiens puberula (Soft Pink Balsam)" (Plate 193) Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants Year: 1830-1832 Medium: Original Hand-Colored Lithograph on J. Whatman paper Limited edition: 254 Printer: Engelmann, Graf, Coindet & Co., London, UK Publisher: Richard Taylor for Treuttel & Würtz, London, UK Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326 Sheet size: 21.13" x 14.13" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category

1830s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Lithograph

Don Quixote and apparition - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course a...
Category

Early 2000s Contemporary Watercolor Prints and Multiples

Materials

Paper, Watercolor, Drypoint

Fortune Hunting
Located in Middletown, NY
A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...
Category

Early 19th Century English School Watercolor Prints and Multiples

Materials

Etching, Watercolor

Toshogu Shrine
Located in Middletown, NY
In image of the Tokugawa family paying homage to Tosho-gu Shrine in Nikko. Tokyo: Matsuki Heikichi, 1896 Woodcut in ink with embossing and hand-coloring in watercolor on handmade m...
Category

Late 19th Century Edo Watercolor Prints and Multiples

Materials

Watercolor, Handmade Paper, Woodcut

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Dulcinea and Don Quixote - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Subject for this artwork comes from Miguel de Cervantes' book. The print is signed, it comes from edition lim...
Category

2010s Contemporary Watercolor Prints and Multiples

Materials

Paper, Drypoint, Watercolor

Set of Three Hand-Colored Lithographs from Roscoe s "Monandrian Plants"
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831) Title: "Phrynium Myrosma", "Costus Maculatus", and "Kaempferia Galanga (Aromatic Ginger)" Portfolio: Monandrian Plants of the order Scitam...
Category

1820s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Lithograph

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Johann Weinmann: 18th Century Engravings of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

John Duke of Somerset /// Medieval Knight Soldier Warrior Sword Spear Pike Art
Located in Saint Augustine, FL
Artist: Samuel Rush Meyrick (English, 1783-1848) Title: "John Duke of Somerset" (Vol. 2, Plate XLIX) Portfolio: A Critical Inquiry into Antient Armour Year: 1824 (First edition) Medi...
Category

1820s Old Masters Watercolor Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio, Etching

Jasminum officinale (Common jasmine) /// Pierre-Joseph Redouté Botanical Flower
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840) Title: "Jasminum officinale (Common jasmine)" (No. 27 page 93) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en ...
Category

Early 1800s Old Masters Watercolor Prints and Multiples

Materials

Watercolor, Engraving

Lonicera Pyrenaica (Pyrenean honeysuckle) /// Pierre-Joseph Redouté Botanical
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840) Title: "Lonicera Pyrenaica (Pyrenean honeysuckle)" (No. 15 page 53) Portfolio: Traité des Arbres et Arbustes que l'on Cultiv...
Category

Early 1800s Old Masters Watercolor Prints and Multiples

Materials

Watercolor, Engraving

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

1820s Victorian Watercolor Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

Summer Flowers, still life, floral art, limited edition print, Vicky Oldfield
Located in Deddington, GB
Vicky Oldfield. Summer Flowers- printed on Somerset paper using oil based inks, collage and watercolour, Signed in pencil on bottom right, In an edition of 20. This beautiful work a...
Category

21st Century and Contemporary Contemporary Watercolor Prints and Multiples

Materials

Paper, Ink, Watercolor

Paper Glue on Blue Background
Located in Washington, DC
Artist: Alberto Magnelli Title: Paper Glue on Blue Background Medium: Pochoir in Gouache Date: 1957 Edition: 1500 Sheet Size: 12 1/2" x 9 3/4 Signature...
Category

1950s Watercolor Prints and Multiples

Materials

Gouache

19th Century Hand Colored Lithograph of Roman Games In the Arena
Located in Douglas Manor, NY
5216 Late 19th C hand colored lithograph of a man and a woman in an arena participating in Roman games Period wood frame Image size 12x35"
Category

Late 19th Century Watercolor Prints and Multiples

Materials

Ink, Watercolor

Jungle Metropolis, an illustration by Guillaume Cornet white framed
Located in Dallas, TX
This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...
Category

