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Original Lithograph by Jean Cocteau Title: Surrealist Smile Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

Artist: Joan Miro Title: Plate V Portfolio: Lithographe III Medium: Lithograph Date: 1977 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 10" x 13" Image Size: 10" x 13...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

After Henri Michaux - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A C...

"Reliq" is an original black and white monotype by Beckett Berning. The artist signed the piece. It depicts a face above a gravestone. 9 1/4" x 6 3/4" art 18" x 15 3/4" frame Beck...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

A very good impression of this color aquatint on Richard de Bas cream wove paper. Signed and numbered 23/96 in pencil by Tobey. Published by Edition de Beauclair, Frankfurt am Main.

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Tighe O'Donoghue's intricate portrayal of a tiled Classical Greco-Roman garden framed by traditional buildings with collonades. Across the cloudy sky, bearded spirits watch over the ...

Ariel (variant) Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching with Aquatint, signed in ink Edition of HC 1 Image Size: 18.5 Size: 15 x 9 in. (38.1 x 22.86 cm)

Portfolio with complete text is one of 150 deluxe numbered copies. It consists of 7 boldly colored lithographs and color lithograph cover. The sheets are loose as issued. Signed in p...

Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Plate XLII 1778 edition hand colored edition 17.88 x 11.00 good condition Pla...

Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving – Plate XXVII 1778 edition Plate XXVII is from The A...

Moses Harris ( British 1731-1785 ) Plate XXXVIII ,The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving 1778 edition 17.88 x 11.00 Very good condi...

Marine Parade

Tighe O'Donoghue's portrait of a poet with a long beard and large, deep-set eyes is emblematic of the artist's whimsical and moody work. Poet Tighe O’Donoghue, American (1942–2023)...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Leonor Fini Ma fortune, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Original Lithograph by Jean Cocteau Title: Paul Valery Poems Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

This woodcut by Franz Marc is hand signed in pencil by the artist’s wife "Maria Marc" verso. The paper also bears the violet inkstamp, verso "Handdruck vom Originalholzstock bastaeti...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Paula Valenzuela What Is Left, 2019 Giclée archival inkjet print on watercolor paper Unframed dimensions: 14 x 14 inches Framed dimensions: 17.12 x 17.12 inches Edition of 10 Limite...

9" x 9" Unframed Limited Edition Giclee of 500 Hand Signed by Adam Barsby

Raoul Ubac - Rythm - Original Woodcut Title: Rythm Dimensions: 32 x 24 cm Revue Art de France The painter-sculptor Raoul Ubac was born in 1910 in Malmédy (Ardennes, Belgium). He wen...

ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: If, from: Etc.; If; South; Question & Answer, 1991 Technique: Original Hand Signed, Dated and Numbered Lit...

A superb, richly-inked impression of this extremely scarce, early etching, aquatint and engraving with hand coloring in watercolor on cream wove paper. Colors are strong with crisp, ...

Color lithograph, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. My artwork is a conceptual fusion of opposite cultural realities that I have experienced in my lifetime. I integrate diverse elements: from pre-Columbian mythology, western religious iconography and American popular culture. On the border of this print surrounding the image the following is written: An American tourist is approached by a Mexican kid holding a small human skull in his hand. He asks him: “Hey Mister, do you want to buy Pancho Villa...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Dieu defend a Adam et Eve de toucher au Fruit de l'arbre de Vie, Year: 1873, Medium: Heliogravure, Size: 7.25 ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Portrait de Maximilien I, Year: 1873, Medium: Heliogravure, Size: 11 x 8 in. (27.94 x 20.32 cm), Printer: Ama...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Dalila coupant les Cheveux de Samson, Year: 1873, Medium: Heliogravure, Size: 12 x 8.5 in. (30.48 x 21.59 cm)...

Artist: Herman van Swanevelt, After by Amand Durand, Dutch (1603 - 1655) - Paysans se Rendant au Marche Piece Non Decrite, Medium: Heliogravure, Size: 5 x 7 in. (12.7 x 17.78 cm), ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Les deux Vieillards appercevant Susanne au bain, Year: 1873, Medium: Heliogravure, Size: 8.25 x 6 in. (20.96 ...

Artist: Anthony van Dyck, After by Amand Durand, Flemish (1599 - 1641) - Portrait de Francois Snyders, Medium: Heliogravure, Size: 10 x 6.5 in. (25.4 x 16.51 cm), Printer: Amand Du...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Le Bapteme de Jesus Christ, Year: 1873, Medium: Heliogravure, Size: 6.25 x 7.5 in. (15.88 x 19.05 cm), Printe...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

V by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Silo by Julian Trevelyan, 1974 Additional information: Medium: etching with hand-colouring 28 x 38 cm 11 x 15 in signed, titled and numbered in pencil

The Grecian Greyhound 1887 Etching

“Dundreary,”a Blue Tan Terrier 1887 Etching

Leonor Fini Du fil à retordre, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Jean Miotte - Original Signed Lithograph Title: Abstract Composition Dimensions: 20 x 16 cm Edition: 85/180 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came of ar...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper. Some with appl...