1970s More Prints

Sister Corita Kent One Man One Woman (INV# NP3567) screenprint in colors print: 16.5 x 15" frame: 20 x 18.5" 1976 signed by artist *Not examined out of frame

Marc Chagall (1887-1985) - Poèmes, Planche XXI (collage enhanced) Collage, woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

Ghost Moon by John Hogan, Desert Night Landscape lithograph black and white hand pulled lithograph edition 9/25 22 x 30 paper size 20 x 27 image size Wi...

Prairie Winter, Cerrillos Flats by John Hogan serigraph New Mexico Landscape brown, white, blue, pink limited edition framed serigraph 2/20 © 1979 John Hogan A graduate of Northeast...

VICTOR VASARELY – "STRI-ARCT-2" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 250 (Total 300) ⚜ Conservation Framed GEOMETRIC VIBRATIONS IN COLOR Created in 1975, “Stri-Arct-2...

Les Levine, Irish/American (1935 - ) - Watch Series 9, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Original exhibition poster for Ruckus Manhattan by Red Grooms and the Ruckus Construction Company, 1975. Presented by Creative Time, Inc. Lithograph with offset lithographic photo elements, sheet measures 23 x 29 inches; 24 x 30 inches framed. Design by M. Samuels. Produced by Polychrome Lithography Co., Inc, NYC. Condition is outstanding with no damage or conservation. No creasing, staining, toning or fading. A rare poster from an early show produced by Creative Time Inc. while only in their 2nd season. A lovely document of NYC art history. Ruckus Manhattan was a multimedia, three-dimensional representation of Manhattan on display on the ground level of 88 Pine Street. The out-of-scale model, constructed of papier-mâché, wood, plastic, fiberglass, and vinyl, was designed to conform to Manhattan’s psychic dimensions, rather than its physical ones, and included such landmarks as the Apollo Theatre, the Brooklyn Bridge, Central Park, the Chrysler Building, the Stock Exchange floor, Trinity Church, and the World Trade Center. Finding inspiration in sources as diverse as cubism and newspaper comics, Red and Mimi Gross Grooms...

Salvador Dali (1904-1989) - Femmes poules (Hen Women) Drypoint etching with roulette from 1969. The edition 142/145. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pier...

Salvador Dali (1904-1989) - Femme au clown (Woman with Clown) Drypoint etching with roulette from 1969. The edition 142/145. Dimensions of work: 38 x 28 cm. Hand signed. Publish...

Richard Paul Lohse Group of eight complementary squares with four rectangles (Gruppe von acht komplementären Quadrat Mit vier Rechtecken), 1976 Colo...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52. Dieter Roth, A Muse 1971-1972 series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm edition of 30 each, numbered and signed, 6 artists copies this series 1/30 printed by Karl Schulz, Braunschweig and published by Petersburg Press, London weekly variant printed from the same stone, began October 1971 (52 prints were planned, but only 12 were executed) Condition: excellent with some dimples and wear commensurate with age Catalogue Reference: Roth 185-196 Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Luigi Ghirri is an original Poster of 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Untitled is a brightly colored serigraph realized by the contemporary Italian artist Pino Reggiani in 1970s. Hand-signed in pencil on the lower center. Good conditions, except for ...

Original poster: Spartacus, Beutsche Staatsoper Berlin (Germany) vintage theater poster. Printed in 1973 to promote a performance of Spartacus ...

Portfolio of 21 photosensitive etchings and engravings on Rives Heavyweight Buff Signed by the artist in pencil on frontispiece Plate No. II:2; Signed by the artist Numbered 27/150 in pencil on the colophon page along with chop marks of artist/printers Robert E. Townsend and Gretchen Ewert, and the chop of Impressions Workshop, Boston Edition: 150 References And Exhibitions: A portfolio edition of Henry James' ghost story first published by "The English Review" in December, 1908 Principal Portfolio Edition Published by Aquarius Press Baltimore, MD Reference: Kneeland McNulty, Peter Milton: Complete Etchings 1960...

Artist: Jack Levine, American (1915-2010) Title: Unknown Year: 1970 Medium: Etching Paper: Arches Image size: 10 x 7.75 inches Paper size: 15 x 11.25 inches Signature: Signed and dat...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

Chryssa Chinatown Portfolio II, Plate Three, ca. 1978 Silkscreen on thick wove paper 40 × 30 1/2 inches (Ships rolled in a tube measuring 35 x 5 x 5) Pencil signed and numbered 36/150 on the front; bears printers stamp on the back Unframed from the Chinatown Portfolio Printed by Atelier Arco in Paris (with stamp on the back of the print) from the Chinatown Portfolio Renowned Greek-American artist Chryssa was preoccupied with the concept of Chinese letters as art forms, which she explores in her Chinatown silkscreen series. Her deliberate experimentations yield an elegant and compelling result. Chryssa Biography Chryssa Vardea...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Artist: Joan Miro Title: Plate XI Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

Vibrant magenta, yellow, orange, brown, purple, lime green, jungle green, dark green, cerulean, and sky-blue lines take on the organic quality of handmade paper, resulting in this su...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 368 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Wifredo Lam Lames de Lam Plate VI, 1977 Etching and aquatint in colors Ed 7 of 99 13 x 15 in

Nicholas Krushenick 's "North End" is a color silkscreen pencil signed, dated, and editioned; proof from the published edition of 200, . Nicholas Krushenick (American, 1929 – 1999) ...

Silhouetted by the night sky, a brimmed hat perches on its stand, hovering above red-speckled ground like an aircraft. The moon shines bright white, and subtle clouds gather at the h...

