Skip to main content

Minimalist Prints and Multiples

to
27
96
65
123
97
53
Overall Width
to
Overall Height
to
21,204
19,045
10,788
6,350
5,269
2,722
1,567
1,444
1,155
913
913
354
193
19
13
13
10
10
257
177
2
1
34
117
42
39
201
156
74
30
25
22
14
13
13
12
12
10
9
8
7
7
7
6
6
6
6
6
6
122
100
89
77
43
70
165
344
82
Style: Minimalist
Blue Beaded Bracelet, Modern Shapes Monotype, Minimal Layers, Watercolor Paper
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Blue Beaded Bracelet...
Category

2010s Minimalist Prints and Multiples

Materials

Emulsion, Watercolor, Monotype, Paper

Christmas Lithograph Poster After James Thurber "God Rest Ye Merry Gentlemen"
Located in Alamo, CA
This is a rare Franklin Simon Department store Christmas lithographic poster with an image after a James Thurber cartoon drawing of a man in a chair with...
Category

Mid-20th Century Minimalist Prints and Multiples

Materials

Lithograph

Brice Marden in London (hand signed) Gagosian Gallery print Minimalist abstract
Located in New York, NY
Brice Marden in London (Hand signed), 2017 Offset lithograph poster. Hand signed by Brice Marden Signed in black marker by Brice Marden on the fron...
Category

2010s Minimalist Prints and Multiples

Materials

Offset, Lithograph

Hillside Fence Study 9 Teshikaga Hokkaido Japan, limited edition photograph
Located in Sante Fe, NM
"Hillside Fence Study 9 Teshikaga Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to...
Category

2010s Minimalist Prints and Multiples

Materials

Silver Gelatin

Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam, South Korea, b&w photograph
Located in Sante Fe, NM
"Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam-do South Korea, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna....
Category

2010s Minimalist Prints and Multiples

Materials

Silver Gelatin

Composition, Rubber Stamp Portfolio, Myron Stout
Located in Southampton, NY
Printer’s ink from rubber stamp on vélin Buckeye paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by ...
Category

1970s Minimalist Prints and Multiples

Materials

Printer s Ink

Blue Moon, Minimalist Screenprint by John Urbain
Located in Long Island City, NY
John Urbain, Belgian/American (1920 - 2009) - Blue Moon, Year: circa 1967, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23.75 x 23.75 inches, Size:...
Category

1960s Minimalist Prints and Multiples

Materials

Screen

Barnett Newman Chronology of Work, Minimalist Screenprint by David Diao
Located in Long Island City, NY
Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman Chronology of Work Year: 1992 Medium: Screenprint, signed and numbered in pencil Image: 22 x 38 inches Size: 30 x ...
Category

1990s Minimalist Prints and Multiples

Materials

Screen

Autumn Leaves Always, Abstract Expressionist Screenprint by Robert Goodnough
Located in Long Island City, NY
Artist: Robert Goodnough Title: Autumn Leaves Always Year: 1992 Medium: Screenprint, signed and numbered in pencil Edition: 150, A/P Image: 23 x 31.5 inches Size: 27.5 x 39.5 in. (6...
Category

1990s Minimalist Prints and Multiples

Materials

Screen

Pink Square, Large Minimalist Abstract Screenprint by Kikuo Saito
Located in Long Island City, NY
Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Pink Square Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 225 Size: 42 x 29.5 inches [106.68 x 74.93 cm]
Category

1970s Minimalist Prints and Multiples

Materials

Screen

Great Auk, original print, Kate Boxer
Located in Deddington, GB
Great Auk by Kate boxer consists of white and black tones outlining the hand coloured Great Auk. Additional information: Sold unframed Limited Edition of 30 Made with Drypoint, c...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Handmade Paper, Drypoint

Restricted Skyscape, Minimalist Screenprint by Gerald Marks
Located in Long Island City, NY
Gerald Marks, British (1921 - 2018) - Restricted Skyscape, Year: 1968, Medium: Screenprint, signed, titled and numbered in pencil, Edition: AP, Image Size...
Category

1960s Minimalist Prints and Multiples

Materials

Screen

Historic invitation poster for 1970 ACE Gallery exhibition Minimalist light art
Located in New York, NY
Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...
Category

1970s Minimalist Prints and Multiples

Materials

Etching, Stencil

Abstract Composition I, Minimalist Abstract Screenprint by Frank Roth
Located in Long Island City, NY
Artist: Frank Roth, American (1936 - ) Title: Abstract Composition I Year: circa 1968 Medium: Screenprint, signed, titled and numbered in pencil Edition: 200 Image Size: 33.25 x 33 i...
Category

