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Original: FORGOTTEN ISLAND OF SANTOSHA vintage surfing poster. Artist: Bill Ogden. Size: 27" x 39 3/4". Year: 1974. Original One Sheet from Austra...

'1-4 Morchella Lutescens 5-7 Morchella Abietina' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific...

Tamara de Lempicka (1894-1980) - Saitn Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

Pablo Picasso (1881-1973) - L'atelier de Cannes Lithograph from 1958. On Arches paper. Dimensions of work: 44.8 x 33.4 cm. Plate signed. It's an enhanced version of the first st...

This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838. Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...

Richard Heeps is well known for his signature pop art style using of colour and composition in this ready to hang set of nine individually framed photographs. The artworks can be hu...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Day Tripper" first released as a single by the Beatles in December, 1965...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cybernetic Lobster Telephone MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chase, Chi...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "I'm Losing You" first released on "Double Fantasy" in 1980. It was written when Lennon was in Bermu...

Chu Teh-Chun (1920-2014) - Composition abstraite Lithograph from 1960. Edition 60/60. Dimensions of work: 63.5 x 48.5 cm. Hand signed. Publisher: Galerie de France, Paris. Dime...

ELIZABETH CATLETT Candace - 10th Anniversary Celebration 1992, A Tribute to African American Women National Coalition of 100 Black Women, Commemorative Fine Art Poster Year printed...

Salvador Dali (1904-1989) - St. George Lithograph from 1972. The edition of 187/250. Dimensions of work: 68 x 50 cm. On B.F.K Rives paper as stated in the Field catalogue. Refer...

Jean Carzou (1907-2000) - Le débarquement Lithograph from 1966. Dedicated to Pierre Sorlier, on Arches paper. Dimensions of work: 77.7 x 62.2 cm. Hand signed. The work is in Exc...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist King MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XXX/XL MEASUREMENTS: 29...

Shock and awe! Original Counselor at Crime vintage movie poster. 'Good with the Law, Better with a Gun! Paper, original theater fold. Very good condition without any paper loss or tears. 1973 When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio (Martin Balsam) agrees, but reluctantly. Such behavior by either one is a violation of the code, and a bloody mob war breaks out. It is only through the strong support of his family connections in Sicily that Don Antonio is able to survive the melee and come out on top. Aghast at the situation he has caused, the godson (Tomas Milian) becomes his leader's "consigliere," or Counselor at Crime. This Italian movie was filmed in English in San Francisco, California, and Palermo, Sicily. This is a man-cave vintage poster, one that you very seldom see or have the chance to purchase. Printed in black and white with red to grab your attention. Italian movie in English. The poster was originally folded, like all early movie posters, so that it could be sent to the movie theater. Original fold marks. Some small scuff marks at the fold marks. No tears. The original fold marks are not classified as flaws in old movie posters...

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure sh...

Pablo Picasso (1881-1973) - L'atelier de Cannes Lithograph from 1958. On Arches paper. Dimensions of work: 44.8 x 33.4 cm. Plate signed. It's an enhanced version of the first st...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Le cheval de Troie Lithograph from 1972. The edition of 187/250. Dimensions o...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Dear Prudence" first released as on The White Album by the Beatles in 1968 . It was written when Len...

'Ubersichtskarte Des Mondes' (Overview Map of the Moon) German chromolithograph, circa 1895. 245mm by 305mm (sheet). Central vertical fold as issued.

Original poster: . Come On!, By more Liberty Bonds. Artist: Walter Whitehead. Professional acid-free archival linen backing. A- condition. Small ...

'1. Cynthia juliana 2. Anartia amalthea 3. Junonia orthosia' Late 19th century colour lithograph of butterflies.

Paul Klee (1879-1940) - Winter Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

'Flowering Shrubs' Antique English flower botanical chromolithograph.

Original vintage poster: YOU Buy a Liberty Bond. Linen Backed World War 1 bonds poster. Archival linen backed in good condition; ready to frame. Artist: C . R. Macauley created...

Carlos Ruano Llopis (1878-1950) Original Vintage Bullfighting Poster March 1953 107cm x 53cm Carlos Ruano Llopis was born in 1878 in Orba, Spain ...

Roberto Matta, Chilean (1911 - 2002) - Raising A Glass, Year: circa 1943, Medium: Etching, Image Size: 9.75 x 8 inches, Size: 15 x 11.75 in. (38.1 x 29.85 cm), Reference: Unrecorde...

Pablo Picasso (1881-1973) - Dans l'Atelier de Picasso Lithograph from 1957. The edition of 275. Dimensions of work: 44.5 x 33.5 cm Publisher: Fernand Mourlot Éditeur, Paris. Ref...

Mixed media, archival pigment and silkscreen on 410gsm Somerset Satin paper 111.8 × 78.7 cm Edition of 95 hand-signed and numbered by the artist James McQueen, born in 1977, is a Br...

'Honesty' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand a...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...

Animam et Corpus Trado pro Patriis Legibus is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani bet...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

'1. Castnia eudesmia 2. Castnia huebneri 3. Synemon catocaloides 4. Neocastnia nicevelli' Late 19th century colour lithograph of butterflies.

