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Late 18th Century Prints and Multiples

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Period: Late 18th Century
Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Anatomy of Animals is an etching realized in 1771 by Louis Legrand (1723-1807). It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good condit...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Skeleton - Etching by Jean Moitte - 1771
Located in Roma, IT
Skeleton is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

L Axis Femelle - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
L'Axis Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Obelisco Egizio (Egyptian Obelisk) from Vedute di Roma Etching by Piranesi
Located in New York, NY
Obelisco Egizio from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1759-1778. Etching on laid paper with a watermark of a Fleur-de-L...
Category

Late 18th Century Prints and Multiples

Materials

Paper

Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Letter of the Alphabet S - Original Etching - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Antiquities of Herculaneum - Letter V - Etching - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet V, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Good conditions ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Composition with Angels - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Chiesa e Monastero delle Vergini - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good condition...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Beauties under a Maple Tree Japanese Woodblock Print
Located in Houston, TX
Three Beauties under a maple tree from the series "A Contest of Fashionable Beauties of the Gay Quarters". The woodblock print is printed on rice paper....
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Edo Late 18th Century Prints and Multiples

Materials

Woodcut

Le Furet - Etching by Louis Legrand - 1771
Located in Roma, IT
Le Furet is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Stabian Seaside Villa - Etching by Francesco Cepparoli - 18th Century
Located in Roma, IT
Stabian Seaside Villa from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Cepparoli in the 18th Century. Signed on the plate. Good conditions. The etchi...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Letter of the Alphabet E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet E from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins and Foxings. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Chiesa e Monastero di S. Chiara - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Chiara is a black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Chiesa di S.Paolo alle tre Fontane - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa di S.Paolo alle tre Fontane is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed m...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Oil Lamp to Hang - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Oil Lamp to Hang is an Etching realized by Vincenzo Campana (1730-1806). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità d...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Seminario di S. Pietro in Vaticano - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Seminario di S. Pietro in Vaticano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditi...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Seminario Romano - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Seminario Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margi...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Letter of the Alphabet E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet E from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Adieu! - Original Etching by Philibert-Louis Debucourt - 1797
Located in Roma, IT
Adieu! is an original watercolored etching realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 1832). The artwork is the pla...
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Modern Late 18th Century Prints and Multiples

Materials

Watercolor, Etching

Bearded Man in a Furred Oriental Cap and Robe, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Bearded Man in a Furred Oriental Cap and Robe, Year: Of Original 1631, Medium: Etching, Image Size: 6 x 5 inches, Si...
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Late 18th Century Prints and Multiples

Materials

Etching

Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace - 18th century
Located in Roma, IT
Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin....
Category

Modern Late 18th Century Prints and Multiples

Materials

Etching

Palazzo Altieri - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Quite Good conditions and aged ...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Sedale e Chiesa di S. Spirito - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Sedale e Chiesa di S. Spirito is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Ruins - Original Etching after Giuseppe Contenti - 1790s
Located in Roma, IT
Ruins is a original b/w etching on laid paper, realized around 1790s by an Italian old master, after Giuseppe Contenti. Image Dimensions: 11.2 x 14 ...
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Late 18th Century Prints and Multiples

Materials

Etching

Ancient Roman Bust - Original Etching by Carlo Oraty - Late 18th Century
Located in Roma, IT
Ancient Roman Bust from Ancient Rome, from the Series "Antiquities of Herculaneum Exposed", is an original etching realized by Carlo Oraty in the late 18th century. Signed on the p...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Jan Uytenbogaert (1606-84; The Goldweigher), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...
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Late 18th Century Prints and Multiples

Materials

Etching

Les Pelerins d Emmaus (B87), Heliogravure on laid paper by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Les Pelerins d'Emmaus (B87), Year: 1878 (of original 1633), Medium: Heliogravure on laid paper, Size: 8.5 x 6.5 in....
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Late 18th Century Prints and Multiples

Materials

Etching

Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201) Portfolio: English Botany; or, Coloured Figures of British Plants Year: 1794 (First edition) Medium: Original Hand-Colored Engraving on cream wove paper Limited edition: Unknown Printer: J. Davis...
Category

Victorian Late 18th Century Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
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Victorian Late 18th Century Prints and Multiples

Materials

Engraving

Presso Ludivico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma is from a series of original engravings published by Lodovico Mirri in the late 18th century and engraved ...
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Late 18th Century Prints and Multiples

Materials

Engraving

La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise Aquatint, 1771 Signed and dated in the plate lower left Condition: Yellowing to the sheet Image size: 6 1/8 x 8 1/8 inches Reference: Hedou 147 ii/II Provenance: C...
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Old Masters Late 18th Century Prints and Multiples

