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Period: Early 19th Century
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae. The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs. The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
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Edo Early 19th Century Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

Gentleman of the Cardinal - Etching by Giuseppe Capparoni - 1827
Located in Roma, IT
Gentleman of the Cardinal is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Jobs for Fighters original post World War 1 vintage American poster
Located in Spokane, WA
Jobs for Fighters. Original post World War 1 vintage poster, linen backed. Artist: Gordon Grant. Printer: United States Department of Labor - United States Employment Service...
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American Realist Early 19th Century Prints and Multiples

Materials

Lithograph

Veduta di Tivoli mista d Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

The Physiognomy - Skulls - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Skulls is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Ristauro del Tempio della Fortuna Prenestina - Etching by L. Rossini - 1826
Located in Roma, IT
Ristauro del Tempio della Fortuna Prenestina. From the collection “Le antichità de’ contorni di Roma (...)” a Virtuous proof concerning the restoration of the Fortuna Prenestina Temple, with artchitectural plan, sections and some notes. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1826”. In Excellent condition with some light stains. Image Dim: cm 67.5 x 51 , Dim: cm 70 x 53 Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Skulls - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Skulls is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, 1810. Good conditions. Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their “lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Swan - Original Etching on Paper - 19th Century
Located in Roma, IT
Swan is an original etching on paper realized by an unknown artist of the XIX century. The State of preservation is very good. Sheet dimension: 29 x 22.5 cm. The artwork represen...
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Modern Early 19th Century Prints and Multiples

Materials

Paper, Etching

White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Aquatint

Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...
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Academic Early 19th Century Prints and Multiples

Materials

Engraving

Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, wearing a robe with a pine-needle pattern. He is holding a sword and a staff. In the background, tree branches hang down from out of frame. Presented in a gold colored frame with a silk mat. Frame size: 20"H x 14.25"W Image size: 14"H x 8.5"W Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
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Impressionist Early 19th Century Prints and Multiples

Materials

Ink, Rice Paper, Woodcut

The New Athenaeum, Waterloo Place - Hand-Colored Engraving after Thomas Shepherd
By Thomas Hosmer Shepherd
Located in Long Island City, NY
Thomas Hosmer Shepherd, After by James Tingle, British (1793 - 1864) - The New Athenaeum, Waterloo Place, Medium: Hand Colored Engraving, Image Size: 3.75 x 5.75 inches, Frame Siz...
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Old Masters Early 19th Century Prints and Multiples

Materials

Engraving

Interno della Basilica della Fortuna Prenestina - by L. Rossini - 1826
Located in Roma, IT
Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Quicksilver Royal Mail and The Blenheim
Located in Douglas, Isle of Man
James Pollard 1792-1867, was an English painter and watercolourist. Pollard was born in North London he was the son of a painter and publisher. He exhibited at the Royal Academy, Suf...
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Early 19th Century Prints and Multiples

Materials

Paper, Printer s Ink, Watercolor

Set of Four Stipple Engravings from "Drawings by Hans Holbein" /// Henry VIII
Located in Saint Augustine, FL
Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...
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Old Masters Early 19th Century Prints and Multiples

Materials

Engraving, Intaglio

Que lui conte-t-il? - From Modes et Manières du jour à Paris...
Located in Roma, IT
Que lui conte-t-il? is a hand-watercolored etching on paper realized in 1800 by the French artist Louis-Philibert Debucourt (1755-1832). This is an original illustration (plate n. ...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Veduta interna delle Sostruzioni ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Veduta interna delle Sostruzioni dei Portici del tempio d'Ercole in Tivoli (...) is an original etching realized by Luigi Rossini. From the series “Le antichità de’ contorni di Roma (...)” it is an artist's proof with real technical virtuosity, with sharp details, representing the walkways under the portici of Hercules Temple in Tivoli. Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1824”. In very good conditions. Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Kabuki Theatre Scene - Original Woodblock print by Utagawa Toyokuni II - 1810 ca
Located in Roma, IT
Kabuki Theatre Scene is a color woodblock print on paper, realized by Utagawa Toyokuni II around 1810 ca. This lovely ukiyo-e print depicts a kneeling actress, more precisely a geis...
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Early 19th Century Prints and Multiples

