People Portrait Prints

Original Molitg les Bains Vintage French Travel Poster. Santé et Beauté de la Peau. Pyrenees-Orientales. Archival linen backed in Grade A- condition, ready to frame. Slight touch...

In this black and white monotype, Zalopany has captured a duo of tumblers atop a roof, as onlookers stare in wonder. The artist is able to cap...

Silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper Edition of 50

SECOND GENERATION is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. SECOND GENERATION portrays a double portrait of a boy and girl in profile, bordered by bright yellow, orange and red flames with a row of turquoise blue silhouette figures marching in protest across the lower portion of this striking composition by Elizabeth Catlett. From the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "Let a new earth rise. Let another world be born. Let a bloody peace be written in the sky. Let a second generation full of courage issue forth; let a people loving freedom come to growth. Let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control." stanza from the poem FOR MY PEOPLE by Margaret Walker...

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Erotic scene from the series "Koshuko zue juni ko". A courtesan with a customer under a kimono stand...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Original World War II "Freedom from Fear" Ours ... To fight for by Rockwell. One of the 4 freedom posters created in 1943 by Norman Rockwell. Fre...

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

Beautiful limited edition posters by Yoshitomo Nara for his exhibition at the Hammer Museum. Only available for a limited amount of time where they sold out quickly, edition size unk...

Etching on paper realized by Marcantonio Raimondi after Raphael. Ref. Cat. Raisonné Oberhuber n. 76. Good condition.

Richard Lindner, German/American (1901 - 1978) - Shorewood Atelier Gallery Exhibition Poster, Year: circa 1969, Medium: Poster, Size: 28 x 21.5 in. (71.12 x 54.61 cm)

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. Femme à la mandoline (Woman with Mandolin) exemplifies Picasso’s lyrical interpretation of the female form during his neoclassical period, fusing harmony, sensuality, and musicality into a composition that reflects both the artist’s Mediterranean roots and his mastery of modernist form. Through the union of lithographic line and pochoir color, the work conveys a balance between intimacy and abstraction, celebrating rhythm, grace, and the timeless relationship between art and music. Executed as a lithograph and pochoir on velin paper, this work measures 11.38 x 9.09 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 11.38 x 9.09 inches (28.9 x 23.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Femme à la mandoline (Woman with Mandolin), Picasso 1930, Picasso Desjobert, Picasso pochoir...

This framed advertising poster for Hatamen Cigarettes from the late 1920s melds the meticulous detail of traditional Chinese painting with the nuanced color and fine resolution of color lithography. Ensconced in a filigree frame, a woman peers out alluringly, caressing the fur trim of her luxurious robe. Discreetly positioned on the lower corners, an open pack of Hatamen cigarettes makes a more subtle appeal to the senses. These advertisements, depicting fashionable women and influenced by the Art Deco movement in the west, recall the economic boom of early 20th-century Shanghai, an international center of business and trade. Today, these lithograph tobacco posters...

Fly is a colored serigraph on paper realized by the French artist Félix Labisse. Hand-signed in pencil on the lower right margin. Numbered in pencil on the lower left margin. Editio...

Salvador Dalí (Spanish, 1904-1989) Date: Circa 1970 Medium: Offset lithograph in color on paper Edition: Limited edition, typically 250 copies; this one is numbers 185 /225 Signa...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid fre...

Artist: Andre Masson, French (1896 - 1987) Title: Don Giovanni Year: 1978 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 163/250 Size: 30 in. x 22 in. (76.2 cm ...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

This intricate woodblock print is a fine demonstration of Kunisada's later works. Depicting a beautiful lady dressing in floral kimono and decorative hair pieces. The signature to th...

SUNBATHERS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. SUNBATHERS depicts a two female sunbathers sitting in their lounge chairs on a sunny day at the beach wearing dark sunglasses, straw sun hats, and snazzy red and purple bikinis...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...

Aquatint and etching with decorative embossing printed in colors on white wove paper with an unknown watermark and a deckle edge, 18 1/2 x 15 inches (470 x 380 mm); sheet 27 x 19 1/2...