'Winter Jasmine' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateu...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Le chavelier de la mort Lithograph from 1972. The edition of 187/250. Dimensi...

The Dance from the series The Arts is a lithograph by Salvador Dalì, realized by the surrealist master in 1980.  Hand signed on the lower right margin.  Numbered on the lower left....

Artist: Marc Chagall Title: The House in My Village Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 18 1/2" Image Size: 12 1...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

Ed Ruscha, American (1937 - ) - America: Her Best Product (Made in U.S.A.), Portfolio: Kent Bicentennial Portfolio, Year: 1975, Medium: Offset Lithograph, Image Size: 13 x 9.5 in...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Original factory-issued, acid-free archival linen backed: Very fine condition. Porsche Targa Florio 1965 Classifica Assoluta Categoria Prototipi 2 litr...

'Agaricus Vaginatus' (grisette or the grisette amanita) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the sci...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

Foyer VII & VIII, Italian interior architecture color photographs from Richard Heeps series A Short History of Milan There is a reoccurring linear, structural theme throughout the ...

MODERNIST ABSTRACT is an original hand drawn lithograph by the Lithuanian/Israeli artist, Yona Lotan (1926 - 1998). Lively modern abstract composition of multicolor Matisse-style flowers and shapes printed in visually appealing shades of lavender, purple, green, peach, burgundy, blue, pink, yellow, and metallic gold ink on archival Arches paper, 100% acid free. MODERNIST ABSTRACT features playful organic shapes, including flowers, breasts, human body shapes, intermingled with rhythmic geometric forms creating a visually compelling composition with metallic gold ink adding a slight shimmer to this impressive, imaginative design. Print size - 26 x 20 in. unframed, excellent condition, hand signed in pencil by the artist Yona Lotan. Edition size - 225, plus proofs Year - 1977 About the artist- Yona Lotan (1926-1998) Jewish engineer and painter was born in Lithuania. His family moved to Tel-Aviv, Palestine in 1936. He served as a high-ranking officer in the Israeli Army and fought in the War of Independence. In 1959 Yona Lotan began painting; he's considered a self-taught, outsider artist. Lotan always had the unquenchable desire to draw. His one-man shows in Israel and Geneva were so successful that he left the army, sold all his belongings and moved to Paris in 1960 in order to devote his life to painting. His art was vibrant and he became well known, not only in Europe, but also in the United States. In 1965 he won the coveted Prize of Foreign Painting given by the National Museum of Modern Art in Paris. Along with Maryan, Avigdor Arikha, Mordechai Ardon and Yaacov Agam. he was part of a group of Jewish emigre artists who worked in Paris. Paintings of Lotan are contained in the collections of: Musee National d'Art Modern, Paris, Pompidou Center, Paris Musee Municipal d'Art Modern, Paris. Museum Boymans, Rotterdam. Musee "Petit Chateau", Geneve. National Galerie, Berlin. Senatsversaltung fur Wissenschaft und Kunst, Berlin. Private collections in Israel, France, England, Brazil, Holland, Switzerland, Sweden, Greece, Spain, Italy, Mexico, USA and Canada. One-Man Shows and Group Shows: 1959 - "Young Painters Exhibitions", Tel-Aviv 1960 - Katz Gallery, Tel-Aviv Nora Gallery, Jerusalem, La Maison Juive, Geneve 1961 - "Exhibition of Israeli Artists", Tel-Aviv Museum "Ecole de Paris 1961" Galerie Charpentier, Paris 1962 - Galerie Camille...

Alberto Magnelli (1888-1971) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed....

Foyer VI, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become ...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Vivid Lime Green, Pink Lemonade, Cornflower Blue, Lemon Yellow. Get in touch to request other sizes or colo...

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

ARTIST: Salvador Dali TITLE: Lyle Stuart Tarot Prints Wheel of Fortune MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 100/250 MEASUREMENTS: 22.87" x 17...

Matisse Exhibition poster is a contemporary artwork realized in 1978. Mixed colored offset poster realized in the occasion of the exhibition of Henry Matisse...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian poster in perfect condition, ready to frame. This is the original first printing of the Museo Dell'Automobile Torino (Italy) Batman, Andy Warhol. 'Viaggio in Italia'. This poster features the artwork for Warhol’s unauthorised 1964 film “Batman Dracula”. Excellent condition. Certificate of Authenticity. Printed in Italy. The exhibition poster was for Nov. 30, 1996 - March 9, 1997. This BATMAN - Museo Dell'Automobile Torino is an Original Vintage Poster, not a reproduction. This poster is in excellent condition. This is an Original Lithograph Vintage Poster; it is not a reproduction. This is an Original Lithograph Vintage Poster; it is not a reproduction. Free Continental USA shipping included (saves $69 1st Dibs...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Feria del Libro (Book Fair), 1966 Rafael Tufino Silkscreen on paper, measuring 20 x 29 1/2 inches ~ (50 x 73 cm) Some creasing and wear around edges. Ships rolled in tube with...

René Magritte (1898-1967) - Les bijoux indiscrets Lithograph from 1975. Edition 70/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. Ea...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...