Modern Still-life Prints

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Artist: Ben Shahn, American (1898 - 1969) Title: The First Word of Verse Arises from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Siz...

Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery. Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...

Greetings card hand written in pencil, with a phototype print sgne "Chem 1953". Very good condition.

"Ali vs Frazer" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of ...

"Brando" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Marlon Brando. Archival photographic paper Framing options available Signed editio...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Temps de Paris Seine, 1964. Published by Pierre ...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Violon et partition de Mozart (Violin and Mozart Score), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates from the 1965 edition published by Librairie academique Perrin et Cie, Paris...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Fleurs (Flowers), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

"Rocky" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of...

This exquisite lithograph by Renato Guttuso (1911–1987), titled Anguria (Watermelon), from the album XXe siecle, Nouvelle serie, XLIIIe Annee, No. 57, Hommage a Guttuso, originates f...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph after Georges Braque (1882–1963), titled Feuillage noir (Black Foliage), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte a la cruche (Still Life with Pitcher), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits...

Ex Libris Solveig Skullerud is an original Modern Artwork realized in 1945. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. Dated and signed on plate: F.B. ...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed edition of...

Still Life is a contemporary artwork realized by Domenico Cantatore in the mid-20th Century. Mixed colored woodcut print. Edition 52/75. Hand signed by the artist on the lower marg...

Le Corbusier's first (and largest) original lithograph in color. He created the poster on the occasion of his (first) solo exhibition. Print run was 100 ex. only – whereby the largest part was destroyed when used in the streets of Zurich, what makes it LCs most rare lithograph in color. Moreover: This exemplar is even hand-signed by LC and dated, as it was (meant to be) sold at the entrance of the Kunsthaus Zürich...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 3 (Series G, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Les ombelles (The Umbels), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collab...

Ben Nicholson (1894–1982) was a leading figure in British Modernism. His innovative approach to abstract composition shaped painting and sculpture in the 20th Century. Nicholson was...

Pierre GARCIA-FONS Basket of Fruits and Bouquet of Flowers Original lithograph Signed in pencil Justified EA (artist proof) On vellum 76 x 55 cm (c. 30 x 22 in) Very good conditio...

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Danseuse Créole celebrates Matisse’s mastery of rhythm and movement through his iconic cut-out technique, transforming color and form into pure visual music. The composition captures a dancer in motion—her form abstracted into vibrant, flowing shapes that express both energy and grace. Evoking the sensuality and vitality of dance, this work embodies Matisse’s lifelong quest to unite color, joy, and human expression in perfect harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Danseuse Créole, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

Artist unknown "Golden Sweet Corn" c. 1960s Lithograph on paper 18.5"x23" unframed unsigned

This exquisite lithograph after Henri Matisse (1869–1954), titled La Palme (The Palm), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 editio...

This exquisite lithograph after Henri Matisse (1869–1954), titled Vigne (Vine), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue publish...

Sunflowers by Bernard Buffet, published by MaGraff, a French-Canadian publisher renowned for its fine editions in the early 1970s (now defunct). This reproduction, created as a scree...

