Late 18th Century Prints and Multiples
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Period: Late 18th Century
"The Country Stable" 18th Century Antique Mezzotint Engraving by William Ward
Located in Carmel, CA
"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826.
Print: 20.75" x 26" - With Frame: 28.5" x 34"
Published: March...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving, Mezzotint
Craggula Tree, Crassula cotyledon Plate 384
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Etching
Heath Recurved, Erica retorta Plate 362
Located in Columbia, MO
Heath Recurved, Erica retorta Plate 362
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Etching
Brunfelsia American, Brunfelsia americana Plate 393
Located in Columbia, MO
Brunfelsia American, Brunfelsia americana Plate 393
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Etching
------- Shining-leaved, Salvia formosa Plate 376
Located in Columbia, MO
—– Shining-leaved, Salvia formosa Plate 376
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Etching
------- Pyramidal, ------- Pyramidalis Plate 366
Located in Columbia, MO
—–---Pyramidal, -------Pyramidalis Plate 366
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Etching
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
Located in Columbia, MO
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Etching
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
Tiltey Church, Essex
Rochester Cathedral (1790), engraving by James Basire
Located in London, GB
James Basire & John Carter
Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral
Engraving
50 x 32 cm
This engraving was originally published by the Society ...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Fonts in Suffolk (1792), engraving by James Basire
Located in London, GB
James Basire, after James Johnson and John Carter
The Chancel of Chatham Church, Kent
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Wainflete School, Lincolnshire (1790), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
Wainflete School, Lincolnshire
Engraving
50 x 32 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Set of Three Engravings from "The British Sportsman" /// Osbaldiston Animal Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Titles: "Coursing" (Plate 3), "Hawking" (Plate 7), and "Hare Hunting" (Plate 8)
Portfolio: The British Sport...
Category
English School Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
Veduta delle Antiche Sostruzioni, Vintage Cityscape Etching by Giovanni Piranesi
Located in Long Island City, NY
Artist: Giovanni Battista Piranesi, Italian (1720 - 1788)
Title: Veduta delle Antiche Sostruzioni
Portfolio: Vedute di Roma
Year: 1776
Medium: Etching
...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Lincolnshire Sheep /// Osbaldiston The British Sportsman Farm Animal Herd Lamb
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Lincolnshire Sheep" (Plate 9)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
English School Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
The Courtesan Midorigi
By Chokosai Eisho
Located in Fairlawn, OH
Signed: Eisho zu
From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe)
Format: Oban
Publisher: Yamaguchi ya Chusuke
The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox.
Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda.
Reference: Richard Lane...
Category
Late 18th Century Prints and Multiples
Materials
Woodcut
Wild Fowl Shooting /// Osbaldiston The British Sportsman Hunting Engraving Art
Located in Saint Augustine, FL
Artist: William Augustus Osbaldiston (English, Active: Late 18th Century)
Title: "Wild Fowl Shooting" (Plate 2)
Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...
Category
English School Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Lesser White Throat, bird and nest engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
John Gould - Tetrao urogallus from
Birds of Great Britain
C. 1850
By John Gould
Located in BRUCE, ACT
Tetrao urogallus (Western capercaillie) also known as the Eurasian capercaillie, wood grouse, heather cock, cock-of-the-woods, or simply capercaillie is a heavy member of the grouse ...
Category
Late 18th Century Prints and Multiples
Materials
Lithograph
$1,526 Sale Price
30% Off
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Micenelli and Costa.
The Pio-Clementino museum, na...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
A Group of Six Hyacinths
Located in London, GB
BUCHOZ, Pierre Joseph
A Group of Six Hyacinths. Collection coloriée des plus belles variétés de Jacinthes, qu'on monte aux Curieux dans les Jardins des Fleuristes d’Harlem.
Paris, T...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Paper, Watercolor, Gouache, Engraving
Ardea, Stellaris (Eurasian Bittern) /// Dutch Ornithology Bird Animal Engraving
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original H...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Library Case, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Library Case'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's styl...
Category
English School Late 18th Century Prints and Multiples
Materials
Engraving
Différentes Especes de Buffets et Leurs Developments, French design engraving
Located in Melbourne, Victoria
'Différentes Especes de Buffets et Leurs Developments'
(Different types of buffet and their formation)
French copper-line engraving by PL Cor after Andre Jacob Roubo (1739–1791). 18...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
Vue d
un pont sur le Tesin dans le Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un pont sur le Tesin, dans le Mont St Gothard'
French copper-line engraving by Maillet after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland ...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
A Group of Four engraved and hand-coloured Birds Nests.
Located in London, GB
NOZEMAN, Cornelius and Jan Christian SEPP.
