Skip to main content

Framed More Prints

to
98
175
477
497
226
255
Overall Width
to
Overall Height
to
568
467
90
84
54
13
10
10
8
8
3
3
2
507
318
35
31
30
32
57
538
1,003
5
4
5
13
22
25
66
114
51
71
25
789
598
239
33
19
12
11
9
8
8
6
6
5
5
4
4
4
3
3
3
3
3
3
956
840
837
836
313
44
1,008
599
Frame Included
News Stand - Bronzetti, Milan - Italian Street Color Photography
Located in Cambridge, GB
News Stand, photograph from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affordable Art Fair Milan 2019 and the series i...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Foyer VIII, Milan - Italian architectural color photography
Located in Cambridge, GB
Foyer VIII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has becom...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Utopia, Milan - Color Blocking Architecture Photograph
Located in Cambridge, GB
'Utopia', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing the Milan...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

The corridor of Katmandu, from The Hippies
Located in Washington, DC
Artist: Salvador Dali Title: The corridor of Katmandu Portfolio: The Hippies Medium: Etching on Arches wove paper Date: 1969 Edition: Unnumbered proof Frame Size: 34 1/4" x 27 1/2" S...
Category

1960s Surrealist Figurative Prints

Materials

Etching

Poster for the 17th Exhibition of the Vienna Secession by Max Kurzweil
Located in Palm Beach, FL
Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...
Category

Early 1900s Vienna Secession More Prints

Materials

Lithograph

Jonathan Winters, "The Thoughts of a Matador, " hand signed
Located in Chatsworth, CA
This piece is a giclée after an original painting created by Jonathan Winters in 1977. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanne...
Category

Early 2000s Pop Art More Prints

Materials

Giclée

News Stand - Porta Genova, Milan - Italian Street Color Photography
Located in Cambridge, GB
News Stand, photograph from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affordable Art Fair Milan 2019 and the series i...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Growing I
Located in Hollywood, FL
Artist: Keith Haring Title: Growing I Size: 40 1/8 x 29 7/8 in. (101.9 x 75.9 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full margins. Edition: 85 of 100 Year:...
Category

1980s Pop Art More Prints

Materials

Screen

Utopian Foyer II, Milan - Architectural urban color photography
Located in Cambridge, GB
Utopian Foyer II, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork ha...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

TABACCHI at Day, Milan - Architectural Color Photography
Located in Cambridge, GB
TABACCHI at Day, one of a sequence of photographs from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Mascara Roja
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

Let s Party
Located in Hollywood, FL
Artist: Ralph Steadman Title: Let's Party Medium: Two color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 30 x 22 Inches Edition: of 250 Year: 2006 Notes: Custom Fr...
Category

Early 2000s Surrealist More Prints

Materials

Screen

Red Cascade - Cypress Gardens - contemporary, abstract, acrylic on paper
Located in Bloomfield, ON
The kaleidoscope of colours and the dynamic form of nature are expressed in this joyful celebration of nature. Rendered in right red, yellow, blue, green, orange and yellow—the colou...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Monoprint

Les Faneuses
Located in Washington, DC
Artist: Camille Pissarro Title: Les Faneuses Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition: 1000 Frame Size: 19 1/2" x 17"...
Category

Early 1900s Modern Figurative Prints

Materials

Etching

The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category

Mid-19th Century Realist Landscape Prints

Materials

Lithograph

The Book of Love 5
Located in Washington, DC
Artist: Robert Indiana Title: The Book of Love 5 Medium: Serigraph Date: 1996 Edition: Trial Proof (aside from the edition of 200) Frame Size: 30" x 28 1/4" Sheet Size: 24" x 20" Sig...
Category

1990s Pop Art More Prints

Materials

Screen

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Landscape Prints

Materials

Engraving, Etching

Tape Collection - Contemporary Pop Art Color Photography
Located in Cambridge, GB
The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category

Mid-19th Century Realist Landscape Prints

Materials

Lithograph

Les Banderilles (IV), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...
Category

