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Period: Early 19th Century
Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want.
Samuel Sparrow (active 1770 - 1806) after Henry Barker (1774 - 1856)
Downing College...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
L
Automne - Etching by N.F. Bertrand - First Half of 19th Century
Located in Roma, IT
L'Automne is an etching realized by the french engraver Noel François Bertrand (1785-1952).
Belongs to the Suite "Le Printemps, L'Eté, L'Automne, L'...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Théâtre des Variétés - Original Etching on Paper - 1820 ca.
Located in Roma, IT
Théâtre des Variétés is an original Hand-colored etching on paper realized in 1820 ca. by the french engraver Godefroy Engelmann.
With the description on the lower, at the top and ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
W. Ward (1766-1826) after G. Morland - Framed Stipple Engraving, Cyprian Volary
By William Ward
Located in Corsham, GB
A fine early 19th century coloured stipple engraving, titled Cyprian Volary by William Ward after George Morland. The engraving is exquisitely presented in a verre eglomise mount and...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Ancient View of Amersfoort Original Lithograph on Paper - Early 19th Century
Located in Roma, IT
Ancient View of Amersfoort is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted on the lower marg...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Richard Cosway RA - Framed Early 19th Century Stipple Engraving, Devotion
Located in Corsham, GB
Original stipple engraving on laid. Presented behind glass in a contemporary wooden frame with a Sebastian D'orsai label on the verso.
Category
Early 19th Century Prints and Multiples
Materials
Engraving
06: Baroque
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Portrait of René Descartes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of René Descartes is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognom...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
A Winter Sledge
Located in Columbia, MO
Rudolph Ackermann (20 April 1764 in Stollberg, Electorate of Saxony – 30 March 1834 in Finchley, London)[1] was an Anglo-German bookseller, inventor, lithographer, publisher and busi...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
Classe 17
Located in San Francisco, CA
Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923)
Title: Classe 17
Year: 1917
Medium: Lithograph
Edition: Numbered 61/100 in pencil
Paper: Wove
Image size: 10.5 x 14.25 inches
...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
Floor plan of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Floor plan of St Albans Cathedral
Engraving
61 x 95 cm
This engraving was originally published by the Society of Antiquaries of London, an organisation ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand.
Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
La Victoire - Denis Auguste Marie Raffet
Located in Roma, IT
Nous Avons la Victoire! is an artwork realized by French artist Denis Auguste Marie Raffet (1804 – 1860)
Lithograph print. Signed on plate on the lower right. On the lower center ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Doctors of Divinity, University of Cambridge 19th century engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815)
Hand-coloured aquatint
25 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Allocation - Original Lithograph by Denis Auguste Marie Raffet - Early 19th cent
Located in Roma, IT
Nicolas Toussaint Charlet (1792-1845).
Good condition on a brown paper, included a cream colored cardboard passpartout (31.5x45 cm) with some spots on the margins.
No signature.
Nicolas Toussaint Charlet (20 December 1792 – 30 October 1845) was a French painter and printmaker, more especially of military subjects. It was only towards 1822, however, that he began to be successful in a professional sense. Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly. Later in his life there were also three exhibited oil pictures...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
44: At Brighton, Prawn-boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Ancient View of Havannah - Original Lithograph - Early 19th Century
Located in Roma, IT
Ancient View of Havannah is an original modern artwork realized in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted in capital letters on the lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
The Cats Let Out of the bag, or the Rats in Dismay - English, early 19th cent.
Located in Middletown, NY
London: The Satirist, 1811.
Etching with aquatint on buff wove paper with an 1808 watermark, 9 3/4 x 13 inches (248 x 330 mm), wide margins. Scattered paper repairs on the verso, as...
Category
English School Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
15: West Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Testa Colossale Creduta Rappresentare la Spagna - Etching by F. Cecchini
Located in Roma, IT
"Testa colossale creduta rappresentare la Spagna" (Kolossal head commonly belived to represent Spain) is a wonderful black and white etching on paper, realized by the Italian artist Francesco Cecchini (1790 - 1820 ca), after Agostino Tofanelli (Lucca 1770 - Rome 1834) , as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò/ Francesco Cecchini incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II /Tav XX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio () date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints representing a precious piece of the Borghese collection is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time (some little wormholes on the left margin beyond the marginal line of the matrix and a thinning of the paper along the margins) but with fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Rest - Original Lithograph by Achille Deveria - Early 19th Century
Located in Roma, IT
The Rest is an original hand-colored lithograph realized by Achille Deveria. The artwork is hand-signed in pencil by the artist on the lower left. Very...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Lithograph
Charte von Sud-America (Map of South America) - Etching with Hand-Drawn Outlines
Located in Soquel, CA
Map of south America, engraved by Franz Pluth (Czech, 1800-1871), from the book "Neueste Länder - und Völkerkunde, ein geographisches Lesebuch für alle Stände" by Linder, F. L. (Prag...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Paper, Printer s Ink, Etching
The Portrait - Etching by Thomas Holloway - 1810
Located in Roma, IT
The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind"...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
34: Yarmouth Herring Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Napoleon Standing
Located in Fairlawn, OH
Napoleon Standing
Lithograph, 1822
Signed in the stone lower left corner of image (see photo)
From: Arnault, A. V.
Vie Politique et Militaire de Napoleon (120 plates)
Published, Paris, Librairie Historiquem 1822
Printed by C. Motte, Paris
Considered to be the major pictorial treatise on Napoleon and his military conquests.
Image size: 14 x 9 3/4 inches
Sheet size: 23 5/8 x 17 3/4 inches
Condition: Very good
Horizontal prints...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
Horses - Etching by Thomas Holloway - 1810
Located in Roma, IT
Horses is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810.
