Late 20th Century More Prints

Original poster produced on the occasion of Jim Dine's 1971 exhibition at the Boymans Museum, Rotterdam. This vintage poster reproduces the artist’s lithograph Two Ties: neckties ske...

PETER MAX – "GEOMETRIC #2" ⚜ Lithograph on Paper ⚜ Hand signed lower right ⚜ Framed AN ICONIC GEOMETRIC STUDY BY PETER MAX "Geometric #2" (1976) captures Peter Max’s signature use o...

Max Bill "Primary Colors" 1971 Silkscreen on paper edition of 2375 "Ein Domberger Siebdruck-Kalender" 11.75"x14" unframed Unsigned Born in Switzerland, Max Bill was an artist widely...

This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

ARTIST: Salvador Dali TITLE:Hommage aux Petites Lits Blancs MEDIUM: Lithograph done for Wally Findlay Gallery SIGNED: Hand Signed PRINTER: Mourlot Printers EDITION NUMBER: 87/2...

Untitled is a beautiful original colored lithograph on cream-colored paper realized by the Italian artist Primo Conti (1900-1988). An original print, repr...

Bernard Buffet (1928-1999) - Ginza District-Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excelle...

Colette (aka Colette Justine), Tunisian/American (1952 - ) - Pink Kool Aid, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: ...

Artist: Alexander Calder Title: 30th Anniversary of the World Federation of the United Nations Medium: Lithograph in colors Date: 1975 Edition: 624/1500 Framed Size: 18 3/4" x 16 1/4...

Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...

"Sailing at Night" is a Limited Edition Lithograph (161/225) by Marcel Mouly. It is pencil-signed by the artist. The print's image measures approximately 27.5 x 22 inches and the ima...

Bernard Buffet (1928-1999) - Katsura Rikyu-Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

SHOFAR AT LIONS GATE by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed in 13 colors using traditional lithographic tech...

The Book of Love Poem - Wherefore the Punctuation of the Heart Robert Indiana American (1928–2018) Date: 1996 Screenprint with Letterpress, signed and numbered in pencil Edition of...

Image dimensions: 29.9 x 24.7 cm. Unexpected Guests is an original colored lithograph realized during the 1970s by the French artist Andrée Ruelland. The artwork represents a coupl...