1960s Minimalist Prints and Multiples

Materials

Screen

Extended Frame with Separation
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Ribbons and Poles - Augmented Screenprint
Located in Soquel, CA
Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...
Category

1980s Minimalist Prints and Multiples

Materials

Ink, Acrylic, Screen

Blue on Blue Monotype Collage on Wood Panel, Abstract, 36 x 36 Inch
Located in Oakland, CA
This collage on wooden panel was made by cutting up and reassembling hand-printed botanical cyanotypes (blueprints or sunprints) of leaves from my own garden. While cyanotypes are tr...
Category

2010s Minimalist Prints and Multiples

Materials

Birch, Paper, Mixed Media, Panel, Monotype, Photogram

Violet composition - Etching by Oscar Piattella - 1975
By Oscar Piattella
Located in Roma, IT
Violet composition is an original artwork realized in 1975 by Oscar Piattella. Hand signed, dated on the lower right margin. Numbered on the lower left. Edition of 54/100 prints. ...
Category

1970s Minimalist Prints and Multiples

Materials

Etching

Birds. Black white linocut print, Figurative Abstract Minimalism, Polish art
Located in Warsaw, PL
Contemporary minimalistic black & white linocut print on paper by Polish artist Jolanta Babicz. Edition is limited to 20 copies. Artwork is not framed. Photos with frame are only visualizations. JOLANTA BABICZ (born in 1967) In 2009 she graduated from the Artistic Department of the University of Humanities and Economics in Łódź. The subject of her B.A. thesis was computer graphic...
Category

2010s Minimalist Prints and Multiples

Materials

Paper, Linocut

Frame with Separation
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Woodcut

Untitled #1
Located in San Francisco, CA
This artwork "Untitled #1" c. 1980I is an original color silkscreen with embossing by noted artist Charles Hinman, b.1932. It is hand signed and numbered 52/100 in pencil by the artist. The artwork size is 20.5 x 22 inches, sheet size is 25.15 x 25.15 inches, framed size is 25.5 x 25.5 inches. Custom framed in a silver metal frame. The artwork is in excellent condition, the frame is in fair condition, it have some scratches. It can be shipped framed, or without the frame if requested. About the artist: Charles Hinman is a New York Minimal painter who pioneered shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and later moved to New York City to study at the Arts Student League of New York. His first studio in the early 1960s was shared with James Rosenquist in an old sail factory in the Coenties Slip in Lower Manhattan, and he later shared a studio with Robert Indiana on Spring Street. In 1965, he moved into his own studio and living space at 231A Bowery in the same building with artists Will Insley and Max Gimblett, where he resided for over fifty years. Hinman’s work has been included in era defining exhibitions alongside many of his Minimalist and Conceptual contemporaries. His art career began with a seminal exhibition at Sidney Janis Gallery, titled '7 New Artists', and thereafter a solo exhibition at Richard Feigen Gallery in 1964. This was followed by an historic exhibition at Tibor de Nagy Gallery in 1965, "Shape and Structure", curated by Frank Stella and MET Curator, Henry Geldzahler, which included artists, Donald Judd, Carl Andre and Will Insley. Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants. SOLO EXHIBTIONS 2019 - Kreeger Museum, Washington, D.C. 2019 - Chromatic Eclipse, WESTWOOD GALLERY NYC, New York 2017 - Shaped Paintings, WESTWOOD GALLERY NYC, New York 2016 - Two Points on a Plane: The Paintings of Charles Hinman, Museum of Art, DeLand, FL 2013 - Charles Hinman - 6 Decades, Marc Straus, New York 2012 - Marc Straus, New York 2011 - Gems. Butler Institute of American Art, Youngstown, OH 2008 - Butler Institute of American Art, Youngstown, OH 2006 - Butler Institute of American Art, Youngstown, OH 2005 - Wooster Art Space, NYC 2004 - Margot Stein Gallery, Lake Worth, FL 2004 - Boca Raton Museum of Art, Boca Raton, FL 2001 - Landing Gallery, Boca Raton Museum of Art, Boca Raton, FL 1999 - Fairfield University Museum, Fairfield, CT 1999 - Gallery Camino Real, Boca Raton, FL 1998 - Bergen County Museum of Art, Paramus, NJ 1995 - Ewing Gallery, University of Tennessee, Knoxville, TN 1994 - Georgia Museum of Art, Athens, GA 1993 - Chassie Post Gallery, Atlanta, GA 1990 - North Carolina State University Museum, Raleigh, NC 1990 - Douglas Drake Gallery, NYC 1989 - Virginia Lust Gallery, NYC 1987 - Irving Feldman Galleries, West Bloomfield, MI 1985 - Gallery 99, Bay Harbor Island, FL 1984 - I. Irving Feldman Galleries, Southfield, MI 1983 - Galleri Bellman, NYC 1982 - Irving Feldman Galleries, Sarasota, FL 1981 - Medici-Berenson Gallery, Bay Harbor Island, FL 1981 - Laguna Gloria Art Museum, Austin, TX 1981 - Museum of Art, Fort Lauderdale, FL 1980 - Everson Museum of Art, Syracuse, NY 1979 - Grace Hokin Gallery, Chicago, IL 1979 - Donald Morris Gallery, Detroit, MI 1977 - Grace Hokin Gallery, Palm Beach, FL 1976 - Irving Galleries, Milwaukee, WI 1975 - Grace Hokin Gallery, Chicago, IL 1971 - Galerie Denise Rene', NYC 1970 - Donald Morris Gallery, Detroit, MI 1970 - Galerie Denise Rene'/Hans Mayer, Krefeld, West Germany 1969 - Lincoln Center Retrospective, NYC 1968 - Donald Morris Gallery, Detroit, MI 1967 - Richard Feigen Gallery, NYC 1967 - Biennale, San Marino, Italy 1966 - Tokyo Gallery, Tokyo, Japan 1966 - Richard Feigen Gallery, NYC and Chicago, IL 1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan 1964 - Richard Feigen Gallery, NYC GROUP EXHIBITIONS 2014 - Xigue-Xigue, MARC STRAUS, NYC 2014 - The Shaped Canvas, Revisited., Luxembourg & Dayan, NYC 2014 - Shaped, Galleri Tom Christoffersen, Copenhagen, Denmark 2013 - On Deck, Marc Straus, NYC 2013 - Going Into the Dark, curated by Amalia Piccinini, The Painting Center, NYC 2011 - American Abstract Artists 75th Anniversary Exhibition, OK Harris Gallery, NYC 2011 - Structured Color, D. Wigmore Fine Art, Inc, NYC 2011 - Armory Show, NYC 2009 - Exploring Black and White: the 1930s through the 1960s, D. Wigmore Fine Art, Inc, NYC 2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL 2004 - Blast from the Past, Pace Editions, NYC 2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC 2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL 2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA 2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY 2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France 2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY 2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY 2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC 1999 - Red, Mitchell Algus Gallery, NYC 1999 - The Armory Show, Mitchell Algus Gallery, The International Fair of New Art, NYC 1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY 1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London 1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI 1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL 1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX 1998 - Gallery Artists, Lipworth International, Boca Raton, FL 1998 - Summer 1998 Exhibition, Space 504 Gallery, NYC 1997 - Abstractions: Charles Hinman and Manfred Mohr...
Category

