Art Nouveau Prints and Multiples

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 3 inches ( 21.59 x 7.62 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograph...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8 x 6 inches ( 20.32 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithograph ...

Dudley Hardy Hall's 1915 poster for "Coca Wine - The Elixir of Life" provides a captivating glimpse into a bygone era of advertising. This unique beverage combined wine with cocaine, with one prominent brand being Vin Mariani...

Lithograph from Verve Vol. II Magazine No. 5/6. Shipping and Handling: We offer worldwide shipping. For safe delivery, we use heavy, thick-walled UPS and FedEx. All items are careful...

Louis John RHEAD (1857-1926) The Ice Skater Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 200 of "Les Maîtres ...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Riviera Year: 1979 Medium: Color serigraph Edition: Numbered LXXXV/CLXXXII in pencil Image size: 20 x 14.25 inches Framed size: 38.25 x 32.5 inches Signature: Hand signed in pencil Condition: Excellent Frame: Custom framed in a wooden silver frame, with silver color bevel and fabric matting Description: With the blind stamp of the publisher, Circle Fine Art, Chicago IL at the lower left corner. Referenced and pictured in the artist catalogue raisonne, Erte at 95, The Complete Graphic Work by Martin Lee, plate #121. About the artist: Romain Erte was born Romain de Tirtoff in St. Petersburg, Russia. The only son of an admiral in the Imperial Fleet, he was raised amidst Russia's social elite. As a young boy, he was fascinated by the Persian miniatures he found in his father's library. These exotic, brightly patterned designs continued to be important to him and influenced the development of his style. He moved to Paris at the age of eighteen and took the name Erte, from the French pronunciation of his initials, R and T. In 1915 he began his long relationship with Harper's Bazaar, during which time he created over 240 covers for the magazine. His fashion designs also appeared in many other publications, making him one of the most widely recognized artists of the 1920s. He also designed costumes and sets for the theater. In 1976 the French government awarded Erte the title of Officer of Arts and Letters, and in 1982 the Medaille de Vermeil de la Ville de Paris was bestowed upon him. His work is in many prominent museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London. The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film and fashion, but an entire art movement as well. The genius of the artist is evidenced by an enormous body of work that is considered among the most influential and unique of the 20th century. Erté—Romain de Tirtoff—was born in Russia in 1892, and died at age 97 in 1990. His legendary career spanned nearly the entire length of his life. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city's most established couturiers. In 1915, he began an association with Harper's Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work as a result of the high visibility of this periodical influenced an entire art movement that was to become known as "Art Deco". Throughout this period, the artist also created original costume and fashion designs for many of the era's most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer and others. His creations for the stage included extravagent designs for productions at such venues as New York's Radio City Music Hall, the Casino de Paris and the Paris Opera, as well as for the Folies-Bergères and George White...

Théophile Alexandre STEINLEN Impressionist Scenes (Mothu et Doria), 1895 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 46 of "Les Maîtres...

HARDY, DUDLEY (1867 – 1922) "A Gaiety Girl" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #...

Auguste ROEDEL Montmartre : Moulin de la Galette, 1897 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") Authenticated with the blind stam...

Lucien Métivet Eugénie Buffet (Ambassadeurs) Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION ...

Jeanne JACQUEMIN (1863 - 1938) Saint Georges Original litograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x...

Théophile Alexandre STEINLEN The Pretty Parisan and the Geese Original Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") Authenticated wit...

Artist: Rene Gruau, Italian (1909 - 2004) Title: Bather Year: circa 1990 Medium: Lithograph on Japon, signed and numbered in pencil Image Size: 20 x 15 inches Frame Size: 27 x 20 inches

BEGGARSTAFFS Harper's Magazine, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 16 of "Les Maîtres de...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.75 x 5.5 inches ( 22.225 x 13.97 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8 x 6.25 inches ( 20.32 x 15.875 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogr...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.25 x 5 inches ( 20.955 x 12.7 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogra...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogr...

Henri Fantin-Latour Immortality Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12in) INFORMATION : Published by 'Esta...

Vin Mariani was the world's first commercial cocaine-based product, pre-dating the notorious cocaine-based soda Coca Cola by over two decades. The stimulat...

Fred HYLAND Harper's Magazine : The Martian, 1897 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION...

