1980s More Prints

A fine black and white silkscreen geometric print from the Kinderstern Portfolio by American artist Sol LeWitt (1928-2007). LeWitt was was born in Hartford, Connecticut, and attended...

Pierre Alechinsky (1927) - S aspiré Etching from 1988. The edition of 12/70. Dimensions of work: 70 x 70 cm. Hand signed. The work is in Excellent condition.

Roy Lichtenstein for Leo Castelli Gallery is a very colorful artwork realized after Roy Lichtenstein in 1979. Mixed colored offset  on paper. This beautiful print was realized on t...

WATER is an original hand drawn lithograph created by Pierre Alechinsky in 1985, printed using hand lithography techniques on Arches paper, 100% acid free. WATER is an abstract design exemplifying Alechinsky's expertise as a master printmaker with his use of expressive loose brushwork and fluid abstract lithographic washes that surround an imprint which reads "WATER" taken from an actual wax crayon rubbing of a NYC public water utility manhole cover...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

Original Quale Capri? Original Italian vintage travel poster. Conservation archival linen backed in very good condition, ready to frame. Quale Capri? Is which Capri? in Italian. The image is the outline of the island of Capri, off the coast of Naples, Italy. The poster has two different sides, which Capri do you like or want? One side represents progress with large commercial skyscrapers and the other side the small homes and businesses on the island. The question is do you want to allow development on this beautiful Mediterranean island. Capri was first “discovered” by emperor Augustus in the early years of the Roman Empire. He often resided there and built many temples, villas and gardens as a way of having his own private paradise. The meaning of the name Capri can be traced to the ancient Greeks, where the ancient Greek word 'kapros' means 'wild boar'. The island of Capri has had dozens of famous vintage posters...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

PLAINS OF JUPITER is a hand drawn color lithograph by the British painter Harold Hitchcock printed using hand lithography on archival Arches paper 100% acid free. In the dreamy, roma...

Artist: Robert Motherwell Title: Music Portfolio: Ulysses Medium: Etching on Johannot paper Date: 1988 Edition: 27/40 Sheet Size: 13" x 10" Image Size: 6" x 6" Signature: Initialed (...

Vintage poster realized in occasion of Henry Moore's Exhibition in Mestna Galerija Ljubljana in 1983. Photolihtograph. Good condition.

Bernard Buffet (1928-1999) - Nishi-Ginza Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent condit...

Robert Motherwell Untitled 1986 Colour lithograph and collage, on Guarro paper, Edtion of 100 55.9 x 37.8 cms (22 x 14 7/8 ins)

Robert Motherwell (1915 – 1991) Lament for Lorca 1982 lithograph in colors on white Tyler Graphics Ltd. (TGL) handmade paper Printed with full margins; initialed and numbered 30/...

STONE AND SCRIPT by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed in 12 colors using traditional lithographic techniques on archival Somerset paper 100% acid free. In Stone and Script, a three dimensional relief effect is visible in the black writings and stone tablet achieved by using shades of gray and black with predominate colors of warm golden yellow and turquoise blue. Castel creates a very aesthetically appealing and captivating contemporary arrangement of ancient...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Bernard Buffet (1928-1999) - The Little Template Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

Tim Engelland (American, 1950-2012) Dim Sum!, 1991 Woodcut 8 1/2 x 11 in. Signed dated lower right: T. Engelland, '91 Titled lower middle: Dim Sum! Numbered lower left: 73/150 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue standing in the school’s Memorial Building. Along with John O’Brien and Peter Fallon, Tim founded the Deerfield Press, publisher of limited-edition illustrated poems and stories; James Dickey, John McPhee, and Seamus Heaney are among the authors whom the Press published. For several decades, Tim served on the faculty at the Advanced Placement Summer Institute in St. Johnsbury, Vt., and as a consultant to the College Board. He spent sabbaticals in New York City and Boston, and he has exhibited in galleries in those cities and many other venues. His work can be found in the National Library of Ireland, Boston’s Museum of Fine Arts, and in private collections worldwide. In 2004, Tim returned to Indiana. He was married to Susan Karen Carpenter...

Bernard Buffet (1928-1999) - Fuji Yama Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent conditio...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent co...

Rober Motherwell In White with Green Stripe 1987 Lithograph, relief print, embossing and collage 86.4 x 61 cms (34 x 24 ins)

ARTIST: Salvador Dali TITLE: Neuf Paysages Paysage avec Figures-Soleil from Sun MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 17/80 MEASUREMENTS: 15" x 15" YEAR: 1980 F...

