Surrealist More Prints

Joan Miro (1893-1983) - Litografía original IV Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each...

ARTIST: Salvador Dali TITLE: Hans Christian Anderson The Girl Who Told on The Loaf MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Gerschmann, Sweden EDITION NUMBER: Ep...

A very good impression of this large, color Mixografía print on handmade paper. Signed and numbered 20/100 in pencil. Printed and published by Taller de Gráfica Mexicana, Mexico City...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 37.5 inches Size: 27.5 x 39 in. (69.85 x 99.06 cm)"

Salvador Dali (1904-1989) - Femme, cheval et la mort Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor. Dimensions of work: 38 x 28.5 cm Publisher...

Salvador Dali (1904-1989) - Les Tranchées Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik ...

Salvador Dali (1904-1989) - Le Pecheur Etching and watercolour from 1968. Th edition of 86/95 on Japan paper Enhanced with watercolor. Dimensions of work: 38 x 28.5 cm Publisher:...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 250 Image Size: 24 x 19.5 inches Size: 27.5 x 22 in. (69.85 x 55.88 cm)"

TITLE Foundation YEAR 2015 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Hahnemuhle Matt Photo Rag INVENTORY ID N/A CATEGORIES Digital Print / Pop and Contemporar...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Fruit With Holes MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION N...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 21 x 18 inches Size: 29.5 x 2...

ARTIST: Salvador Dali TITLE: Moses & Monotheism Moses & Akhenaton MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: 2...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 28.75 x 34.5 inches Size: 31.5 x 41.5 in. (80.01 x 105.41 cm)"

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 31.5 x 25.5inches Size: 36.5 ...

Artist: Jean-Michel Folon, Belgian (1934 - 2005) Title: 1988 Flag Series - United Nations Year: 1988 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 500 Size: 8....

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes L'Ouraboros MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISHER: Art e...

Leonor Fini Dancer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Salvador Dalí’s Divine Comedy is a series of 100 color wood engravings, each corresponding to a canto from Dante Alighieri’s epic poem. Created between 1960 and 1964, these engraving...

ARTIST: Salvador Dali TITLE: Faust Sorceress au Bali MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Aegillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 15" x 11.2" pa...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 35.5 x 25 inches Size: 47 x 3...

ARTIST: Salvador Dali TITLE: Fruits Blackberries MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: VIII/CL MEASUREMENTS: 21.9" x 29.1" YEA...

Graphisms & 2. 1980, paper, silk screen, 15x21 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 31 x 27 inches Size: 36 x 32 ...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 37.5 x 27.5 inches Size: 41 x 32 in. (104.14 x 81.28 cm)"

Marc Chagall The Tables of the Law Lithograph from Vitraux pour Jerusalem 1962 Printed by Mourlot Dimensions: 32.5 x 24.5 cm Publisher: André Sauret, Monte-Carlo Reference: Mourlo...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm From Chagall Lithograph II Reference: Mourlot 399 Condition : Excellent Unsigned and unumbered as issued

ARTIST: Salvador Dali TITLE: Les Rois Mages L'Incantation MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: XLIX/C MEASUREMENTS: 15" x 11" YEAR...

Color aquatint and etching. Signed and numbered 10/75 in pencil, lower margin. Printed and published by Maeght, Paris. Catalogue reference: Dupin 396.

"A seagull named Jonathan" is a linocut print artwork created in 1973. The artwork is made on paper and measures 32x30 cm. Linocut is a printmaking technique in which the image is ca...

Anozotropic highway 1980s, paper, linocut, 15.5x25 cm The artwork depicts a highway or road that takes on a surreal and abstract form. The term "anozotropic" implies a deviation fr...

ARTIST: Salvador Dali TITLE: Aurelia Visage Surrealiste MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions d'Art de Francony, Paris EDITION NUMBER: 15/175 MEASUREMENTS: ...

Visit our other items to see a large selection of views of Oxford and Cambridge. Michael Drayton (1563-1631) Map of Cambridge and the Isle of Ely (1...

Graphisms & 4. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Leonor Fini Fantastical creatures, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

ARTIST: Salvador Dali TITLE: La Venus Aux Fourrures Woman with Crutch MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 25/145 MEASUREMENTS: 11" x 15" YEAR: 1968 FRAMED: No CONDITION: Excellent AUTHENTICITY: This piece has been certified by The Salvador Dali Archives. The Salvador Dali Archives, located in New York, is a private repository of information about Salvador Dali, established with the approval of the artist by Albert Field over 50 years ago. The Archives, under the direction of Albert Field's successor, Frank Hunter, is able to provide an Authentication Service to owners of Dali prints and other Dali works. The Salvador Dali Archives is used by major Auction Houses, Art Dealers and Collectors to Authenticate works by Salvador Dali. REFERENCE: The Official Catalog of The Works of Salvador Dali by Albert Field page 40...

Artist: Michael Hasted Title: The Big Parade & Random Selection Medium: 2 Lithographs Signed: Both Hand Signed Year: Both 1981 Edition: Both From the edition of 250 Measurements...

Leonor Fini Pioneer, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Signed and numbered. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Reflection of real world ...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Elements in his prints seem to defy gravity. Si...

Leonor Fini Pendant les après-midi d'automne, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Leonor Fini Fantastical character, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

A very good impression of this color screenprint with varnish and stencil. Artist's proof, aside from the edition of 125. Signed and inscribed "A.P." in pencil. Printed by Styria Stu...

Leonor Fini Pendant l'été, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Passion is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and dated...

Then stood up Elias the prophet as fire, and his word burnt like a torch is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is publ...

Et dixit Philistaeus ad David is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Leviathan is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 19...

Holy Bible - Judith Beheads Holfernes is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published...

Holy Bible - Tobias Listens to Raphael is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1...

Holy Bible - is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and ...

Holy Bible -  The Transfiguration is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

Holy Bible -  Lot's Wide turned into a Statue of Salt is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Medi...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

The Shine of Bodies - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited ...

Minos - Hell  plate 5 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition o...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The letters on the background reflect up into t...

Ex Aegypto Vocavi Filium Meum is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and...