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Period: 17th Century
Regni Sueciae Tabula Generalis - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Regni Sueciae Tabula Generalis, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amst...
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Modern 17th Century Prints and Multiples

Materials

Etching

Accuratissima Totius Regni Hispaniae... - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Accuratissima Totius Regni Hispaniae Portugalliae, was realized by the cartographer Frederick de Wit for the famous Atla...
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Modern 17th Century Prints and Multiples

Materials

Etching

Scotia Regnum - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Scotia Regnum, was realized by the cartographer Frederick de Wit for the famous Atlas published in Amsterdam in ca. 1680...
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Modern 17th Century Prints and Multiples

Materials

Etching

Regni Poloniae et Ducatus Lithuaniae.. - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Regni Poloniae et Ducatus Lithuaniae, Voliniae, Podoliae, Ucraniae, Prussiae et Curlandiae, was realized by the cartogra...
Category

Modern 17th Century Prints and Multiples

Materials

Etching

Novissima et Accuratissima XVII ... - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Novissima et accuratissima XVII Provinciarum Germaniae Inferior Tabula, was realized by the cartographer Frederick de Wi...
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Modern 17th Century Prints and Multiples

Materials

Etching

Pembroke College, Oxford 1705 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
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Realist 17th Century Prints and Multiples

Materials

Engraving

Charles Louis Balzac Engraving ca. 1809-1829 Thèbes. Karnak.
Located in Chicago, IL
An ca. 1809-1829 engraving on paper by Charles Louis Balzac, DESCRIPTION DE L'EGYPTE. Thèbes. Karnak. Vue des propylées prise du sud. (ANTIQUITES, volume III, planche 44). Artwork s...
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French School 17th Century Prints and Multiples

Materials

Paper, Engraving

Abanderado (Iconic, Spanish, Baroque, Large)
Located in Kansas City, MO
Antonio de Felipe Abanderado Offset Lithograph Year: 1993 Size: 39.0 x 39.0 inches Signed in the stone COA provided --------------------------------------- Antonio de Felipe was born in Valencia in 1965. Ever since a very young age he has felt an artistic drive that led him to earn a fine arts degree at the University of Valencia. In 1996 he moved to Madrid where he has his studio. The work of Antonio de Felipe is a constant source of fascination and surprises. It is a great pleasure to witness how the artist’s ingenious world of ideas and his sense of humour are constantly evolving. His subject worlds form a surprising genre blend of striking contrasts, a linking of series characters, classical art and commercialism side by side with contemporary icon worship. Antonio de Felipe has developed his extensive work in different series like, Las Vacas Logotipos and Popsport among others. In the serie Cinemaspop Antonio de Felipe has painted portraits of brilliant actors whose icon status is secure. Two of them are Audrey Hepburn and Greta Garbo, seen against a wide range of backgrounds where the artist pays tribute to the great masters – either Picasso’s brutal Guernica or space figures reminiscent of Miró. As a third, Marilyn Monroe, parts her ruby lips...
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Renaissance 17th Century Prints and Multiples

Materials

Lithograph

The Smoker and the Drinker
Located in San Francisco, CA
Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Smoker and the Drinker Year: 1650 Medium: Etching Paper: Laid paper Image (plate mark) size...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

The Circulatory System - From "De Humani Corporis Fabrica" - 1642
Located in Roma, IT
The circulatory system is an original etching realized as table 31 of the 1642 edition of "De Humani Corporis Fabrica" by Andrea Vesalio. The "De Humani Corporis Fabrica is commonly...
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Modern 17th Century Prints and Multiples

Materials

Etching

The Internal Organs - From "De Humani Corporis Fabrica" - by A. Vesalio - 1642
Located in Roma, IT
The internal organs is an ancient original etching Table no. 36 of the popular "De Humani Corporis Fabrica" by Andrea Vesalio, in the 1642 edition by Nicolaus Fontanus (Fontayn), Am...
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17th Century Prints and Multiples

Materials

Etching

Genesis 7 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 7 - Old Testament Story is an original Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607ca. Passpartout included 29 x 39 cm The ...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

"ALS MESTRES DE CATALUNYA", 1974.
Located in Sant Celoni, ES
ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Als mestres de Catalunya", 1974. Litografía, ejemplar P/A. Firmada y justificada a lápiz. Medidas: 90 x 65 cm. Tàpies se inicia en el a...
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Abstract 17th Century Prints and Multiples

