Early 18th Century Prints and Multiples
to
86
176
74
24
4
Overall Width
to
Overall Height
to
57
49
69
40
10
9
8
4,818
10,520
57,416
25,005
715
976
2,265
2,312
2,441
4,953
7,732
13,506
7,987
4,206
3,983
154
124
143
86
78
74
45
44
36
35
29
25
25
22
17
15
14
14
13
13
13
12
175
97
46
36
18
38
152
161
102
Period: Early 18th Century
Trinity College, Cambridge engraving Pieter van der Aa after David Loggan iii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of the Bishop's Hostel in Trinity Colleg...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Trinity College, Cambridge engraving Pieter van der Aa after David Loggan i
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Trinity College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Trinity College, Cambridge, engraved ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Magdalene College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Magdalene College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Magdalene College, Cambridge, engra...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Christ
s College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Christ's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Christ's College, Cambridge, engrave...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
"Knaresborough Castle" and "Sawley Abbey" from "Buck
s Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Sidney Sussex, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Sidney Sussex College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Sidney Sussex, Cambridge, engra...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Clare College, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
Clare College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of Clare College, Cambridge, engraved by P...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
King
s Chapel, Cambridge engraving Pieter van der Aa after David Loggan ii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
King's College Chapel, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of the interior of King's College ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
St John
s College, Cambridge engraving Pieter van der Aa after David Loggan ii
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
St John's College, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of St John's, Cambridge, engraved by P...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
University College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
University College, Oxford
12 x 16 cm
Engraving
An eighteenth-century view of University College, Oxford, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter.
Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
The Mote, One of the Seats of Ye Right Honorable the Lord Romney Etching c.1719
Located in San Francisco, CA
18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717
Plate dimensions 19.75" wide x 13.25" high
Paper dimensions 24" wide x 20.75" high
Frame dimensions 29.25" wide x 25.5" high
A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center.
Published in Dr. Harris's History of Kent. Engraved by Kip.
This is 1 of 6. We have 5 others not currently listed. If interested, send us a message.
Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses.
They created some of the most important English topographical prints...
Category
Early 18th Century Prints and Multiples
Materials
Etching
Colen Campbell: Althorp Hall - Althrop - Diana Princess of Wales engraving 1725
Located in London, GB
Colen Campbell (1676-1729)
Althrop Hall in Northamptonshire the Seat of the Rt Honourable The Earl of Sunderland & co.
35x50cm
Engraving (1715-1725) from 'Vitruvius Britannicus, or the British Architect...'
Althorp Hall - as it is now written, but still pronounced 'Althrop' - is the seat of the Earl Spencer and the location of the grave of Diana, Princess of Wales...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Set of Two Engravings from Campbell
s "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Vespera; Der Abend (Evening; The Evening) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Vespera; Der Abend (Evening; The Evening)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.63"
Image size: 17.38" x 13.63"
Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Meridies; Der Mittag (Noon; The Midday) /// Johann Daniel Preissler Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Meridies; Der Mittag (Noon; The Midday)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.5" x 16.32"
Image size: 18.13" x 14.32"
Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Corpus Christi College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Corpus Christi College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Corpus Christi College, engraved by P...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Stonehenge, Great Britain engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Stonehenge
Engraving
12 x 16 cm
Two eighteenth-century views of the pagan and mystical Stonehenge, engraved by Pieter v...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen /// Old Master
Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German.
Biography:
Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Etching
St John
s College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
St John's College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of St John's, engraved by Pieter van der Aa a...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
St John
s College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
St John's College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Canterbury Quad, St John's, engraved by Pi...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
The Sheldonian Theatre, Oxford by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Sheldonian Theatre, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oxford's marvellous She...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Queen
s College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Queen's College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Le College de la Reine (Queen's College), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded in 1341 by Robert de Eglesfield in honour of Philippa of Hainault (the wife of King Edward III...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
All Souls College, University of Oxford by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
All Souls College
Engraving
12 x 16 cm
An eighteenth-century view of Le College de Toutre les Ames (All Souls), engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The college was founded by Henry VI...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Magdalen College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Magdalen College, Oxford
Engraving
12 x 16 cm
A magnificent eighteenth-century view of Magdalen, engraved by Pieter van...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Public Schools facade, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Public Schools, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of the facade of Oxford's Public Schools, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter.
Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Johannes Kip, The North Prospect of Gloster Cathedral (c.1716) Copper Engraving
By Johannes Kip
Located in London, GB
To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Oxford from the East engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Oxford from the East
Engraving
12 x 16 cm
An eighteenth-century view of Oxford from the east, engraved by Pieter van de...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
University of Oxford Divinity School by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Divinity School, University of Oxford
Engraving
12 x 16 cm
An eighteenth-centur...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Brasenose College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Brasenose College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of 'Le Nez de Bronze', or Brasenose, engraved...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Public Schools, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Public Schools, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of the interior of the Public ...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
The Sheldonian, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Sheldonian Theatre, University of Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oxford's marvellous She...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Merton College, Oxford engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Merton College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Merton College, engraved by Pieter van der Aa...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Christ Church, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Christ Church, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Christ Church, engraved by Pieter van der Aa a...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Wadham College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Wadham College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Wadham, engrave...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
Oriel College, Oxford engraving by Pieter van der Aa, after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Oriel College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oriel College, engraved by Pieter van der Aa a...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
"Oakham Castle" and "Nottingham Park/Castle" from "Buck
s Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11" x 18.25"
Image size (platemark) (each): approx. 7.75" x 14.75"
Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Pieter van der Aa:
Old St Paul
s Cathedral
, after Jan Kip
Located in London, GB
Pieter van der Aa (1659-1733), after Jan Kip (1652/3-1722)
Old St Paul's Cathedral (1707)
14 x 17 cm
Engraving
A view of the nave of Old St Paul's Cathedral, engraved by Pieter van der Aa after Johannes 'Jan' Kip, the Dutch draftsman, engraver and print dealer...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Williams...
Category
Realist Early 18th Century Prints and Multiples
Materials
Engraving
Theories of Planetary Motion: An 18th C. Framed Celestial Map by Doppelmayr
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Theoria Planetarum Primariorum In qua ipsorum motus in Copernican...
Category
Early 18th Century Prints and Multiples
Materials
Engraving
The Gift of the Magi: An 18th C. Religious Engraving by Vale, After Calmarat
Located in Alamo, CA
This is a very rare early 18th century old master religious themed engraving entitled "Les Mages...Trouverent l'Enfant avec Marie sa Mere, et se prosternant entere ils l'adorent Puis ouvrant leurs tresors ils tuy offrirent pour present de lor de l'encens et de la myrrhe" by S. Vale after Calmaret, published in Paris by Pierre Drevet (1663-1738). The scene depicts the Magi bowing before Jesus, who is held by his mother Mary, and bringing him gifts of gold, frankincense and myrrh to demonstrate their adoration and respect. Winged cherubs fly overhead and a ray of light is focused on the spiritual couple. A cattle stall and buildings are in the background and a crown and scepter are dropped in the foreground, symbolically demonstrating that these nobles place Jesus above their titles and rank. Little is known about the artist Calmarat or the engraver S...
Category
Old Masters Early 18th Century Prints and Multiples
Materials
Engraving
An Antique Engraved View of "Romelborg", Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...
Category
Naturalistic Early 18th Century Prints and Multiples
Materials
Laid Paper, Engraving
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
La Manière de se Bien Preparer à La Mort - Etching by Romeyn de Hooghe - 1700
Located in Roma, IT
La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700.
...
Category
Modern Early 18th Century Prints and Multiples
Materials
Etching
Read More
Revisiting Robert Rauschenberg’s Creative Rebellion on His 100th Birthday
A planet-wide celebration feels fitting for an artist who saw connections everywhere: between paint and photography, art and life, self and surroundings.
Red Grooms’s 3D Tugboat Is a Chaotic, Comic Take on New York Life
The sculptural lithograph is part of the inimitable artist’s “Ruckus” series, now on view at the Brooklyn Museum.
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Still Thinking About These?
All Recently ViewedMore Ways To Browse
Eileen Mayo
Georg Gerster
Goldie Lipson
John Gallucci
Posters San Sebastian
Princesse Lointaine
Robert Indiana Love Is God
San Sebastian Poster
Shepherd Fairey
Terminator 1984
William Stilson
Adolphe Crespin
Alex Katz Black Dress
Andy Warhol Coke
Andy Warhol Fish
Andy Warhol Flowers Poster
Andy Warhol Movie Poster
Architecture Prints Georgian