Graphics Still-life Prints

Cosmos Color woodcut with gauffage (embossing), January 1940 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: excellent Image size: 14 3/8 x 9 5/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...

This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...

This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...

Fernand Leger ( 1881 -1955 ) " La Fleur " .1952 . Lithograph in colors on wove paper Framed with museal glass : Specially created by the artist in 1952 for the XXe Siècle Cahiers d...

The pale gray-green of this pair of monotypes calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut branches from eucalyptus trees which grow in the w...

These are two separate 40 x 26 inch cyanotypes (unique monotypes) made using the same tree branches flipped over facing the opposite direction, the result being a symmetrical mirror ...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Offset lithograph on smooth wove paper Edition 84 of 300 52.5 x 52.5 cm (20.7 x 20.7 in) 55 x 55 x 2.5 cm, 21.7 x 21.7 x 1 in Signed and numbered on the front Artwork mint, as issued...

Mary Faulconer, American (1912 - 2011) - Purple Pansies in Cup, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 10 inches, Si...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Screenprint in colours, 1998. From 'Meine Kindheit - Schmerz und Heilung, UNICEF'. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm

Mary Faulconer, American (1912 - 2011) - Spring Bouquet, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm), ...

Artist: Hunt Slonem, American (1951 - ) Title: Still Life Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 25 Image Size: 26 x 19 inches Size: 30 in. ...

This Amaryllis is one of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary an...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Poster. Measures 33 x 27 in. Unframed. Plate-signed. Copyright 1971 New York Graphic Society, Ltd. Printed in USA. Excellent/Good Condition.

Endless summer is a Limited edition hand coloured collograph print by Vicky Oldfield. Each print is individually painted, making every one unique. Vicky Oldfield is available online ...

Artist: Hunt Slonem, American (1951 - ) Title: Iron Flamingo Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Size: 26 in....

Vicky Oldfield Day Dreaming Limited Edition Collograph Print Edition of 30 Image Size: H 10cm x W 10cm Sheet Size: H 17.5cm x W 17.5cm x D 0.1cm Sold ...

Agent X One Queen (4)White Limited Edition of 100 Mixed Media on Paper Sold Unframed Paper Size: 71 cm x 50 cm x 1cm Please note that in situ images are purely an indication of how a...

GERALDINE GIRVAN (English, b. 1947) Poster 23.625 x 31.5 in. Unframed Printed in England Good/Fair Condition-signs of age and handling (primarily i...

Mary Faulconer, American (1912 - 2011) - Fall Ferns, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 13 x 18 inches, Size: ...

Artist/Designer; Manufacturer: Charles Levier (French, 1920-2004) Marking(s); notes: signed in plate Materials: paper Dimensions (H, W, D): 22"h, 15.25"w; 32"h, 25.5"w frame Addition...

ARTIST: Salvador Dali TITLE: Florals Tiger Lilies of The Theatre MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBE...

Offset lithograph Edition 248 of 300 60 x 60 cm (23.6 x 23.6 in) Signed and numbered on the front Mint Published by Kaikai Kiki Co. Ltd

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Yellow Flowers Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 32 x 40 inch...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265) Portfolio: Histoire Naturel...

ARTIST: Salvador Dali TITLE: Florals Pirate's Gladioli MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 ...

Wayne Ensrud, American (1934 - ) - Multicolor Bouquet, Medium: Lithograph with Hand-Coloring, signed in pencil, Image Size: 35 x 24 inches, Size: 37 x 36 in. (93.98 x 91.44 cm), D...

ARTIST: Salvador Dali TITLE: Florals Anemone per Anti-Pasti MEDIUM: Etching on Heavy Arches Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 62/350 MEASUREMENTS: 29....

Set of Nine Floral Colored Prints Each print is unframed and measures 14 x 11 inches. A range of floral bouquets and plants - ideal for many interior design projects. Condition:...

ARTIST: Salvador Dali TITLE: Florals Roses of Memory MEDIUM: Etching on Heavy Arches paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationales E...

This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 145mm by 235mm (sheet) Walter Hood Fitch was a Scottish...

Artist: John Grillo, American (1917 - 2014) Title: Carnations Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 25 Image Size: 22.5 x 16.5 inches S...

Hugo Noske "Mixed Bouquet" circa 1930 Original color woodcut on handmade paper Hand signed by the artist Paper size: 15 x 13 inches Image Size: 12 x 10 inches *some light staining i...

Artist: Donald Sultan Title: Mimosa with Red, April 24, 2024 Portfolio: 2024 Mimosa (Details Suite) Medium: Color silkscreen with enamel inks, graphite powders, and sand on 4-ply mus...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...

Wayne Ensrud, American (1934 - ) - Quiet Sunday, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 30 x 25 inches, Size: 33 in. x 2...

Wayne Ensrud, American (1934 - ) - Untitled Flowers 18, Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Edition: I/I, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

Biagio Civale, Italian/American (1936 - ) - Flowers, Medium: Screenprint, Signed, numbered, and titled in pencil, Edition: PA 29/50, Image Size: 19.5 x 13.5 inches, Size: 24 x 20...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Bouquet (The Bouquet), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from ...

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

Max Oppenheimer, After, Austrian (1885 - 1954) - Stilleben mit Obstschale, Year: circa 1925, Medium: Screenprint, Edition: Test Print, Image Size: 8 x 11.25 inches, Size: 12.75 ...

Wayne Ensrud, American (1934 - ) - Wildflowers (on Yellow), Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 45, Size: 35 in. x 25 in. (88.9 cm x 63.5 cm)

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

Henry Evans (1918-1990) Grenache Print signed, numbered 70/120, dated 1975 Light exposure 33 x 50.5 cm

Rizzie, Dan (American, born 1951) Flowering Tree 1998 Lithograph printed in colors on wave paper, Hand signed in pencil, dated, and numbered 6/25, unframed Provenance: acquired fro...

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Danseuse Créole celebrates Matisse’s mastery of rhythm and movement through his iconic cut-out technique, transforming color and form into pure visual music. The composition captures a dancer in motion—her form abstracted into vibrant, flowing shapes that express both energy and grace. Evoking the sensuality and vitality of dance, this work embodies Matisse’s lifelong quest to unite color, joy, and human expression in perfect harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Danseuse Créole, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

Giclée print on Canvas. Hand painted finishing with original brushstroke and oil paints. Rhododendron blooms in May always tell us - that summer is already here - it's near! The pos...

Artist: Alex Katz Title: Red Dogwood 1 from Flowers portfolio Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and nu...

This piece titled "Weed Wreath (edition 2/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the second in an edition o...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

This exquisite lithograph by Georges Braque (1882–1963), titled La Bouteille de Marc (The Bottle of Marc), from the album XXe Siecle, Nouvelle serie N°6 (double) Janvier 1956, origin...

This exquisite lithograph after Fernand Leger (1881–1955), titled Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, originates from the 1971 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1971. Feuilles vertes et fond orange exemplifies Leger’s mastery of modern form and color, uniting bold geometry and organic vitality in a celebration of rhythm, balance, and the harmony between nature and mechanized abstraction. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches. Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1971 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 120. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1971 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, London, and New York, including Mourlot, Curwen, and Universal Graphics, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2017 at Christie's New York for Contraste de formes (1913). Fernand Leger Feuilles vertes et fond orange, Leger Green Leaves and Orange Background, Leger 1971 XXe siecle, Leger Mourlot...