Materials

Paper

Ancient View of Damascus - Original Lithograph - 1830s
Located in Roma, IT
Ancient View of Damascus is an original modern artwork realizedin the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Damas...
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Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Set of Six Fine Antique British Hand Coloured Botanical Prints, circa 1900 s
Located in Cirencester, Gloucestershire
Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 9.5 x 5.5 inches P...
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Art Deco Early 19th Century Prints and Multiples

Materials

Color

Costume of Civita Castella - Original Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Costume of Civita Castellana is original Hand-colored etching artwork realized by Bartolomeo Pinelli in 1819. Good conditions. Included a white Passepartout: 34 x 49 The artwork r...
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Early 19th Century Prints and Multiples

Materials

Etching

A View from St John s College, Cambridge (1809), engraving by Richard Dighton
Located in London, GB
Richard Dighton (1795-1880) A View from St John's College (1809) Hand coloured engraving 28 x 22 cm Richard Dighton (1795–1880) was a prominent Engl...
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Realist Early 19th Century Prints and Multiples

Materials

Engraving

Narciso and Echo - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Beautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone. This aquatint, by Ludovico Caracciolo (engraver...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

Ancient View of Mont Blanc - Original Lithograph - Mid-19th Century
Located in Roma, IT
Mont Blanc is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: Mont Blanc, ...
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Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Veduta della Gran Caduta dell Aniene... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta della Gran Caduta dell'Aniene in Tivoli Image dimensions: 63x46 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof of technical virtuosity with sh...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

Testa Quasi Colossale di Lucio Vero - Etching by P. Fontana
Located in Roma, IT
“Testa quasi colossale di Lucio Vero” (Almost colossal head of Lucio Vero) is a wonderful black and white etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini del./ Pietro Fontana inc. Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese's collection, the marble bust of the Roman Empero Lucio Vero, is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time( some light thinning of paper along the margin do not affect the image) but with fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Desperation - Original Etching by John Hall - 1810
Located in Roma, IT
Desperation is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", London, Bensley, 1810. This artwork portrays a historical woman...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Utagawa Kuniyoshi -- Sho onko Ryoho 小溫侯呂方 (Lu Fang)
Located in BRUCE, ACT
Title: Sho'onko Ryoho 小溫侯呂方 (Lu Fang) form Series: Tsuzoku Suikoden goketsu hyakuhachinin no hitori 通俗水滸傳濠傑百八人一個 (One of the 108 Heroes of the Popular Water Margin) Utagawa...
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Early 19th Century Prints and Multiples

Materials

Woodcut

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

Trinity College, Cambridge Library engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...
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Realist Early 19th Century Prints and Multiples

Materials

Aquatint

Saint Sebastien Martyr - Etching after Théodule Ribot - Early 19th Century
Located in Roma, IT
Etching realized after Théodule Ribot in the early 19th Century. Not signed, in very good condition.
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Modern Early 19th Century Prints and Multiples

Materials

Etching

The Physiognomy - The Bats - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Bats is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Portraits - The Physiognomy - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits , original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designe...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini. From the collection “Le antichità de’ c...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

96: Labrus julis, Indented-Striped Wrasse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Color, Etching

Lonicera Pyrenaica (Pyrenean honeysuckle) /// Pierre-Joseph Redouté Botanical
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840) Title: "Lonicera Pyrenaica (Pyrenean honeysuckle)" (No. 15 page 53) Portfolio: Traité des Arbres et Arbustes que l'on Cultiv...
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Old Masters Early 19th Century Prints and Multiples

Materials

Watercolor, Engraving

Avanzi delle rovine della Villa... - Etching by L. Rossini - 1826
Located in Roma, IT
Avanzi delle Rovine della casa del console Ventidio Basso, non molto lungi da Quintigliolo nella Valle verso Tramontana in Tivoli. Image dimensions: 36x46 cm. From the collection “L...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