Lithograph on Auvergne du Moulin Richard de Bas filigrané paper. Inscription: Watermarked with the artist's signature and unnumbered, as issued. Good condition. Notes: From the folio, Les Paroles Transparentes, Lithographies Originales de Georges Braque, 1955; published by Les Bibliophiles de l'Union Française, Paris, under the direction of Félia Léal; printed by Mourlot Frères, Paris, May 11...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Nature morte aux iris (Still Life with Irises), originates from the 1979 album Bernard Buffet, Lithographe I (Bernard ...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Chateau de cartes (House of Cards), originates from the 1979 album Bernard Buffet, Lithographe I, published by Edition...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Le bouquet de fleurs violettes (Bouquet of Purple Flowers), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, published by Tudor Publishing Company, New York, under the direction of Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, November 1967. The composition exemplifies Buffet’s austere poetic vision, presenting floral forms through rigid structure, stark contour, and controlled spatial tension that reflect his mature graphic language and existential restraint. Executed as a lithograph on velin Acropole paper, papier fabrique par les Papeteries de Renage, this work measures 12.375 x 9.5 inches (31.43 x 24.13 cm). Signed in the plate and unnumbered as issued. The printing reflects the technical authority of the Mourlot Freres atelier, long regarded as the foremost fine art lithographic studio of the twentieth century. Artwork Details: Artist: Bernard Buffet (1928–1999) Title: Le bouquet de fleurs violettes (Bouquet of Purple Flowers), from Bernard Buffet, Lithographs 1952-1966, 1967 Medium: Lithograph on velin Acropole, papier fabrique par les Papeteries de Renage Dimensions: 12.375 x 9.5 inches (31.43 x 24.13 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1967 Publisher: Tudor Publishing Company, New York, under the direction of Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Buffet, Bernard, and Charles Sorlier. Bernard Buffet: Lithographe I-II. M. Trinckvel, 1979-1987, illustration 103-115 Condition: Well preserved, consistent with age and medium Provenance: From the 1967 album Bernard Buffet, Lithographs 1952-1966, published by Tudor Publishing Company, New York Notes: Excerpted from the album, Executed in November 1967 on the press of Fernand Mourlot, Paris, France, this work has been printed on velin Acropole manufactured by Papeteries de Renage. The typography is by the Imprimerie Union. CXXV press-numbered examples were printed on velin d'Arches. Each includes two additional original lithographs by Bernard Buffet, bearing the signature of the artist. About the Publication: Bernard Buffet, Lithographs 1952-1966, published in 1967 by Tudor Publishing Company in New York under the artistic direction of Fernand Mourlot, stands as one of the most authoritative surveys of Buffet’s graphic production. Conceived to present a comprehensive view of his lithographic work to an international audience, the album reflects the high standards of Parisian art publishing in the mid twentieth century, emphasizing clarity, tonal fidelity, and elegant design. The collaboration with Mourlot Freres ensured exceptional fidelity to Buffet’s line, preserving the sharp contrasts and architectural rigor that define his style. Carefully produced with attention to paper quality, typography, and printing precision, the publication documents more than a decade of Buffet’s evolution as a printmaker and occupies a central position in the scholarship and collecting of his graphic oeuvre. Today, the album remains among the most sought after examples, valued for its documentation of one of the era’s most recognizable and debated artistic voices. About the Artist: Bernard Buffet (1928–1999) was a French painter and printmaker whose unmistakable linear style, technical precision, and emotional intensity made him one of the most influential and prolific artists of the 20th century. Born in Paris, Buffet entered the Ecole Nationale Superieure des Beaux-Arts at fifteen and soon developed a visual language defined by taut black outlines, muted tones, and haunting stillness that reflected the existential climate of postwar Europe. Influenced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Buffet forged a path that blended classical rigor with modern expression. Emerging in the late 1940s as a prodigy of French modernism, he rose to fame after his work L'Homme accoude was acquired by the Musee National d'Art Moderne, and by his early twenties, he was being heralded as a successor to Picasso. His stark depictions of Parisian streets, still lifes, religious scenes, clowns, and self portraits embodied the human struggle with isolation and resilience, capturing the postwar spirit with both intellect and empathy. Buffet’s disciplined draftsmanship, emotional gravity, and refusal to abandon figuration during the dominance of abstraction set him apart from his contemporaries and aligned him with the existentialism of Jean Paul Sartre and Albert Camus. Throughout the 1950s and 1960s, he achieved international acclaim, exhibiting across Europe, America, and Asia, and in 1955 won the Prix de la Critique. His prolific output of over eight thousand works across painting, lithography, and illustration secured his place as one of the defining artistic voices of his generation. His highest auction record was achieved by Le Cirque (1961), which sold for 13.6 million USD at Christies Hong Kong on May 26, 2022. Bernard Buffet Le bouquet...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed edition of...

This etching is a study in light and shadow of Taos pueblo pots (Georgia O'Keefe's Adobe staircase) by Santa Cruz, California artist Pam Ackerman (American,...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From the folio, Une Aventure méthodique, 1950; published ...

Paul Cezanne Still life, Fruits and wine, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) ...

Flower is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is excellen...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie N Gc’S, var. 5 (Series N Gc’S, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Draw...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed Framing op...

"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...

This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil Schkolnyk was born in Paris, France in 195...

A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...

Walk Downtown is a photolithograph on paper realized after a painting by Maurice Utrillo. Includes frame: 54.5 x 44.5 cm

This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...

Yvonne CHEFFER DELOUIS Still Life with Hat Original lithograph Signed in pencil Numbered / 275 copies On vellum 58 x 76 cm (c. 22.8 x 29.9 in) Excellent condition

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 190, published by Aimé Maeght, Éditeur, Paris; printed ...

A contemporary photograph of an AC/DC - Back In Black cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro "They encapsulate an...

This exquisite lithograph by Saul Steinberg (1914–1999), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Margueri...

Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...

Gina Lombardi Bratter, American - Egyptian Goddess with Flower, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 30, Size: ...

Still Life is a screen print realized by the Italian artist Gianni Testa in 1986. Hand-signed  by the artist on the lower right. Numbered on the lower left. Edition 121/150. Very g...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Deux natures mortes (Two Still Lifes), from the folio Derriere le miroir, No. 65, originates from the 1954 edit...

Vintage Poster Fynden Fran is an original offset of 1984 by Kalmar Lans Museum. The state of preservation of the artwork is good. Photo realized by Gosta Sorensen. Good condition.

"Andy" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Signed edition of 150 ...

The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne. Carol Wax originally trained to b...

Bernard CATHELIN Laurel in a ravine Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 31 (c....