François-Louis SCHMIED (1873-1941) The White Villa, 1938 Original Woodcut Print Signed with the stamp of the artist On Japan paper 35 x 24 cm (c. 13.8 x 9.5 inch) Excellent condition

Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich Drypoint, 1897 Signed lower right in pencil: J Toorop; by later hand Toorop's model for this print was Marguerite Adolphine H...

Lithograph from Verve Vol. II Magazine No. 5/6. Shipping and Handling: We offer worldwide shipping. For safe delivery, we use heavy, thick-walled UPS and FedEx. All items are careful...

Edouard DUYCK & Adolphe CRESPIN Waitress Bringing Belgian Beer, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 1...

Yves ALIX (1890 - 1969) Le Printemps, Grand Magasin (Department Store in Paris), c. 1930 Original stone lithograph Handsigned in pencil Numbered / 150 copies On vellum 34 x 49 cm (c...

Dudley Hardy Abbotts, Boots and Shoes, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 92 of "Les Maîtres de l'Affic...

Henry DETOUCHE In the Brambles Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe...

Henri HERAN (1864 - 1946) May Flower Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12")...

Ernest Laurent Soir d'octobre Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 18...

Beautiful poster by Pierre Bonnard for the art magazine l'estampe et l'affiche in 1897. Pierre Bonnard was an influential French painter of the Post-Impressionist movement. Born on O...

Maurice DENIS Peace and Ceres, 1932 Original woodcut print Printed signature in the plate On Arches vellum 37 x 26 cm (c. 15 x 10.5 in) Excellent condition

From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...

Plates from Les Diaboliques is an original modern artwork realized in the 1930s by Gaston Pastre. A black and white couple of woodcut prints from the ...

Signed in the right center edge of the image From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters...

Alfons Mucha DOCUMENTS DECORATIFS Six color lithographs, 1902, on wove paper, printed by F. Champenois, Paris, published by the Librarie Cen...

Characters is a Drawing in pen realized by the artist Willette (Adolphe Léon). Signature on the lower right margin. Adolphe Léon Willette (30 July 1857, Châlons-sur-Marne – 4 Febru...

Georges Meunier Montmartre café, 1897 Original lithograph Printed signature in the plate Printed on paper vélin Size 40 x 29 cm (c. 15.7 x 11.4") INFORMATION : Plate 62 of "Les M...

Maurice GREIFFENHAGEN Distinguished Woman (Illustrated Pall Mall Budget), 1895 Lithograph On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 24 of "Les Maîtres de l'A...

Louis MALTESTE (1862 - 1928) The Old Tradeswoman Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION :...

Image dimensions. 13.5x26 cm. Mele is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914. A nice advertising poster representing...

Fernand Piet Un marché en Zéland Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12in) INFORMATION : Published by 'Estampe Moderne, Paris...

Mele is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914. An advertising poster of the famous Napolitan tailoring society "Mele", in very...

Wifredo Lam, Cuban (1902 - 1982) - L'Antechambre de La Nature, Year: 1966, Medium: Etching, Image Size: 10.75 x 5.75 inches, Size: 13.5 x 8.75 in. (34.29 x 22.23 cm), Description: F...

Naked in the Landscape is a beautiful original colored pochoir on paper, realized by the Italian artist Umberto Brunelleschi, signed on the lower-right of artwork. In excellent con...

Loden Dal Brun is a beautiful and rare color lithograph printed by G. Ricordi and C. Milano, Milan between 1895 and 1914. A vintage poster representing an elegant couple walking, wi...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA CHAINE SIMPSON" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #60, 1900. Plate #238 Unframed Size: 11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...

Vintage poster by Henri Privat-Livemont created for the Exposition Universelle (the 1900 Paris Exposition) before the lettering was added on the upper portion of the image. Henri Pr...

Cleaning Nude is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper included a cardboard passpartout (33x25 cm). Hand signed with sangui...

The Lady is a Drawing realized by the artist Willette (Adolphe Léon). Good condition included a white cardboard passpartout 34.5x26 cm. Signature on the lower right margin. Adolphe Léon Willette (30 July 1857, Châlons-sur-Marne – 4 February 1926, Paris) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti...

Very nice original lithograph that was actually a menu for the Association Artistique Le Cornet and the 245th Dinner at the Café Cardinal in 1926. Fernand-Louis Gottlob (1873 - 1935)...

Beautiful poster from 1899 for the Bal Spectacle du Syndicat de la Presse Marseillaise. Show - Press Tourangelle Tours

The circa 1900 original poster by Demeure de Beaumont, titled "L'Affiche Belge", is an elegant and artistic advertisement promoting an upcoming publication dedicated to Belgian poste...