2010s Pop Art Watercolor Prints and Multiples

Materials

Watercolor, Pen, Permanent Marker

OASIS OF SEVEN PALMS CALIFORNIA
Located in Portland, ME
Burr, George Elbert. OASIS OF SEVEN PALMS CALIFORNIA. Gouache on paper, not dated, but before 1921. Titled in pencil, lower left, and signed in pencil, lower right, and with the numb...
Category

Early 20th Century Watercolor Prints and Multiples

Materials

Gouache

Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Turkey Dracula mixed media watercolor, California Pop star Signed AP 6/10 Framed
Located in New York, NY
Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, ...
Category

1970s Pop Art Watercolor Prints and Multiples

Materials

Mixed Media, Watercolor, Lithograph

Two botanical prints after Cornelisi Bloemaert Vincenzo Leonardi
Located in Middletown, NY
Two botanical prints after Cornelis Bloemaert & Vincenzo Leonardi "Lemon", from Hesperides. Reproductive print on thick C.M. Fabriano cotton wove paper; and Pierre Joseph Buchot (17...
Category

Late 17th Century French School Watercolor Prints and Multiples

Materials

Watercolor, Engraving

Original Japanese Watercolor and Woodblock Print of Orchid and Swallows
Located in Burbank, CA
Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...
Category

1890s Art Deco Watercolor Prints and Multiples

Materials

Watercolor, Woodcut

"Concierto de Noche" (Concert of the Night)
Located in Atlanta, GA
This lithograph is in excellent condition. The photos shown are of one of the pieces in the edition. The piece you purchase will have a unique edition number and is new- never preowned. "Concert of the Night" is part of the 4-piece "Concert of the Hours of the Day Lithograph Suite. In this lithograph, Alvar shows a figure playing Chopin’s Nocturne No.1 at the piano. Next to the pianist there appears a figure eluding to George Sand who is holding laurel leaves symbolizing the inspiration of the artist whose portrait (extracted from a portrait of Chopin by the French painter Delacroix) appears in the lithograph. Being a nocturne, the chromatic range in the work consists predominately of blue tones, dominated by the brilliance of the lunar light in an atmosphere of seclusion and intimacy. This lithograph is hand-embellished with a watercolor over a lithograph drawing at the bottom of the main image. This piece was created, signed, and numbered by the artist. More about Alvar: Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Mediterranean coast near Barcelona. By the age of 17, he was accepted into the Escuela Superior de Bellas Artes de San Jorge in Barcelona. In 1960, he moved to Paris and exhibited with other major Spanish artists including Picasso, Miró, and Dalí. Today, Alvar is recognized on an international platform for his exploration of the psychological and historical complexities of art-making and creation in relation to one’s environment and experiences. The examination of both interiors and exterior spaces place a significant role in all of Alvar’s works. Alvar strengthens his artistic vision through the use of various mediums including oil paintings, lithographs, watercolors, drawings, bronzes, and ceramic bas relief sculptures. His works can be found in the permanent collection of over fourteen museums worldwide and he has several public commissions around the world, including his most recent bronze sculpture created in honor of Catalan cellist Pablo Casals that is located in Paris, France. Additionally, Alvar has had three consecutive retrospectives since 2014. His first was hosted at Las Casa...
Category

Early 2000s Modern Watercolor Prints and Multiples

Materials

Watercolor, Archival Paper, Lithograph

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

George Edwards: c18th Engravings of Birds in Decalcomania Frames
Located in Richmond, GB
George Edwards: "A History of Uncommon Birds", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Etching

George Edwards: c18th Engravings of Birds in Decalcomania Frames
Located in Richmond, GB
George Edwards: "A History of Uncommon Birds", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Etching

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
"Phytanthoza Iconographia", c1737-1745. A wonderful selection of yellow and blue flowers: hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", presented in hand-m...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Mexican Garden Tangle
Located in Brooklyn, NY
This is an artist proof (one of a kind) aquatint and watercolor depicting a cactus-filled Mexican garden, a mirror tilted up and an image of the artist s...
Category

2010s Contemporary Watercolor Prints and Multiples

Materials

Paper, Ink, Archival Ink, Aquatint, Watercolor

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Devils - Original Ink and Watercolor - Mid-20th Century
Located in Roma, IT
Devils is an original china ink and watercolor drawing on ivory paper by Anonymous Artist of the mid-20th Century. In excellent conditions: As good as new. Image Dimensions: 18 x 20...
Category