Late 20th Century Minimalist Prints and Multiples

Materials

Screen

Zen Grass (14" diameter cyanotype mounted on wood panel)
Located in Oakland, CA
This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...
Category

2010s Minimalist Prints and Multiples

Materials

Birch, Paper, Mixed Media, Panel, Monotype, Photogram

Maghreb II, Minimalist Abstract Lithograph by Ruth Eckstein
Located in Long Island City, NY
Maghreb II Ruth Eckstein, German (1916–2012) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 4/60 Image Size: 21 x 26 inches Size: 21.5 x 29.5 in. (54.61 x 74.9...
Category

1970s Minimalist Prints and Multiples

Materials

Lithograph

"Poles" Minimalist Abstract Lithograph on Paper
By Arnold Mesches
Located in Soquel, CA
"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...
Category

1960s Minimalist Prints and Multiples

Materials

Paper, Ink, Lithograph

Sonata, Minimalist Stripe Lithograph by Gene Davis
Located in Long Island City, NY
Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...
Category

1980s Minimalist Prints and Multiples

Materials

Lithograph

Abstract Color Field Red Purple Gradient Aquatint Etching California Minimalism
Located in Surfside, FL
"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Color, Etching, Aquatint, Monoprint

Orange Sunset, Minimalist Abstract Screenprint by Joseph Grippi
Located in Long Island City, NY
Joseph Grippi, American (1924 - 2001) - Orange Sunset, Year: circa 1975, Medium: Screenprint Monoprint, signed in pencil, Image Size: 29.25 x 40 inches, Size: 31.5 x 42 in. (80.01 x ...
Category

