Miniature More Prints

Marc Chagall (1887-1985) - Le cirque Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Artist: Keith Haring Title: Pop Shop I (3) Size: 12 × 15 in (30.5 × 38.1 cm) Medium: Silkscreen in colors on wove paper Edition: 151 of 200 Year: 1987 Notes: Hand signed, numbered, a...

Joan Miro (1893-1983) - La Mélodie Acide, Planche XII Lithograph from 1980. The edition 777/1500. Dimensions of work: 32 x 24 cm. Plate signed. Publisher: Au Pont des Arts and G...

Engraved by Baron Dominique Vivant Denon. Etching on a large sheet of light cream wove paper, 3 1/2 x 2 3/8 inches (90 x 60 mm); sheet 15 1/4 x 11 3/4 (387 x 299 mm), full margins. I...

'1-7 Geaster Hygrometricus 8-14 Bovista Nigrescens' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scient...

Set of three Framed Square Ready to Hang Photographs of Milan by Richard Heeps. Featuring - 'Foyer II', Big Window and Tram. Each individual frame measures 16" x 16". The artworks a...

Pictured in this Jim Dine lithograph is Sybil Vane, the innocent yet glamorous actress and object of Dorian Gray's affection and obsession in Oscar Wilde's novel The Picture of Doria...

'B Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 11" Image Siz...

'Budapest' Colour lithograph. 1901. 305mm by 240mm (sheet). Late 19th century German lithograph plan of Budapest, Hungary. Central horizontal fold.

Colours Of The Night #1 + #2: This pair of figurative art prints on paper capture the essence of timeless style. A neutral, atmospheric background suggests an evening-like ambiance. ...

YES TO LIFE-NO TO DRUGS (Oui À La Vie-Non À La Drogue) is a handmade color lithograph by the internationally recognized Syrian artist Mohammad Sami Burhan printed on archival Arches ...

'Orden I (Orden der Deutschen Staaten)' (Orders I (German States) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Tetbury Church by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with ...

Fish, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of...

Marc Chagall, Author Charles Sorlier, Russian (1887 - 1985) - Lithographs V: 1974 - 1979, Year: 1984, Medium: Catalogue Raisonne with Slipcase, Size: 13 x 10 x 1.5 in. (33.02 x 25...

CHILDE HASSAM (1859 – 1935) OLD CHINATOWN - SAN FRANCISCO 1904 (Cortissoz 95 i/iii?) Etching, 5 ¼ “ x 5”. Signed and dated in the plate and with his cypher in pencil. An early state before additional work as in the example at Cornell University. Very Scarce print. On old ledger paper. Sheet 9 5/8” x 7”. Pre San Francisco earthquake. Based on a rare photograph by Arnold Genthe...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...

'Paris' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Paris, France. Central vertical fold. Printed street index on the reverse o...

'London (City Und Westend)' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of London, City and West End. Central vertical fold.

Original small-format Bantam Pocket Hat. Artist: Gino Boccasile. Italian Size: 9" x 13". Behind the silhouette of the man wearing his Bantam hat is another stick figures foldi...

Materials: Presented on acid-free, archival cotton PhotoRag Giclee paper from Hahnemuhle Size 11 × 14 in 27.9 × 35.6 cm Rarity Medium: Fine Art Print Condition: Print is in pristi...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

'Conservatory Roses' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

David Shrigley Small Print, 2023 Linocut on Somerset 300 gsm paper Signed by the artist and numbered, on verso 10.5 x 10.5 cm (4 1/8 x 4 1/8 in) Edition 51 of 100 published by Schaf...

To see our other original vintage travel posters including more London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or...

MORNING MIST is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techn...

A purple sparkly dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed ...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

Original. Harper's magazine poster. "On snow shoes to the barren grounds" Very old poster advertising the famous Harper's magazine. Artist Edward Penfield. Edward Penfield (1...

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas II', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-002-050 Hand-signed by author

ARTIST: Salvador Dali TITLE: 8 Mortal Sins Suite Anger Avarice Dalinean Envy Gluttony Lust Pride Sloth MEDIUM: 8 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schne...

The Heretics - Hell  plate 10 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited e...

'226. Stereum hirsutum 227. Stereum spadiceum 228. Corticium quercinum 229. Sparassis crispa' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de Franc...

Isamu Noguchi Offset lithograph postcard Hand signed and inscribed "Regards Dan Pope Isamu Noguchi" Provenance: Acquired from the private collection of Dan Pope, a former CBS News ca...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

'14. Amanita vaginata var. fulva 14. Amanita vaginata var. plumbea' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an...

'Azaleas' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

'Pyrethrums' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Henry Moore (1831-1895) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this ...

'5. Amanita Mappa 6. Amanita junquillea' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, an...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Quai aux Fleurs Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensio...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

EIGHTEENTH CENTURY BRITISH CARICATURE THE HAPPY CONSULTATION, or MODERN MATCH, 1769 (DG 4335) ...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jacob Pleurant La Mort de Son Fils Joseph (B38), Year: 1878 (of original 1633), Medium: Heliogravure, Size: ...

'1-4 Agaricus Alutaceus 5-7 Agaricus Emeticus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific n...

'Prag' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Prague, Czechoslovakia. Central vertical fold. Printed street index on the ...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

FOREST is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archi...

'71. Lactarius rufus 72. Lactarius volemus 73. Lactarius subdulcis 74. Lactarius camphoratus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de Franc...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...