Mid-20th Century Modern Watercolor Prints and Multiples

Materials

Paper, Ink, Watercolor

Watercolour in the Tuscan countryside, signed and dated 1829
Located in Firenze, IT
Watercolour in the Tuscan countryside, Elisabetta Del Monte Bourbon, signed and dated 1829. Technique: watercolour on paper. Sheet dimensions: 25 × 21 cm Dimensions with frame: 36 ×...
Category

1820s Other Art Style Watercolor Prints and Multiples

Materials

Paper, Watercolor

Modes et Manières d Aujourd hui
Located in Wilton, CT
7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...
Category

1910s Art Deco Watercolor Prints and Multiples

Materials

Gouache

A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater London: George Humphrey, 1821. Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category

Early 19th Century Watercolor Prints and Multiples

Materials

Watercolor, Engraving, Etching

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

The Pyramid of Caius Cestius
Located in Middletown, NY
London: c1820. Etching with aquatint and engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small ...
Category

Mid-19th Century English School Watercolor Prints and Multiples

Materials

Handmade Paper, Engraving, Watercolor

Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category

18th Century Victorian Watercolor Prints and Multiples

Materials

Cotton, Archival Pigment, Pigment, Color, Walnut, Paint, Photographic Fi...

"Baby s Tears", Hand Augmented 1970s Botanical Screenprint, 96/270
Located in Soquel, CA
Whimsical 1970's hand painted botanical silkscreen of baby's tears plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 96/270 is written lower left. It is titled "Baby's Tears" and signed "Babette Eddleston...
Category

1970s American Impressionist Watercolor Prints and Multiples

Materials

Paper, Ink, Watercolor

Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Han...
Category

1760s Old Masters Watercolor Prints and Multiples

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving, Intaglio

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Great cordiality - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
The print comes from edition limited to 10. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Uni...
Category

2010s Contemporary Watercolor Prints and Multiples

Materials

Paper, Watercolor, Drypoint

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Italian Contemporary Art by Fred Borghesi - Know The Rules
Located in Paris, IDF
Watercolor, Ink and digital retouch. Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all ...
Category

2010s Contemporary Watercolor Prints and Multiples

Materials

Ink, Mixed Media, Watercolor

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Italian Contemporary Art by Fred Borghesi - Fluky Me
Located in Paris, IDF
Mixed Media(Watercolor and digital retouch), Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is ab...
Category

2010s Watercolor Prints and Multiples

Materials

Mixed Media, Watercolor, Digital

Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Watercolor Prints and Multiples

Materials

Watercolor, Mezzotint

Buborékfújók; Blowing Bubbles
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on white wove paper, 13 3/4 x 10 3/4 inches (347 x 271 mm); sheet 24 x 17 inches (608 x 430 mm), full margins. In good condition wi...
Category

Early 20th Century Modern Watercolor Prints and Multiples

Materials

Watercolor, Etching

Three (3) images from Thirty-six Views of Mt. Fuji (Fuji sanjūrokkei)
Located in Middletown, NY
Tokyo: Kawaji, 1830. Three (3) woodblock prints (nishiki-e) in color on handmade mulberry paper, each 2 5/8 x 3 3/8 inches (67 x 82 mm), the full sheet, margins slightly trimmed. Ea...
Category

Early 19th Century Edo Watercolor Prints and Multiples

Materials

Watercolor, Handmade Paper, Woodcut

Dulcinea - Figurative Drypoint Print, Colorful, Polish Art
Located in Warsaw, PL
Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture facul...
Category

2010s Contemporary Watercolor Prints and Multiples

Materials

Paper, Drypoint, Watercolor

Dripping Paint, Graffiti Forms in Blue Tones, Floating Abstract Shapes on Paper
Located in Barcelona, ES
This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...
Category

2010s Abstract Watercolor Prints and Multiples

Materials

Paper, Watercolor, Lithograph, Monotype

Watercolor prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Watercolor prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, purple, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John James Audubon, Guillaume Cornet, George Cruikshank, and Howard Hodgkin. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Watercolor prints and multiples, so small editions measuring 0.01 inches across are also available