Good conditions.
Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay).
Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
General Lord Hill - Original Lithograph by John Romney - 1814
Located in Roma, IT
General Lord Hill is an original print realized by John Romney (1786-1863) in the 1814.
Original hand watercolored lithograph .
Title printed on plate on...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Birth of Telefon, on a Bas-Relief - Original Etching by A. Campanella
By Angelo Campanella
Located in Roma, IT
“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth.
In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Angelo Campanella (Rome, 1748 – 1815)
Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
The Physiognomy - The Eyes - Original Etching by Thomas Holloway - 181
Located in Roma, IT
The Physiognomy - The Eyes is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Head - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Head - The Physiognomy is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
The Physiognomy - The Hand - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Hand is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Physiognomy - The Hands - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Hands is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810.
Signed on the plate on the lower left.
Good conditions with minor foxing.
With notes and etching of hands...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Ancient View of Mexico City - Original Lithograph - Early 19th Century
Located in Roma, IT
Ancient View of Mexico City is an original modern artwork realized in Italy in the Early 19th Century.
Original Lithograph on Ivory Paper.
Inscripted in capital letters on the low...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Hands - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Thomas Holloway, Hands, Etching on paper, hand watercolored, 1810, is an artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote t...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Arm of a Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Arm of a Man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", Londo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Si Polichinel - Original Lithograph by N. Toussaint Charlet - Early 19th Century
Located in Roma, IT
Si Polichinel s'amuse avec le diable is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Signed on plate on t...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Comic Composites for the Scrap Book, Surrealist Engraving of Assemblage Figures
Located in Long Island City, NY
Comic Composites for the Scrap Book
Unknown Artist
Date: 1829
Engraving
Image Size: 8 x 13.75 inches
Size: 9.5 x 14.5 in. (24.13 x 36.83 cm)
Publisher: W.B Cooke, London
Category
Surrealist Early 19th Century Prints and Multiples
Materials
Engraving
Ancient View of Benares - Original Lithograph - 1850s
Located in Roma, IT
Ancient View of Benares is an original modern artwork realizedin the first half of the 19th Century.
Original Black and White Lithograph on Ivory Paper.
Inscripted on the lower ma...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Lithograph
Ancient View of Batavia - Original Lithograph - Half of the 19th Century
Located in Roma, IT
Ancient View of Batavia is an original modern artwork realized in the first half of the 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Ca...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
The Church of the Holy Grave - Original Lithograph - Mid-19th Century
Located in Roma, IT
Ancient View of the Church of the Holy Grave is an original modern artwork realized in the mid 19th Century.
Original B/W Lithograph on Ivory Paper.
Ins...
Category
Early 19th Century Prints and Multiples
Materials
Paper, Lithograph
Archangel - Original Lithograph - Early 19th Century
Located in Roma, IT
Archangel is an original modern artwork realized in Germany in the first half of the 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capit...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Lithograph
Ancient View of Rio Janeiro - Original Lithograph - Early 19th Century
Located in Roma, IT
Ancient View of Rio Janeiro is an original modern artwork realized in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted on the lower margin: Rio J...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Ancient View of Calcutta - Original Lithograph - Half of the 19th Century
Located in Roma, IT
Calcutta is an original modern artwork realized in the first half of the 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Letters: ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
"Folkestone" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and th...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Heads of Birds - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Heads of birds is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and t...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Robert Arnauld - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Robert Arnauld is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Religious Men - Colored Etching After F. Ferrari by G.B. Cipriani
Located in Roma, IT
Religiosi is a wonderful hand-colored etching on paper, representes a Capuchin friar, a Dominican friar and an Agostian with their typical cassocks, as the pencil inscription on the ...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Noses - The Physiognomy - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Thomas Holloway, Noses, original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiogn...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Lady Margaret Hall, Oxford, lithograph by F. L. Griggs
Located in London, GB
F. L. Griggs
Lady Margaret Hall, Oxford
Lithograph
31 x 47 cm
Frederick Landseer Maur Griggs was a British etcher, draughtsman, and illustrator known for his highly detailed and atm...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
I Moccoletti - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The artwork is unsigned, but it is part of the 20 plates engraved in...
Category
Modern Early 19th Century Prints and Multiples
Materials
Gouache, Etching
Portrait of Marat - Lithograph - Early 19th century
Located in Roma, IT
Portrait of Marat is an original Lithograph realized by an unknown artist in the early 19th Century.
Good conditions.
The artwork is depicted with perfect hatching and strong stro...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Portrait of Armand Gensonné - Lithograph - Early 19th century
Located in Roma, IT
Portrait of Armand Gensonné is an original Lithograph realized by an unknown artist in the early 19th Century.
Good conditions.
The artwork is depicted with perfect hatching and s...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Portrait of Anacharsis Cloots - Lithograph - Early 19th Century
Located in Roma, IT
Portrait of Anacharsis Cloots is an original Lithograph realized by an unknown artist in the early 19th Century.
Good conditions.
The artwork is depicted with perfect hatching and ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Portrait of the Rustick Socrates - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of the Rustick Socrates Kleinjogg is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Know...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Map of Germany - Original Etching - 1820
Located in Roma, IT
Map of Germany is an Original Etching realized by an unknown artist of 19th century in 1820.
Very good condition on two sheets of white paper joined at...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Shakespeare, Sterne and Clarke-Original Etching by T.Holloway - 1810
Located in Roma, IT
Portrait of Shakespeare, L. Sterne and S. Clarke is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowle...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
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