American Realist Prints and Multiples

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Original United States Food Administration vintage poster. This is what GOD gives us United States Food Administration. Artist A. Hendee. This is what GOD gives us What are you giving so that others may live? Eat less --wheat --meat --fats --sugar Send more to Europe or they will Stave. A bounty of freshly harvested food is shown in the image. One of the more beautiful posters produced by the United States Food Administration for the war effort. World War 1 posters...

Allan Mardon, Canadian (1931 - ) - Pheasant Hunt, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 17 x 23 in. (43.18 x 58.42 cm), Descr...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Title: Spotted Leopard and Iris Year: 1981 Medium: Serigraph, signed and num...

Frank Benson made this drypoint in 1928. The second state of two. A scarce print with no recorded printings of the second state - presumably, at least two were printed. The image size is 4 7/8 x 5 7/8" (12.4 x 14.9 cm). #282 in the Frank W. Benson catalogue raisonne by Adam Paff. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Original WW1 vintage poster: HELP HIM WIN BY SAVING AND SERVING, W.S.S., BUY WAR SAVINGS STAMPS. Original World War 1 vintage stone lithograph. Museum archival linen backed and...

Original vintage travel poster: Germany by SAS (Scandinavian Airline System). Artist: Otto Nielsen. Size: 25 x 39.5" Archival linen backed original vintage travel poster; ex...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Iris on Blue III Year: 1981 Medium: Screenprint , signed and numbered in pencil Edition: 200 Image Size: 24 inches diamete...

Lorna Patrick, American - Approaching Storm of Taos Pueblo, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm),...

Artist: Will Barnet, American (1911 - 2012) Title: Dawn Year: 1975 Medium: Lithograph on Arches, signed in pencil Edition: 59/175 Image Size: 24 x 11 in. Frame Size: 36 x 25 inches ...

John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing. He came to the U.S. at age 18, and made ma...

This artwork titled "The Trail Ends at the Sea" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signe...

John McNulty, Irish/American (1949 - ) - Horizon II, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 in. x 22 in. (48.26 cm x 55.88...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Pink and Yellow Irises Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 2...

John McNulty, Irish/American (1949 - ) - River Bank, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Two Yellow Irises on Sage II Year: 1980 Medium: Screenprint, signed and numbered in pencil Edit...

Mel Hunter, American (1927 - 2004) - Arabian, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm), Descript...

Original Bing Crosby Paramount Films vintage personality poster. Archival linen-backed and ready to frame. There is some foxing along the original fold marks; otherwise, this poster ...

Hidden Pond Lithograph, 1958 Signed in pencil lower right of image Annotated: Ed/40 in pencil by the artist lower left Edition: 40 Provenance: Baldwin-Wallace College, Berea, OH (acc...

Pencil signed original limited edition woodcut woodblock print great depression era. from the 1930s. Abramovitz, Albert 1879-1963 Born in Riga, Latvia, Abramovitz studied art at th...

The 21st Floor-A View of the World Trade Center in the Skyline Screen print, c. 1990 Signed: Joni Frankel lower left Edition 200 (42/200) Signed lower lef...

Chris Forrest, American (1946 - ) - Luna (Racoon), Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Size: 22...

Mystery monogrammed early San Francisco etching. Great little piece of San Francisco history showing a lighthouse in Golden Gate. Etching measure...

John McNulty, Irish/American (1949 - ) - Jardins de Luxembourg, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 28 in. (55.88 x 7...

This artwork titled "Springtime in the North" c.1980, published 1996, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. I...

Mel Hunter, American (1927 - 2004) - Standardbred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm)

The Jewish Welfare Board. Original World 1 vintage poster, very good condition; archival linen-backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. There is a tiny ch...

This artwork titled "Union Street, San Francisco" is an original etching on creme wove paper by American artist Edith (Mark) Milsk, 1899-1982. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 5.5 x 3.65 inches, framed size is 16.5 x 13.40 inches. Custom framed in a red Oak frame, with beige matting. It is in excellent condition. About the artist: Edith Milsk...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

Snow Geese (Wyoming) Drypoint, c. 1947 Signed in pencil lower right (see photo) Title in pencil lower left (see photo) Note: This image is reprodcued in a Photogravure for Ducks Unlimited in 1947. This is the first original drypoint version. Condition: Excellent Image/Plate size: 8 3/8 x 6 7/8 inches Reference: Archives West #101 Kleiber 134 Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

DELAYED VD; 1946 military poster by Franz Oswald Schiffers. Delayed! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. He can see the bright lights big city in the distance but he is chained to the VD block... VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

Artist: Richard Haas, American (1936 - ) Title: Dallas Skyline Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: SPI 2 Im...