1960s Abstract Animal Prints

Materials

Lithograph

Mother India II, Delhi - India Color Street Photograph of Books
Located in Cambridge, GB
Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Call Box, Salton Sea Kodak Film Rebate - Road Trip Color Photography
Located in Cambridge, GB
'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Japanese Woodblock Print , By Unknown, Color Woodblock Print on Paper
Located in Oklahoma City, OK
This 21.25" x 37.5" framed Japanese woodblock print, depicts a busy scene that includes many figures within, and upon a large boat. The boat takes up the majority of the horizontal c...
Category

19th Century Edo More Prints

Materials

Paper, Woodcut

The Last Kiss, Milan - Book Kiosk, Italian color photography
Located in Cambridge, GB
'The Last Kiss', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for a spe...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category

Mid-19th Century Naturalistic Landscape Prints

Materials

Lithograph

Geometric Abstraction Color field silkscreen signed Artists Proof, Museum Frame
Located in New York, NY
LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...
Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Bill Murray
Located in Hollywood, FL
Artist: Ralph Steadman Title: Bill Murray Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: Custom Fra...
Category

Early 2000s Surrealist More Prints

Materials

Screen

Sex in the City
Located in Hollywood, FL
Artist: Al Hirshfeld Title: Sex in the City Size: 20 x 20 Inches Medium: 5-Color Lithograph on Fine Art Paper Edition: 223/300 Year: Hand Pulled in 2002 Notes: Hand Signed a...
Category

Early 2000s Pop Art More Prints

Materials

Lithograph

Dots Infinity (1986). Screenprint. Limited Edition 58/100 by Yayoi Kusama ABE 94
Located in Hong Kong, HK
Yayoi Kusama Dots Infinity (1986). Edition 58/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 58/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...
Category

1980s Pop Art Abstract Prints

Materials

Screen

"The Doorway of Baalbec": A David Roberts 19th Century Hand Colored Lithograph
Located in Alamo, CA
"The Doorway of Baalbec" is a 19th century full folio sized duotone lithograph, representing plate 81 in the Egypt and Nubia volumes of David Roberts’ large folio edition, published ...
Category

1840s Realist Interior Prints

Materials

Lithograph

"Le Cirque Russe" Large serigraph
Located in San Francisco, CA
This artwork titled "Le Cirque Russe" c.1987, is an original colors serigraph on wove paper by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 25/195 i...
Category

Late 20th Century Modern Figurative Prints

Materials

Screen

Vinyl Collection, Nine Piece Blues Installation - Pop Art Color Photography
Located in Cambridge, GB
Heidler & Heeps Vinyl Collection Nine Piece 'Blues' Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully ...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...
Category

18th Century More Prints

Materials

Watercolor, Mezzotint

Mascot, Brooklands - Religious Iconography Color Photography Artwork
Located in Cambridge, GB
Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

"Borrowed Time Limited Edition Drawing
Located in Laguna Beach, CA
Rare Limited Edition Serigraph of John Lennon's "Borrowed Time" drawing, which is one of the very few drawings that John saved where he is playing music. This limited edition was ...
Category

1990s Contemporary More Prints

Materials

Screen, Other Medium

Lights of Mong Kok, Hong Kong - Asian Architecture Street Photography
Located in Cambridge, GB
Lights of Mong Kok, Kowloon, Asian architecture photograph by Richard Heeps. The artwork captures the spirit of walking the streets in Hong Kong, the overwhelming buzz of the compet...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Jeu de la Cape (III), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: Jeu de la Cape (III) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet S...
Category

1960s Abstract Animal Prints

Materials

Lithograph

Delitto A Hollywood, Milan - Book Kiosk, Italian color photography
Located in Cambridge, GB
'Delitto A Hollywood', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Disrobing Her with His Own Hand..., from Four Tales from the Arabian Nights
Located in OPOLE, PL
This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Marc Chagall (1887-1985) - Disrobing Her with His Own Hand..., from Four Tales from the Arabian Nights Lit...
Category