This artwork titled "Bridge" 1980 is an original color serigraph by American artist Darryl Sapien, b.1950. It is hand signed, dated and numbered 10/31 in pencil by the artist. The sheet size is 28.25 x 21.85 inches, framed size is 30 x 23.65 inches. It is framed in a black metal frame. The artwork is in excellent condition, the frame has minor scratches. About the artist: Selected exhibitions. San Francisco Art Institute, B.F.A., Sculpture 1974 "Introductions 74," Hansen-Fuller Gallery, San Francisco, California (Group Exhibition) 1976 San Francisco Art Institute, M.F.A., Sculpture 1976 "17 Artists, Hispano/Mexican American/Chicano," The Mexican Museum, San Francisco, California (Group Exhibition) 1976 "Other Sources," San Francisco Art Institute, (catalog)(Group Exhibition) 1977 "Work in Progress,” Union Gallery, San Jose State University, San Jose, California (catalogue) 1977 "Painting and Sculpture in California: The Modern Era," (catalog) San Francisco Museum of Modern Art & The Gallery of the National Collection of Fine Arts, Washington, D.C. (Group Exhibition) 1977 "Tokyo-Bay Area Exchange," Kanagawa Prefectural Hall, Tokyo, Japan (Group Exhibition) 1977 "Arte Fiera di Bologna," Bologna, Italy (Group Exhibition) 1978 "California-Hawaii Biennial," San Diego Fine Arts Gallery, Honolulu Museum of Art, Honolulu, Hawaii (Group Exhibition) 1979 “Darryl Sapien, Recent Work,” Gallery Paule Anglim, San Francisco, California 1979–1980 "From Self-Portrait to Autobiography," Neuberger Museuem, Purchase, New York, New Gallery of Contemporary Art, Cleveland Ohio (catalog) (Group Exhibition) 1980 "Space/Time/Sound: A Decade in the Bay Area," San Francisco Museum of Modern Art (catalog) (Group Exhibition) 1981 "19 Artists, Emergent Americans," Solomon R. Guggenheim Museum, New York City (catalog) (Group Exhibition) 1981 "La Vue Independante," The American Center, Paris France (Group Exhibition) 1981 “American Roulette”, Solomon R. Guggenheim Museum, New York, NY (Performances) 1982 "California Art on the Road," Laguna Beach Museum of Art, Laguna Beach, California (Group Exhibition) 1984 “Darryl Sapien at Studio Ink,” San Francisco, California 1984 "Crime and Punishment," Triton Museum of Art, Santa Clara, California (Group Exhibition) 1984 "Artists and the Theater," Phillipe Bonnafont Gallery, San Francisco, California (Group Exhibition) 1985 "The Twentieth Century," San Francisco Museum of Modern Art (Group Exhibition) 1985 Contemporary Art, 30,000 B.C. to the Present," San Jose Institute of Contemporary Art, San Jose, California (Group Exhibition) 1987 "Connotations," Southern Exposure Gallery, San Francisco, California (Group Exhibition) 1988 “Darryl Sapien: Artspace Painting Grant Award” Artspace Gallery, San Francisco, California (catalogue) 1988 "Digital Visions: Computers and Art," Everson Museum of Art, Syracuse University, New York (catalog) (Group Exhibition) 1989 "Darryl Sapien and David Flipse" Riskin-Sinow Gallery, San Francisco, California (Group Exhibition) 1990 "The Written Word," Richmond Art Center, Richmond, California (Group Exhibition) 1991 "Four Hispanic Artists," San Francisco Art Commission Gallery (Group Exhibition) 1994 “Darryl Sapien: Recent Work,” Opts Art, San Francisco, California 1995 "Facing Eden: One Hundred Years of Landscape Art in the Bay Area," M.H. DeYoung Museum, San Francisco, California (Group Exhibition) 1996 “Darryl Sapien,” City College of San Francisco 2003 "Reactions, Artists Respond to September 11, 2001," Library of Congress, Washington, D.C. (Group Exhibition) 2005 “Darryl Sapien,” Swallowtail Gallery, San Francisco, California 2010 "75 Years of Looking Forward" San Francisco Museum of Modern Art (catalog) (Group Exhibition) 2010 “Radical Light,” U.C. Berkeley Art Museum (catalog) (Group Exhibition) 2011 “State of Mind: new California Art circa 1970” (catalog) Orange County Museum of Art, California (Group Exhibition) 2012 Berkeley Art Museum, U.C. Berkeley, California (Group Exhibition) 2012 Belkin Gallery, University of British Columbia, Canada (Group Exhibition) 2013 Site Santa Fe, NM (Group Exhibition) 2013 The Bronx Museum of the Arts, NY (Group Exhibition) 2013 “Son of War Games”, The Bronx Museum of the Arts, New York, NY (Performances) 2013–2014 The Smart Museum, Chicago, IL (Group Exhibition) 2014 "The site a live" San Francisco Art Institute (Group Exhibition) 2015 "Out Of This World," Bonnafont Gallery, San Francisco, California Public Collections Solomon R. Guggenheim Museum, New York City San Francisco Museum of Modern Art, San Francisco, California Berkeley Art Museum, University of California, Berkeley The Oakland Museum, Oakland, California The American Academy of Opthalmology, San Francisco, California National Automobile and Casualty Insurance Company, Pasadena, California City and County of San Francisco-Public Utilities Commission Building Performances “Synthetic Ritual”, San Francisco Art Institute “Initiation”, San Francisco Art Institute “War Games”, corner of Third & Howard Street San Francisco, California (outdoor sitespecific) “Split-Man Bisects the Pacific”, the ruins of Sutro Baths...

Salvador Dali (1904-1989) - Le cheval du printemps Lithograph from 1972. The edition of 187/250. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalo...

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent co...

Act I, Scene IV - From “Romeo and Juliet”  is an artwork realized by Salvador Dalí in 1975. Mixed colored lithograph. Signed and dated in plate on the lower right  margin. Perfect...

Copyright by Stehli Freres S. A., Efiteurs, Zurich. Printed in Switzerland. Measures 17.5 x 21.25 inches and is unframed. The piece is in Fair Condition-discoloration/wrinkling/marki...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Artist: Mark Sabin Title: The Unicorn Medium: Screenprint Signed: Hand Signed Edition: Edition of 250 Measurements: 32" x 26" Note: This piece is sold ...

Artist: Robert Indiana, American (1928 - 2018) Title: Number 7 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint on Wove Paper Edition Size: 395 Image Size: 16....

Robert Indiana (American, 1928 - 2018) Der Traum Heisst Verlangen (A Streetcar Named Desire), 1971 Screenprint in colors Edition 29/135 Signed a...

PLAINS OF JUPITER is a hand drawn color lithograph by the British painter Harold Hitchcock printed using hand lithography on archival Arches paper 100% acid free. In the dreamy, roma...

