Art Deco Prints and Multiples

The first exhibition for hygiene and sport, known as Hyspa, opened its doors on July 24, 1931 in Bern. The exhibition stands were built on the edge of the Bremgarten forest and formed a modern and hygienic architectural ensemble. Sport - Hygiene - Switzerland 1st Swiss exhibition...

Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...

Latitude 43 was designed by the avant-garde architect Georges-Henri Pingusson. The building, listed as a historical monument in 1992, is a reference in ter...

Paolo Garretto's original poster for Air France, entitled "La Flèche d'Orient", dating from 1936, is an art piece that illustrates the elegance and audacity of air travel at the time...

Stefan Norblin (1892-1952), a versatile artist renowned for his mastery of the Art Deco style, left an indelible mark on the world of visual arts and de...

The original Chemins de Fer de l'État poster by Hermine David in 1937, entitled "Le Réseau de la Mer Bretagne", is a true masterpiece of French advertising art. Hermine David, a tale...

"Sitting Nude" (1963) is a lithograph based on Gustav Klimt's original drawing of 1914-16. It depicts in his typical art deco style a nude woman posing with her arms over her head. ...

Beautiful Art Deco style advertising poster by Henry Lemonnier for Libertas shoes. Born in Paris on March 7, 1893, Henry Le Monnier attended the Arts D...

GAMY and MONTAUT, Ernest. Cycles Motos Alcyon. [Paris: Mabileau & Co., c. 1914]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm. The Gamy-Montaut ...

"Blind Man’s Bluff at the Imperial Russian Court" lithograph is hand-signed and numbered in pencil. Philippe Noyer was born June 28, 1917 in Lyon. After a traditional course of study at the elite Ecole des Roches, Noyer enrolled in the Beaux Arts (Fine Arts) School of Lyon, before going to Paris to study at the Paul Colin School of Art and experience the whirlwinds of Surrealism first hand on Paris' Left Bank. Philippe Noyer started his painting career in 1943. That same year he met the famous Paris art...

Riccobaldi's 1936 travel poster for 'Riva Torbole Lago di Garda' is a captivating glimpse into the serene beauty of Italy's Lake Garda. Created in collaboration with ENIT (Ente Nazionale Italiano per il Turismo), Italy's National Tourist Board, this poster evokes the tranquil allure of a lakeside getaway. Riccobaldi, a visionary travel artist, transported viewers to far-off destinations through his art. His depiction of Lake Garda's pristine shores, with sailboats and sunbathing figures, captures the essence of this idyllic retreat. The poster's color palette mirrors...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

Original Vintage French Point Bleu Television Advertisement Poster, linen-backed in A-condition, ready to frame. Artist: signed with initials P.D. An outstanding example of mid-cent...

A very nice poster for the SNCF and the trips to Monte-Carlo made by Charles Loupot in 1937, a French poster and graphic designer. It is one of the first poster of the SNCF. In addi...

Artist: Erte, Russian (1892 - 1989) Title: Three Faces Medium: Serigraph, Signed and Numbered in pencil Edition: 92/260 Size: 24 x 18.5 inches Frame: 33 x 27 inches

Odeon was a phonographic company of German origin, founded in 1903 by Max Straus and Heinrich Zuntz in Berlin, Germany. The company takes its name from the famous Paris theater, whos...

Robin Morris, American (1953 - ) - Trumpet, Medium: Screenprint on Arches, signed and numbered in pencil, artist blind stamp lower left, Edition: 151/350, Image Size: 13.5 x 9.5 inch...

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

Original poster produced around 1930 for the airline TAI to promote its trips to Madagascar. Airline - Indian Ocean -Art Deco Madagascar - Africa - Passengers and freight for all d...

Peter Behrens, (German 1868-1940), Deutsche Werkbund-Ausstellung, 1914, Deutsche Werkbund-Ausstellung, Kunst in Handwerk, Industrie und Handel Archit...