1970s Minimalist Prints and Multiples

Materials

Monoprint, Screen

Spectrum, Minimalist Poster by Kyohei Inukai (aka Earle Goodenow)
Located in Long Island City, NY
Kyohei Inukai (aka Earle Goodenow), American (1913 - 1985) - Spectrum, Medium: Poster, signed in pen, Size: 19 x 12.25 in. (48.26 x 31.12 cm)
Category

20th Century Minimalist Prints and Multiples

Materials

Offset

Castle No. 1, Geometric Abstract Etching by Jack Sonenberg
Located in Long Island City, NY
Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Castle No. 1 Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 13/60 Size: 30 in. x 22...
Category

1960s Minimalist Prints and Multiples

Materials

Etching, Aquatint

Edges 1
Located in Toronto, Ontario
Adored by collectors and art lovers around the globe, Alex Katz (b. 1927) is renowned for his elegant and distinctive version of figuration. Katz has been dedicated to art-making si...
Category

1990s Minimalist Prints and Multiples

Materials

Etching

Matisse s Garden and Matisse s Dogs in Love
Located in Deddington, GB
Matisse's Garden: Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Sheet sizes may vary Matisse's Dogs in Love: Silkscreen Image Size H 22 x 22cm Framed S...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Screen

Red Sun, Minimalist Screenprint by John Urbain
Located in Long Island City, NY
John Urbain, Belgian/American (1920 - 2009) - Red Sun, Year: 1967, Medium: Screenprint, signed and dated in the plate and signed and numbered in pencil, Edition: 8/100, Image Size:...
Category

1960s Minimalist Prints and Multiples

Materials

Screen

Brice Marden, Etching for Parkett - Signed Print, Minimalism, Abstract Art
Located in Hamburg, DE
Brice Marden (American, b. 1938) Etching for Parkett, 1986 Medium: Sugar lift and aquatint on Rives BFK, bound in Parkett journal no. 7 Dimensions: 25.5 x 21 cm Edition of 100: Hand-...
Category

20th Century Minimalist Prints and Multiples

Materials

Aquatint

Catch Me If You Can and Goggles Down Diptych
Located in Deddington, GB
Catch Me If You Can and Goggles Down are limited edition giclee prints by Sophie Harden. This is a diptych of one orange and one blue print of original oil paintings. Depicting fast ...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Paper, Giclée

Pocket Watch I, Minimalist Screenprint by Lee Adler
Located in Long Island City, NY
Lee Adler, American (1926 - 2003) - Pocket Watch I, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 8/40, Image Size: 17.5 x 24 inches, Size:...
Category

1970s Minimalist Prints and Multiples

Materials

Screen

Ruth, Abstract Silkscreen with Foil by SICA
By SICA
Located in Long Island City, NY
Artist: SICA, American (1932 - ) Title: Ruth Medium: Embossed Silkscreen on Foil Paper, Signed and numbered in pencil Edition: 19/150 Size: 24 x 19 in. (60.96 x 48.26 cm)
Category

Late 20th Century Minimalist Prints and Multiples

Materials

Foil

Abstract Color Field Gradient Monoprint Aquatint Etching California Minimalism
Located in Surfside, FL
"Voices XXI" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Color, Etching, Aquatint, Monoprint

Abstract Color Field Red Purple Gradient Aquatint Etching California Minimalism
Located in Surfside, FL
"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Color, Etching, Aquatint, Monoprint

The Show is Over - rare long discontinued limited edition Dallas Museum poster
Located in New York, NY
Christopher Wool The Show is Over, 2000 Offset Lithograph poster 36 × 24 inches Limited Edition of approx 100 (unnumbered) Unframed This collectible offset lithograph poster was pu...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Lithograph, Offset

Wood Acting as Water - P2, F20, I1, Screenprint by Josef Albers
Located in Long Island City, NY
From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...
Category

1970s Minimalist Prints and Multiples

Materials

Screen

School of Fish, Blue and White, Handmade Cyanotype, Organic Minimalist on Paper
Located in Barcelona, ES
This one-of-a-kind cyanotype monotype layers soft, sinuous bands of blue to create a serene, wave-like field of motion. The artist shapes light-sensitive chemistry directly on waterc...
Category

2010s Minimalist Prints and Multiples

Materials

Paper, Lithograph, Monotype

SS-2-78, Minimalist Geometric Abstract Screenprint by Nassos Daphnis
Located in Long Island City, NY
Artist: Nassos Daphnis, Greek (1914 - ) Title: S-2-78 Year: 1978 Medium: Screenprint, Signed and numbered in pencil Edition: 125 Image: 19.5 x 17 inches Size: 30 x 22 inches
Category

