Modern Art Still-life Prints

This artwork titled "Abundance" 1988 is a original color lithograph on paper by noted artist Max Coyer, 1954-1988 It is hand signed, dated, titled and number...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 018 Subject: Grand Canyon, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Rowboat, Framed Size: 17" x 21" x 1.5''inch, 43x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Aspen, Framed Size: 20'' x 28." x 0.8''inch, 51x71x3cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

Sunflowers by Bernard Buffet, published by MaGraff, a French-Canadian publisher renowned for its fine editions in the early 1970s (now defunct). This reproduction, created as a scree...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 editi...

Moshe Castel PRAYER - 1979 Print - Lithograph on Somerset paper 21.5'' x 28.25'' Edition: Signed in pencil and marked 98/150 Unframed In Excellent Condition Moshe Castel (1909-1992...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 009 Subject: Ochre Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 035 Subject: Autumn Trees, Framed Size: 24.5" x 17.5" x 0.8''inch, 62x44x2cm, Ready to Hang, Wooden Frame. All works are...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 037 Subject: Autumn Trees, Framed Size: 24.5" x 17.5" x 0.8''inch, 62x44x2cm, Ready to Hang, Wooden Frame. All works are...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 014 Subject: Trees, Framed Size: 20.5" x 27.5" x 1.5''inch, 52x72x4cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Grand Canyon, Framed Size: 17" x 21" x 0.8''inch, 23x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrap...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 020 Subject: Autumn, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame, Glass. All works ar...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 008 Subject: Ochre Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are ...

By: Yuji Hiratsuka Medium: Intaglio and Chine Colle Year: 2024 Image Size: 16 x 11 inches Edition: 15 A Japanese celadon decorated vase with flowers hiding the face of a young woman...

A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...

David Lee, Chinese (1944 - ) - Irises (17), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29 x 21 in. (73.66 x 53.34 cm), Description...

Wayne Ensrud, American (1934 - ) - Flower Flight, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 31 x 23 inches, Size: 36 in. x ...

David Lee, Chinese (1944 - ) - Tiger Lilies, Year: 1981, Medium: Poster, Size: 19 x 15 in. (48.26 x 38.1 cm), Description: Vibrant and hazy, this rendering of flowers by David ...

This artwork titled "Berries and Plums" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbered 372/400 in pencil by the arti...

This exquisite lithograph after Fernand Leger (1881–1955), titled Composition aux trois cles (Composition with Three Keys), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Composition aux trois cles (Composition with Three Keys), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Composition aux trois cles 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

'Candies: Blackground' monotype EV a special full page print. Edition 1/4 with heavy handcoloring in mixed media: ink, pencils and gouache. Artist signed front by Kim Frohsin, who is...

Artist: Hunt Slonem, American (1951 - ) Title: Spell III Year: 1980 Medium: Serigraph, signed and numbered in pencil Image Size: 19 x 23.5 inches Size: 22 in. x 30 in. (55.88 c...

Carborundum and intaglio. Signed BAT print for the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns and th...

ARTIST: Salvador Dali TITLE: Florals Gladiolus (+ears) Costa Brava MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 18/350 MEASUREMENTS: 29.4" x 21.6" YEAR: 1972 FRAMED:...

Rita Simon (aka Atirnomis), American (1938 - ) - Chance Encounter, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 30, Image Size: 36 x 17 ...

Henry Maurice D'ANTY Flower bouquet Original lithograph Signed in pencil by the artist On vellum, size 64 x 46 cm (c. 25,1 x 18,1 inch) Numbered /100 and dedicated Very good condit...

Fine art print, limited edition of 15.

Kazuhisa Honda Sleepless Night, 1981 Color mezzotint on Rives BFK watermarked paper Signed, dated, titled and numbered 18/50 on the front 14 × 19 inches Unframed Accompanied by COA i...

Objects in the Study is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1961. Phototype print..  Good condition. Italian title on th...