Original vintage poster: "You buy 'em We'll fly 'em!" Artists: J. Walter Wilkinson and his son Walter G. Wilkinson. (1917 - 1971). Linen backed with original WW2 U.S. military with original issued fold marks restored. Excellent condition. Touchup pinhole in the four corners. Excellent colors. Ready to frame. A flying ace pilot smiles and gives the thumbs up to the viewer to promote war bonds, saying, "You Buy 'Em, We'll Fly' Em" in this 1942 WWII poster by J. Walter Wilkinson and his son Walter G. Wilkinson. The artwork features a squadron of Douglas SBD Dauntless, which the US Navy used as scout planes and dive bombers. The seal at the bottom of the poster reads, "The More Bonds You Buy- The More Planes Will Fly." This poster is one in a series of six created by the award-winning father-son team for the United States Treasury Department. J. Walter Wilkinson (1892-1988) and his son Walter G. Wilkinson (1917-1971) created several posters for the United States Department of Treasury during the Second World War. J. Walter Wilkinson was an academic painter who studied in Italy and worked for advertising agencies in Philadelphia. He specialized in outdoor landscapes and created many commercial artworks for advertising campaigns, including Ivory Soap, Pabst Beer...

Portrait of Ferdinand II is an original lithograph by Antonio Zezon. Interesting colored lithograph which describes the arrival of Ferdinand II,...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

A collection of 50 copperplate engravings featuring early 19th century costume scenes set in the Roman countryside. With characters dedicated to work, games, revelry, and various act...

Andrew Scott, Dig, 2024 Giclee print of 315 gsm etching cotton rag paper 45 x 33 cm (17.7 x 13 in) Edition 149 of 250 Frame included Hand-signed a...

Original "Clear the Way !!" Buy Bonds Fourth Liberty Loan vintage poster.. With Lady Liberty holding the U. S. Flag above the soldiers prepari...

"Untitled (Girl Reading)" is an original wood engraving by the artist Stella Emma Harlos. A young girl rests on a large armchair, head resting on one hand as she reads a book. Image: 4" x 5" Frame: 12.12" x 13.18" Stella Harlos...

Original Louis Vuitton Classic, Parc de Bagatelle, September 9 and 10 Septembre 2000, linen-backed, smaller format, Grade A condition poster. The smaller and more manageable, hard-to-find size measures 31.5” x 24”. (The large format is approximately 63” x 47”). Grade A condition, ready to frame. Fantastic image by Razzia. A gorgeous woman's face with sparkling blue eyes gazes out at the viewer as a beam of light shines upon her eye. The light then traces down past her smooth cheek, catching a glimpse of her ruby red lips, and finally falls upon the car, which both she and the viewer are mesmerized by. Reflecting in the woman’s face is a golden speedometer displaying speeds up to 300. • Authentic 2000 Louis Vuitton Classic Poster...

Andreani, Andrea, after Andrea Mantegna The Triumph of Caesar: Plate IV of IX 1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...

'The Cavalry Division' Vanity Fair portrait of Field Marshall John French (1852-1925). He was an English commander who served in the Soudan, Boer War and World War I. Godfrey Doug...

I See I don't See it is an Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...

AT THE OCEAN CLUB by the woman artist Robin Morris, is a hand drawn limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. AT THE OCEAN CLUB is a modern Art Deco style nightime party portrait of a man and two women elegantly dressed to go out posing on the boardwalk holding bubbling champagne glasses...

THE GARDEN is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 using traditional hand lithography techniques on archival Somerset paper, 100% acid free. THE GARDEN is a dreamy, abstract line drawing...

Agostino CARRACCI, after Jacopo TINTORETTO Sapientia Martem depellente Pax et Abundantia cogaudent; Mars driven away from Peace and Abundance by Minerva Engraving on handmade laid ...

V. Beffa - Clown. Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

This poster from the 1920s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. The poster depicts two young girls gathered by an ornate stool...

James Rosenquist Art Card: "Joan Crawford Says", 1964 (hand signed by James Rosenquist), ca. 1980 Offset lithograph postcard (Hand Signed by James Rosenquist) Boldly signed by James ...

Pablo Picasso (1881-1973) "Portrait de Jacqueline" 1959 (Baer 1245; Bloch 923) ...

