Modern Art Still-life Prints

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Monotype and lithograph in colours, on Somerset Satin paper, with full margins Edition of 30 61.3 x 48.7 cm (24 x 19.2 in) Framed 68 x 55.5 x 4 cm, 26.8 x 21.9 x 1.6 in Signed, numbe...

Paul Cezanne The green jug, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMATION : ...

Artist: Arman, French (1929 - 2005) Title: Manches de violons bleus Year: 1987 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: EA Image: 14 x 13.25 i...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Giclée print on Canvas. Hand painted finishing with original brushstroke and oil paints. Rhododendron blooms in May always tell us - that summer is already here - it's near! The pos...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 014 Subject: Trees, Framed Size: 20.5" x 27.5" x 1.5''inch, 52x72x4cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 008 Subject: Ochre Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are ...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Le deux figures 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 035 Subject: Autumn Trees, Framed Size: 24.5" x 17.5" x 0.8''inch, 62x44x2cm, Ready to Hang, Wooden Frame. All works are...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 009 Subject: Ochre Trees, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are ...

1920's flapper shoes featured in this green, blue, black, and white. From a variable edition (édition variée) of 7 -- each impression is a unique color ...

COMPOSITION RED is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed using traditional hand lithography techniques on archival printmaking pap...

Wayne Ensrud, American (1934 - ) - Quiet Sunday, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 30 x 25 inches, Size: 33 in. x 2...

Signed edition 74/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Artist: Georges Lambert (French, 1919-1998) Title: Nature Morte a la Bouteille (Still Life with Bottle) Year : Circa 1975 Medium: Color lithograph Edition: Numbered XX/C in penci...

The Flower Vase is a very colorful artwork realized by Martine Goeyens in the late 20th Century. Digigraph print, unique edition retouched by hand, certificate label on the rear. H...

This exquisite lithograph after Fernand Leger (1881–1955), titled Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Nature morte 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This high-quality reproduction of La Bouteille de Rhum by Georges Braque is a striking example of early Cubism, a movement co-founded by Braque and Pablo Picasso. The limited edition...

Artist: Cesar Title: Automobile Compression Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP Image Size: 30 x 22 inches; 76.2 x 55.88 cm Pape...

Original colored lithograph of a bouquet in teal by the well known French artist, Claude Gaveau. Edition 5/175 in pencil lower left margin. Signed in pencil by the artist lower right...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Vase de Fleurs, Medium: Lithograph on Arches (unsigned), Image Size: 21 x 17 inches, Size: 29 x 22 in. (73.66 x 55.88 cm)

Signed and numbered (14 of 25) etching from this much collected Scottish Artist. Image 8 x 8 Excellent condition. Matted Ian Laurie was born in 1933 and is a self taught artist ...

Wayne Ensrud, American (1934 - ) - Red Bouquet, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 27 x 19 inches, Size: 34 in. x 23...

Signed edition 66 / 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in. Matted 29.5 x 21 Inches

Flowers is an etching realized by Mauro Chessa in 1982. Hand-signed and numbered. Edition of 100 prints. Good conditions. The artwork is realized through harmonious colors in a be...

Fine art print, limited edition of 15.

Bernard BUFFET Small blue primrose Stone lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum c. 8 x 6" (20 x 15 cm) REFERENCE : Catalog raisonn...

Wayne Ensrud, American (1934 - ) - Untitled Flowers 18, Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Edition: I/I, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

This lithograph is part of my private collection since the 1970's and is in very good condition. Georges Lambert was a French artist 1919-1998. He was a painter and lithographer who ...

Wonderful color botanical lithograph of tulips by Sam (Calman) Maitin (American, 1920-2004). Signed "S Maitin" on the original over-mat preserved on the back paper cover. "T.P" to in...

Patrick Caulfield Sue Ware Jar, 1990 Screenprint on paper sheet: 107.2 x 81.1 cm image: 79.4 × 53.3 cm Edition of 45 + 10 AP Patrick Caulfield was a British painter and printmaker, ...

