Abstract Expressionist Prints and Multiples

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting II Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 36/150 S...

Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...

Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...

This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting I Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 42/150 Si...

This striking photograph of Grazia by Gunter Blum exemplifies the artist’s renowned ability to capture the female form in all its unabashed beauty and power. Grazia is depicted tilti...

Willem de Kooning (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. With a career spanning nearly ...

Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...

Joan Miró is one of the greatest artists of the 20th century. He is renowned internationally as a painter, sculptor, printmaker, and ceramicist. Miró’s works, which were at the in...

In this abstract print by Ray Elman, the artist creates a series of wave-like forms over textual tide charts for an undisclosed area. The Old in and Out Ra...

Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...

Dan Christensen, American (1942 - 2007) - Latuka, Year: 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 131/140, Image Size: 20 x 38 inches, Size: 29....

This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...

Edition of 20 pieces

Original California Wine Country vintage poster by Earl Thollander. Archival linen backed in very fine condition, ready to frame. Earl Thollander was an American artist, illustr...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Louisa Chase, American (1951 - 2016) - Untitled - Hands (Primary), Year: 1990, Medium: Etching and Chine Colle, Signed and Numbered in Pencil, Edition: 30, Size: 35 x 48.5 in. (8...

This artwork "Untitled VII" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed in pencil at the lower right corner by the artist. The image size is 15....

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

The essence of Lee Krasner's (1908-1984) biography is familiar to anyone who has studied women's role in 20th century art history: An accomplished artist whose own output gets eclips...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

This exquisite lithograph by Robert Motherwell (1915–1991), titled Tricolor, from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe...

Artist: John Chamberlain (1927-2011) Title: Flashback VIII Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 120/175, plus proofs Size: 28 x 20 inches Inscription: Signe...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

BURTON VAN DEUSEN Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and numbered in pencil by the artist...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

Joanne Miller Rafferty, American - Daybreak #1, Year:, Medium: Screenprint on BFK Rives, signed, titled and numbered in pencil, Edition: 158/300, Image Size: 22 x 32 inches, Size:...

Unique mid century modern abstract limited edition serigraph titled "Poor Butterfly" by Madrid-based artist Mil Lubroth (American, 1925-2004). Lubroth uses a layering technique to build the fragmented form of the butterfly in neutral earth-tones, black and grey. Her serigraph “Poor Butterfly” was exhibited at the Brooklyn Museum’s 13th Biennial National Print Exhibition in 1962. Signed "Mil Lubroth" lower right. Numbered 30/50 lower left and titled center. Displayed in a grey mat and metal frame with plexiglass. Image window: 19"H x 26"W. Paper size: 23.5"H x 32"W. Madrid artist...

This stunning Artist's Proof is an one-off, oil hand-painted, signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the nature of hand mixe...

This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...

Joan Mitchell (1925-1992) was a leading abstract artist whose prolific career spanned more than four decades. Working in a variety of mediums, including oil, pastel, and printmaking,...

VILLA NEUVE is an original limited edition lithograph printed using hand lithography techniques on archival printmaking paper 100% acid free. VILLA NEUVE is an imaginative modernist ...

Jules Olitski Mozart Night, 1992 Silkscreen on wove paper Signed, dated, titled and numbered 71/108 in graphite pencil on the front Edition 71/108 47 × 36 inches Unframed Silkscreen ...

Artist: Robert Motherwell, American (1915 - 1991) Title: Lincoln Center Mostly Mozart, 25th Anniversary Year: 1991 Medium: Lithograph and Screenprint on ...

This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qua...

Lithographie originale en 8 couleurs, édition en 99 exemplaires sur papier Arches, 26 épreuves sur papier Japon et 25 épreuves d'artistes. Epreuve signée et datée 98, numérotée 28/99...

Artist: Tom Wesselmann (1931 - 2004) Title: Olympische Spiele Muenchen (Foot) Year: 1972 Medium: Screenprint Poster mounted on linen Edition: 3000 Size: 40 in. x 25 in. (101.6 cm x 6...

This exquisite silkscreen by Robert Motherwell (1915–1991), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Ath...

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed) Frame included:: el...

Artist: John Chamberlain (1927-2011) Title: Flashback III Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...

Paper Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Image Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Supplemental Condition I...

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...

This hand-painted Edition is one of the Summer Bloom series Shizico Yi started in 2022. Veronica and Hydrangea (in the painting) are the summer elements in her garden, Shizico cultiv...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

SALE ONE WEEK ONLY “Untitled Landscape” is a serigraph in various shades of green and orange. Although it has an Art Nouveau feel to it, it can be described as Lyrical Abstraction. ...

Joan Miró Lithographie Originale (Cover) Color Lithograph Year: 1981 Size: 15.6 × 12.75 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972, Ref.: 1255, p.178 Publisher: Maeght Editeur, Paris, France With coverfold, recto - as issued Recto, right: Typographically annotated: 'Lithographie Originale' Unsigned, Unknown Edition Size COA provided --------------------------------------- Joan Miró i Ferrà was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981 Surrealism, Fauvism, Cubism, Abstract expressionism, Naive art, Expressionism, Suprematism Pablo Picasso, André Breton, Hans Arp, André Masson, Hieronymus Bosch, Tristan Tzara, Modest Urgell

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...

Pierre Alechinsky Invisible Flying object - 1977 Print - Lithograph on Arches Archival Paper   25.75'' x 19.5'' Edition: Signed in pencil and marked 10/100 After completing his studies at the École Nationale des Arts Décoratifs in 1947, Pierre Alechinsky immediately became one of the founders and most active members of the CoBrA group . He began working with other members 'four-handed', especially with Appel and Dotremont, producing oil paintings filled with a multitude of small figures; his taste for ironical titles and curved lines was already becoming evident. After Cobra disbanded, Alechinsky moved to Paris where he studied printmaking and moved in Surrealist circles. His work contains residual figurative motifs, such as goblins, reptiles of every description, volcanoes, and rushing streams. The beasts and geographical elements arouse disquiet as well as smiles of complicity. The recipient of the Andrew Mellon...

Robert Savoie, Canadian (1939 - ) - Montezuma, Year: 1975, Medium: Etching on BFK Rives, signed, numbered, titled and dated in pencil, Edition: 43/60, Image Size: 17.5 x 17.75 inch...

Adja Yunkers, American (1900 - 1983) - Pueblo, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 56/70, Size: 33.5 x 25 in. (85.09 x 63.5 cm), Frame Size:...

Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...