Early 19th Century Prints and Multiples
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Period: Early 19th Century
Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Sidney Sussex College, Cambridge engraving by Havell after Pugin for Ackermann
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Queens
College, Cambridge bridge engraving by Stadler after Westall
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
St. Alban
s Abbey Church, High Altar screen /// Robert Clutterbuck Hertford Art
Located in Saint Augustine, FL
Artist: Robert Clutterbuck (English, 1772-1831)
Title: "St. Alban's Abbey Church, High Altar screen"
Portfolio: The History and Antiquities of the County of Hertford
Year: 1815-1827 (First edition)
Medium: Original Engraving on wove paper
Limited edition: Unknown
Printer: Nichols, Son, and Bentley, London, UK
Publisher: Nichols, Son, and Bentley, London, UK
Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623
Sheet size: 17.63" x 11.38"
Image size: 11.57" x 8.57"
Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition
Notes:
Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin.
St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Engraving, Intaglio
Balaclava - The target in sight -
Located in Berlin, DE
Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp.
- slightly darkened, fixed and mounted
- The target in sight -
About the artwork
The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle.
Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image.
About the artist
Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching
New College, Oxford chapel window engraving after Joshua Reynolds
design
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Peterhouse, Cambridge
Chapel of St Peter
s College
engraving by Havell
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
1809 engraving Joséphine de Beauharnais Empress of the French and Queen of Italy
Located in PARIS, FR
This exquisite 1809 engraving captures Joséphine de Beauharnais, Empress of the French and Queen of Italy, in a stately, neoclassical pose. Drawn by Jean-Baptiste Bosio and engraved ...
Category
Early 19th Century Prints and Multiples
Materials
Paper, Engraving, Aquatint
Was su Ilandeln? - Etching by Christoph Suhr - 1808
Located in Roma, IT
Was su Ilandeln? is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vorge...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Ock Singvagels - Etching by Christoph Suhr - 1808
Located in Roma, IT
Ock Singvagels is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vorgest...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Kohl Bruun - Etching by Christoph Suhr - 1808
Located in Roma, IT
Kohl bruun is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vorgestellt...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Columnar-chived Ixia, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ixia Columnaris - Columnar-chived Ixia'
Native of Cape of Good Hope.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Margaret Countess of Richmond, Christ
s College, Cambridge engraving
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Mary, Countess of Pembroke, Pembroke College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Le Bonheur du Jour - Group of six Art Deco lithographs.
Located in London, GB
BARBIER, George
Le Bonheur du Jour ou les Graces à la Mode, texte et dessins par George Barbier.
Chez Meyniel, Paris, 1924.
Group of six lithographs, hand-...
Category
Art Deco Early 19th Century Prints and Multiples
Materials
Paper, Lithograph
Chapel of All Souls College, Oxford engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Chapel of Lincoln College, Oxford by Lewis after Mackenzie for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul'
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. Fro...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Doctor in Divinity, Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctor in Divinity (1814)
Aquatint with original hand colouring
29 x 24 cm
Published by Rudolph Ackermann (1764 - 1834).
A Doctor in Divinity of the University of Oxford, resplendent in academic dress.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Albuca Minor - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Albuca Minor'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
"The Beggars Opera" and " A Just View of The British Stage" Original Etchings
Located in Houston, TX
The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...
Category
Baroque Early 19th Century Prints and Multiples
Materials
Etching
University of Oxford Bachelor engraving by Agar after Uwins for Ackermann
Located in London, GB
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John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Servitor, Bachelor of Divinity, Collector (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
A Servitor; Bachelor of Divinity; and Collector of the University of Oxford.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Colonnade under Trinity Library...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Henry VIII Founder of Trinity College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
A Group of Six Pears.
Located in London, GB
POITEAU, A. and P. TURPIN.
Traité des arbres fruitiers: A Group of six Pears.