Locomotive à Vapeur type 141P original vintage horizontal poster. Archival linen-backed in A- , B+ condition. Ready to frame. Printed on natural-toned dark cream paper. Printer: ...

Original vintage poster: GRINDELWALD SUISSE; vintage Swiss winter sporting poster created by Karl Toggweiler. Size 25.5" x 40"; c. 1960. Original lithograph. This Swiss curlin...

Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...

Etching, 1937. Signed by the artist and dated in pencil lower right margin. A scarce etching by this important American western artist.

A lithograph by George Bellows. “Tennis (Tennis Tournament)” is a realistic lithograph on paper in black and white by American Realist, George Bellows. Bellows’ depictions of sportin...

SIGHT LINES II : THE GREEN ROOM. This archival digital print was created in 2010. This original print was directly drawn into the computer by Peter Milto...

"The Boat" Hand Signed Drypoint Print Maritime drypoint print by Jeannette Maxfield Lewis (American. b 1894 d. 1982.) A boat is docked in a harbor, its sails are lowered over the c...

Darius at 10 Drypoint, 2022 Signed, titled and numbered in pencil Printed by Rebekah Wilhelm Her drystamp lower right Published by the artist Edition 14, plus proofs Condition: Excel...

Canadian Geese in Flight Drypoint printed with plate tone in the sky c. 1940's Signed in pencil lower right Condition: Excellent Image/Plate size: 8 3/8 x 10 1/4 inches Provenanc...

Fred Mershimer created this piece using mezzotint and aquatint printmaking techniques with handpainted watercolor. "Across the Floor" was printed in an edition of 120 in 2011. It ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Flowers on Blue Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 40 Image Size: 30 x 26.25 i...

Original Death Valley Monument, American Airlines vintage travel poster. Archivlal linen backed in fine conditon, ready to frame. Horizontal format. Year: 1954 Artist: Hubert A Lowman (1913 - 2006) Death Valley National Monument is a national monument in the United States. It is located in Inyo County, California. The monument is managed by the National Park Service. The monument was established on February 11, 1933. The monument covers an area of 5,362 square kilometers. It is the largest national monument in the United States. The monument is home to a diverse landscape. The landscape includes canyons, mountains, valleys, and deserts. The monument is also home to a variety of plants and animals. Plants in the monument include Joshua trees, creosote bushes, and cacti. Animals in the monument include bighorn sheep...

This is a wonderful vintage Air France travel poster depicting a vibrant Parisian street scene from the late 1950s or early 1960s. The image centers on a classic Morris column (adver...

TAKE CARE Don't be delayed by V.D.; 1946 military poster by Franz Oswald Schiffers. the 1946 U.S. (or Australian) World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. Thisis a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

THOMAS HART BENTON (1890- 1975) HYMN SINGER / THE MINSTREL (Portrait of Burl Ives) 1950 (Fath 74) Lithograph signed with full signature “Thomas H. Benton” A large image, 15 ¾ x 12 i...

ALMOST VD; 1946 military poster by Franz Oswald Schiffers. Almost! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

Hudson - Animar Valley Bill Sullivan, American (1942) Lithograph, signed and numbered in pencil Edition of 200 Size: 38 x 50 in. (96.52 x 127 cm)

By John Sloan American Realist From the early 20th century Ashcan School which focused on capturing day to day life in New York City during that period. Image size: 5.75" x 4.25" Et...

Original poster: SNCF, VISIT FRANCE AUVERGNE, travel poster. Linen-backed. Lithograph. View of the castle on a hill, in the foreground, framed by a train...

Allan Mardon, Canadian (1931 - ) - Fishing, Year: circa 1979, Medium: Lithograph, Signed in Pencil, Edition: AP, Size: 24 in. x 33 in. (60.96 cm x 83.82 cm)

The White Gate (New Castle, Delaware) Lithograph, 1961 Signed in pencil lower right (see photo) Numbered and title in the lower left (see photos) Condition: Excellent Image size: 15 ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Yellow Rose Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image S...

Artist: Jack Beal, American (1931 - 2013) Title: Blue Crab Year: circa 1975 Medium: Screenprint, Signed and numbered in pencil Edition: 52 Image Size: 9 x 12...

Reginald Marsh (1898-1954), Merry-Go-Round, etching, 1930, signed in pencil lower right and numbered "24" lower left. In very good condition, with margins (cut irregularly,...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

This original and visually striking artifact from the First World War is a vintage U.S. Marine Corps recruiting poster titled ‘He Did His Duty.' It stands as a testament to the power...

Lighthouses are unique to decorate with to create a look that is comforting as well as historical. This painting by Michigan artist Leo Kuschel is of the 3...