Small Portrait Prints

Anaïs No. 2. 1930. Etching. Fletcher 67. 8 7/8 x 6 3/4 (Sheet 15 x 11). Edition 111. An extremely rich proof printed on cream wove paper, on the full sheet with deckle edges. Anaïs F...

This is an original certificate of honorable discharge from the Saratoga New York Fire Department. It is signed by the Village President and dated 1911...

Plate No. 165, Elizabeth Warren "And She Persisted" by Johanna Goodman Giclée prints on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Co...

Original Biere Allary vintage French beer poster. Art Deco time frame. Excellent condition and ready to frame. The image features a Viking-style name...

Original poster: BOMBAY (American President Lines) Small format without text along the bottom. This is the smaller format for the poster. Archival linen-backed in very fine cond...

Sharon Augusta Mitchell created "Cena Ultima" as if guinea vultures were the apostles in a "last supper" pose arrayed around a carcass in an edition of 100. This is impression #9 fr...

Un Forgeron is an artwork realized by Eugène Delacroix in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Original Bravissimo Lido (Small format), artist Rene Gruau. Size: 15.5" x 23.5". Archival linen-backed vintage original French cabaret poster, ready to frame. “Bravissimo” was ...

Daumier was a master of French satire and caricatures. In this lithograph entitled "TYPES PARISIENS NO. 1, Eh bien malin! comment le trouvez vous celui-là! - Oui, oui, mais enfin - O...

Giclée print on Archival Matte Paper with Archival Pigment Ink. Based in New York, American illustrator and collagist Johanna Goodman studied at Bosto...

Plate No. 145 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

edition 3-7, 9-11, 18-32 ARTIST STATEMENT “Debbie Do Dallas” read the handwritten label on a plain black VCR tape tucked in amongst my father’s collection of westerns and adventure m...

This 21" x 18" etching was produced by William Hogarth in the mid-18th century. The work has been newly matted and framed with archival materials. The subject, identified as James Caulfield, 4th Viscount, 1st Earl of Charlemont (1728-1799), became commander in chief of the Irish Volunteers...

Jim Dine Self Portraits (1971) Portfolio of nine drypoints, each from one 20.3 x 15.2 cm (8 x 6 inch) copper plate Printed in brown-black on she...

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...

Edition Details: Year: 2016 Class: Art Print Status: Official Released: 11/15/16 Run: 103/300 Technique: Screen Print Paper: Cream Speckle Tone paper with gold metallic Inks. Size: 18 X 24 Markings: Signed & Numbered in pencil by the artist's Shepard Fairey, ICE-T & Glen Friedman...

The Fiancés of Knokke I is a vibrant and joyful reproduction from Nikki de Saint Phalle’s Nana Sculpture series. Featuring a stylized depiction o...

Amedeo MODIGLIANI (1884-1920) (after) The acrobat Lithograph from a drawing of the artist On Arches vellum 48 x 36 cm (c. 19 x 14,2 in) Limited to 300 ex...

This is a pair of Vanity Fair color chromolithograph caricatures of the famous and beloved English musical composers and playwrights Gilbert and Sullivan by Sir Leslie Ward (Spy) (1851-1922) and Carlo Pellegini (Ape) (1839-1889). The portrait of Arthur Sullivan entitled "English Music" was published in Vanity Fair on March 14, 1874 and W. S. Gilbert entitled "Patience" was published in the Men of the Day portion of Vanity Fair on May 21, 1881. Sir Arthur Seymour Sullivan (1842-1900) is regarded as the finest British composer of the 19th century. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado. Sullivan composed 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord". Sir William Schwenck (WS) Gilbert (1836-1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan. Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. These Vanity Fair portraits of Gilbert and Sullivan are presented in identical ornate black wood frames and cream-colored French mats with grey inner mats. The frames each measure 21.75" x 16" x .88". The frames and prints are in excellent condition. From 1868 until February 5, 1914, Vanity Fair, a weekly magazine of social, literary and political content, was very popular in Victorian and later, Edwardian England. The most popular of its features were the full page caricatures of famous men and women of the day which included their biographies, which remains the magazines lasting legacy. Vanity Fair's most famous artists were Carlo Pellegrini who signed his works “Ape” and Leslie Ward, known as “Spy”, but many other artists and writers contributed caricatures and prose to the publication, including Lewis Carroll, Willie Wilde, P. G. Wodehouse, Jessie Pope and Bertram Fletcher Robinson. Thomas Gibson...

This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed by M...

Image dimensions: 30.5x24 cm Hand signed and numbered. Edition of 150 prints. Original lithograph for XXe Siecle, 1977. Very good conditions. Paul Wunderlich was born in 1927...

Portrait De Femme En Rouge is a portrait of a beautiful young women in a red dress and scarf with pearls in her hair and around her throat in a green and white background. Portrait De Femme En Rouge by Marie Laurencin (aft. ) is one of 12 wood engravings from the portfolio Estampes by Robert Rey...

Plate No. 249 by Johanna Goodman Giclée prints on Archival Matte Paper with Archival Pigment Ink. Johanna’s work has been featured in a wide variety of publications from The Guardi...

Blondie Blue by BATIK signed limited edition POP ART print Paper Size OVERSIZE 24 x 20" inches / 51 x 41 cm Signed & numbered by artist on front Archival Pigment print Limited to ...