La Jolla Thomas McKnight, American (1941) Date: 1987 Screenprint, signed and numbered in pencil Edition of AP 6/40 Image Size: 26 x 29 inches Frame Size: 37 x 39 inches

Latitude 43 was designed by the avant-garde architect Georges-Henri Pingusson. The building, listed as a historical monument in 1992, is a reference in ter...

This original 1934 travel poster, created by Swiss artist Bernhard Reber, was commissioned to promote tourism to Berne, the capital of Switzerland. Issued by the Swiss National Touri...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

James Riddell (1909-2000) 'Join the University Ski Club' Original vintage poster Lithograph 31 x 50 cm This charming poster was designed by professional skier James Riddell for ...

Orchid and small swallows (Hokuri, kotsubame). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparatory watercolo...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. The artist's name is written lower right. This piece depicts an Art Deco repr...

This elegant print, Music Room, exemplifies Thomas McKnight ( American, b.1941) iconic architectural modernism, where refined interiors open seamlessly onto serene coastal landscap...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx 36 x 27 inches. Reference: Figure 331 page 156 in "Louis Icart: The complete etchin...

June is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 203/300 and estate-stamp...

Artist: Giancarlo Impiglia Title: Harlequin Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 30 x 22 inches

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

This serigraph was created by Italian artist Giancarlo Impiglia. Impiglia's colorful Art Deco prints are easily identifiable, vibrant paintings and their dynamic compositions are simply aesthetically pleasing. This print in his typical style is signed and numbered in pencil and comes from an edition of 300 and 40 APs. Artist: Giancarlo Impiglia Title: Traveling Salesman...

This striking 1937 Air France poster by artist Vinci celebrates the airline’s rapidly expanding global air network, at a time when commercial aviation was still a symbol of modern ma...

Chas Laborde (1886-1941), Tendres Stocks: The Complete Etchings, c. 1924, etching, engraving, colored etching proofs before publication of the book. A suite of 13 impressions in black and white, and 13 in color; 26 in all; impressions printed before the book edition of Tendres Stocks by Paul Morand...

Florida (Pearl Dress) is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 33 x 25.5 inches. From the edition of 686, the art is numbered 212/300 and signed 'Erté' lower right (there were also 300 Roman, 65 AP, 1 PP and 20 HC). framed in an elegant gold-tone moulding. Originally a costume design for the American Millionairess Revue at the Théâtre Fémina in Paris in 1917, Florida (Pearl Dress) stands as a testament to the genius and creativity of Erté. It was at the Théâtre Fémina that Erté worked closely with Gaby Deslys, the greatest French music-hall star of her day. It was Madame Rasimi – the theater’s founder – wo discovered the young Romain de Tirtoff (Erté) and employed his talents to her theater’s great benefit. In Pearl Dress, the flowing gold train cascades from the gown to create a wonderful sense of style and grace. As the primary source of color in the design, the gold and pearls sit in contrast to the dynamic black background of the print, while the geometric pattern of rectangles and squares, all deeply embossed and metal-foiled, create the perception of depth and drama. One of the earliest costume designs by Erté, Pearl Dress stood as a reflection of American culture – of riches and excess – while expressing Erté’s love...

Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches. Artwork is in excellent condition.

Humanic, Wien, 1924. Color lithograph. Ref: Plakat. 01 Kuntsler Mihaly Biro p. 97 pl 153. Biró is internationally considered as the founder of the political poster art, he is ...

Original Caves Petrissan lithograph in excellent condition. First printing of this poster from the original maquette. Artist: Charles Loupot. Captured in a dreamlike Art Deco style, this Caves Petrissans poster is a celebrated work by the master Swiss graphic artist Charles Loupot. Originally designed to promote the historic Parisian wine bar and bistro, it is an iconic example of early 20th-century commercial elegance. The poster depicts a stylish woman delicately inhaling the bouquet of a glass of wine, emphasizing the refined "nose" and the quality of the cellar's selection. Charles Loupot (1892–1962) was a titan of French graphic design, celebrated as one of the "four musketeers" of Art Deco, alongside A.M. Cassandre, Jean Carlu, and Paul Colin. His career spanned more than fifty years, during which he moved from elegant, painterly illustrations to pioneering minimalist abstraction in advertising. During WWI recovery in Switzerland, he honed his lithographic skills, developing a style that blended bold French color with the structured precision of Swiss typography...