ARTIST: Salvador Dali TITLE: Our Historical Heritage Moses MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 175/400 MEASUREMENTS: 26" x 19.87" YEAR: 1975 F...

Bernard Buffet (1928-1999) - Fouquier-Tinville Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The wor...

Artist: Joan Miro Title: Plate III Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" ...

ARTIST: Salvador Dali TITLE: Our Historical Heritage Elijah MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 175/400 MEASUREMENTS: 19.87" x 26" YEAR: 1975 ...

Fred Fehlau is an American a Postwar & Contemporary artist. He was born in 1958. Known for his sculpture. EDUCATION ArtCenter College of Design MFA, with Honors 1986–1988 ArtCenter College of Design BFA, with Distinction 1976–1979 Educational Management Program Harvard Graduate School of Education, 2011 Selected Exhibitions: 2014 The Avant-Guard Collection, Orange County Museum of Art, Newport Beach, CA. Curated by Dan Cameron and Fatima Manalili. 2003 The Spirit of White, Beyeler Gallery, Basel, Switzerland. Curated by Urs Albrecht. 2000 New Acquisitions...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos 1 Suite MEDIUM: 6 color Etchings & Aquatints with embossing SIGNED: Each piece is Hand Signed PUBLISHER: Levine & Levine EDITI...

Exhibition Poster: The Kutztown Connection 1984 Keith Haring (After), American (1958–1990) Date: 1984 Poster on wove paper, signed and dated in the plate, signed in pencil Size: 33 x...

ARTIST: Salvador Dali TITLE: Dalinean Horses The Centaur of Crete MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Simeon Wajntraub & Jacques Carpentier EDITION NUMBER: 170/25...

Bernard Buffet (1928-1999) - The Eiffel Tower and the highway, Tokyo Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The...

Haren Das - Untitled Woodcut on Paper 12.28 x 9 inches, 1991 ( Unframed & Delivered ) This 1991 print by Haren Das beautifully captures a serene rural scene with fine detailing and ...

Bernard Buffet (1928-1999) - La Mort de Marat Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work...

Robert Indiana (American, 1928-2018) 'Love, Louisiana', 1972 An original screen printed exhibition poster presented at the Louisiana Museum near Cope...

"Vegetable Forms No. 1" is a bright fresh woodcut print of a mirrored halved cabbage. Nature's intricate design is fully appreciated and apparent in the captured tight crinkled and folded leaves. #7/7 Signed and Dated Joyce Tilley Nagel...

Exibition print dated 1995 by Miller Null is a vintage photographic print on color paper applied on cardboard. Signature in pencil on front of cardboard, dated 1995, a late print before photographer's death...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Georges Braque (1882-1963) - Colombe sur fond vert Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed. ...

Image dimensions: 54 x 40 cm. Still Life is a beautiful and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 197...

Bernard Buffet (1928-1999) - Voyage au Japon Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent co...

Abstract 2 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. Abstract 2 presents ...

Film Manifest is an original offset artwork on paper realized by Onegin Dabrwski in 1973. Vintage colored offset print. Good condition and aged. Titled on the top margin: Romanti...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Artist: Salvador Dali Title: Andrew (Visions of Camelot) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame Size: 29...

Appareil et Main  is an artwork realized after a painting by the Surrealist Catalan artist Salvador Dalí  (Figueres, 1904-1989). This is a color lithograph on wove paper, properly e...

Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 38.5 x 25.5 inches Size: 47 x 38 in. (119.38 x 96.52 cm)"

Lucio Del Pezzo - Poster Exhibition is a mixed colored offset print realized in 1984 This print was realized on the occasion of the exhibition dedicated to the artist and held in St...

Agrà Nero su Nero is a colored serigraph on paper realized by the Italian artist Sante Monachesi and published by Euromuseum Editore, Ancona. Signed in pencil on the lower margin, t...

Artist: Salvador Dali Title: Mark (Merlin the Magician) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame Size: 29 ...

Jean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...

Walnut is an original mezantint on paper realized in 1979 by the Japanese artist Yozo Hamaguchi. The artwork is hand- signed by the artist in pencil on lower right. Dedicated with a...

“THE SHADOW OF THE BROOKLYN BRIDGE” Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...

Original concert poster: Joan Baez in Concert Under the Stars, Oct 31, 1975, Orange County, CA. Artist: Rick Griffin. Size: 9.75" x 23 3/8". Black and White original concert...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "I'm So Tired," first released on the Beatles "White Album" in 1968...