The Revelation - Etching by William Bromley - 1810
Located in Roma, IT
The Revelation is an original etching artwork realized by William Bromley for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankin...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Attitudes of the Prussian Military - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Attitudes of the Prussian Military is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Silhouettes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Silhouettes is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Portrait of a Woman
Located in New York, NY
Sadatora, Utagawa (active 1818-1844). [Portrait of woman]. Japan, ca. 1825. Original woodblock print.
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Early 19th Century Prints and Multiples

Materials

Paper

Portrait of Clemency - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Clemency is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Little Devils Bridge over the Russ, above Alt Dorft Swiss
Located in Fairlawn, OH
Little Devils Bridge over the Russ, above Alt Dorft Swiss From: Liber Studiorum Etching and mezzotint, 1809 Signed in the plate by JMW Turner and Charles Turner who applied the mezz...
Category

Romantic Early 19th Century Prints and Multiples

Materials

Mezzotint

Androne della Villa di Mecenate a Tivoli - Etching by L. Rossini - 1824
Located in Roma, IT
Androne della Villa di Mecenate a Tivoli, per cui passava l'antica Via Consolare Tiburtina Image dimensions: 50x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” a...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Piazza di Palestrina costruita sulle rovine del famoso Tempio della Fortuna...
Located in Roma, IT
Full Title: Piazza di Palestrina costruita sulle rovine del famoso Tempio della Fortuna Prenestina Image dimensions: 41 x 52 cm. From the collection “Le antichità de’ contorni di R...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Une Place Vide - Original Etching by Edward Rosenthal - Late-19th Century
Located in Roma, IT
Une place vide is an original etching realized by Tobias "Toby" Edward Rosenthal ( 1848 - 1917 ). Hand signed on the lower right. Is not dated but we can attribute the period late 19...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Magdalen College, Oxford Old Gate engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

Early 19th Century Prints and Multiples

Materials

Aquatint

Veduta delle rovine di una Conserva... - Etching by L. Rossini - 1826
Located in Roma, IT
Veduta delle Rovine di una Conserva d'acqua per la Villa di Domiziano vicino a Castel Gandolfo negl'Orti Lodovisi Image dimensions: 42 x 52 cm. From th...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Altra Veduta presa sotto... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)". Beautiful proof...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Avanzi delle grandi Mura ciclopee... - Etching by L. Rossini - 1825
Located in Roma, IT
Avanzi delle grandi Mura Ciclopee da Vitruvio Opus Incertum, nella città di Cora Image dimensions: 47x67 cm. From the collection “Le antichità de’ contorni di Roma (...)” an artist's...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 148 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

Portrait of Man While Writing - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Man while writing is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Historical Woman - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Historical Woman is an original artwork realized for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

Thomas Lord Coventry Lord Keeper, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category

Renaissance Early 19th Century Prints and Multiples

Materials

Engraving

Veduta degli Avanzi della Villa... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno Image dimensions: 46x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” an a...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Avanzi di una Sala Termane... - Original Etching by L. Rossini - 1824
Located in Roma, IT
Avanzi di una Sala Termale nella Villa d'Orazio a Tivoli, sotto il convento di S. Antonio Image dimensions: 43.5 x 52 cm. From the collection “Le antichità de’ contorni di Roma (...)...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Temple de la Concorde, Rome - Etching by C.-L. Clérisseau - Early 1800
By Charles-Louis Clérisseau
Located in Roma, IT
Roman Temple is an original print on paper realized by Charles-Louis Clérisseau. titled on the lower center" Temple de la Concorde a Roma". In very good conditions. Sheet dimension: 31 x 21 cm Included a white passepartout: 49 x 34 cm The artwork represents the beautiful scenery of Roman temple, the landscape is from one of the most historical parts of the city, skilfully depicted details of remained part of temple and historical heritage sites, representing an admirable view from the eternal city of Rome. Charles-Louis Clérisseau (Paris, 1721 – Auteuil, 1820) was a French architect and painter. Student of Jacques-François Blondel, in 1746 he won the prix de Rome in architecture by going to the Italian city, as a boarder of the Academy of France...
Category

Early 19th Century Prints and Multiples

Materials

Etching

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