Child Portrait Prints

A fine 18th Century mezzotint, showing Lord William Newbottle and his sister, Lady Elisabeth Kar, as children, holding a dove. This mezzotint, by Valentine Green (1739-1813) is after the original painting by Catherine Read (1723-1778). The print has been attractively presented in a 19th Century Hogarth...

Artists: Doe, John Year: 2020 Class: Art Print Released: 10/05/20 Run: 100 Technique: Screen Print Paper: Fedrigoni Ispira Nero 270gsm Size: 27 X 19.685 Markings: Signed & N...

"Come As You Are" is part of "Teen Spirit", a collection of four hand pulled screenprints by artist Russell Marshall, produced in collaboration with ph...

Pool Boy Ripples Third in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy ripples is a CMYK screen print with beautiful spot layer for the  s...

Vibrant etching of woman on blue background by American artist Kismine Varner, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold bord...

"Thai Vintage 1987 Robocop" by Paul Verhoeven Robocop, the classic 1987 Paul Verhoeven science fiction (sci-fi) police crime dystopian future thriller ("Part Man, Part Machine, All Cop."; "The Future of Law Enforcement."; "Written by Edward Neumeier & Michael Miner") starring Peter Weller (in the title role as Robocop/Officer Alex Murphy), Nancy Allen, Daniel O'Herlihy, Ronny Cox, Kurtwood Smith, Miguel Ferrer, Paul McCrane...

Hommage a Rene Char litho by Moulot Imprimerie After Pablo Picasso Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionized Europe...

After Pablo Picasso 1881 - 1973 The Dwarf Dancer (Barcelona Series) - 1966 Framed Offset Color lithograph signed, dated and dedicated at the bottom "For L...

Poster. Measures 22.75 x 28.5 inches and is Unframed. Good Condition.

Artist: Enrico Baj, Italian (1924 - 2003) Title: Flavius Valerius Constantinus Chlorus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/70;...

Original Lithograph by Jean Cocteau Title: Profil Signed Dimensions: 60 x 44 cm

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent h...

Lithograph in 22 colors on Canson Edition paper mounted on cardboard, shaped and applied on gold leaf. Hand signed by Mel Ramos and editioned AP 18/50 on supplemental sheet. Publis...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

John Sloan (1871-1954), The Green Hour (or Angna Enters in “The Green Hour”), etching, 1930, signed in pencil lower right, inscribed “100 proofs” lower le...

Lithograph and pochoir realized by Emile Gallois in the mid-20th Century ca. to illustrate indonesian costumes. Signed in the plate. Published by H. Laurens, Paris. Very good cond...

"Young Girl With Hat" is a classical Victorian portrait etching. It is signed in graphite in the lower right by the artist, F.M. Spiegle. It depicts a Victorian girl with curly hair ...

Hand signed & numbered by the artist. Sheet size: 22 x 19 in. Image size: 13 x 11 in. Edition of 295. Artwork is in excellent condition. Certificate of authenticity included. All ...

Poster. Measures 21 x 16.5 inches and is Unframed. Good Condition.

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in contrast to her Western-garbed...

Poster. Measures 26.75 x 18.5 inches and is Unframed. Good Condition.

Interview is a Lithograph on wove paper BFK Rives realized in the 1970s by Christian Ricker. Edition of 65 prints, numbered and hand signed in pencil. Published by Wolfgang Ketter...

Interview is a Lithograph on wove paper BFK Rives realized in the 1970s by Christian Ricker. Edition of 65 prints, numbered and hand signed in pencil. Published by Wolfgang Ketter...

Tunisian is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed in on the lower right. Artist's proof. Very good conditions. In ...

L'Hiver is an original modern artwork realized in the the Second half of 19th Century. Original colored Lithograph on paper. Sheet dimensions: 44 x 30 cm. Titled on the lower ma...

Limited Edition Etching, EA. Signed by Artist. Image- 17.75 x 11.75 in, Image+Border- 24.75 x 17.75 in. Good/Fair Condition-shows signs of age and handling.

The physiognomy - The faces is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...