Digital Print on 100% Cotton Rag Hahnemühle Paper Edition of 25 40 x 50 cm 15 3/4 x 19 11/16 inches hand-signed and numbered by the artist Katherine Bradford is a contemporary Ameri...

Sara Rosa Corazon Tarot Reader Archival Pigment Print on Heavy Paper 2020 19.5 x 13.25 inches Signed and dated by hand, lower right COA provided Sara Rosa Corazon, an Argentine tatt...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Mily POSSOZ The birds MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 40 copies PAPER : Rives vellum SIZE : 20 x 15" INFORMATIONS : Bears the blind stamp of the editor "Marcel Gu...

Joseph Pierre Nuyteens (Belgian-American, 1885-1960) Untitled (Possibly Marshal Ferdinand Foch), 20th century Etching Sight: 14 1/2 x 12 in. Framed: 20 1/4 x 16 1/2 x 1 in. Signed in...

This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...

Original vintage French poster: Christian Dior Homage. (Homage à Christian Dior) Artist: Rene Gruau. Mint condition Original. Size: 15.75" x 24" Very fine condition; read...

"Colorado Geological" (2023) is a limited edition poster print by the acclaimed UK artist Ed Fairburn. This captivating piece is reproduced onto 100% 290gsm cotton rag premium archiv...

Study of an old woman - Plate 25 is the last collotype from “ Gustav Klimt : Fünfundzwanzig Handzeichnungen” , a limited-edition collection of 25 monochrome and two-color collotype...

This original graphic art lithographic poster entitled "Twelve, Chez Panisse Twelfth Birthday" was created by David Lance Goines in 1983 in his Berkeley s...

Samuel Johnson Woolf (American, 1880-1948) Franklin Delano Roosevelt, c. 1940-1945 Lithograph Sight: 13 1/4 x 10 1/2 in. Framed: 21 x 17 1/4 x 3/4 in. Pencil signed lower right by th...

Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 (762 x 571 mm), full margins. Signed and numbered 20/50 in penc...

Mask is a contemporary artwork realized by an unknown Artist in the late 20th Century. Mixed colored lithograph. Signature on the lower margin Includes frame

This image is based on a photo by Daniel Kramer, who shot Dylan regularly during his rapid mid-60s ascent to stardom and audience projection of Dylan as the voice of a generation… a ...

Original 1967 "MUSHROOM LADY". ast Totem West was one of the most significant poster companies from the late 60's. Based in San Francisco, their posters are sublime slices of psychedelia and very rare now. It is in very good condition with no tears and no pin holes. Step into the cosmic embrace of nature’s wisdom with this mesmerizing Psychedelic Mushroom Lady poster...

Alfred S. Campbell, Rouge Rex Shoes, Art-Relievo, Embossed Platinum Print, Circa 1900-1910 " Rouge Rex " Shoes, circa 1900-1910 Sight Size: 8 3/4" x 6 3/4" Housed in its original ...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...

Color mezzotint on fibrous, buff wove paper, 19 x19 inches (482 x 484 mm), full margins. Titled in pencil, lower left, and with the artist's stamp in black ink in the lower right mar...

"The Smoker" After Shakespeare's "The Taming Of The Shrew" Petruchio - Antique Lithograph Lithograph titled "The Smoker," after the character ...

Un Homme Dans La Ville — Original French Theatre Vintage Poster by Paul Colin, Linen-Backed Studio des Champs-Élysées Vintage Lithograph Art. Very good condition, Grade A-. (A Man i...

Artist: Pablo Picasso Title: Claude Medium: Lithograph Date: 1950 Edition: 2000 Frame Size: 20 3/4" x 18" Sheet Size: 12 3/4" x 9 3/4" Reference: Cramer 60

"Juive du Tafilelt" translated to "Jewish Woman of the Tafilelt" is plate number 55 in Jean Besancenot's stunning portraits and depictions of the peopl...

This image is #12 from an edition of only 75, Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after...

Yoshitomo Nara Blankey Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Bandstand II, captured on a visit to his grandparents in Eastbourne in 1985, this black and white photograph collection by Samuel Field is a beautiful reminder the British seaside of...

Karl Brandstätter Tache Jaune Year: 1975 Etching and aquatint Signed and numbered by the artist Edition: E.A. (from an edition of 60) Size: 26 x 19.5 inches COA provided Karl Brands...

AJ Masthay - The Wheel (Eclipse) - Contemporary Prints Artists: Masthay, AJ Manufacturer: Furnace, The - Hartford, CT Edition Details Year: 2021 Class...

Maurice Quentin DE LA TOUR (1704-1788) Portrait of Mademoiselle Fel Heliogravure after a pastel by the artist Engraved by J. Chauvet Printed signature in the plate On vellum, 50 x 3...

Plate No. 140 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

Chartreux Jouant du Violoncelle is a black and White etching realized by Edouard Moyse in the Late 19th Century.  Titled in the lower Image Size: 32x23 Very good impression. Real...

Plate No. 339 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

Artist: Julian Opie Title: Anya with Veil Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Plate 340 from Johanna Goodman's Catalogue of Imaginary Beings Giclée print on Archival Matte Paper with Archival Pigment Ink In 2017 Goodman was awarded the New York State Council...