Materials

Lithograph

Daniel Marot s The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
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Old Masters 17th Century Prints and Multiples

Materials

Engraving, Etching

Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
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Naturalistic 17th Century Prints and Multiples

Materials

Engraving

"ALS MESTRES DE CATALUNYA", 1974.
Located in Sant Celoni, ES
ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Als mestres de Catalunya", 1974. Litografía, ejemplar P/A. Firmada y justificada a lápiz. Medidas: 90 x 65 cm. Tàpies se inicia en el a...
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Abstract 17th Century Prints and Multiples

Materials

Lithograph

Emperor Trajan Addressing the Roman Soldiers by Pietro Santi Bartoli - 1672
Located in Roma, IT
Emperor Trajan addressing the Roman soldiers is an artwork realized by Pietro Santi Bartoli (1635-1700) in 1672. Etching. Good condition. The T...
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Modern 17th Century Prints and Multiples

Materials

Etching

Woman with Arrow
Located in San Francisco, CA
This artwork titled "Woman with Arrow" 1661 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. The...
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Realist 17th Century Prints and Multiples

Materials

Etching

L Isle de France map
By Cornelis Danckerts II
Located in Wilton Manors, FL
Gouvernement general de l'Isle de France : ou sont la France, le Valois, Soissonnois, le Beauvaisis, Laonnois, la Brie, Francoise, l'Hurepoix noyonnois et les comtes de Senlis et de ...
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17th Century Prints and Multiples

Materials

Laid Paper, Engraving

Saint Francis with the Christ Child - Etching by Pietro Faccini - 17th Century
By Pietro Faccini
Located in Roma, IT
Saint Francis with the Christ Child is an etching print on paper realized by Pietro Faccini (1562-1602) Beautiful proof. Provenance: Collection G.S.S. Laub (Lugt 1221). Ref. Cat. P...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

Samuele 8 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Samuele 8 - Old Testament Story is an original Etching print realized by the artist Giovanni Lanfranco after Agostino Carracci. About The Old Testament Story, 1607 ca. Passpartout...
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Old Masters 17th Century Prints and Multiples

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Etching

Vincent de Paul Portrait: 17th C. Engraving by Edelinck in Perrault s Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...
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Old Masters 17th Century Prints and Multiples

Materials

Engraving

Profile of an Oriental Man - Etching - 17th Century
Located in Roma, IT
Profile of an oriental man is an artwork realized in 17th Century, after HARMENSZ VAN RIJN REMBRANDT, (1606 Leiden - 1669 Amsterdam) Etching on paper. 13 x 12 cm. Slightly stained, heavily trimmed. The motif shows reminiscences of similar motifs of Rembrandt, as well as of Salomon Koninck...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

The Little Wooden Bridge
Located in Chicago, IL
A fine and rare 2nd State impression, before the address of Ottens
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17th Century Prints and Multiples

Materials

Etching

Riera i Arago ELICE vERTICAL engraving.
Located in CORAL GABLES - MIAMI, FL
Josep Maria Riera i Aragó (Barcelona, 1954), is a Spanish plastic artist. He studied at the Faculty of Fine Arts in Barcelona. Throughout his career he has dedicated himself to scul...
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Neo-Expressionist 17th Century Prints and Multiples

Materials

Engraving

BESLER. A Group of Four Peonies.
Located in London, GB
Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
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Naturalistic 17th Century Prints and Multiples

Materials

Copper

Figures in a Landscape
Located in Chicago, IL
A very fine impression
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17th Century Prints and Multiples

Materials

Etching

Winter Landscape with a View of Zuylen Castle
Located in Chicago, IL
A fine 1st State impression before the addition of Vischer’s address. etching with engraving after David Vinckboons (Malines 1576-1629 Amsterdam)
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17th Century Prints and Multiples

Materials

Etching

The Old Tower as a Lighthouse
Located in Chicago, IL
a very fine impression
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17th Century Prints and Multiples

Materials

Etching

Red Roses: A Framed 17th C. Hand-colored Botanical Engraving by Basilius Besler
Located in Alamo, CA
"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...
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Old Masters 17th Century Prints and Multiples

