Skip to main content

Horizontal More Prints

to
416
589
496
675
305
367
Overall Width
to
Overall Height
to
760
285
200
161
110
32
26
25
24
15
14
6
6
2
321
162
35
25
20
133
193
1,104
1,001
4
8
17
36
25
53
125
263
198
111
82
4,950
734
33
15
14
13
11
10
10
8
7
7
6
6
6
5
5
5
5
5
4
4
818
726
508
498
487
597
420
1,195
1,072
Orientation: Horizontal
Daphnes and Chloé, Planche XXVI
Located in OPOLE, PL
Marc Chagall (1887–1985) Daphnes and Chloé, Planche XXVI Lithograph in colours, 1961, A unique trial proof printed, notably without the central fold and visible printing marks, with variant colouration differing from the standard edition of 150. Unsigned, as issued. Sheet: 55 x 76 cm Frame: 93.6 x 73cm Published by Mourlot, Paris Referenced in Cramer, Chagall: The Illustrated Books, no. 46; Sorlier 329 In excellent condition, the sheet fresh and vibrant, with no evidence of light exposure or discolouration. The work has been framed for the first time by the present gallery, using high quality materials. -- Marc Chagall's Daphnis and Chloé...
Category

1960s Symbolist More Prints

Materials

Lithograph

Katie Edwards, Joy II, Limited Edition Print, Affordable Art, Circus Art
Located in Deddington, GB
Katie Edwards Joy II Limited Edition Silkscreen Print Edition of 50 Image Size: H 40.5cm x W 50.8cm (Please note that in situ images are purely an indication of how a piece may look). Joy II escaping on a carousel horse conveying the theme of Joy perfectly. This illustration was the winner of the 2014 Bridgeman Studio Award. Limited print run of 50, 4 colour silk screen print on Fabriano Ruvidi 200gsm paper. Each one is screen printed by hand, making each one unique. Signed by the artist Katie Edwards. Katie Edwards produces conceptual illustrations for a wide range of clients from weekly editorials to large and prestigious ad campaigns. Screen prints for sale by Katie Edwards focusing on conceptual ideas, symbolism and metaphors. The innovative juxtaposition of elements often result in a surreal, humorous or thought-provoking image. Art has been a big part of Katie Edwards life and education, right through to graduating from Leeds Metropolitan University in Graphic Arts and Design with a First Class Honours. Working in London for five years as an artist and graphic illustrator, moving to Canada for two years and undertaking commissions’ for clients including Delta Airlines and Converse Shoes...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen

Cannizaro H4-4 Damien Hirst Contemporary Art Diasec-mounted Giclée Print Street
Located in Draper, UT
Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...
Category

2010s Contemporary Abstract Prints

Materials

Metal

Mascara Roja
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

Las Cabanas
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...
Category

1990s Other Art Style More Prints

Materials

Lithograph

Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category

Mid-19th Century Realist Landscape Prints

Materials

Lithograph

Imagine Peace
Located in London, GB
Yoko Ono
 Imagine Peace, 2022 Silkscreen print on Somerset paper 29.7 x 42 cm
 comes with COA from the publishers published by CIRCA
Category

2010s Contemporary Prints and Multiples

Materials

Screen

Signed Lithograph Coloring Book by Keith Haring
Located in Long Island City, NY
A blank coloring book designed and printed by American Pop artist Keith Haring. This copy is signed and dated in pen by the artist and features several illustrations in the artist’s ...
Category

1980s More Prints

Materials

Lithograph

Venice: 18th Century View of the Basilica of S. Pietro di Castello by Lovisa
Located in Alamo, CA
This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...
Category

Early 18th Century Landscape Prints

Materials

Etching

"Psyche, " a Maltese
Located in Columbia, MO
The Curly Coated Retriever 1887 Etching
Category

Late 19th Century Naturalistic Animal Prints

Materials

Etching

Mother India II, Delhi - India Color Street Photograph of Books
Located in Cambridge, GB
Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Connecticut and Rhode Island. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Connecticut and Rhode Island.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.
Category

Early 20th Century Victorian More Prints

Materials

Lithograph

Boats of the Friendly Isles, Tonga: Original 18th C. Engraving from Captain Cook
Located in Alamo, CA
"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...
Category

1780s Landscape Prints

Materials

Engraving

Post it in Red, Multiple Black Print on Red Paper 2013 Triennale Milano Italy
Located in Brescia, IT
This is a site specific artwork of Ettore Spalletti in Pop Art style of Andy Warhol and following Ed Ruscha , especially made for the exhibition at the Triennale of Milano (Italy) in...
Category

21st Century and Contemporary Pop Art Abstract Prints

Materials

Paper

Tram, Milan - Italian Color Photography
Located in Cambridge, GB
Tram, photograph from Richard Heeps' series A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featuring at the Affordable Art Fair Mil...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Virginia. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Virginia' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.
Category