Artist: Robert Motherwell Title: Nymph Portfolio: Ulysses Medium: Etching on Johannot paper Date: 1988 Edition: 27/40 Sheet Size: 13" x 10" Image Size: 6" x 6" Signature: Initialed (...

Bernard Buffet (1928-1999) - Fujita Hotel in Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excell...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Bernard Buffet (1928-1999) - Ginza District-Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excelle...

Cafe Dining Amos Yaskil Israeli (1935) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of LXVI/CCCLXXV Image Size: 17.5 x 25 inches Size: 22 x 29.5 in. (55.88 x ...

Tighe O'Donoghue's detailed rendering of a flower with a snail retains elements of mysticism and magic while adhering to tenets of realism. Arboretum (with Snail) Tighe O’Donoghue,...

Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 38.5 x 25.5 inches Size: 47 x 38 in. (119.38 x 96.52 cm)"

Original The Beauty of Desktop Engineering on the Apple Macintosh, 1989 pop-art style poster. Archival linen backed in very good condition, ready to frame. Information Art / Dia...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent co...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Double-sided lithograph on paper (Edition of 25) Signed in pencil, l.r., recto Numbered in pencil, l.l., recto This print is offered by ClampArt, located in New York City. Joan Br...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Mid-Century Modern Piero Fornasetti Exhibition Poster, Deocrative Art, Framed PIERO FORNASETTI (1913-1988) 'Fornasetti's Decorative Objects' poster Italy, 1989 Provenance: Christie...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

Materic silkscreen print “Ondate di gelo” (Frost Waves) by Mario Schifano. Signature and numbering in pencil on front side. Dry stamp of the artist on front. Edition F.C. (Not for...

White Flowers on Pink Sky - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) A giant white flower ri...

Larry Bell Rare, historic Signed and Inscribed Poster, 1981 Silkscreen Poster Exhibition entitled "Fragments and other Considerations" Hand Signed, inscribed and dated by the artist ...

Keith Haring Talk To Us! 1989 (The Aids Hotline): Designed & illustrated by Keith Haring one year after Haring's own diagnosis, this RARE promotional bag was distributed by the NYC ...

DRUID POINT is an original hand drawn limited edition lithograph by the Iowa born artist Jim Buckels printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. DRUID POINT presents a finely detailed fantasy landscape scene depicting a modern architecture cliffside house set high on a hill overlooking sparkling moonlit water and a deep blue night sky full of stars. Dramatic shades of dark blue, light purples, turquoise, greens, light beige, gray, black and touches of white create an intriguing nighttime ambience which keep the viewer's imagination engaged. DRUID POINT is a rarely seen, beautifully detailed architectural evening landscape evoking an aura of mystery and fascination. Print size - 27." x 27" unframed, excellent condition, vivid colors, full bleed image, no margins, square size format, hand signed in pencil by Jim Buckels Year published - 1988 Edition size - 350, plus proofs Printer - J K Fine Art Editions Co. NY DRUID POINT is a very impressive, hand crafted original limited edition lithograph not a photo reproduction or digital print! JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

A very good impression of this color screenprint on Rives BFK. Signed in pencil, lower right margin. Numbered 68/100 in pencil, lower left margin.

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

Marc Chagall - Summer's Dream - Original Handsigned Lithograph 1983 Printed by Mourlot Dimensions: 48 x 65 cm Handsigned in pencil Justified EA (Epreuve D'artiste, Artist proof) asi...

Artist: Jim Dine Title: Louisiana Hearts Year: 1982 Medium: Lithograph and etching in colors on TH Saunders paper Edition: 100; signed, numbered and dated in pencil Sheet: 17 1/2 x 1...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

A powerful piece of visual activism, this 1985 original poster by renowned American artist Keith Haring, titled "Free South Africa", captures the urgency and moral clarity of the glo...

Summer Sky, limited edition lithograph, landscape, desert, turquoise, orange

Hans ERNI is an artist born in Switzerland in 1909 and died in 2015. His works have been sold at public auction 3,987 times, mostly in the Print-Multiple category. The oldest auction...

This vibrant “LOVE” poster by Yves Saint Laurent belongs to a joyful and highly recognizable series created by the couturier from the 1980s through the 1990s. Conceived not as a fash...

This vibrant “LOVE” poster by Yves Saint Laurent belongs to a joyful and highly recognizable series created by the couturier from the 1980s through the 1990s. Conceived not as a fash...

Corita Kent Lovers Serigraph Print Image: 4.88 x 9" Frame:11.75 x 15.75 x .75" 1983 Signed in pencil and numbered to lower edge ‘ed 200 Corita’