Materials

Engraving

Eurito Echione e Etalide Argonote
Located in Fairlawn, OH
Eurito Echione e Etalide Argonote Etching, 1664 after Remigio Cantagallina From: La manifique carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14) Depicts Three Argonauts conveyed on aquatic peacock Published by Pierre Giffart, Paris Note: This image is a record of the celebration on the Arno River in Florence of the marriage of Cosimo II de Medici and Maria Madaglena of Austria, 1608 Condition: Trimmed to the border line of the image Slight foxing and staining to the sheet Tipped on an "English Mount" Image size: 3 9/16 x 4 15/16 inches Reference: Bartsch XX.63.37 (copy after) Drugulin 1179 Balthasar Moncornet printmaker; publisher/printer Tapissier, engraver and print publisher in Paris, specialist in ornament prints...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

The Great Landscapes VI (2nd State)
Located in Chicago, IL
Watermark: Wappen von Amsterdam mit Nebenmarke
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Old Masters 17th Century Prints and Multiples

Materials

Etching

"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
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Naturalistic 17th Century Prints and Multiples

Materials

Engraving

Jean Racine Portrait: 17th C. Engraving by Edelinck in Perrault s Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king . This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included. Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...
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Old Masters 17th Century Prints and Multiples

Materials

Engraving

Architecture - Etching by Jean Le Potre - 17th Century
Located in Roma, IT
Architecture is an original etching realized in the 17th Century by Jean Le Potre (1618-1682). Fair conditions with some cutaways. The artwork is depicted through soft strokes in d...
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Modern 17th Century Prints and Multiples

Materials

Etching

Moscovie dite autrement... - Etching by Pierre Duval - 1676
Located in Roma, IT
Etching on copper with colored borders. Image dimension: 40x50.8 cm. Unusual map of European Russia extending from the Gulf of Finland south to just before the Black Sea and the Ca...
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Modern 17th Century Prints and Multiples

Materials

Etching

John Speede Map The Countye Palatine of Chester with that most ancient citie
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category

Realist 17th Century Prints and Multiples

Materials

Engraving

Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
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Naturalistic 17th Century Prints and Multiples

Materials

Engraving

The Normandy Region of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...
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17th Century Prints and Multiples

Materials

Engraving

Northern Scotland: 17th Century Hand-colored Map by Mercator
Located in Alamo, CA
This is a framed hand-colored 17th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner. The map is presented in an antiqued brown wood...
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Other Art Style 17th Century Prints and Multiples

Materials

Engraving

Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu s Atlas Major
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662. The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
 Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
 the tuna fisheries.” 
 This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition. Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
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Old Masters 17th Century Prints and Multiples

Materials

Engraving

Southeastern Ireland: A 17th Century Hand Colored Map by Mercator and Hondius
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...
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17th Century Prints and Multiples

Materials

Engraving

Utrecht, Netherlands: A Large 17th Century Hand-colored Map by Sanson Jaillot
Located in Alamo, CA
This large hand-colored map entitled "La Seigneurie d'Utrecht. Dressé sur les memoires les plus nouveaux par le Sr. Sanson" was originally created by Nicholas Sanson d'Abbeville. Thi...
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17th Century Prints and Multiples

Materials

Engraving

The Feast, from the suite les Bohemiens
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: The Feast, from the suite, les Bohemiens Year: 1620 Medium: Etching Paper: Laid paper Size of image: 4.65 x 9.15 inches Signature: S...
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Realist 17th Century Prints and Multiples

Materials

Etching

Portugal: A Large 17th Century Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Portugal et des Algarves Divisee en see Archeveches, Eveches et Territoires Par le Sr Sanson" was originally created by Nicholas S...
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17th Century Prints and Multiples

Materials

Engraving

Southeastern England: A 17th Century Hand-Colored Map by Mercator and Hondius
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Sixt Table of England" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall Descriptio...
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17th Century Prints and Multiples

Materials

Engraving

The Monkey - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for some stains. Image Dimensions: 5 x 7 / 8 x 10 cm. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
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17th Century Prints and Multiples

Materials

Etching

Flowering Lily Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...
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Academic 17th Century Prints and Multiples

