Fauvist Prints and Multiples

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Vallee de l'Avre (Valley of the Avre), from the album Vlaminck, originates from the 1958 edition published by And...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Maisons dans la Beauce (Houses in the Beauce), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La baie des Trepasses (The Bay of the Dead), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La maison dans la plaine (The House in the Plain), from the album Vlaminck, originates from the 1958 edition p...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled L'église de Saint Lubin (The Church of Saint Lubin), from the album Vlaminck, originates from the 1958 edition...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Brezolles (The Road to Brezolles), from the album Vlaminck, originates from the 1958 edition publi...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Coucher de soleil Forêt de Senonches (Sunset, Forest of Senonches), from the album Vlaminck, originates from t...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Mortagne (The Road to Mortagne), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Poissy (The Seine at Poissy), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte au lard (Still Life with Bacon), from the album Vlaminck, originates from the 1958 edition publis...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte au whisky (Still Life with Whisky), from the album Vlaminck, originates from the 1958 edition pub...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte au pots (Still Life with Pots), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Anémones (The Anemones), from the album Vlaminck, originates from the 1958 edition published by Andre Saur...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Delphiniums (The Delphiniums), from the album Vlaminck, originates from the 1958 edition published by Andr...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches; image size: 5.51 x 7.08 inches. Inscription: Unsigned and unnumbered, as is...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches; image size: 5.91 x 7.48 inches. Inscription: Unsigned and unnumbered, as is...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches; image size: 6.3 x 7.08 inches. Inscription: Unsigned and unnumbered, as iss...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Nono Lebasque (Nono Lebasque), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Etta Cone (Miss Etta Cone), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Etta Cone (Miss Etta Cone), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Autoportrait au chapeau de paille (Self-Portrait with Straw Hat), from the album Portraits par Henri Matisse (Port...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Louis Aragon, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 ed...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Vava Duclos (Mrs. Vava Duclos), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), or...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Professeur Rene Leriche (Professor Rene Leriche), from the album Portraits par Henri Matisse (Portraits by Henri M...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Esquiman (Eskimo), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 19...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Loup (The Wolf), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazille...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Monsieur Loyal (Ringmaster), from Henri Matisse, Jazz, originates from the 1983 second edition published by George...

Artist: André Derain Medium: Lithographic Poster Dimensions: 28.75 x 21 in, 73 x 53.3 cm Classic Poster Paper - Perfect Condition A+ This poster was designed for a retrospective at the Musée Cantini in Marseille of André Derain's work. The painting that was chosen is from 1906 when Derain was 26 yrs old and on a trip to London when he was still very much a fauvist. It is a reproduction of "Big Ben", 1906, from a series of works he created on the banks of the Thames. There you can see a completely different feeling than the banks of the Seine, each with it's own beauty. Isn't it always a tale of two cities...? Famous American artist and critic, Leland Bell...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Etching and drypoint on cream laid paper. Catalogue raisonne reference: Adhemar 44.

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Artist: Marc Chagall Medium: Lithograph Title: Mother and Child before Notre Dame Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Unsigned Framed Size: 22" x 18 1...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Paper Size: 12.5 x 9.25 inches ( 31.75 x 23.495 cm ) Image Size: 9.25 x 6.5 inches ( 23.495 x 16.51 cm ) Framed: No Condition: A: Mint Additional Details: Printed by Mourlot fo...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 2 (Series B, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 3 (Series B, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie A, var. 6 (Series A, Variation 6), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie A, var. 4 (Series A, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

(after) Jacques Villon Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature...

Dufresne, Charles. LE MARIN. Etching, colored with pochoir, 1923. 12 15/16 x 15 5/8 inches (315 x 400 mm.). Edition of 40. Signed, titled and numbered in pe...

"The Court Jesters" includes two original color woodcuts by Andre Derain. This is from an edition of 200. It features two vignettes of brightly-clad j...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Composition from Derriere Le Miroir is a splendid lithograph realized after George Braque in 1964 The artwork is from Derriere Le Miroir. La Fondation Marguerite et Aimè Maeght, n.148. Printed by Ateliers de Maeght, Paris, 1964 Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...

Polin - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along the ...

Marcel Legay - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple alo...

Mévisto - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.