Abstract Prints and Multiples

Karel Appel Sitting in a Landscape Animals and monsters series Year 1979 Print - Lithograph 22.0'' x 30'' inches Edition: signed in pencil and marked 160/160 Karel Appel is one of t...

The kaleidoscope of colours and the dynamic form of nature are expressed in this joyful celebration of nature. Rendered in right red, yellow, blue, green, orange and yellow—the colou...

Artist: Pablo Picasso Title: Femme au Fauteuil et Homme Accoude Medium: Etching Portfolio: Series 156 Date: 1971 Edition: 1/50 Frame Size: 19 1/8" x 16 7/8" Sheet Size: 12 7/8" x 9 7...

Alexander CALDER Les Travestis du Reel, 1979 Original vintage lithograph poster Printed in Atelier Arts-Litho Printed signature in the plate 82 x 57 cm (c. 32.2 x 22.4 in) Excelle...

Dan Christensen, American (1942 - 2007) - Shanidar, Year: circa 1980, Medium: Screenprint, Signed and numbered in Pencil, Edition: 175, Size: 29.5 x 43 in. (74.93 x 109.22 cm)

Artist: Cris Cristofaro, American Title: Blue Rectangles Year: 1978 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 50 Size: 22 x 30 in. (55.88 x 76.2 cm)

Medium: original lithograph. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 9 5/8 inches (320 x 245 mm). Not sign...

This one of one unique Artist's proof is 80% hand painted by artist Shizico Yi on Giclee made on Aluminium, the original paints are hand mixed by the artist. It is the only hand pai...

Artist: Dale Chihuly (1941) Title: Venetian Series Year: 2018 Medium: Lithograph, silkscreen and acrylic on Waterford paper Edition: 79/125 Size: 37 x 25 inches Inscription: Signed a...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

1972 Screenprint in colors, on German Etching paper, with full margins Sheet: 30 x 30 in. (76.2 x 76.2 cm) Edition of 100 Signed, titled, dated, and numbered in pencil, lower margin ...

Artist: Alexander Calder Title: Plate 1 Portfolio: Derriere le Miroir #173 Medium: Lithograph Year: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Offset lithograph poster Printed signature and date on offset paper This poster was published in a limited edition of 250, separate from the lithographic portfolio of the same title ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró III Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition:...

Hannes Grosse Title: Gestural Abstraction Medium: Color silkscreen Size: 23 × 16 inches Year: 1969 Signed and dates by the artist COA provided Condition: Overall good vintage condit...

Werner Bronkhorst Get Served, 2015 Giclée print on Hahnemühle Photorag paper with ready-to-hang heavyweight solid oak frame. From the artist's acclaimed Wimbledon series. Accompanied...

Guillaume Corneille Red Nude and Bird 1981 Nu Rouge Á L'Oiseau Print, Signed Lithograph on wove paper 25.5 x 20 " inches Signed in pencil and dated and marked AP 25/25 ( Artist Proo...

Lithograph, 1972 Handsigned by the artist in pencil and numbered 187/300 Publisher : Galerie Putman Printer : Clot, Bramsen & Georges (Paris) Catalog : Chenivesse n°9 Arches Paper W...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined Modern paintin...

HIRST Damien (1965 - ) Rhodotorulic Acid. Woodcut in colors. Signed. Provenance : DTR Modern Gallery, New York. About Damien Hirst (Artist) British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.” In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God. Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings...

Lithograph, 1986 Edition : 114/150 Publisher : Maurice Garnier (Paris) Printer : Mourlot (Paris) Catalog : [Sorlier 490, p. 207] 58.00 cm. x 76.00 cm. 22.83 in. x 29.92 in. (paper) ...

Original San Fermin Pamplona running of the bulls, vintage poster. Archival linen backed in very fine condition ready to frame. Artist: Alonso Astarloa....

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

"Puppet Man, 1960. By Alexander Calder. "E.A" Written in pencil by the artist The "E.A." designation on the print likely indicates it's an artist's proof, o...

Joan Miro, Spanish (1893 - 1983) - Sculptures (M. 950), Year: 1974, Medium: Lithograph on BFK Rives, signed in the plate, Image Size: 16.25 x 24 inches, Size: 20.5 x 29 in. (52.0...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

This poster reproduction of Alexei Jawlensky’s Crown of Thorns captures the artist’s bold Expressionist style and spiritual depth. The subject’s mask-like face, rendered in thick bru...

Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Original Lithograph on white ...

color lithograph on Arches paper , edited in 1961 Limited edition of 200 copies , numbered 180/200 in lower left Hand signed by Pablo Picasso in pencil in the lower right margin pape...

Joan Miro (Spain, 1893-1983) 'Joan Miró. Fotoscop', 1974 lithograph on paper 12.9 x 20.5 in. (32.7 x 52 cm.). The size of the stamp paper has been slightly modified. Its original dim...

Three Poems: Mexico City Personages II Robert Motherwell, American (1915–1991) Portfolio: Octavio Paz Date: 1988 Lithograph on Japon with Chine Colle Edition of 750 Image Size: 13 x ...

Dan Christensen, American (1942 - 2007) - Edo, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: HC, Image Size: 38.5 x 27 inches, Size: 42 ...

Tom Alan Lieber, (American, born 1949), Untitled Monotype oil painting on paper 1984 Hand signed TL and dated '84 in the lower margin. Measurements: 47 X 63 inches This was probab...

Artist: Romare Bearden Title: Jazz II Deluxe Medium: Screen Print Edition: Signed in pencil and marked 178/200 Size: 31 x 41½ inches Romare Bearden (1911–1988) was a celebrated Afri...

This is a one-off hand painted Limited Edition, 70% of the painting is hand painted with original paint on Giclee print on aluminium panel, with a mat finishing, signed and numbered ...

"Homage to the Square - Portfolio 2, Folder 14, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

This abstract landscape limited edition print by Elwood Howell features a cool, green and pale blue palette. The artist's signature high horizon line forms a very slight valley at th...

This artwork, Untitled #1 is an original color aquatint on Wove paper by noted Mexican artist Luis Lopez Loza, b.1939. It is hand signed and numbered 4/50 i...

This exquisite offset lithograph after Jasper Johns (born 1930), titled Untitled, originates from the publication Art in America, May 2014. Published by Art in America, LLC, New York, and Sharon Coplan Hurowitz, New York; sponsored by Christies Inc., New York; and printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, 2013, this work reflects Johns ongoing investigation into symbol, perception, and repetition. In Untitled, Johns extends his celebrated exploration of marks, motifs, and coded visual language through a composition that merges conceptual clarity with painterly nuance, embodying the subtle rigor that defines his mature graphic work. Executed as an offset lithograph on velin Giama Natural paper, this work measures 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville, one of the most respected collaborative printmaking ateliers in the United States. Artwork Details: Artist: After Jasper Johns (born 1930) Title: Untitled, from Art in America, May 2014 Medium: Offset lithograph on velin Giama Natural paper Dimensions: 15.125 x 10.875 inches (38.42 x 27.62 cm), with centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 2013 Publisher: Art in America, LLC, New York; Sharon Coplan Hurowitz, New York Sponsor: Christies Inc., New York Printer: Universal Limited Art Editions (ULAE), Bay Shore, at Official Offset Corporation, Amityville Catalogue raisonne reference: Carlos Basualdo, Scott Rothkopf, Jasper Johns Mind/Mirror, Whitney Museum of American Art, 2021, No. 27; The Prints of Jasper Johns: A Catalogue Raisonne, ULAE, New York (forthcoming), No. 324. Condition: Well preserved, consistent with age and medium Provenance: From the May 2014 publication Art in America, published by Art in America, LLC, New York About the Publication: This special Art in America project was conceived as a contemporary homage to Jasper Johns’ long and distinguished history of printmaking innovation. Commissioned in collaboration with Sharon Coplan Hurowitz and sponsored by Christies Inc., the project brought together Art in America and Universal Limited Art Editions (ULAE) to create an original print that would bridge the worlds of fine art publishing, contemporary criticism, and Johns experimental graphic language. Printed at the renowned ULAE in Bay Shore and completed at Official Offset Corporation, the work reaffirms ULAEs foundational role in the evolution of Johns printmaking practice, which began at the atelier in 1960. For this publication, Johns developed a composition that synthesizes decades of explorations into mark-making, coded systems, repetition, and perceptual inquiry, extending the intellectual rigor and visual subtlety that have defined his contribution to American art since the 1950s. Distributed within the May 2014 issue, the project functioned as both a democratic expansion of Johns audience and a continuation of his long-standing interest in the intersection between mass media, printmaking processes, and the shifting boundaries between high art and printed dissemination. Today, this project is recognized as one of the most significant print-related collaborations between a major art periodical and an American master, embodying Johns lifelong dialogue between image, idea, and the materiality of print. About the Artist: Jasper Johns (born 1930) is widely regarded as one of the most influential and transformative American artists of the postwar era, a painter and printmaker whose groundbreaking fusion of abstraction, symbolism, and conceptual inquiry placed him in direct dialogue with towering modernists such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray while establishing a new visual and intellectual foundation for contemporary art; emerging in the mid 1950s with his revolutionary paintings of flags, targets, numbers, alphabets, and other everyday symbols, Johns rejected the emotional volatility of Abstract Expressionism and instead introduced a cool, analytical approach grounded in the semiotic play between object and image, employing encaustic, collage, graphite, and sculptural relief to create layered works that examine how meaning is constructed and perceived; his dialogues with Duchamps conceptualism, Picassos structural inventiveness, Miro and Kandinskys color logic, Giacomettis existential figuration, and Man Rays experimental attitude helped shape a singular aesthetic that directly influenced and helped catalyze Pop Art, Minimalism, and Conceptual Art, inspiring contemporaries and successors including Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Bruce Nauman, Glenn Ligon, Christopher Wool, Mark Bradford, Mark Grotjahn, and Wade Guyton; celebrated for more than seven decades, Johns work is held in the worlds most prestigious museums—including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Art Institute of Chicago, the Tate Modern, the Centre Pompidou, and the Moderna Museet—and he is recognized as one of the most intellectually rigorous and technically inventive artists of the 20th and 21st centuries; his market remains exceptionally strong, with his highest auction record achieved on November 11, 2014, when Flag (1983) sold for 36000000 USD at Sothebys New York. Jasper Johns lithograph...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