1940s Symbolist More Prints

Materials

Lithograph

The Resurrection
Located in New York, NY
The Resurrection by Salvador Dali Spanish (1904–1989) Date: 1979 Lithograph on Arches, signed and numbered in pencil Edition 186/250 Image Size: 23 x 16 inches Size: 29.5 x 21.5...
Category

20th Century Surrealist More Prints

Materials

Lithograph

Rare 1922 German Jewish Judaica Zion Woodcut Woodblock Print Hermann Fechenbach
By Hermann Israel Fechenbach
Located in Surfside, FL
Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...
Category

1980s Impressionist Figurative Prints

Materials

Woodcut

Le Ballet
Located in OPOLE, PL
Pablo Picasso (1881-1973) - Le Ballet Technique: Lithograph Year: 1954 Dimensions: 31 × 22 cm Publisher: Pantheon Signature: Signed in Plate Catalogue Reference: Cramer 62 Condition...
Category

1950s Modern Figurative Prints

Materials

Lithograph

Tape Collection Elektronik Blue- Contemporary Pop Art Color Photography
Located in Cambridge, GB
Elektronik Blue, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Four 19th Century Hand Colored Engravings Depicting English Royal Residences
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category

1810s Academic Interior Prints

Materials

Engraving

"Julia" Framed Limited Edition Hand Written Lyrics
Located in Laguna Beach, CA
Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Julia" first released on the Beatles "White Album" in 1968 and written about John's mother. This lim...
Category

1990s Contemporary More Prints

Materials

Other Medium

Plate XII, from 1972 Lithographe I
Located in Washington, DC
Artist: Joan Miro Title: Plate XII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 19 3/4" x 17" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" ...
Category

1970s Abstract Prints

Materials

Lithograph

Moses and Monotheism The Tear of Blood
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Moses & Monotheism The Tear of Blood MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: E...
Category

1970s Surrealist More Prints

Materials

Etching

Bible - Fisherman s Mission - Ordinary Places Vintage Interior Color Photograph
Located in Cambridge, GB
Photograph from From Richard Heeps acclaimed series Ordinary Places, a bible on a brown side chair taken from above at the Chapel at the Fleetwood's Fisherman's Mission. It was Rich...
Category

1980s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Untitled, from the Kinderstern Portfolio
Located in Milford, NH
A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...
Category

1980s Abstract Geometric Abstract Prints

Materials

Paper, Screen

ICES Satsuma Orange, Bexhill-on-Sea - Pop Art Typography Photography
Located in Cambridge, GB
ICES Satsuma Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coa...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Mother and Children
Located in San Francisco, CA
This artwork "Mother and Children" c.1970, is a colors lithograph on paper by American artist Edna Hibel, 1917-2014. It is signed and numbered II 3/10 Ed. 200 in pencil by the artist. The The artwork (sheet ) size is 34 x 23 inches, framed size is 40 x 29 inches. Custom framed in original wooden decorated grey/silver frame. It is in excellent condition. About the artist: Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork. She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin. She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts. Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique. She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth." In 1995, she was commissioned by the Foundation of the U.S. National Archives to commemorate the 75th anniversary of women receiving the universal right to vote. At the ceremony, Ms. Lucy Baines Johnson referred to Hibel as the "Heart and Conscience of America." In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts. Hibel's work has been exhibited in museums and galleries in more than 20 countries including Russia, Brazil, China, Costa Rica, and the United States, and under the royal patronage of Count and Countess Bernadotte of Germany, Count Thor Bonde of Sweden, Prince and the late Princess Rainier of Monaco and Her Majesty Queen Elizabeth II of England. Pope John Paul II gave her a medal of honor as did the late Belgian King Baudouin. She also received honorary Doctoral degrees including from Eureka College, and Northwood University of Florida, Michigan and Texas. She also has received many humanitarian honors for her charitable efforts for children's and medical charities. Her exhibitions "Golden Bridge" and " Peace Through Wisdom" were efforts to promote peace and cultural understanding between China, the United States, Yugoslavia and Russia, and a television documentary titled "Hibel's Russian Palette" was based on her trips and art shows in Leningrad, now St. Petersburg. In 2001, Edna received a Lifetime Achievement Award from "Women in the Visual Arts," an organization of artists in the South Florida area. Works in Permanent Collections: Harvard University Boston University Museum of Fine Arts, Boston Springfield Museum of Arts, Massachusetts University of New Hampshire Fleischmann Collection, Cincinnati Detroit Art Institute Milwaukee Art Museum Phoenix Art Museum La Jolla Museum, California Lowe Gallery, University of Miami, Florida Columbus Museum of Arts and Crafts, Georgia WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas Palais des Nations,Geneva, Switzerland United Nations Headquarters, New York City Norton Gallery, West Palm Beach, Florida de Saisset Museum, Santa Clara, California Russian Academy of Art, St. Petersburg, Russia Hibel Museum of Art, Lake Worth, Florida One Artist Exhibitions: Shacknow Museum of Fine Arts, Plantation, Florida, 2000 Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993) Klutznick National Jewish Museum, Washington, D.C., 1999 The Museum of Printing History, Houston, Texas, 1999 (and 1998) Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994) Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994 Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992 Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg), Russia, U.S.S.R., 1990 Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990 Galerie Vindobona, Bad Kissingen,West Germany, 1988 The National Museum of Women in the Arts, Washington, D.C., 1989 St. Peter An...
Category