SABBATH ANGELS is an original hand drawn lithograph(not a photo reproduction or digital print) by the American artist/sculptor Chaim Gross, presenting an impressive sculptural drawing of two majestic female angels welcoming the sabbath as two lit candlesticks glow beneath the wings of the yellow angel. SABBATH ANGELS was hand proofed and printed from lithographic plates on archival Arches paper, 100% acid free. SABBATH ANGELS is a contemporary style angel portrait measuring 14 x 20.5 inches, image size is 9.25 x 15 inches, a very fine impression pulled from hand drawn lithography plates. Printed in transparent watercolor shades of light blue, light brown red, yellow and graphite black for the pencil drawing using the age-old hand printing methods first used in fine art lithography printmaking. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

Marina Abramovic Offset lithograph poster The Hero, 2001 2023 Boldly signed in black marker on the image of the flag Bears Royal Academy authentication label on the back of the fram...

Robert Mapplethorpe Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains poster, 1991 Offset lithograph poster 17 × 11 inches Unframed, unsigned and unnumbered Accompan...

Portrait is an original zincography on paper realized by D'Apres Franz v. Defregger, in 1905. This Specially Zincography representing a woman's portrait. The title of the work "'s C...

Alberto Giacometti, Swiss (1901 - 1966) - Head From Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: M...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

after Henri MATISSE (1869-1954) Lithograph Signed in the plate Vélin Paper Dimensions: 32 x 24 cm (12 x 9") This lithograph is one of a rare edition made during the Second World War ...

Original London Midland and Scottish Railway (LMS) vintage Art Deco railway poster from 1925. The artist is Raymond Virac. Archival linen-backed and in excellent condition, ready to ...

"Shubert Theater" original lithograph by artist Al Hirschfeld. Featuring caricature portraits of Jason Robards, Jr.; Fred Astaire; Jimmy Durante; Eddie Cantor; Alfred Drake; Fred Allen; Al Jolson; Katherine Hepburn; Rex Harrison; Julie Andrews; Clark Gable; Ethel Waters; Carol Channing; Ethel Merman; Mary Martin; Lynn Fontanne; Alfred Lunt; Lillian Gish...

Two Mid 18th century hand coloured copper plate engravings of equestrian subjects by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in fine gilt wood fr...

Embossed, Limited Edition Lithograph, 270/350 Image measures 35.75 x 27 inches, Paper measures 41.5 x 31.5 in Signed by Artist Piece shows significant signs of wear due to age and...

JACOB LAWRENCE THE BUILDERS 1985 Commemorative Poster - National Urban League 75th Anniversary 1910-1985 Vintage original 1985 printing Poster size - 35.25 x 22 inches, unframed, u...

BIG OLIVES, LITTLE OLIVES is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed in 1986 using hand lithography techniques on archival Arches paper, 100% acid free. BIG OLIVES, LITTLE OLIVES presents a humorous piano bar scene depicting a lively group of night club patrons enjoying their cocktails as they enthusiastically sing along with the debonair piano player giving the viewer a true feeling of merriment in this quintessential Beryl Cook image. BIG OLIVES, LITTLE OLIVES is a warm, colorful interior scene printed in shades of golden brown, black, red, blue, lavender, purple, green, orange, pink, peach, gray, and beige. BIG OLIVES, LITTLE OLIVES is one of Beryl Cook's most loved images - the edition is SOLD OUT, this is a rare unsigned printers proof aside from the numbered edition from the master printers private collection, stamped legend on verso with provenance information. Print size - 27 x 27 inches, UNSIGNED Printers Proof, unframed, excellent condition Edition size - 300 plus proofs Year published - 1990, printed at JK Fine Art Editions Co. NYC Beryl Cook's unique artistic humor documented familiar social situations...

Jean Jansem (1920-2013) Deux danseuses, 1995 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: Catalogue raiso...

Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

“3 THE HARD WAY portrays the concept of standing together to fight a system of racism and violence against the Black community — because we are stronger together,” explained Brantley. “I was thinking about building a community, building that totem, stacking one on top of another to reach somewhere closer to where we need to be. I’ve been exploring the language of totems and like the idea that you can combine different ideologies and tie them together in one narrative. Through 3 THE HARD WAY what I’m creating is one very concise theme, of brotherhood and building. Ultimately, the works highlight themes of race and power, but also hope.” Artists: Brantley, Hebru Manufacturer: Avant Arte...

Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...

Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...