Pop Art More Prints

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

An old fashioned yellow petrol pump, an item that Richard likes to collect, sitting amongst green ivy. Photographe from Richard Heeps' Norfolk series. This artwork is a limited edit...

Roy Lichtenstein Reflections on Minerva 1990 Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Signed, numbered, and dated in pen...

Bokan - camouflage pink, 2009 by Takashi Murakami Offset print, numbered and signed by the artist 19 11/16 × 19 11/16 in 50 × 50 cm Edition 71/300 About the Artist: Takashi Murakami is best known for his contemporary combination of fine art and pop culture. He uses recognizable iconography like Doraemon and cartoonish flowers and infuses it with Japanese culture. The result is a colorful body of work that takes the shape of paintings, sculptures and animations. In the 1990s, Murakami founded the Superflat movement in an attempt to expose the "shallow emptiness of Japanese consumeristic culture." The artist plays on the familiar aesthetic of mangas, Japanese-language comics, to render works that appear popular and accessible, all the while denouncing the universality and impersonality of consumer goods. Murakami has done collaborations with numerous brands and celebrities including Kanye West, Louis Vuitton...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

Published by Grey Matter Art Halloween Regular Edition by Tyler Stout 24” x 36” Screen Print - (4/Color on French Speckletone Madero Beach) Hand-Numbered ...

Get ready to elevate your movie poster collection with the Halloween Regular Edition by Tyler Stout, a stunning 24” x 36” screen print published by Grey Ma...

I've Left My Love Far Behind. Their Smell, Every Memento…, 2010 by Takashi Murakami Offset print, signed and numbered by the artist 26 ³/₁₆ × 18 ³/₄ in 66.5 x 47.5 cm Edition 105/30...

Jim Dine (American, b. 1935) Etching depicting a dog or wolf Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet...

Artist: Robert Indiana, American (1928 - 2018) Title: Red Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Serigraph Edition: 395 Image Size: 14 x 14 inches Size: ...

Born in Ireland and now based between Dublin and London, Fin DAC spends much of the time on the road, actively working throughout the world. Through his work, which he describes as “...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Screenprint (unsigned) Edition Size : 395 Image Size: 18 x ...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Ai Weiwei (Chinese, b. 1957) Zodiac, 2024 Medium: Digital print, gold foil stamped, on paper (incl. artist's book and slipcase) Dimensions: 6 × 8 1/2 in 15.2 × 21.6 cm Edition of 10...

ICES Burnt Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

ICES Burnt Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Yayoi Kusama Flower, Edition 100/100. Lithograph [3 plates, 3 colors, 3 runs], Collage. Image: 22.3 x 15.5 cm. Sheet: 35.5 x 27.5 cm. Published in 1982 on on Velin d' Arches paper by...

Time Is Up, 1989 Ed Ruscha Lithograph, on grey Rives BFK Signed, dated and numbered 23/35  Published by the artist Printed by Ed Hamilton Sheet: 91.4 × 68.6 cm (36 × 27 in) Literatu...

Woodcut on wove paper Edition of 10 Signed and dated.

Artist/Designer; Manufacturer: Roy Lichtenstein (American, 1923-1997) Marking(s); notes: signed; ed. 37/80; 1992 Materials: aquatint Dimensions (H, W, D): 16.75"h, 13"w sight; 19"h, ...

"Statue of Liberty" unframed silkscreen on paper by artist Peter Max. Numbered 177/300 on front lower left corner and signed "Max" in front lower righ...

Artist/Designer; Manufacturer: KAWS aka Brian Donnelly (American, b. 1974) Marking(s); notes: signed; 11/250; 2020 Materials: screenprint on Saunders Waterford 425gm HP hi-white Dime...

Heidler Heeps Stamp Collection, multicolour Statue of Liberty sequence. The fine detailed tapestry of the original small postage has been brought to life, made unique by the 19...

QV 3 Cents, from the Heidler Heeps Stamp Collection, Hong Kong Series. The fine detailed tapestry of the original Hong Kong small postage stamp has been brought to life and mad...

Mick Jagger X - After Andy Warhol. This black and white colour scheme lithographic print features - Mick Jagger - an iconic rock legend who was the frontman and one of the founders ...

ICES Pink Lemonade, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coas...

Eat, Sleep, HK$1, Repeat from the Heidler & Heeps Stamp Collection is a pop art evolution of the single stamp 'HK$1'. The multiple effect replicates the effect of the pulsating city ...

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

Artist: Robert Indiana, American (1928 - 2018) Title: Yield Brother #2 from the American Dream Portfolio Year: 1963 (1997) Medium: Serigraph Edition: 39...

'Batman and Friends' by DJ Leon, 2020. The print measures 25 x 32 inches and is also available in a 30 x 23 3D backlit print. This dye-sublimation print on aluminum combines and appr...

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach. Around the print, black marks, scribbles, ...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Artist: Robert Indiana Title: Tikva Medium: Screenprint in colors on wove paper Date: 2011 Edition: S.P. X/X Frame Size: 37 1/4" x 35 1/2" Sheet Size: 32" x 30 1/4" Image Size: 24" x...

Artist: Joan MIro Title: United Nations Peacekeeping Operations Medium: Lithograph in colors Date: 1980 Edition: 683/1500 Framed Size: 18 3/4" x 16 1/4" Sheet Size: 11" x 8 1/2" Ima...