Late 20th Century American Impressionist Figurative Prints

Materials

Lithograph

Hong Kong Stamp Collection HK$1 - Pop Art Print Framed
Located in Cambridge, GB
Heidler Heeps Hong Kong Stamp Collection, HK$1. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and H...
Category

2010s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

No Parking, London - Brutalist Architecture Color Photograph
Located in Cambridge, GB
No Parking, urban architecture photograph from Richard Heeps' series, A Short History of London. The stark Brutalist architecture has sense of beauty as the hypnotic symmetry draws y...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Ultra Surrealist Corpuscular Galutska, from 1971 Memories of Surrealism
Located in Washington, DC
Artist: Salvador Dali Title: Ultra Surrealist Corpuscular Galutska Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XXV (artist's proo...
Category

1970s Surrealist Abstract Prints

Materials

Etching, Lithograph

Amy Melious Leaves and Branches Series – Set of Four Signed Botanical Prints
Located in Plainview, NY
Amy Melious (Canadian, b. 1956) Leaves and Branches Series – Set of Four Signed Botonical Prints -Framed and Matted This sophisticated set of four botanical prints forms part of Amy...
Category

20th Century Naturalistic More Prints

Materials

Archival Paper

The Painted Flag print ed 16/25 - contemporary, pop-art, lithograph print
Located in Bloomfield, ON
This pop art lithograph of a Canadian flag is by Charles Pachter. One of Canada’s leading contemporary artists, Charles Pachter, is renowned for his iconic pop art images that often...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

White Rabbit
Located in Hollywood, FL
Artist: Ralph Steadman Title: White Rabbit Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 30 x 22 Inches Edition: of 250 Year: 2006 Notes: Custom Fr...
Category

Early 2000s Surrealist More Prints

Materials

Screen

The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat. The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category

Mid-19th Century Romantic Landscape Prints

Materials

Engraving

Dream Landscape - Trevelyan Surrealist Monochrome Etching Print
Located in Kingsclere, GB
Julian Trevelyan 1910-1988 Dream Landscape, 1932 etching 31 x 33 cm 12 1/4 x 13 in with Estate stamp, title and inscription by Mary Fedden in pencil Julian Trevelyan was an importan...
Category

20th Century Figurative Prints

Materials

Etching

Give Me Solutions, Not Fucking Problems
Located in London, GB
Mixed media, archival pigment and silkscreen on deckle-edged satin paper 101.6 × 67.3 cm Edition of 195 hand-signed and numbered by the artist James McQueen, born in 1977, is a Brit...
Category

2010s Contemporary More Prints

Materials

Mixed Media, Archival Pigment, Screen

Recently Viewed

View All