Early 2000s More Prints

Philippe Geluck - Golf Silk-screen print 2003 Numbered on 300 and signed Exhibition copy Missing and damaged 73x60 290€

Color woodcut, Edition 30. Betty Woodman’s woodcut “Kabuki Space” places images of a pair of her pots in an exuberant Japanese inspired stage-like interior. Woodman blends colors,...

Color lithograph, Edition 15. Jeera Rattanangkoon has a unique printmaking approach and style. His images are stylized and simplified but his technique is labor intensive and exacti...

Color lithograph with gold metallic powder, Edition 15. Barbara Takenaga writes: “About the prints, they’re part of a series of recent Angel paintings — which were influenced by seeing a small painting fragment of angel’s wings by Fra Angelico. I liked the way the feather pattern is similar to the Asian motif of fish scales or waves of water. There is a reference to the natural world, as well as the heavenly, but in an abstract, decorative approach. With the scale change of smaller elements in the center and larger dots on the edge, there is the implication of folded space that moves from near to distant — with some sensation of being pulled toward a far off place. The metallic background is dusted with gold or pearlescent powder over deep orange, which gives the surface some shimmer and color change. The title, Angel (Little Egypt), comes from the colors that are reminiscent of ancient Egyptian collars...

Color lithograph, Edition 30. Peter Saul is a renowned painter of entertaining and provocative paintings. As an ‘anti-conformist’ and a ‘bad boy’ of painting, he mingles beauty and savagery, romance and ugliness in works that disarm the viewer. “Saul wants to offend and please at the same time.” Drawing imagery from popular culture and using brash colors that add to the confusion, Saul accentuates the violent and vulgar nature of representation. He has a taste for narration and buffoonery. Peter Saul made prints for the first time at Shark’s in November 2002. He used his fine drawing skill and high-keyed color to create three lithographs, Self Portrait with Haircut, Modern Home, and Origins of Captain...

Color lithograph, Edition 30. John Newman makes rich, complicated sculpture. He brings materials and techniques used by local artisans from around the world to make concentrated a...

Color lithograph/tape/collage in 9 parts (5 x 5" each). Brad Brown uses unusual approaches in making his work. Over a period of several years he worked and re-worked a group of drawings...

Ross Bleckner (American, b. 1949), "Dome Two", Etching and Aquatint in Colors on Paper, 2002, marked "AP2" lower left, signed in pencil and dated lower right, with publisher's blinds...

Balmoral Winter Scene by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Limited...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: /66 Hand-Signed in pencil L'Oeil Constant, Vence, Pierre Chave, 2001.

Nelson Mandela, The Tennis Court, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for hi...

Philippe Geluck - Venise Silk-screen print 2003 Numbered on 300 and signed Exhibition copy Missing and damaged 73x60 290€

Edition of 100. Published by the Chinati Foundation, Marfa, 2003. Works come framed with UV Filtered Acrylic Glazing. Each work is framed separately, each print is 25 3/8 x 37 3/8 i...

Glengairn, Aberdeenshire, January by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been ...

Nelson Mandela, The Courtyard, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his f...

Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

This silk twill scarf is from an unsigned edition of 500. The artist’s signature is reproduced in the lower right image and is stitched to the label, verso. It is hand numbered in bl...

This poster was designed by Jasper Johns in 2009, and the portraits were taken by Anna Finke. It is signed by all of the dancers photographed on the ...

W, 2007 Michael Craig-Martin Screenprint in colours, on wove paper Signed and numbered from the edition of 40 verso From Alphabet Published by Alan Cristea Gallery, London Sheet: 61...

Robert Cottingham (1935) Empire 2008 Screenprint in colors Image: 25.625 h x 39.875 w in (65 x 101 cm) Sheet: 32.75 h x 46 w in (83 x 117 cm) Signed, titled, dated and numbered to ...

Nelson Mandela, The Walk, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

Color Reduction woodcut with chine collé, Edition 15. Jeera Rattanangkoon has a unique printmaking approach and style. His images are stylized and s...

Color lithograph with pearlescent powder, Edition 15. Barbara Takenaga writes: “About the prints, they’re part of a series of recent Angel paintings — which were influenced by seeing a small painting fragment of angel’s wings by Fra Angelico. I liked the way the feather pattern is similar to the Asian motif of fish scales or waves of water. There is a reference to the natural world, as well as the heavenly, but in an abstract, decorative approach. With the scale change of smaller elements in the center and larger dots on the edge, there is the implication of folded space that moves from near to distant — with some sensation of being pulled toward a far off place. The metallic background is dusted with gold or pearlescent powder over deep orange, which gives the surface some shimmer and color change. The title, Angel (Little Egypt), comes from the colors that are reminiscent of ancient Egyptian collars...

Color lithograph with gold metallic powder, Edition 15. Barbara Takenaga writes: “About the prints, they’re part of a series of recent Angel paintings — which were influenced by seeing a small painting fragment of angel’s wings by Fra Angelico. I liked the way the feather pattern is similar to the Asian motif of fish scales or waves of water. There is a reference to the natural world, as well as the heavenly, but in an abstract, decorative approach. With the scale change of smaller elements in the center and larger dots on the edge, there is the implication of folded space that moves from near to distant — with some sensation of being pulled toward a far off place. The metallic background is dusted with gold or pearlescent powder over deep orange, which gives the surface some shimmer and color change. The title, Angel (Little Egypt), comes from the colors that are reminiscent of ancient Egyptian collars...

Color lithograph, Edition 30. John Newman makes rich, complicated sculpture. He brings materials and techniques used by local artisans from around the world to make concentrated a...

A multi-color print featuring the legendary Jimmy's junkyard entrance. The neighborhood junk yard located on Buffalo Ave in Freeport has been around since 1930s and was acquired by i...

Kjell Otterness Pens Yellow water based woodcut print. Designated number 3 of 3 in pencil lower left corner recto. Initialed "KO" in pencil lower right corner recto.

Gelatin silver print Signed and inscribed in pencil, verso 22.5 x 18.5 inches, sheet size 14.25 x 14.25 inches, image size This artwork is offered by ClampArt, located in New York ...

Highgrove by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associate...

Overlooking Wadi, Asir Province, Kingdom Of Saudi Arabia by His Majesty King Charles III, (created when he was HRH The Prince of Wales) - ...

Hong Kong From HMY Britannia by HM King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated ...

Monotype Signed, dated, and inscribed "II" in pencil, recto This artwork is offered by ClampArt, located in New York City. Born in Okinawa, Japan, and raised in Knoxville, Tennesse...

Color woodblock print Signed and numbered in pencil, recto 28.5 x 26.5 inches, sheet 23.75 x 22.5 inches, image This artwork is offered by ClampArt, located in New York City.

C-print collage Signed on label, verso This artwork is offered by ClampArt, located in New York City.

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Fox, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Hi, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' an...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...