Materials

Engraving

Edinburgh, Scotland: An Original 17th C. Hand-Colored Engraved Sea Chart
By Captain Greenvile Collins
Located in Alamo, CA
This hand-colored sea chart is entitled "Edinburgh Firth" from "Great Britain's Coasting Pilot. Being a New and Exact Survey of the Sea-Coast of England" by Captain Greenville Collin...
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17th Century Prints and Multiples

Materials

Engraving

17th Century Dutch Map of Italy, Sicily, Sardinia, Corsica and Dalmatian Coast
By Theodorus Danckerts
Located in Alamo, CA
This hand colored 17th century Dutch map entitled "Novissima et Accuratissima totius Italiae Corsicae et Sardiniae Descriptio" by Theodore Danckerts depicts the Italian Peninsula in ...
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17th Century Prints and Multiples

Materials

Engraving

Belgium and the Netherlands: A Hand-colored 17th Century Map by Visscher
Located in Alamo, CA
This is an original hand-colored 17th century map of Belgium by Nicolaus (Nicolas) Visscher II entitled "Belgium Foederatum emendate auctum et novissime editum", published in Amsterdam in 1678. The map shows the seven provinces comprising the Belgium federation or the Republic of the Seven United Netherlands or the Dutch Republic as it was also known. The republic was formed when an alliance of seven Dutch provinces in the Spanish Netherlands revolted against rule by Spain in 1579 (the Union of Utrecht) and declared their independence in 1581 (the Act of Abjuration). The seven provinces were Groningen, Frisia, Overijssel, Guelders, Utrecht, Holland and Zeeland. This was a predecessor state to the Netherlands and the first fully independent Dutch nation state. Amsterdam, Delft, Rouen, Utrecht, Brugge, Ghent, and Antwerp are all included on the map. A small inset map in the lower right depicts the course of the Maas River from Maastricht to Wessem. There is a decorative cartouche in the upper left corner and a distance scale cartouche in the lower right corner. The map is presented in an attractive antiqued medium brown-colored wood frame with gold-colored inner and outer trim and a light tan-colored fabric mat. The frame measures 26.63" high by 30" wide by 0.75" deep. There is some darkening of the red areas in the map, presumably related to oxidation of the original iron containing pigment over time. There are also a few scattered spots. The map is otherwise in very good condition. The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...
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Other Art Style 17th Century Prints and Multiples

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Engraving

Genesis 37 - Old Testament Story - Etching by Sisto Badalocchio - 1607
Located in Roma, IT
Genesis 37 - Old Testament Story is an Etching print realized by the artist Sisto Badalocchio. About The Old Testament Story, 1607 ca. Passpartout ...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

The Human Body - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Human Body is an original etching from the famous "De Humani Corporis Fabrica" by Andrea Vesalio. The "De Humani Corporis Fabrica" is commonly consi...
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17th Century Prints and Multiples

Materials

Etching

"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
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French School 17th Century Prints and Multiples

Materials

Paper, Watercolor, Engraving

Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco after Agostino Carracci About The Old Testament Story, 1607 ca. ...
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Old Masters 17th Century Prints and Multiples

Materials

Etching

North Holland, Netherlands: A Large 17th C. Hand-colored Map by Sanson Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Comte De Hollande Dressee sur les Memoires les plus Nouveaux" was originally created by Nicholas Sanson d'Abbeville. This version was publish...
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17th Century Prints and Multiples

Materials

Engraving

Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
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17th Century Prints and Multiples

Materials

Etching

The Digestive System - De Humani Corporis Fabrica - by A. Vesalio - 1642
Located in Roma, IT
The Digestive System is an original etching realized as plate no.35 for the 1642 edition of the "De Humani Corporis Fabrica" by the italian anatomist ...
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Modern 17th Century Prints and Multiples

Materials

Etching

Heracles with the Club - Original Etching by Anonymous Master 17th Century
Located in Roma, IT
Image dimensions: 14.6 x 9.6 cm. Heracles with the Club is a fine black and white etching on rosaspina paper, realized by an anonymous master of the Italian school of the end of XVII century. This original print with lifetime impression describes with incredible hatching the male anatomy...
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17th Century Prints and Multiples

Materials

Etching

A Hand Colored 17th Century Janssonius Map of Prussia: Poland, N. Germany, etc.
Located in Alamo, CA
An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...
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Old Masters 17th Century Prints and Multiples

Materials

Engraving

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