Carborundum and intaglio. Signed BAT print for the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns and th...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

A limited edition coloured lithograph by Andrea Tana (b.1942). Pencil signed to the lower margin. Editioned 24/50. Well presented in a decorative 20th-century frame, behind glass. On...

Kazuhisa Honda Sleepless Night, 1981 Color mezzotint on Rives BFK watermarked paper Signed, dated, titled and numbered 18/50 on the front 14 × 19 inches Unframed Accompanied by COA i...

Wayne Ensrud, American (1934 - ) - Flower Flight, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 31 x 23 inches, Size: 36 in. x ...

Hope is an archival color print with sculptured and hot gloss stamp printed in an edition of 50. This is impression #25 of 50. ARTIST STATEMENT: Language is liquid and as HOPE was ...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Les Iris bleus (The Blue Irises), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition published by Editions d'art Les Heures Claires, Paris...

Howard Hodgkin Tropical Fruit, 1981 Colour screenprint on Velin Arches paper, signed with initials, dated and numbered 69/100 in pencil 78.5 x 93.8 cm - Sheet 91.4 x 106.3 cm - Frame...

Image of a young woman, smelling a flower. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely...

A striking limited edition aquatint by the American artist Thomas O'Donohue (1942-2023). Entitled 'The Blue Dragon'. Well presented in a contemporary frame. Signed below plate lines....

Wayne Ensrud, American (1934 - ) - Blue Table (variation), Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

Artist: Lowell Nesbitt (1933-1993) Title: Violent Monochrome Year: 1980 Edition: 56/200, plus proofs. Medium: Silkscreen on Arches paper Size: 31.5 x 31 inches Condition: Good Inscri...

Signed edition 45/ 99 Line engraving in Arches paper Image size 19 x 11 1/in Paper size 26 x 19 1/2 in.

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

By: Yuji Hiratsuka Medium: Intaglio and Chine Colle Year: 2023 Image Size: 18 x 12 inches A celadon decorated Chinese vase with flowers, with a full moon and clouds in the backgroun...

This artwork titled "Pot au Lait" c.1980 is an original aquatint by noted Swiss artist Annapia Antonini, b.1942. It is hand signed, titled and numbered 69/100 ...

Wayne Ensrud, American (1934 - ) - Multicolor Bouquet, Medium: Lithograph with Hand-Coloring, signed in pencil, Image Size: 35 x 24 inches, Size: 37 x 36 in. (93.98 x 91.44 cm), D...

'Candies: Blackground' monotype EV a special full page print. Edition 1/4 with heavy handcoloring in mixed media: ink, pencils and gouache. Artist signed front by Kim Frohsin, who is...

Chinese Lantern Flowers with Pears is a superbly executed hand drawn, stone lithograph printed using traditional hand printmaking techniques on archival paper 100% acid free. Chinese Lantern Flowers with Pears is a Modern style still life featuring bold orange-red Chinese lantern...

Still life is a lithograph realized by Giuseppe Megna in 1979. 39x54 cm. Edition numbered 12/100. Hand-signed in pencil in the lower right margin. Good conditions.

Archival Pigment Iris Print. Edition 5/12 with heavy hand coloring and miced media worked over the print. Kim Frohsin spent 12 years working on monotype ev's and Iris prints, and wor...

Merengue, 2017 Katherine Bernhardt Lithograph in colours, on Somerset Velvet Signed, dated and numbered from the edition of 100 Produced by Paupers Press, London Sheet: 70.5 × 97 c...

Artist: Bernard Buffet Title: Still Life with Fruit Portfolio: Bernard Buffet Lithographs 1952-1966 Medium: Lithograph Year: 1968 Edition: Unnumb...

Objects in the Study is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1961. Phototype print..  Good condition. Italian title on th...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Henry Maurice D'ANTY Flower bouquet Original lithograph Signed in pencil by the artist On vellum, size 64 x 46 cm (c. 25,1 x 18,1 inch) Numbered /100 and dedicated Very good condit...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...