H. Perronneau for T. Delachausée, Paris, 1807-1835.
A group of six stipple-engraved plates printed in c...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
$9,817
Gentleman Commoner, University of Oxford 1814 engraving by John Agar
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Library of Trinity College, Cambridge engraving by Havell after Pugin
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Aquatint, Engraving
Frances Sidney, Sidney Sussex College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
The Manager and his Dog /// Caricature Cartoonist British Humor Satire Etching
Located in Saint Augustine, FL
Artist: James Sayers (English, 1748-1823)
Title: "The Manager and his Dog - or - A New Way to Keep One's Head above Water"
*Issued unsigned, though monogram signed by Sayers in the p...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Proctor, University of Oxford engraving by Agar after Uwins for Ackermann
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Aquatint
St Giles with a View of St John
s College, Oxford engraving by Stadler
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Merton College Chapel engraving by J Sutherland after Pugin for Ackermann
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Brasenose College, Oxford and the Radcliffe Camera engraving by Joseph Skelton
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Engraving
Entrance to the Castle at Tancarville /// John Sell Cotman Architectural Etching
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842)
Title: "Entrance to the Castle at Tancarville" (Vol. 2, Plate 86)
Portfolio: Architectural Antiquities of Normandy
Year: 1822
Medium: Or...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Intaglio
Elizabeth de Clare, Clare College, Cambridge engraving for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Prefect of the Pontifical Ceremonial - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
Prefect of the Pontifical Ceremonial is an artwork realized by Giuseppe Capparoni (1800-1879), realized in 1828.
Etching hand colored on ivory paper. Signed on plate and dated on th...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Clare College, Cambridge Chapel engraving by Joseph Stadler for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
St Sepulchre, The Round Church, Cambridge interior after Pugin for Ackermann
Located in London, GB
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John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Sepulchre's - The Round Church (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
An interior engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Radcliffe Astronomical Observatory, Oxford engraving by John Bluck for Ackermann
Located in London, GB
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Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Emmanuel College, Cambridge hall engraving by Bluck after Pugin for Ackermann
Located in London, GB
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Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
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Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Jesus College...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop
s Thumb)
Located in Saint Augustine, FL
Artist: George Brookshaw (English, 1751-1823)
Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX)
Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits
Year: 1808 (First edition)
Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper
Limited edition: Unknown
Printer: T. Bensley, London, UK
Publisher: George Brookshaw, London, UK
Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295
Framing: Recently framed in a wood and gold moulding with 100% cotton rag matting and Museum Glass
Framed size: 28.5" x 24.44"
Sheet size: approx. 22.25" x 17.5"
Image size: 16.25" x 12.25"
Condition: Some minor scuffing to image. In excellent condition
Rare
Notes:
Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label upper center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Aquatint
Vive L
Empereur! - Lithograph by Auguste Raffet - 1813
Located in Roma, IT
Vive L'Empereur! is a Lithograph realized by Auguste Raffet in 1833.
First edition.
Signed in the plate.
Good condition with foxing.
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Ruins - Lithograph by Auguste Raffet - 1832
Located in Roma, IT
Ruins is a Lithograph realized by Auguste Raffet in 1832
Signed in the plate.
Good condition with foxing.
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
Set of Two Hand-Colored Lithographs from Roscoe
s "Monandrian Plants" /// Botany
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Title: "Maranta Arundinacea (Arrowroot)" and "Phrynium Grandiflorum"
Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn ...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
Gonville and Caius College, Cambridge etching after Richard Bankes Harraden
Located in London, GB
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Richard Bankes...
Category
Early 19th Century Prints and Multiples
Materials
Etching
The Wren Library, Trinity College, Cambridge etching by Alfred Blundell
Located in London, GB
To see our other Oxford and Cambridge pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 19th Century Prints and Multiples
Materials
Etching
The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
Located in London, GB
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James Basire II (1769 - 1822) after Edward Dayes...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
1804 St George
s Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
1800
Map of London, Southwark, and parts adjacent
by Darton and Harvey
Located in London, GB
Darton and Harvey (publisher)
Map of London, Southwark, and parts adjacent (1800)
Engraving
42 x 56 cm
Original price "1 shilling".
Category
Early 19th Century Prints and Multiples
Materials
Paper, Engraving
1804 St George
s Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Monoplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Biplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Berkshire 19th century map engraved by John Dower
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
John Dower (1825 - 1901)
Map of Berkshire from an actual survey made in the ye...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Westminster Abbey Chantry Chapel Screen engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
Screen Over the Chantry of Henry V, Westminster Abbey (1812)
Hand-coloured aquatint
26 x 31 cm
Published by Rudolph Ackermann...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Map of the War -Vesfaglia and Lower Saxony - Etching - 19th Century
Located in Roma, IT
Map of the War -Vestaglia and Lower Saxony is an etching realized during the 19th century.
Good condition.
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Uditore di Rota. Suddiacono Apostolico" - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
"Uditore di Rota. Suddiacono Apostolico" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate a...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Cardinale Cappuccino in Mozzetta e ... - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
"Cardinale Cappuccino in Mozzetta e Mantelletta. Cardinale Cappuccino in Cappa" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand co...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
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