A Group of Four Birds Nests: NIDUS ARDEAE, Nycticoracis; NIDUS PLATALEA, Leucorodia; NIDUS ARDEAE STELLARIS and NIDUS PELECANI, Carbonis f...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Watercolor, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Engraving
Set of Two Engravings from Nash
s "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching, Aquatint
"Perseus and Andromeda" figurative black and white mythology scene figurative
Located in Milwaukee, WI
"Perseus and Andromeda" is an etching by Scottish artist Alexander Runciman, signed in plate to the lower left. It depicts Perseus on the left sw...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Oxford High Street with Queen
s College and University College engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Magdalen College Oxford Almanack engraving by Michael Angelo Rooker
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831).
The Pio-Clementino museum, named after the two popes wh...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Color, Engraving
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Prints and Multiples
Materials
Color, Engraving
Half-length portrait of a man with beard - A Rembrandt of the 18th century -
Located in Berlin, DE
Johann Friedrich Bause (1738 Halle a. d. Saale - 1814 Weimar). Half-length portrait of a man with beard and cap after a drawing by Christian Wilhelm Ernst Dietrich. Etching and coppe...
Category
Baroque Late 18th Century Prints and Multiples
Materials
Etching
Various Weapons
Implements of War /// Edward Barnard
s "History of England"
Located in Saint Augustine, FL
Artist: Edward Barnard (English, 1717-1781)
Title: "Various Weapons & Implements of War ... Which have been Employed Against the English, by Different Enemies: Now Deposited in the Tower of London"
Portfolio: New Complete and Authentic History of England
Circa: 1785
Medium: Original Hand-Colored Etching on laid paper
Limited edition: Unknown
Printer: Alex Hogg, London, UK
Publisher: Alex Hogg, London, UK
Sheet size: 15.38" x 9.63"
Image size: 11.75" x 7.94"
Condition: Slight toning to edges. Has been professionally stored away for decades. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Cheltenham, UK. Engraved by English artist George Walker (1781-1856) after a drawing by English artist William Hamilton (1751-1801). Comes from Barnard's one volume "New Complete and Authentic History of England", (1783, 1785, 1790) (First - third editions), which consists of 105 engravings. Printed in one color from one copper plate: black.
Biography:
Edward Barnard (1717-1781) was an English cleric and academic, provost of Eton from 1764. Barnard was second son of Rev. George Barnard...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Cyrilla Pulchella Scarlet-Flowered Cyrilla /// English Botanical Flower Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Ye...
Category
Victorian Late 18th Century Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Folly Bridge and Friar Bacon
s Study, Oxford engraving from the Oxford Almanack
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Larus, Cinereus (European Herring Gull) /// Dutch Ornithology Bird Animal Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Larus, Cinereus (European Herring Gull)" (Plate 101)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Origi...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Watercolor, Engraving, Intaglio, Laid Paper
Came, the Seat of the Hon. Lionel Damer /// Dorsetshire John Hutchins English
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Came, the Seat of the Hon. Lionel Damer" (Plate 48)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1796-1815 ...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Engraving
Magdalen College, Oxford Tower and Bridge 18th century engraving by James Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Prints and Multiples
Materials
Engraving
Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy
Located in Saint Augustine, FL
Artist: (after) Pierre-Jacques Volaire (French, 1729-1799)
Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9)
*Issued unsigned, though signed by Richter in the plate (printed s...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
Ahorn auf Kos (Vue de la Place Publique de Cos) /// Plane Tree of Hippocrates
Located in Saint Augustine, FL
Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828)
Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3)
*Issued unsigned, though signed by Richter in the plate (...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
James Basire engraving Bishop
s Palace Exeter England 1796 Chimneypiece
Located in London, GB
James Basire (engraver) after W Davey (illustrator)
Chimneypiece in the Bishop's Palace, Exeter
50x33cm (to plate mark)
Engraving
Published by the Society of Antiquaries 23rd April 1...
Category
Realist Late 18th Century Prints and Multiples
Materials
Engraving
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
UNTITLED
Located in Dallas, TX
Raul Anguiano. Untitled. Mexico. Signed and dated 1974, Technique: Lithography. Size: 26 x 32 inches.
Anguiano is a renowned Mexican painter who was born in Guadalajara on February 26th, 1915, and died in Mexico City on January 13th, 2006. In his works you can see subjects related to rural and indigenous Mexico, festivals, traditions, religion and landscapes. In 1922 he collaborated with Diego Rivera and joined the group of Mexican muralists...
Category
Late 18th Century Prints and Multiples
Materials
Lithograph
Letter R - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter R - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Capital Letter C - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter C is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Capital Letter C - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter C is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter R - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter P - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter P is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter Q is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Capital Letter C - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter C is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter S is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
Letter R - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Prints and Multiples
Materials
Etching
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