In the infinitely complex world of contemporary art, many works serve as vehicles for thought, postural statements, and emotion. Such is the case with SHAO QI, a renowned Chinese artist who skillfully blends the political, cultural, and aesthetic in her lithographic work entitled "I am a Ninja." This piece, limited to thirty copies, numbered 21/30 in pencil and dated 2011, is a perfect example of how cross-influences can be integrated and cultural barriers broken down. Historically, ninjas were inferior warriors in feudal Japan, often recruited by samurai and governments to serve as spies. Their mysteriousness has allowed them to infiltrate contemporary popular culture, so much so that their ubiquity eventually transcends borders, internationalizing the ninja and rendering its Japanese origin a simple detail, among others, in public perception, a component of a character that has become universal. Pop art, an artistic movement of the second half of the 20th century, is known for its appropriation and subversion of consumer products and cultural icons. By hijacking elements of mass culture, pop artists such as Andy Warhol and Roy Lichtenstein transformed the perception of art and its eligible subjects. The use of a ninja silhouette in "I Am a Ninja" follows this tradition, exploiting a popular symbol to reimagine it. The dynamic interplay of colors, in particular the aesthetic power of red and black, is essential. Red's radiant luminescence contrasts sharply with black's ultimate absorption, framing the work in a colorimetric face-off reminiscent of the propaganda posters of yesteryear. Red, the color of revolution, power, passion, and vitality, blends with black, shadow, and emptiness. The bold black lines that delineate the figure are reminiscent of Shepard Fairey's work under the OBEY signature. These lines convey a vibrant, primitive force akin to Russian Constructivist posters...

Chrome Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, pe...

Set of seven framed rainbow color Richard Heeps' iconic 'ICES' pop art photography prints. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex c...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New York in 1979 (Recent Paintings held in Leo Castel...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

'Protest' by DJ Leon. The lenticular print measures 47 x 33 inches and contains images that shift depending on the viewer's perspective. Visuals of 1970s protests appear alongside sy...

Prize Shop, seaside arcade facade, typography photography from Richard Heeps' series, On-Sea. This artwork is a limited edition of 25 gloss photographic print from negative, dry-mou...

Type II Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

Turbo Tears, 2020 Ed Ruscha Lithograph in colours, on grey BFK Rives Signed, dated and numbered from the edition of 120 From the Tate Modern 21 Years print portfolio Printed by Hami...

Golden Golden Nugget, seaside arcade facade at dawn, typography photography from Richard Heeps' series, On-Sea. This artwork is a limited edition of 25 gloss photographic print from...

90 Minutes A Side, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Centric, Italian architecture street photography from Richard Heeps' series, A Short History of Milan. The composition resembles a modern, architectural mosaic, merging minimalism wi...

Flash Back, purple pop art from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautiful...

'Who Knows' by DJ Leon, 2013. The piece measures 36 x 24 inches. This Lenticular print incorporates disjointed words and phrases placed within an orange/red background while encourag...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Viridian Green, Pink Lemonade, Sky Blue and Lemon Yellow. Get in touch to request other sizes or color comb...

Claes Oldenberg (b.1929) is a Swedish-born American artist, renowned for his contribution to Pop art by way of his iconic soft sculptures and public installations. In 1962, Oldenburg debuted his revolutionary soft sculptures at the Green Gallery in New York. Three giant, squishy sculptures of an ice cream cone, a hamburger, and a slice of cake, swelled across the gallery floor, forever changing the way we define sculpture. It has been noted that Oldenburg's early work was largely inspired by Yayoi Kusama's hand-sewn phallic-shaped soft sculptures that enveloped the surfaces of ironing boards, sofas, and boats. Click here to see an exhibition poster featuring a later example of Kusama's soft sculptures. Ranging from voluminous hamburgers (famously on display at the AGO) to ballistic badminton shuttlecocks, Oldenberg's colossal sculptures replicate commonplace objects on a grand scale, often disrupting the environment they inhibit with curious and playful subtexts. The confrontational nature of Oldenberg's sculptures places an emphasis on the viewer, asking us to reconsider our relationship to these recognizable, but obscure, objects. "Geometric Mouse...

Photograph from From Richard Heeps acclaimed series Ordinary Places, a 1980's vintage interior view from the kitchen sink looking out to the garden. It was Richard's first colour co...

'La Concha on the Strip (day)', captured by Richard Heeps for his 'Dream in Colour' series, before its closure in 2004. The iconic architecture of the La Concha Motel in Las Vegas, designed by Paul...

Ladies, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical o...

Made in the USA, a bright pink artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Hei...

Original 1995 Absolut “Mardi Gras, West Hollywood” Linen-Backed Poster — 19 x 28" An iconic piece of 1990s design culture, this original Absolut Vodka poster—“Mardi Gras...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Set of four ready to hang framed pop art photography, featuring Richard Heeps 'ICES' Mustard, Lemon, Honey and Sherbet Yellow. ICES, is a bestselling artwork by Richard Heeps, photo...

'Alpha', from Samuel Field's Personal Computer Series. Photographed at the Cambridge Centre for Computing History, home to 800 Historic Computers. This collection is a fabulous remi...

'Superman, Batman, Coronavirus' by DJ Leon, 2020. 48 x 28 in. A dye-sublimation print on aluminum that is saturated in colors of reds, blues, and whites. The image incorporates, appropriates, and combines found images of Superman and Batman...