Modern Nude Prints

Léonard Foujita (French/Japanese, 1886–1968) The Three Graces Original Lithograph 76 x 54 cm Signed in the plate Reference: Sylvie Buisson réf. #60.28 (vol. 1, p.531) Léonard ...

Luc-Albert MOREAU Lovers Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

Jan Matulka (1890-1972), Four Nudes in a Landscape, drypoint, c. 1923, signed in pencil lower right margin [also with initials in the plate lower left]. Ref...

Bather is an artwork realized by Constant Dratz (1875 - 1946, Belgium) in 1970. Woodcut print. Good condition. As a painter, Dratz was known for his landscape paintings of the Dil...

Figure is a drawing realized by Louis Drioferou  in the Mid-20th Century. China ink on paper. Good conditions with slight foxing. The artwork is realized through deft expressive s...

after Pablo Picasso - The Human Comedy - Lithograph Signed and dated in the plate Dimensions: 32 x 24 cm This artwork is a lithograph in colors on wove paper after a drawing by Pablo...

Henri Matisse Le repos du modèle 1922 Lithograph on Chine appliqué on Japon paper, Edition of 575 Paper size: not listed Image size: 22.2 x 30.4 cms (8 3/4 x 12 ins) HM15512

This artwork "The KIss" c.1970 is an original drypoint etching on wove paper by noted Czech artist Vladimir Komarek, 1928-2002. It is hand signed and ...

La Grosse Melie Marie-Laure de Noailles, French (1902–1970) Date: 1952 Lithograph on Arches, signed and dedicated in pencil Edition of Dedicated Proof Image Size: 14 x 11 inches Size...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

Jan Matulka (1890-1972), Three-Quarter View of Nude Bathing Seated Near Lamp, lithograph, 1925, signed and dated in pencil lower right. Reference: Flint 9...

Nude is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Lovers is an etching and drypoint realized by Amerigo Bartoli in the Mid-20th Century. Edition II / XXXV 9x11 cm , 40x55 cm with frame. Good conditions.

The Nude is a woodcut print on paper realized by Claude Bogratchew. Hand signed on the lower right corner. Numbered, edition of 50 prints. Very Good condit...

Walt Kuhn (1877-1949), [Nude on Couch, Right Arm on Leg], c. 1920, etching, signed in pencil lower margin. In very good condition, traces of discoloration in...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensio...

Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...

Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...

Nude in Woods. is an original etching print artworkk on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Leonor Fini - Orgy - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Marion Epstein (American, 1921-2002) Titania, 1973 Lithograph Framed: 31 1/2 x 25 x 1/2 in. Numbered, titled, signed and dated bottom For over 60 years, local artist Marion Epstein has worked through her art to bridge the personal and the political, family and career. A versatile and prolific artist, she has done sculpture, enameling, painting and photography. But it was printmaking that truly captivated her imagination. Like many artists of her generation, Epstein was powerfully influenced by the political activism of the 1960s. A member of the Women's International League for Peace and Freedom, Epstein recalls attending meetings out of town with her young son in tow. The anti-war movement influenced a number of her pieces. "Where Have All the Flowers Gone?" echoes the sentiment of the popular anti-war folk song. This very tall print (6-by-2-1/2 feet) in tones of black, cream and ochre shows a tall woman (Marion) shielding a child, with spindly flowers drooping around them. "I didn't do abstractions," says Epstein. "I was always trying to say something." Another anti-war piece, "Generations of Thy Children," combines oil painting and collage on a bisected canvas. On the right half, a lone figure of a Vietnamese child stands forlornly on a reddish orange background. The left side of the canvas is crowded with images of soldiers, artillery and politicians. Epstein's print "Metamorphosis," completed following her participation in a civil rights march in Washington, tries to capture the changes and uncertainty in America during that time. In the background a white man looms with a questioning, almost fearful look on his face while the black youth in the foreground has his eyes downcast. Works such as "Dream Deferred" and "Aching To be Free" also represent the artist's personal reflections on the struggle for racial equality. Much of Epstein's art is a complex layering of imagery and texture, line and translucent color. In her haunting print, "Ovens and Shoes," one of several works in which she addresses the Holocaust, she makes interesting use of photographic images from the U.S. Holocaust Memorial Museum in Washington, D.C. Over a saturated black print of the death camp ovens, she has superimposed a pale ochre print of the pile of discarded shoes. Layered on top of these and centered between the arches of the ovens is the violet image of a Rodin sculpture of a man. (Bio sourced from Cleveland Jewish News, by Susan Kahn)

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

Nude of Women is an original etching realized by Henry Forge in 1940. Good condition, with some pencil notes on the back of the cardboard. Hand-signed by the artist. Henry Forge (...

Ex Libris Tibor Gubisi is an original Contemporary Artwork realized in the early 20th Century . Original B/W Xilograph artwork on ivory-colored paper. The work is glued on card...

Woman In Front Of The Stove III is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1658. This won...

Figure is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwork is...

Nude Woman is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwor...

Woman with Flowers is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of th...

"Poena pede claudo" is an original print in lithograph on paper realized by Maurice Neumont( 1868-1930). Titled on the lower center. The state of preservation of the artwork is go...

Lies - From The Allegories is a mixed colored offset print by the Sicilian artist Renato Guttuso. This print was realized on the occasion of the exhibition held in Rondanini Galler...