Early 20th Century Victorian More Prints

Materials

Lithograph

Tape Collection, 90 Minutes Tinted Blue - Contemporary Pop Art Color Photography
Located in Cambridge, GB
90 Minutes Tinted Blue, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, perso...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Space, Ibiza - Typography Color Photograph
Located in Cambridge, GB
Space, Ibiza, features neon lettering against an inky blue sky. The subject is a roadside sign taken in Ibiza during the final year of the iconic super club 'Space'. The response to ...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Star Chart. Antique Astronomy celestial print
Located in Melbourne, Victoria
Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...
Category

Late 19th Century Victorian More Prints

Materials

Lithograph

Les Banderilles (IV), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...
Category

1960s Abstract Animal Prints

Materials

Lithograph

"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category

Mid-19th Century Naturalistic Landscape Prints

Materials

Lithograph

"Borrowed Time Limited Edition Drawing
Located in Laguna Beach, CA
Rare Limited Edition Serigraph of John Lennon's "Borrowed Time" drawing, which is one of the very few drawings that John saved where he is playing music. This limited edition was ...
Category

1990s Contemporary More Prints

Materials

Screen, Other Medium

Bat in the meadow. 1982. Paper, linocut, 20x34 cm
Located in Riga, LV
Bat in the meadow. 1982. Paper, linocut, 20x34 cm imprint size 10x25,5 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ...
Category

1980s Folk Art Animal Prints

Materials

Paper, Linocut

L Etreinte II - Etching by P. Picasso - 1963
Located in Roma, IT
Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...
Category

1960s Cubist More Prints

Materials

Etching, Aquatint

Suckers State I
Located in New York, NY
A very good impression of this lithograph on Rives BFK. Signed, inscribed "state I" and numbered 111/150 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blin...
Category

1960s Pop Art Abstract Prints

Materials

Lithograph

West Virginia. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. West Virginia' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.
Category

Early 20th Century Victorian More Prints

Materials

Lithograph

Forward Pass
Located in New York, NY
Lithograph on wove paper, 1972. Signed by the artist in pencil, lower right. Inscribed "Ed. 250" in pencil, lower left. Published by Associated American Artists, New York. Catalog...
Category

1970s American Realist More Prints

Materials

Lithograph

Pastel Landscape: Impressionist Farmhouse, Signed Lithograph Modern Monet Style
Located in Union City, NJ
Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith from Leland...
Category

1980s Impressionist Landscape Prints

Materials

Lithograph

Coat, Swing and Lawn, From the Series "Why This Restlessness?"
Located in Miami Beach, FL
By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...
Category

2010s Contemporary More Prints

Materials

Archival Ink, Color

Japanese Woodblock Print , By Unknown, Color Woodblock Print on Paper
Located in Oklahoma City, OK
This 21.25" x 37.5" framed Japanese woodblock print, depicts a busy scene that includes many figures within, and upon a large boat. The boat takes up the majority of the horizontal c...
Category

19th Century Edo More Prints

Materials

Paper, Woodcut

Londres (London)
Located in New York, NY
Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris. Catalogue Raisonne:...
Category

1920s Pointillist Landscape Prints

Materials

Etching, Aquatint, Color

Original 1917 Railroad Map of Washington State railway map
Located in Spokane, WA
This is an Original Lithograph Vintage Railroad Map of Washington State; it is not a reproduction. “Railroad Map of Washington, 1917, The Public Servi...
Category

1910s Academic Landscape Prints

Materials

Lithograph

Delitto A Hollywood, Milan - Book Kiosk, Italian color photography
Located in Cambridge, GB
'Delitto A Hollywood', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

The Last Kiss, Milan - Book Kiosk, Italian color photography
Located in Cambridge, GB
'The Last Kiss', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for a spe...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Rare 1922 German Jewish Judaica Zion Woodcut Woodblock Print Hermann Fechenbach
By Hermann Israel Fechenbach
Located in Surfside, FL
Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...
Category

1980s Impressionist Figurative Prints

Materials

Woodcut

A View of Kauai, Hawaii as Seen by Captain Cook: An Original 18th C. Engraving
Located in Alamo, CA
"An Inland View in Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompa...
Category

1780s Landscape Prints

Materials

Engraving

After Picasso Exhibition Poster, "Mostra di Picasso, " depicting Guernica - 1953
Located in Roma, IT
Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953. Limited edition of 1,000 copies, most of which lost or...
Category

1950s Cubist More Prints

Materials

Offset

Interchangeable Names - Original Screen Print by Paolo Pasotto - 1976
Located in Roma, IT
Interchangeable Names is an Original Screen Print realized in 1976 by Paolo Pasotto. Good conditions. Hand-signed. Numbered. Edition, 93/100 The artw...
Category