This beautiful monoprint by the noted San Francisco artist Gary Bukovnik (1947-) has a wonderful energy borne of bright colors and bold gestures. It is a beautiful abstract composition, improvisational, yet balanced and harmonious. The work measures 23.5”x9.75” the image, 29.5”x15.5 the sheet and 32.75”x18.75” framed. The print is signed and dated in the lower margin, “Gary Bukovnik 1987”. The print is mounted and floating on a linen backing, framed in a bleached wood frame and protected by Plexiglas. It is in excellent condition. The frame and Plexiglas are in fair-to good condition, with one very small chip on the left bar of the frame, which I have shown in the final photograph, as well as a few very light scratches in the Plexiglas (not over the image).. This exceptional art would look beautiful in a variety of settings – home or office. Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for more than a third of a century. Primarily using the media of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral and culinary images of great depth, intensity, and size. In 2003 and 2005, invited Bukovnik was Visiting Artist at the American Academy in Rome in 2003 and 2005 and was an artist-in-residence at the Michigan Institute of Arts in Kalamazoo in 2010, as well as making a tour of exhibitions and watercolor demonstrations across Japan in 2010. Solo exhibitions include Caldwell Snyder...

Archival Pigment Iris Print. Edition 5/12 with heavy hand coloring and miced media worked over the print. Kim Frohsin spent 12 years working on monotype ev's and Iris prints, and wor...

Shan Fannin's (US based) "Flamin’ Chevrolet Bel Air" is an limited edition giclée print that depicts a Chevrolet Bel Air. Born 1969 in California, artist Shannon “Shan” Fannin bring...

Still life with flowers is an Original Lithograph realized in the 20th Century by Isis Kischka (1908-1973) Good conditions. Hand-signed. The artwork is realized with harmonious co...

Still Life is an offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: 16 x 21 c...

Hope is an archival color print with sculptured and hot gloss stamp printed in an edition of 50. This is impression #25 of 50. ARTIST STATEMENT: Language is liquid and as HOPE was ...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Roger de la Fresnay...

This exquisite lithograph and pochoir after Auguste Herbin (1882–1960), titled Composition sur fond vert (Composition on Green Background), from the album L'Art Cubiste, Theories et ...

Kites [2021] original Linocut on paper Image size: H:11 cm x W:29.5 cm Complete Size of Unframed Work: H:22 cm x W:40 cm x D:0.5cm Sold Unframed Please note that insitu images are p...

Calla Lily Jack Brusca, American (1939–1993) Date: 1978 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 23.5 x 23.5 inches Size...

Nature Morte au Citron is a lithograph realized by Leon Lang in the mid-20th Century. Hand-signed. Numbered. Edition, 38/75. The artwork is in good condition. The artwork is dep...

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

By: Yuji Hiratsuka Medium: Intaglio and Chine Colle Year: 2023 Image Size: 18 x 12 inches A celadon decorated Chinese vase with flowers, with a full moon and clouds in the backgroun...

This artwork titled "Pot au Lait" c.1980 is an original aquatint by noted Swiss artist Annapia Antonini, b.1942. It is hand signed, titled and numbered 69/100 ...

Still Life is a lithograph realized by Ibrahim Kodra in the 1980s. Hand-signed on the lower right, Numbered, edition of 150 prints. Good conditions. Ibrahim Likmetaj Kodra (22 Apr...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Flowers Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 85/200 Image Size: 24 x 40 inches...

Karl Kasten, American (1916 - 2010) - Reliquary L'Abbe, Year: circa 1968, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 6/20, Size: 30 x 22 in. (76.2 x 55...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Artist: Helen Covensky, Polish/American (1925 - 2007) Title: Yellow Spring Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 225 Ima...

Artist: Ellen Gunn (1951- ) Title: St. Tropez Tulips Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right Editi...

Monotype EV edition variée 5/7, with heavy hand coloring using mixed media / colored pencils, The original monotype features a young woman wearing tube socks and feathered gloves. Im...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Bouquet (The Bouquet), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from ...

Signed edition 66 / 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Merengue, 2017 Katherine Bernhardt Lithograph in colours, on Somerset Velvet Signed, dated and numbered from the edition of 100 Produced by Paupers Press, London Sheet: 70.5 × 97 c...

This colorful lithograph is by Bernard Buffet. It is titled “Le Bouquet Violet”. It was printed by Mourlot in 1968. The lithograph is signed in the stone. I...