Nude of Woman is an etching on paper realized by Marcel Homs (1910 - 1995), in 1939. Hand-signed in pencil on the lower margin. Beautiful print represe...

"Le Repos (Rest)" is an original etching by Victor Roux-Champion. It features a nude woman lounging on a couch. The artist signed the piece lower left and wrote the edition number, 2...

Solitude is an original etching on ivory-colored paper realized by an unknown artist of the late 20th Century. Hand-signed on the lower, illegible. Numbered, edition of 20/100 print...

Nude of Woman is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: ...

Nude of Woman is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: ...

Nude of Woman is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: ...

Nude of Woman is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: ...

Nude of Woman is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: ...

Woman Figure is an original artwork in etching technique on paper, realized by Edo Janich, in 1970s. In excellent conditions: as good as new. Hand-signed ...

Figure is an original lithograph artwork realized by the artist of the 20th Century. Hand-signed in pencil on the lower right. Numbered, edition 57/100. The state of preservation ...

Nude is an original black and white etching realized by Leo Guida. Hand-signed and dated in pencil, on the lower right. "Prova D'Autore", on the lower left. The state of preservat...

"The Kiss" is an original hand colored drawing on ivory-colorated paper by Mino Maccari (1898-1989). In excellent conditions: As good as new. Sheet dimension: 35 x 50 cm. This is an original drawing representing a man kissing woman...

Original artwork realized by Mino Maccari in the 1960s. Mixed colored watercolor drawing on cardboard realized for the newspaper "Il Tirreno". Hand-signed by the artist on the lowe...

Telephone is an original artwork realized by Mino Maccari in the 1970's. Mixed media colored drawing. Hand-signed by the artist on the lower margin. Good conditions except for s...

Lying nude is an original artwork realized by Mino Maccari in the 1960s. Mixed media colored drawing (ink and watercolor) on paper. Hand-signed in pencil by the artist on the lowe...

Suffering is an original woodcut artwork on paper realized in 1937 by Russian artist Erikma Lawson Frimke (1878-1956), Hand-signed and dated on the lower in pencil. The state of pre...

Hand Signed. Edition of 100. Original etching. Image dimensions : 51.5 x 34 cm

Nude with Winter Bouquet is an exquisite 1972 aquatint etching by celebrated American printmaker Doel Reed (1894–1985), masterfully capturing a reclining female nude beside a winter ...

Leonor Fini - Prisonners - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsig...

Leonor Fini - Fearless - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckve...

Leonor Fini - Dancing - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckvel...

Etching on paper. Hand signed lower right by Henry Moore. Hand numbered 49/50 lower left. Sheet size 18.5 x 15 inches. Image size 8.625 x 6.5 inches. Frame size: approx. 24 x 2...

Etching monogrammed in the plate. Illustration for a Robert Ganzo's poem "Lespugue" Editions Marcel Sautier, Paris, 1966. Conditions: Good Conditions Dimensions: 25,5 x 16,5 cm. Vellum paper Référence Czwiklitzer n°55. 1890 Zadkine was born on the 14th of July in Vitebsk, a city in Belarussia, on the Dvina. His father Ephime teaches classical languages at the local seminar. His mother Sophie Lester descended from Scots, who emigrated at the time of Peter the Great. 1905 His parents send him to Sunderland, in the North of England, where his mother’s family lives. He studies English and attends modelling courses at the local Art School. 1905-1909 He travels to London without his parents permission where he attends courses at the Regent Street Polytechnicum. In order to earn his living, he plans to work with a stonecutter. He visits the British Museum and studies classical sculpture there. Returns to Smolensk where he produces his first sculpture. Goes back to London. 1909-1910 Zadkine settles in Paris and studies in the ecole Nationale des Beaux-Arts. Finds a workshop in a building called La Ruche, in the XVe arrondissement. 1911 Zadkine presents statues and drawings at the annual Salon d’Automne and at the Salon des Indépendants. It is the ‘cubists’ who draw his attention in Paris. Is essentially close to Russian students who get together in a cafe of the ‘Quartier Latin’. Has himself called Joe Zadkine until 1914. 1912-1913 Finds a room in the neighbourhood of Montparnasse, in the rue de Vaugirard. Studies Roman sculpture. Zadkine is immortalized by his neighbour, photographer Marc Vaux, in his new workshop. Meets Brancusi, Guillaume Apollinaire, Jacques Lipchitz, Pablo Picasso, Antoine Bourdelle, Leopold Survage and Robert Delaunay. Henri Matisse visits Zadkine’s workshop. 1914-1915 Exhibition at the Freie Sezession in Berlin, at De Onafhankelijken in Amsterdam (Holland) and at the Allied Artists Association in London. Thanks to collector Paul Rodocanachi, he can settle in a workshop in the rue Rousselet. Becomes friends with Modigliani. 1916-1917 Works as a stretcher-bearer on the front. Produces drawings and watercolours dealing with war. Zadkine is discharged in 1917. He says he is ‘bodily and spiritually’ ruined by the war. After his stay in the Epernay hospital he recovers in Bruniquel, in the southwest of France. 1918-1919 Makes a series of 20 war etchings...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Leonor Fini - Satyr - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...