20th Century Prints and Multiples

Artist: Joan Miro Medium: Original lithograph Title: Jardin au Clair de Lune Portfolio: Hommage A Teriade Year: 1973 Edition: Unnumbered Framed Size: 20 1/4" x 16 3/4" Sheet Size: 13...

Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...

Jean Cocteau - Young Woman - Drawing Circa 1912 27 x 21 cm Unsigned With an attestation of authenticity by Annie Guédras, Jean Cocteau Writer, artist and film director Jean Cocte...

This is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract s...

Medium: engraving (after the 1932 etching for Poésies de Mallarmé). Printed in 1933 on watermarked Montgolfier laid paper and published in Paris by Arts et Métiers Graphiques. Size: ...

Keith Haring Tony Shafrazi 1982: set of 6 printed works: A set of six, individual, double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi ca...

This color etching is titled "Indian Mother and Child" (c. 1950) by Czech/American artist Max Pollak (1886 - 1970) is an original etching on wove paper. It is hand signed and numbered 37/100 in pencil by the artist. It is framed in its original frame and is in excellent condition. Image (plate mark) size is 5.65 in. x 5.25 in. Max Pollak, painter and printmaker, was born in Prague, Czechoslovakia on February 2, 1886, but his family moved to Vienna, Austria. He was raised in Vienna and, in 1902, he entered the Vienna Academy of Art. He studied painting and printmaking under William Unger and Ferdinand Schmutzer. In 1912, he traveled to Italy, France, and Holland to study and paint. During the First World War, he was appointed painter of the Austrian Army. He immigrated to the U.S. in 1927. His first exhibition at the 57th Street Art Gallery in New York was a commercial success and he was commissioned by Theodore Dreiser...

This exquisite lithograph by Alberto Magnelli (1888–1971), titled Musique (Music), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 37, Decembre 1971, originates from th...

Jean-Michel Basquiat (untitled) Gray 1980: Basquiat illustrated & printed this exceptionally rare flyer for his band Gray in 1980. Executed similarly in the manner of his well-documented Anti-Product Cards of the period - Basquiat draws over a found image, then employs his famous William Burroughs style 'cut-up' technique; completing the piece by abstractly scrawling the word, 'Gray' above. Few known to have survived. Not to be passed upon. Literature: Jean-Michel Basquiat 1981: The Studio of the Street', (Deitch, Cortez, Vassell); Seeing Loud: Basquiat and Music (Buchhart, Bessières, Desmarais). Exhibited: Jean-Michel Basquiat 1981: The Studio of the Street: Jeffrey Deitch Gallery, New York, 2006; New York, New Music 1980-86: Museum of the City of New York (2021); Montreal Museum of Fine Arts: Seeing Loud: Basquiat and Music (2022); Basquiat Soundtracks: The Philharmonie de Paris, 2023 (The Paris Philharmonic). Further background as follows: Medium: Color Xerox on paper. 1980. Dimensions: 8.5 x 11 inches. Condition: Good overall vintage condition; scattered soiling marks; minor signs of handling & aging; typewriting on the reverse; minor corner bending in one or more places. Unsigned from an edition of unknown; few known to have survived. Provenance: Obtained directly from a prominent Basquiat Gray...

This artwork titled "IFemme Fatale" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered 243/300 in pencil by th...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

Published in 1990 by Rosenthal, Germany, Roy Lichtenstein’s, Water Lilies is an exquisite glazed porcelain charger, brilliantly colored, accompanied by signed certification. Stamp si...

Medium: original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Si...

Hand signed and numbered. Edition of 69 prints. Matting included. Very good condition.

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...

"Flowers " Variante 2 by Alphonse MUCHA (1860-1939) Rare original lithograph Each flower, carnation, iris, lily and rose, is signed at the lower part of the plate "Mucha". This lith...

A large format book (15.25 x 11.25 inches), following the trend among leading Parisian couture houses who had been producing elaborately designed luxury catalogs since Paul Poiret’s ...

Artist: Peter Max (1937) Title: Satchidananda Year: 1970 Edition: A.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16.5 x 18 inches Condition: Good Inscription: Signed b...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise II (Moses II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litte...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Artist: Jean-Marie Haessle, American (1939 - ) Title: To and Fro Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 295 Paper Size: 23 in. x 29 in. (58.42 cm x 73...

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Print documentation provided.. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

ARTIST: Salvador Dali TITLE: Le Cirque Chinois MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 26.25" x 21" YEAR: 1965 FRAMED: No CONDITION: Excel...

Femme endormie [Dormeuse] By Pablo Picasso Pablo Picasso, a pioneering Spanish artist, co-founded the Cubist movement and played a pivotal role in the development of modern art dur...

Artist Name: Larry Zox Title:Niagara Series IV Yellow Signed Linocut Lithograph Year : 1979 Medium Type: Print - Linocut Lithograph Size-Width Size-Height : 42.25'' 29.75'' Signed ...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Appearing like ghosts against a black background are three white figures rendered in an almost Abstract style. One, wearing a wide-brimmed hat, sits atop a horse and looks down to th...

Beautiful original poster by Roger Broders for the PLM railroads and the village of Cornillon. Roger Broders is one of the most prolific poster artists of the 1930s: his work is inse...

Hand signed in Hebrew Lower right. Dimensions: H 19.5" x 13.5" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people...

Laver 139, Hurst 246. 8 7/8 x 13 7/8 (sheet 11 1/2 x 16 1/4). Trial proof. No published edition. An extremely rich impression with plate tone printed on 'antique laid paper countermarked 'DS&Pine 17940 with a Strasbourg lily watermark. Signed and annotated 'trial' in pencil. An exceptional proof of the greatest rarity. Housed in a 16 x 20-inch archival mat, suitable for framing. In 1899 Briwcoe acquired a studio in Malden, Essex, and bought a 3-ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast, and through the Dutch waterways, constantly sketching and painting in both oil and watercolor. In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...

Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...

This poster features Ken Keeley's photorealist depiction of the iconic Manhattan landmark, Paddy's Clam House. Known for his meticulous attention to detail and ability to capture the...

Georges Braque (1882-1963) Cubist Profile in grey Original lithograph (Mourlot workshop) Signed with the artist stamp Numbered / 230 On Arches vellum 31 x 24 cm REFERENCES : - Cat...

This original lithograph in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘89’ [1989] next to the signature. It is also numbered in penci...

"Many Seasons" by Hui Chi Mau New York Graphic Society, 1977, Printed in Italy Print measures 25 in x 34 in Print is in good condition

Original, Italian, Vini di Lusso lithograph vintage poster for fine wines. The Italian Society for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group ...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

Nude in Red, a collotype figure study by Patricia A. Pearce (American, b. 1948). Unframed. Signed "PP" on verso. Image: 8.5"H x 7.75"W. Patricia Pearce was a California artist and a...

Wolff Buchholz Title: Manhattan - Fifth Avenue Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches COA provided

This exquisite lithograph after Henri Matisse (1869–1954), titled La Tristesse du Roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, origin...

Peter Milton’s Les Belles et la Bête: Before the Hunt shows his ability to weave together fantasy, art history, and the subconscious into a single intricate vision. The print stages ...

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...

Omega (Poem by George Reamy) Irene Rice Pereira, American (1902–1971) Date: 1953 Etching and Aquatint, signed, dated and dedicated in pencil Edition of Dedicated Proof Image Size: 14...

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1979 (before lettering) Dimensions: 26 x 20.5 in, 66 x 52.1 cm Classic Poster Paper - Perfect Condition A+ This color...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

Georges Braque, French (1882 - 1963) - Derniers Messages, Year: circa 1965, Medium: Lithograph, Image Size: 23.5 x 17 inches, Frame Size: 28 x 19.5 inches

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...

This lithograph was printed in 1960 and is based on the glassworks of the Saint Dominique church in Varengeville, in Normandy, where Braque had his country house. The original gouach...

Léon Danchin (French, 1887–1938) Dog and Woodcock – Original Hand-Colored Etching This finely rendered hand-colored etching by renowned French artist Léon Danchin captures a moment...

Roy Lichtenstein (after) Cloud and Sea, 1989 Serigraph Unsigned On paper, 70 x 120 cm INFORMATION: Serigraph created for the artist's exhibition at the Ludwig Museum, Cologne (Germ...

Fourth Pose from the Night: William Dunas Dance suite by Alex Katz. The piece is framed in an exquisite hand-carved white gold leaf museum frame. Artist: Alex Katz, American (192...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...

This artwork "Mother and Children" c.1970, is a colors lithograph on paper by American artist Edna Hibel, 1917-2014. It is signed and numbered II 3/10 Ed. 200 in pencil by the artist. The The artwork (sheet ) size is 34 x 23 inches, framed size is 40 x 29 inches. Custom framed in original wooden decorated grey/silver frame. It is in excellent condition. About the artist: Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork. She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin. She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts. Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique. She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth." In 1995, she was commissioned by the Foundation of the U.S. National Archives to commemorate the 75th anniversary of women receiving the universal right to vote. At the ceremony, Ms. Lucy Baines Johnson referred to Hibel as the "Heart and Conscience of America." In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts. Hibel's work has been exhibited in museums and galleries in more than 20 countries including Russia, Brazil, China, Costa Rica, and the United States, and under the royal patronage of Count and Countess Bernadotte of Germany, Count Thor Bonde of Sweden, Prince and the late Princess Rainier of Monaco and Her Majesty Queen Elizabeth II of England. Pope John Paul II gave her a medal of honor as did the late Belgian King Baudouin. She also received honorary Doctoral degrees including from Eureka College, and Northwood University of Florida, Michigan and Texas. She also has received many humanitarian honors for her charitable efforts for children's and medical charities. Her exhibitions "Golden Bridge" and " Peace Through Wisdom" were efforts to promote peace and cultural understanding between China, the United States, Yugoslavia and Russia, and a television documentary titled "Hibel's Russian Palette" was based on her trips and art shows in Leningrad, now St. Petersburg. In 2001, Edna received a Lifetime Achievement Award from "Women in the Visual Arts," an organization of artists in the South Florida area. Works in Permanent Collections: Harvard University Boston University Museum of Fine Arts, Boston Springfield Museum of Arts, Massachusetts University of New Hampshire Fleischmann Collection, Cincinnati Detroit Art Institute Milwaukee Art Museum Phoenix Art Museum La Jolla Museum, California Lowe Gallery, University of Miami, Florida Columbus Museum of Arts and Crafts, Georgia WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas Palais des Nations,Geneva, Switzerland United Nations Headquarters, New York City Norton Gallery, West Palm Beach, Florida de Saisset Museum, Santa Clara, California Russian Academy of Art, St. Petersburg, Russia Hibel Museum of Art, Lake Worth, Florida One Artist Exhibitions: Shacknow Museum of Fine Arts, Plantation, Florida, 2000 Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993) Klutznick National Jewish Museum, Washington, D.C., 1999 The Museum of Printing History, Houston, Texas, 1999 (and 1998) Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994) Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994 Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992 Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg), Russia, U.S.S.R., 1990 Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990 Galerie Vindobona, Bad Kissingen,West Germany, 1988 The National Museum of Women in the Arts, Washington, D.C., 1989 St. Peter An...