This high-quality reproduction of Joan Miró's "Femme Hantée par le Passage de l'Oiseau" was published in 1996 by Allan Ashley in Yonkers, NY. Printed using the collograph technique, ...

Conrad Marca-Relli - COMPOSITION IV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Observations: Etching and aquatint on G...

Tipped in color plate produced in 1962 for a rare official Lucio Fontana artist monograph published by famed art book publisher Harry N. Abrams, Inc. (not included), during the artis...

Antoni Clavé - GUERRERO (WARRIOR) Date of creation: 1966 Medium: Etching on paper Edition number: 17/50 Size: 78 x 56,5 cm Condition: In very good conditions and never framed Observa...

Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Created by Donald Judd as an aquatint on wove paper, Untitled, 1978-79 is hand-signed and numbered "28/175" in pencil, measuring 40 x 29 ½ (101.6 x 74.9 cm.), unframed, and is from t...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, bleu, vert, jaune (Red, Blue, Green, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. ...

Silkscreen, 1994 Edition : 150 ex. 64.50 cm. x 50.00 cm. 25.39 in. x 19.69 in. (paper) 64.50 cm. x 50.00 cm. 25.39 in. x 19.69 in. (image) Handsigned by the artist in pencil Cer...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró I Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: I...

David Hockney, 'K' from 'Hockney's Alphabet', 1991 Edition of 250 Free delivery within the UK From the special edition of Hockney's Alphabet, published in 1991, and signed on the ...

Medium: original lithograph. Printed in 1970 and published by Art In America. Size: 14 1/2 x 11 1/2 inches (365 x 293 mm). This lithograph was published as a folded sheet with a hori...

Offset, 1972 Handsigned by the artist in pencil and numbered 123/150 Catalog : Weber & Danilowitz 29 60.50 cm. x 50.50 cm. 23.82 in. x 19.88 in. (paper) 38.00 cm. x 34.00 cm. 14.96...

Kyohei Inukai Life Forces - 1978 Print - Silkscreen   30'' x 22½'' in Edition: signed in pencil and marked 128/200 Since the 1940s, Kyohei Inukai has created his own brand of illusi...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...