1810s Prints and Multiples
to
11
494
26
13
3
Overall Width
to
Overall Height
to
265
148
1
309
15
15
3
3
4,819
10,524
57,560
24,976
714
975
2,278
2,321
2,437
4,980
7,754
13,518
8,024
4,233
3,983
305
220
11
453
214
206
200
182
123
97
93
69
49
48
30
19
12
12
11
11
10
10
10
495
89
47
7
6
10
477
139
22
Period: 1810s
St. Alban
s Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...
Category
Old Masters 1810s Prints and Multiples
Materials
Engraving, Intaglio
Sidney Sussex College, Cambridge engraving by Havell after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Queens
College, Cambridge bridge engraving by Stadler after Westall
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Engraving, Aquatint
New College, Oxford chapel window engraving after Joshua Reynolds
design
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Engraving, Aquatint
Peterhouse, Cambridge
Chapel of St Peter
s College
engraving by Havell
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Engraving, Aquatint
Margaret Countess of Richmond, Christ
s College, Cambridge engraving
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Mary, Countess of Pembroke, Pembroke College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Chapel of Lincoln College, Oxford by Lewis after Mackenzie for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Doctor in Divinity, Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctor in Divinity (1814)
Aquatint with original hand colouring
29 x 24 cm
Published by Rudolph Ackermann (1764 - 1834).
A Doctor in Divinity of the University of Oxford, resplendent in academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Prints and Multiples
Materials
Aquatint
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Servitor, Bachelor of Divinity, Collector (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Servitor; Bachelor of Divinity; and Collector of the University of Oxford.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Prints and Multiples
Materials
Aquatint
Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Colonnade under Trinity Library...
Category
Realist 1810s Prints and Multiples
Materials
Engraving, Aquatint
Henry VIII Founder of Trinity College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Prints and Multiples
Materials
Engraving, Aquatint
Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Prints and Multiples
Materials
Engraving, Aquatint
Frances Sidney, Sidney Sussex College, Cambridge engraving for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Gentleman Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Library of Trinity College, Cambridge engraving by Havell after Pugin
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint, Engraving
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Jesus College...
Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Proctor, University of Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
St Giles with a View of St John
s College, Oxford engraving by Stadler
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Engraving
Merton College Chapel engraving by J Sutherland after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Elizabeth de Clare, Clare College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
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Realist 1810s Prints and Multiples
Materials
Aquatint
Clare College, Cambridge Chapel engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann
Located in London, GB
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John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Sepulchre's - The Round Church (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
1810s Prints and Multiples
Materials
Aquatint
Radcliffe Astronomical Observatory, Oxford engraving by John Bluck for Ackermann
Located in London, GB
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Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Emmanuel College, Cambridge hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Aquatint
Vive L
Empereur! - Lithograph by Auguste Raffet - 1813
Located in Roma, IT
Vive L'Empereur! is a Lithograph realized by Auguste Raffet in 1833.
First edition.
Signed in the plate.
Good condition with foxing.
Category
Modern 1810s Prints and Multiples
Materials
Lithograph
Ruins - Lithograph by Auguste Raffet - 1832
Located in Roma, IT
Ruins is a Lithograph realized by Auguste Raffet in 1832
Signed in the plate.
Good condition with foxing.
Category
Modern 1810s Prints and Multiples
Materials
Lithograph
Gonville and Caius College, Cambridge etching after Richard Bankes Harraden
Located in London, GB
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Richard Bankes...
Category
1810s Prints and Multiples
Materials
Etching
The Wren Library, Trinity College, Cambridge etching by Alfred Blundell
Located in London, GB
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Category
1810s Prints and Multiples
Materials
Etching
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844)
Title: "Benevolent Cottagers"
Year: 1816
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown...
Category
Old Masters 1810s Prints and Multiples
Materials
Engraving, Etching, Laid Paper, Intaglio
Westminster Abbey Chantry Chapel Screen engraving by John Bluck for Ackermann
Located in London, GB
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John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
Screen Over the Chantry of Henry V, Westminster Abbey (1812)
Hand-coloured aquatint
26 x 31 cm
Published by Rudolph Ackermann...
Category
Realist 1810s Prints and Multiples
Materials
Aquatint
Bust and Cupid - Etching by Thomas Holloway - 1810
Located in Roma, IT
Bust and Cupid is an etching realized by Thomas Holloway for Johann Caspar Lavatera's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bens...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Sea Creatures - Etching by Thomas Holloway - 1810
Located in Roma, IT
Creatures is an etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Be...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, ...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of the Clemency - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of the Clemency is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lon...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Mary Sister Of Martha - Etching by Thomas Holloway - 1810
Located in Roma, IT
Mary Sister Of Marthais an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London,...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of Erasmusis - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Erasmusis an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Ma...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of Man - Original Etching - 19th Century
Located in Roma, IT
Portrait of Man is an original Etching realized by an unkown artist in late-19th century.
Very good condition.
No signature.
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Head - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Head - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Lips - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Lips - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Eyes - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Eyes - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Lips - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Lips - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love o...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Ears - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Ears - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Silhouette Profile -The Physiognomy- Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profile - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowle...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - The Noses - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Silhouette Profiles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profiles - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowl...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Silhouette Profile -The Physiognomy- Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profile - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowle...
Category
Modern 1810s Prints and Multiples
Materials
Etching
Portrait of Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Man is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - The Ears - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Ears is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Silhouette Profiles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Silhouette Profiles - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowl...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Physiognomy - The Eyes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Eyes is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Face
s Lines - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Face's Lines - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge an...
Category
Modern 1810s Prints and Multiples
Materials
Etching
The Seated Maid - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Seated Maid - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...
Category
Modern 1810s Prints and Multiples
Materials
Etching
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