Animal Portrait Prints

Ancient Roman Drawings, from the series "Antiquities of Herculaneum", is an original etching on paper realized after a design by Nicolò Vanni in the 18th century. Signed on the plat...

Robert Longo Bruce 2014 Archival pigment print 50.8 × 76.2 cm (20 × 30 in) Signed and numbered Edition: PP of 5 In excellent condition PLEASE NOTE: Edition numbers could vary from t...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Framed Dimensions: 38 x 28 cm Source: Derrière le miroir (DLM), n°221, 1976 Alexand...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

Robert Longo Rumi 2019 Archival pigment print 71.1 × 55.8 cm (28 × 22 in) Signed and numbered Edition of 40 In excellent condition PLEASE NOTE: Edition numbers could vary from the o...

Unstretched giclee on canvas. Hand signed and numbered by the artist. Edition of 35. Image size when stretched is approx 14 x 14 inches. Unstretched canvas size is 19 x 19 inches. ...

Rogues Series Original Painting and Limited Edition Prints on Canvas Hand Signed by Stickman 2023 18" x 24" Unframed SE Series Edition of 150

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Uncle Vanja, early 1920’s Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...