1970s Contemporary More Prints

Materials

Screen

Four 19th Century Hand Colored Engravings Depicting English Royal Residences
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category

1810s Academic Interior Prints

Materials

Engraving

After Picasso Exhibition Poster, "Mostra di Picasso, " depicting Guernica - 1953
Located in Roma, IT
Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953.  Limited edition of 1,000 copies, most of which lost or badly damaged overtime. Mounted on canv...
Category

1950s Cubist More Prints

Materials

Offset

Tape Collection Elektronik Blue- Contemporary Pop Art Color Photography
Located in Cambridge, GB
Elektronik Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Original Porsche 928 Cutaway Techical Art vintage automotive poster
Located in Spokane, WA
Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...
Category

Late 20th Century American Realist Interior Prints

Materials

Offset

Folsom Street Variation III (Primaries)
Located in New York, NY
Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...
Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Aquatint

Untitled, from the Kinderstern Portfolio
Located in Milford, NH
A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...
Category

1980s Abstract Geometric Abstract Prints

Materials

Paper, Screen

Butterfly - 21st Century Figurative Copperplate Print Black White
Located in Warsaw, PL
KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...
Category

Early 2000s Contemporary Figurative Prints

Materials

Paper, Black and White

Abstract Expressionist Lithograph for the Carnegie Museum of Art, Lt Ed. of 1000
Located in New York, NY
Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Friedensreich Hundertwasser Serigraph on Metal on Layered Plexiglas, 1979
Located in Phoenix, AZ
Friedensreich Hundertwasswer (Austrian 1928-2000) Serigraph on Metal on Layered Plexiglas, 1979 “Fall in Cloud, Fall in Fog, Fall Out” Measures: 11 3/8"h x 13 3/4"w x 1 1/2"d. Prese...
Category

1970s More Prints

Materials

Plexiglass

Skyline (San Francisco)
Located in New York, NY
Signed and numbered 19/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Editions San Francisco Grafic, San Francisco. From Album San Francisco. Catalogue raison...
Category

1990s Modern Landscape Prints

Materials

Lithograph, Color

The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category

Mid-19th Century Romantic Landscape Prints

Materials

Engraving

Seaweeds, German antique underwater botanical chromolithograph print
Located in Melbourne, Victoria
'Algen I' (Seaweeds) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)
Category

Late 19th Century Naturalistic Animal Prints

Materials

Lithograph

Red Jet - iconic vintage private jet plane on desert airport tarmac (48 x 74")
Located in San Francisco, CA
large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

The Comparative Sizes of the Planets. Antique Astronomy diagram
Located in Melbourne, Victoria
Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...
Category

Late 19th Century Victorian More Prints

Materials

Lithograph

Mr. Brainwash GLITCH - PINK Screenprint, Signed Edition
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Mr. Brainwash aka Thierry Guetta (French, b. 1966) Marking(s); notes: signed, thumb print; 2018 Materials: screenprint on paper Dimensions (H, W, D): 2...
Category

2010s Pop Art Figurative Prints

Materials

Lithograph

Dream Landscape - Trevelyan Surrealist Monochrome Etching Print
Located in Kingsclere, GB
Julian Trevelyan 1910-1988 Dream Landscape, 1932 etching 31 x 33 cm 12 1/4 x 13 in with Estate stamp, title and inscription by Mary Fedden in pencil Julian Trevelyan was an importan...
Category

20th Century Figurative Prints

Materials

Etching

Sangre de Christos hand-pulled serigraph by Robert Daughters
Located in Paonia, CO
Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...
Category

20th Century Expressionist Landscape Prints

Materials

Screen

Luis Miguel Dominguin, from Aluminum Series, Lithograph Silkscreen S/N, Framed
Located in New York, NY
Elegantly framed and ready to hang! Frank Stella Luis Miguel Dominguin, from the Aluminum Series Lithograph and silkscreen in gray and silver on Special Arjomari paper Signed, dated...
Category

1970s Abstract Geometric Abstract Prints

Materials

Screen, Lithograph

Scripto Mondo - Girl From The North Country
Located in Toronto, ON
12.5" x 24" Limited Edition Print of 495 Hand Signed by Bob Dylan This song of longing for an absent love was written in 1962 and appeared on The Freewheelin’ Bob Dylan – a kind of ...
Category

21st Century and Contemporary More Prints

Materials

Giclée

Extended Frame with Separation
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Abstract Prints

Materials

Woodcut

Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Category

1960s Abstract Abstract Prints

Materials

Lithograph, Screen

Mr. Brainwash GLITCH - BLUE Screenprint, Signed Edition
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Mr. Brainwash aka Thierry Guetta (French, b. 1966) Marking(s); notes: signed, thumb print; 2018 Materials: screenprint on paper Dimensions (H, W, D): 2...
Category

2010s Pop Art Figurative Prints

Materials

Lithograph

Recently Viewed

View All