Cubist Prints and Multiples

This poster was created for the Picasso at the School of Paris Gallery exhibition held from June 3-20, 1975. It features a combination of etching and lithography, with the etching te...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure (Minotaur), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Double ...

"Double Vision Bar Scene" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes and wine glasses using uv...

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Reclining Man and Crouching Woman Homme couché et femme accroupie, 1956 Technique:...

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

Le Cocu Magnifique is an original Contemporary artwork realized by Pablo Picasso in 1968. Original Etching Specimen on BFK Rives. Edition of 180 prints. Numbered in pencil on the ...

This exquisite lithograph after Georges Braque (1882–1963), titled Ajax, originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to G...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Dance, 1934 Technique: Original Hand Signed Etching with Aquatint on paper Paper...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

This poster, titled Festival d'Avignon, was produced in 1970 and features the image Le Corsaire, engraved by Henri Deschamps and printed by Mourlot on BFK Rives paper. Although the p...

Georges BRAQUE Bird of the Moon Lithograph (Art-Litho workshop) Printed signature in the plate On Arches vellum 18 x 23" INFORMATION: Limited edition of 399 copies unumbered - Ed...

This exquisite lithograph after Jacques Villon (1875–1963), titled Intimite (Intimacy), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite lithograph by Jacques Villon (1875–1963), titled Les Mondes (The Worlds), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, originates from...

Oscar Dominguez, Spanish (1906 - 1957) - Tauromachie, Year: 1950, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 99/200, Image Size: 19 x 12.75 inches, Size:...

Page size: 27 x 20 in. Frame size: 32 x 25 in. Signed in pencil, bottom right: "ALVAR" Numbered in pencil, bottom left "54/100" A dreamy, abstract litograph in misty blues, grays, w...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Homme couche et femme assise (Reclining Man and Seated Woman), from the folio Picasso, La flute double, ...

Plante aux Toritos is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1960. Good conditions, except for very minor foxing on edges. Not signed....

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

This reproduction of Picasso's poster Relais de Jeunesse is redrawn and measures 12.5 x 9.25 inches. It is part of the book Art in Posters by André Sauret, published in 1959. The boo...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Homme couche et femme assise (Reclining Man and Seated Woman), from the folio Picasso, La flute double, ...

after Georges BRAQUE Phoenix : Bird in Fire Lithograph (Art-Litho workshop) Printed signature in the plate On Arches vellum 18 x 23" (58 x 45 cm) INFORMATION: Limited edition of 3...

Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...

19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968. Black and white etching. Hand signed and numbered on the lower margin....

This striking lithograph reproduces Picasso’s original oil on plywood titled Serenade, created on June 18, 1967. The lithograph was designed by Mo...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a l’Estaque (Landscape at L’Estaque), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, ...

La Bouteille is a lithograph after a graphic work first realized by Georges Braque in 1911. Good conditions. This print is from the portfolio Derrière Le Miroir No. 138 p.7. Edited...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album XXe Siecle, Nouvelle serie N°6 (double), Janvier 1956, origina...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Le Bouvier (The Cowherd), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, originates ...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled L'entree du village (The Entrance to the Village), from the album Roger de la Fresnaye, III, Collection Pierr...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

Picasso Exhibition Poster in Paris - 1964 is a rare and precious print of Pablo Picasso's exhibition held at Galerie Louise Leiris, Paris, 1964. Offset and photolithographed poster ...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La Conquete de l'air (The Conquest of Air), from the album Roger de la Fresnaye, III, Collection Pierre Levy,...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Scène militaire (Military Scene), from the folio Roger de la Fresnaye, III, Collection Pierre Levy, 1968, ori...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine a la Mouette (Seascape with Seagull), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Etude pour l’homme au mouton (Study for Man with Sheep), from the folio Picasso, La flute double, 16 Des...

Les Banderilles is an color linocut reproduction realized after Pablo Picasso (1881-1973). Linocut reproduction realized in smaller size after a linoleum by Pablo Picasso of 1959. ...

Pablo Picasso (1881–1973) was one of the most transformative figures of 20th-century art. A restless innovator, his work reshaped the possibilities of representation across painting,...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...

Georges BRAQUE Still Life with Glass and Pipe, 1959 Original etching with aquatint Printed signature in the plate Numbered / 350 On vellum 30 x ...

This exquisite lithograph after Georges Braque (1882–1963), titled Les barques bleues (The Blue Boats), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pari...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

This exquisite lithograph after Georges Braque (1882–1963), titled La plage de Varengeville (The Beach at Varengeville), originates from the 1968 folio Varengeville, published by Mae...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage aux coquelicots (Landscape with Poppies), originates from the 1968 folio Varengeville, published by Maeght ...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau et son nid (The Bird and Its Nest), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L...

Artist: Pablo Picasso Title: Square Head of a Man with Soft Features (Plate IV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" ...

Dans l’Atelier de Picasso. Original page from the portfolio, executed as a stone lithograph after Picasso (d’après Deschamps), printed and published by Fernand Mourlot, Paris. The sh...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage (Landscape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

Marcel GROMAIRE (1892-1971) At the Cafe : Sharing a Drink Original etching Printed signature in the plate On vellum, 28.5 x 38 cm (c. 11 x 15 in) INFORMATION: This etching is authe...

Etching on paper. Hand signed and numbered by the artist. From the 347 series. Bloch 1502. Edition 32/50. Sheet size: 18 x 22 inches. Image size 12.375 x 16.375 inches. Frame si...

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine noire (Black Seascape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and...

This exquisite lithograph by Alberto Magnelli (1888–1971), titled Papel colle (Pasted Paper), from the album XXe Siecle, Nouvelle serie, No. 9 (double), Juin 1957, originates from th...

This exquisite lithograph after Georges Braque (1882–1963), titled La charrue (The Plow), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

This exquisite lithograph after Georges Braque (1882–1963), titled La barque echouee (The Stranded Boat), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pa...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...