Pierre Alechinsky (1927) - Lino-Litho, Planche IV Lithograph from 1970. Edition HC, dedicated to Jacques (Putman), who was the publisher of the series. Dimensions of work: 38 x 54...

Pierre Alechinsky (1927) - Lino-Litho, Planche VII Lithograph from 1970. The edition Bon à tirer on Arches paper. Dimensions of work: 38 x 54.5 cm. Hand signed. Publisher: Jacqu...

Pierre Alechinsky (1927) - Lino-Litho, Planche VI Lithograph from 1970. The edition Bon à tirer on Arches paper.. Dimensions of work: 38 x 54.5 cm. Hand signed. Publisher: Jacqu...

Pierre Alechinsky (1927) - Retour aux sources Engraving from 1973. The edition of 99. Dimensions of work: 73 x 52.5 cm. Hand signed. The work is in Excellent condition.

Pierre Alechinsky (1927) - Gnomes et Gnose Lithograph from 1974. The edition of XVI/XXV. Dimensions of work: 75.5 x 54.5 cm. Hand signed. Publisher: Atelier Clot, Paris. Publis...

Pierre Alechinsky (1927) - Gnomes et Gnose Lithograph from 1974. The edition of XVI/XXV. Dimensions of work: 75.5 x 54.5 cm. Hand signed. Publisher: Atelier Clot, Paris. Publis...

Pierre Alechinsky (1927) - Gnomes et Gnose Lithograph from 1974. The edition of XVI/XXV. Dimensions of work: 75.5 x 54.5 cm. Hand signed. Publisher: Atelier Clot, Paris. Publis...

Pierre Alechinsky (1927) - Gnomes et Gnose Lithograph from 1974. The edition of XVI/XXV. Dimensions of work: 75.5 x 54.5 cm. Hand signed. Publisher: Atelier Clot, Paris. Publis...

Pierre Alechinsky (1927) - Volcan de nuit Etching and aquatint from 1972. The edition 23/100. Dimensions of work: 64 x 89 cm. Hand signed. The work is in Excellent condition.

Pierre Alechinsky (1927) - Chemin de ronde Lithograph from 1977. The edition XVII/XXX on Arches paper. Dimensions of work: 63 x 92 cm. Hand signed. The work is in Excellent cond...

Pierre Alechinsky (1927) - Maree haute Etching from 1977. The edition 114/150. Dimensions of work: 76 x 56 cm. Hand signed. The work is in Excellent condition.

Image dimensions: 38x56 cm. Lithograph in colors - Signed in pencil lower right - Numbered in pencil lower left (there were also 15 artist’s proofs) - Printed at the Curwen Studio, ...

Untitled is an artwork realized by Dorothea Tanning in 1974 for the Art Magazine "XXeme Siècle". Colored lithograph. Very Good condition. Printed by Atelier Pierre Chave in Vence, ...

This offset / Lithographic poster was designed both as a poster edition and a signed and numbered edition on Arches for an exhibition at the Musee Dynamique in Dakar, Senegal, in 1972. While it was reproduced under the artist's supervision by Mourlot Master Printer, Henri Deschamps, from a color pencil drawing from December 1970...

The Rooster is aLithograph realized by an Unknown artist in 1970s. Good condition on a cream colored cardboard, vivid colors. Hand-signed and numbered by the artist on the lower ma...

This striking black-and-white poster, emblazoned with the urgent slogan “Freiheit für Angela Davis!” (“Freedom for Angela Davis!”), is a powerful relic of international protest cultu...

Marc Chagall (1887-1985) - Jonah II Lithograph from 1972. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsigned and unnum...

Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...

Original G.M.E. Sanitaire vintage French poster. Linen backed in very good condition and ready to frame. GME Sanitaire c'est la Cuisine is a French vintage poster that has been linen backed for preservation. The poster advertises the GME tile and cladding company, which specializes in kitchen tiles...

Original WATERFALL by the IF Band on Metromedia Records vintage record poster. Note that this is a vintage poster and not an album cover. Unlike th...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1974 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

Original factory issue, Porsche Wins Road America Can-Am, 1973 vintage poster. Photo by Reichert. Reference page 74, Porsche die Rennplakate. Arc...

Pierre Alechinsky (1927) - Devidoirs, Planche IV Etching from 1972. The edition X/X on Arches paper. Dimensions of work: 76 x 56 cm. Hand signed. The work is in Excellent condit...

Pierre Alechinsky (1927) - Devidoirs, Planche II Etching from 1972. The edition X/X on Arches paper. Dimensions of work: 76 x 56 cm. Hand signed. The work is in Excellent condit...

Pierre Alechinsky (1927) - 1815 Etching and aquatint from 1978. The edition of 60. Dimensions of work: 59 x 78.5 cm. Hand signed. The work is in Good condition.

Pierre Alechinsky (1927) - Théatre pacifique Lithograph from 1978. Dimensions of work: 50 x 88 cm. Hand signed. A special edition - hand written the complete edition run. Dedicat...

Pierre Alechinsky (1927) - Espionne Lithograph from 1970. The edition of 33/300 on Arches paper. Literature: Rivière 474. Dimensions of work: 51.5 x 69 cm. Hand signed. Publishe...

Salvador Dali (1904-1989) - Urania Hand-coloured drypoint etching from 1971. The edition 67/145 on Arches paper. Dimensions of work: 51 x 65 cm. Hand signed. Publisher: Les Heur...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cyclopean Make-Up MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chicago/Alan Ric...

A very good impression of this color screenprint with varnish and stencil. Artist's proof, aside from the edition of 125. Signed and inscribed "A.P." in pencil. Printed by Styria Stu...