Jean Cocteau ( 1889 - 1963 ) " le joueur de pipeau " signed Jean Cocteau . original partially glazed terracotta plate . Marked and numbered Edition originale de jean Cocteau Atelier...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Serigraph in colors on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 23.25 x 16.5 inches. Framed size approx 29 x 23 inches. Artwork is...

Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...

“Fish Bowl” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff). Image size (including signature): 21 x 16 in. Framed Size: 52 x 26 in. Edition 149/300. The artwork is framed. Signed by the artist on the bottom right corner. It is in excellent condition. Known as the “Father of Art Deco,” he created elegant decorative images that are timeless in their beauty and sophistication. Clean lines of his glamorous and evocative works resemble the geometry of Classical Greek pottery and Japanese art of woodblock prints. Erté’s artworks...

Beautifully framed original 1920 "Cachou Lajaunie" vintage lithograph poster by Leonetto Cappiello. Printed by Devambez Imp. Paris.

This color pochoir was done in 1925 on Arches paper No. 739/750 and depicts two couples on a night out all dressed up. Archivally framed with 12k white gold; white gold fillet, silk...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

DuFrene, Maurice. Rayon des Soierie Ref: Opera, 17; Publisher: Imp. Chaix, Pairs. Maurice Dufrene was born in Paris in 1876. He studied at the Ecole des Arts Decoratifs, and to...

This exquisite reproduction of Erté's Gala captures the essence of 1920s glamour, epitomizing the opulence and sophistication of the Art Deco era. The artwork portrays a figure adorn...

This artwork titled "Confiding" 2008 is an original color serigraph on Wove paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed and numbered E.A 63/80 in pencil by t...

GEORGE SHERINGHAM (1884-1937) The Wave Signed and numbered 2 Stencil print with 9 plates, designed and cut by the artist, fan shaped 23 by 42 cm., 9 by 16 ½ in. (frame size 37.5 by 22 cm., 14 ¾ by 8 ¾ in.) Sheringham was born in London and studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris where he held his first one-man exhibition in 1905. On his return to London he initially supported himself with poster designs and teaching. His first exhibition of fan designs was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. He illustrated books by Max Beerbohm and Cyrus MacMillan. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

This color pochoir from the La Garconne Series was done in 1925 on Arches paper No. 738/750 depicting a couple sitting at a cafe. Pochoir or stencil has been used to print limited ed...

Jean Cocteau ( 1889 - 1963 ) " Hermes " rare and famous terracotta plate partially glazed .embossed background . signed Jean Cocteau 1958 . original serie conceived in 1958 an...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 25 x 18 inches. Sheet size 29.5 x 22 inches. Custom framed as pictured. Edition of 300. Artwork is...

This original poster about the city of Gap, a small town surrounded by beautiful mountains and bathed in Mediterranean sunshine, was created by Gaston Gorde in 1932 for the PLM railw...

In tandem with a growing number of newspapers and periodicals, print advertising proliferated during China’s Republic Era. A bathing beauty is the star attraction of this print ad fr...

Loupot, Charles. Waschemagazine, Munsterberg 2/Metzger/B. Brunnen Freistrasse/Herrenhemden-Kragen Damenwasche & Aussteuern. 1922. Color lithograph. On linen.Good condition with the e...

Jean Cocteau ( 1889 - 1963 ) " Alexandre " . circa 1958 . pendentif ovale . terre rouge / brun en relief . 2eme Variante . Ref: RB10 page 219 du catalogue raisonné . " very ...