Surrealist More Prints

Taxi Earth - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. Fleeting love while every...

Anecdoche - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbere...

Geisha Road - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered.

Snow Cut - The work is inspired by the classical tradition where a scene of everyday life immersed in a surreal atmosphere is showned. The mighty nature becomes small and the high mo...

Kairos is an ancient Greek word meaning 'the right, critical, or opportune moment. The work symbolises the change of everything around the being at the exact moment he makes a choice.

Leonor Fini Infelicia, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Goddess of the Sea Israel Rubinstein Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300 Image Size: 36 x 26.5 inches Size: 39 x 27.5 in. (99.06 x ...

A superb impression of this very scarce, early color pochoir. Signed, dated "1935" and numbered 58/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indic...

Ex Libris Bosznay Karoly is an original Modern Artwork realized in the early 20th Century. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total di...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Surrealist Composition 5 is an original collotype print realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) ...

Surrealist Composition is an original collotype print realized after André Masson in the mid-20th Century. The artwork is in good conditions, and not signed. André Masson (1896-198...

Surrealist Composition 3 is a vintage collotype print realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) wa...

Surrealist Forest is an original collotype realized after André Masson. The piece is in good conditions, no signature on a yellowed paper. André Masson (1896-1987) was a French pai...

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Leonor Fini The Seduction, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Marc Chagall (1887-1985) - Le Retour de l'Enfant Prodigue Etching from 1981. An unnumbered and unsigned copy in black, outside from signed edition of 60. Dimensions of sheet: 49.5...

"Reliq" is an original black and white monotype by Beckett Berning. The artist signed the piece. It depicts a face above a gravestone. 9 1/4" x 6 3/4" art 18" x 15 3/4" frame Beck...

Georges Braque (1882-1963) - Carnets intimes de Braque VIII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

Leonor Fini Surrealist composition, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

Echoing Green Tighe O’Donoghue, American (1942–2023) Date: circa 1978 Etching with Aquatint, signed and numbered in pencil Edition of m 2/10 Image Size: 14.5 x 17.75 inches Size: 22 ...

Leonor Fini Ma fortune, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

This original lithograph is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also hand numbered in pencil from the edition of 75, at the lower left m...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

A very good impression of this color lithograph. Signed and numbered 14/200 in pencil.

Leonor Fini Du fil à retordre, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185 Condition: Excellent condition

Salvador Dali (1904-1989) - Femme à la fontaine Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor. Dimensions of work: 38 x 28.5 cm Publisher: Gra...

Salvador Dali (1904-1989) - Guerre de 1914-1918 Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Gr...

Salvador Dali (1904-1989) - Les Tiroirs Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik Eu...

Salvador Dali (1904-1989) - Frontispiece Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik E...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 25 x 30.5 inches Size: 29.5 x...

Viktorija Pashuta "VOGUE Fashion" photography Original Fashion Photograph from the Series CASABLANCA by an award-winning fashion photographer Vikto...

Original Lithograph by Jean Cocteau Title: Europe's Construction Printed signature in the stone Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky ...

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Graphisms & 3. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)

Leonor Fini Fantastical character, 1975 Colored etching on Arches paper 11 × 15 in 28 × 38 cm Limited edition of 185

This lithograph in colors on Arches paper (with watermark) was created by the artist in 1970. Signed in the stone, (lower right) from the edition of 1000.