The Heads of Women is an original etching artwork realized by James Neagle for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...

The convincing is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) ...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Emile-Alfred Dezaunay (1854-1938) Jeune Fille de Rosporden, c. 1890 etching and aquatint printed in color on cream-colored laid ARCHES paper; Referen...

The Family is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in 1970s. The state of preservation of the artwork ...

This rare and engaging circa 1935 original lithograph, “Photo Opportunity,” by American Modernist Charles Wheeler Locke (1899–1983), captures a lively ...

Screen print, hand-finished with stencil and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 42/50. Fra...

With its tobacco product discreetly located on the lower left, this early 20th-century Shanghai poster for Hatamen cigarettes uses a dramatically rende...

Hand embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Stretched...

4 layer serigraph on TW Graphic Ink on Coventry Rag vellum paper with deckled edges. Hand signed lower right by Kai. Hand numbered 264/643 lower left. Artwork size: 20 x 20 inches...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Eduardo Recife Hide and Seek 2018 Archival Pigment Print Unframed 56 x 40 inches Edition of 5

Jean Cocteau - Europe's Founders - Original Lithograph Title: Europe's Founders Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sci...

Screen print, hand-finished with stencil and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 19/50. Fra...

Hand signed, dated and numbered by the artist. EP edition. Image size: 11.75 x 8.75 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

A stone lithograph on Vélin de Rives paper after a drawing by Spanish artist Pablo Picasso (1881-1973) titled "La Comedie Humaine", 1954, unsigned as issued. From "Verve", no. 29-30,...

Screen print in colors on wove paper. Hand signed and dated lower right by Pez. Hand numbered 129/195 lower left. Artwork size 34.6 x 24.3 inches. Frame size approx. 37.5 x 27 inches. Your choice of black or white frame. Please message us which color frame you would like. Artwork is in excellent condition. Graffiti Prints certificate of authenticity included. About the Artist: Pierre Yves...

Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 25/300 lower front. Artwork size 26.75 x 26.75 inches. Frame size approx. 32.5 x...

Original Lithograph by Jean Cocteau Title: Jean Monnet's Vision Signed in the stone/printed signature Dimensions: 33 x 46 cm Edition: 200 Luxury print edit...

Broken Dream by Abi Polinsky 2022 Broken Dream plays with the notion of photography as a mechanical reproduction of fact. The double exposure and surreal colors conjure a hyperreal...

Francisco Toledo Niño Maíz Gusanos (Boy Corn Worms), 2014 Poster 35.40 x 23.60 inches Edition of 33 This poster is part of a series called "No a los Transgénicos” - a visual arts ca...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Flavius Valerius Claudius Constantinus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition:...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

45 color hand pulled screen print on mohawk superfine ultrawhite 160 lb cover paper with deckled edges. Hand signed lower right by Kayla Mahaffey. Hand signed 58/100 lower left. A...

Juliette Jourdain Big headed series - Self Portrait 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Si...

19 color hand pulled screen print on mohawk superfine ultrawhite 160 lb cover paper with deckled edges. Hand signed lower right by Kayla Mahaffey. Hand signed 46/125 lower left. A...

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...

Eduardo Recife Only good thoughts will surround me, 2018 Digital Collage Archival Pigment Print Framed 44 x 44 inches Edition of 5

Edition of 10 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sérgio Ranalli manages to combine journalistic objectivity with the storytelling sensitivity in a...

Eduardo Recife Set the moon on fire until it becomes the sun, 2018 Archival Pigment Print Framed 44 x 30 inches Edition of 5

This original etching is hand signed in pencil by the artist “Henri Matisse” in the lower right margin. It is also hand numbered in pencil from the edition of 25, at the lower right...

Giclee print in colors on Moab Entrada paper with deckled edges. Hand signed and numbered by the artist. Sheet size: 20 x 24 inches. Frame size approx 26 x 30 inches inches. Editi...

Screen print on Canson Aquarelle 310gsm paper with deckled edges.. Hand signed and numbered by Super A. Edition of 150. Frame size approx 36 x 26 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Stefan Thelen...