Materials

Aquatint

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression with the price etching in the plate Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions Reference: Hind 38 ii/IV Robison 38 ii/V with the price Wilton Ely 190 Condition: A fine Roman...
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Baroque Late 18th Century Prints and Multiples

Materials

Etching

A Cart Race
Located in Fairlawn, OH
A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
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Romantic Late 18th Century Prints and Multiples

Materials

Aquatint

Ceiling designs. A set of three architectural engravings.
Located in Paris, FR
Ceiling designs. A set of three architectural engravings. These engravings are framed in white gold covered french frames. From the publication publishe...
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Late 18th Century Prints and Multiples

Materials

Engraving

Pierre-Auguste Renoir "La danse à la campagne
Located in Los Angeles, CA
Pierre-Auguste Renoir (French, 1841-1919) "La danse à la campagne" Conceived 1883 Soft ground Etching on paper Image: 8-5/8 x 5-1/4 inches (21.9 x 13.3 cm) (plate) Sheet size : 1...
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Impressionist Late 18th Century Prints and Multiples

Materials

Paper, Etching

Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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Late 18th Century Prints and Multiples

Materials

Engraving

Set of Two Engravings after Cipriani "Four Muses" "Father and Two Daughters"
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815) Title: "Four Muses" & "Father and Two Daughters" Portfolio: Rudiments of Drawing *Issued unsigned, though both are signed by Bartolo...
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Old Masters Late 18th Century Prints and Multiples

Materials

Engraving, Etching

Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...
Category

Gothic Late 18th Century Prints and Multiples

Materials

Handmade Paper, Etching, Engraving

A Rustic Family /// George Morland British Figures Cottage Landscape Etching Art
Located in Saint Augustine, FL
Artist: (after) George Morland (English, 1763-1804) Title: "A Rustic Family" Portfolio: Original Sketches from Nature by Various Masters *Signed by Morland in the plate (printed sign...
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Victorian Late 18th Century Prints and Multiples

Materials

Etching, Intaglio

Letter E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter E is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
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Old Masters Late 18th Century Prints and Multiples

Materials

Etching

Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Corvus, Cornix (Hooded Crow) /// Dutch Ornithology Bird Animal Engraving Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Corvus, Cornix (Hooded Crow)" (Plate 106) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Original Hand-Co...
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Old Masters Late 18th Century Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

1776 Navigational chart/map of the Delaware bay and river including Philadelphia
Located in Philadelphia, PA
JOSHUA FISHER (AMERICAN, EIGHTEENTH CENTURY) A Chart of Delaware Bay and River, 1776 Printed for John Bennet and Robert Sayer, London Engraving on pape...
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Realist Late 18th Century Prints and Multiples

Materials

Paper, Engraving

Animal s Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Animal's Anatomy is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Petit Papion - Etching by Jacques Baron - 1771
Located in Roma, IT
Petit Papion is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Vitraux in Four Sheets Puzzle of Life by Salvador Dali
Located in New York, NY
Vitraux in Four Sheets, Puzzle of Life, 1974, by Salvador Dali (1904-1989) Lithograph on paper 52 ¼ x 55 ½ inches unframed (132.715 x 140.97 cm) 53 ½ x ...
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Surrealist Late 18th Century Prints and Multiples

Materials

Lithograph

Le Lapin D Angora - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Lapin D'angora is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec ...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Le Moufflon - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Moufflon is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...
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Modern Late 18th Century Prints and Multiples

Materials

Etching

Le Saimiri - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Saimiri is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...
Category

Modern Late 18th Century Prints and Multiples

Materials

Etching

Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category

Other Art Style Late 18th Century Prints and Multiples

Materials

Woodcut

Le Mico - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Le Mico is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category

Modern Late 18th Century Prints and Multiples

Materials

Etching

Composition with Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork is depicted through confident strokes. Good condi...
Category

Modern Late 18th Century Prints and Multiples

Materials

Etching

Composition with Animals - Etching by Louis Legrand - 1771
Located in Roma, IT
Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork is depicted through confident strokes. Good condi...
Category

Modern Late 18th Century Prints and Multiples

Materials

Etching

Chiesa e Monastero di S. Maria dei Sette -Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Maria dei Sette is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good c...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Etching

18th century landscape etching pastoral nature scene detailed ink trees
Located in Milwaukee, WI
"Near Tottenham Midd." is an original etching by John Thomas Smith at the top right of the image, reading "Drawn & Etch'd by J. T. Smith, Engraver of the Antiquities of London & Envi...
Category

Old Masters Late 18th Century Prints and Multiples

Materials

Paper, Ink, Etching

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