Ulysses and the Sorceress is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lithograph on ivory paper. Perfect conditions. Ulysses and the Sorceress is an excellent Liberty artwork realized by Ferdinand Bac in the second decade of the XX Century. The work is in full Liberty style and depicts a man, Ulysses surrounded by two figures. The famous sorceress Circe appears on the upper left corner and a second female figure is going to stop him. They are into a sea cave and, on the background, we can see the surface of the sea. Ferdinand Bac (1859 - 1952). Ferdinand-Sigismond Bach, known as Ferdinand Bac was a French cartoonist, artist and writer, son of an illegitimate nephew of the Emperor Napoleon. As a young man, he mixed in the fashionable world of Paris of the Belle Époque, and was known for his caricatures, which appeared in popular journals. He also traveled widely in Europe and the Mediterranean. In his fifties, he began a career as a landscape gardener. He attended Adolphe Thiers, Gambetta, Richard Wagner, Victor Hugo, Taine, Villiers de L'Isle-Adam, Paul Verlaine, Maurice Barrès, Barbey d'Aurevilly, Alphonse Daudet, Guy de Maupassant, Verdi, Gounod, Pierre de Nolhac, and many more other famous people of the time. He established himself as one of the first cartoonists and caricaturists of his time, as famous as Albert Robida...

The Giant and the Woman is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lit...

This artwork "Personages with Lambs" 1924 is an original colors aquatint by noted French artist Felix Roy A.K.A Sylvain Sauvage, 1888-1948. It is hand signed and numbered 88/350 in pencil by the artist. The image size is 13 x 9.5 inches, framed is 20 16 inches. Published and printed by La Societe Des Graveurs Modernes, Paris. Custom framed in a wooden gold frame. It is in excellent condition, especially considering the age of this artwork About the artist. Félix Roy, said Sylvain Sauvage (born in Baume-les-Messieurs ( Jura ) on May 8 , 1888 and died in Paris in January 1948 ) is an illustrator and technician of the French book. He was an exhibitor at the Salon des Artistes Décorateurs and Director of École Estienne . He illustrated many books of the French classic literature. The work of Sylvain Sauvage is held in numerous private collections in France and Europe. Selected books illustrated by the artist. L'Ingénue de Voltaire, Kieffer, 1922 La fille aux yeux d'or de Balzac, G. Crès, 1923 Monsieur Nicolas ou le cœur humain dévoilé. Mémoires intimes de Restif de la Bretonne, illustrés par Sylvain Sauvage de Restif de la Bretonne, Henri Jonquières, 1924 Les Belles Dames de Paris, historiettes de Tallemant de Réaux, coll. « Le livre du lettré », 1924 (avec une préface de Gérard Bauër) Anatole France, Les sept femmes de la Barbe Bleue et autres contes merveilleux, A.&G. Mornay, Paris, 1925 Marquis de Sade, Ernestine, Cabinet du Livre / Jean Fort Éditeur, Paris, 1926 : 10 eaux-fortes Casanova (J. de, Seigneur de Seingalt.), Une aventure de Casanova, Histoire complète de ses amours avec la belle C. C. et la religieuse de Muran. Compositions de Sylvain Sauvage gravées avec la collaboration de E. Feltesse. Paris, [chez l'artiste], 1926. Candide de Voltaire, chez l'Artiste (imprimé chez Frazier-Soye et Haasen), 1928 Les Dieux ont soif de Anatole France, Éditions du Nord, 1928 Le Bon Plaisir d’Henri de Régnier, La Roseraie, 1929 : 20 eaux-fortes en couleurs et vingt bois gravés La Troisième Jeunesse de madame Prune de Pierre Loti, Calmann-Levy, 1936 Les Romanesques ; Les Deux Pierrots ; La Dernière Nuit de Don Juan d’Edmond Rostand, éditions Pierre Laffitte, 1939 ; illustrations de Auguste Leroux...

The Tale is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper. Signed and dated on plate on the lower right corner: F. ...

Programme poour Le Chariot de Terre Cutte Lithograph printed in blue on pink tint thin wove paper, 1895 Signed with the artist's "TL" monogram (see photo) lower center edge Published...

Le Reve (The dream) An original theatre poster designed by Theophile Alexandre Steinlen for Le Reve at the Academie Nationale de Musique 96 x 76cm. (incl. frame) New white wood fram...

From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...