1970s Minimalist Prints and Multiples

Materials

Screen

10:00 AM (Elevated Entrance-Upper Broadway), Framed Screenprint by Saul Chase
Located in Long Island City, NY
This screenprint was created by New York-born artist Saul Chase (b. 1945). The beauty of Chase's work arises out of the inherent contradiction between his subject and the rendering. ...
Category

1980s Minimalist Prints and Multiples

Materials

Screen

NV23, Original Blue Abstract Art, Contemporary Blue and White Minimalist Artwork
Located in Deddington, GB
NV23 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of fl...
Category

2010s Minimalist Prints and Multiples

Materials

Paper, Monoprint

Towers of Silence from In the Realm of the Carceral
Located in Long Island City, NY
Artist: Robert Morris, American (1931 - ) Title: Towers of Silence from In the Realm of the Carceral Year: 1978 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 1...
Category

1970s Minimalist Prints and Multiples

Materials

Etching, Aquatint

Swallowtail Butterfly, Guy Allen, Limited Edition Print, Affordable Animal Art
Located in Deddington, GB
Please note the price is for the unframed original etching . Swallowtail Butterfly is an original etching, engraved onto a copper plate, from wh...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Gold Leaf

Situation #1, Abstract Minimalist Etching by Shlomo Cassos
Located in Long Island City, NY
Situation #1 Shlomo Cassos, Moroccan (1936) Date: circa 1980 Etching, signed and numbered in pencil Edition of 60/95 Image Size: 26 x 19 inches Size: 30 ...
Category

1980s Minimalist Prints and Multiples

Materials

Etching

Yellow Mimosa with Orange
Located in New York, NY
Created by the artist in 2024, Yellow Mimosa with Orange is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwo...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Printer s Ink, Screen

"Architettura" [Architecture]
Located in Astoria, NY
Gianfranco Pardi (Italian, 1933-2012), "Architettura" [Architecture], Lithograph in Colors, 1974, depicting a geometric composition in red and white, signed in pencil, dated, and num...
Category

1970s Minimalist Prints and Multiples

Materials

Paper, Lithograph

Red Square
Located in Toronto, Ontario
Josef Albers (1888-1976) is affiliated with numerous movements that have defined 20th century art. Historians credit Albers with fusing elements of American and European abstraction ...
Category

1970s Minimalist Prints and Multiples

Materials

Screen

Yellow Mimosa with Blue
Located in New York, NY
Created by the artist in 2024, Yellow Mimosa with Blue is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwork...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Printer s Ink, Screen

The Infanta and Tiaga, original print, Kate Boxer
Located in Deddington, GB
THE INFANTA AND TIAGA (UNFRAMED) Drypoint, carborundum and gouache 33 1/2 x 27 1/2 in 84 x 69.5 cms First Edition of 30 Infanta Luisa Teresa of Spain (1824-1900) was the daughter of...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Handmade Paper, Drypoint

Yellow Mimosa with Red
Located in New York, NY
Created by the artist in 2024, Yellow Mimosa with Red is a screenprint in colors with enamel inks and sand on museum board. Measuring 22 x 22 in. (56 x 56 cm), unframed, the artwork ...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Printer s Ink, Screen

Ziggy
Located in Deddington, GB
Ziggy is a limited edition drypoint etching by printmaker and artist, Kate Boxer. The warm brown tones in Ziggy paired with Kate Boxer's delicate use of line elevates this beautiful ...
Category

Mid-20th Century Minimalist Prints and Multiples

Materials

Paper, Drypoint

Oscar Wilde, original print, Kate Boxer
Located in Deddington, GB
Oscar Wilde by Kate Boxer prtint made with drypoint, gouache and carborundum, shows a portrait of Oscar sitting on a red chair wearing a black suit with stripped detailed trousers an...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Handmade Paper, Drypoint

Joel Shapiro, print by Minimalist sculptor, hand signed/N w/provenance, Framed
Located in New York, NY
Joel Shapiro For the Archives, 2008 Epson inkjet print on cotton etching paper Hand-signed by artist, Hand signed and numbered 171/175 by Joel Shapiro on the front Bears label from T...
Category

Early 2000s Minimalist Prints and Multiples

Materials

Pencil, Graphite, Inkjet, Etching

Pamela in Gray
Located in Toronto, Ontario
Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...
Category

1970s Minimalist Prints and Multiples

Materials

Screen

Mae West in a Furry Sled, Original art print, Kate Boxer
Located in Deddington, GB
MAE WEST IN A FURRY SLED (UNFRAMED) Drypoint, Chine collee and paste 23 x 25 in 58 x 64 cms First Edition of 30 Signed and inscribed with Edition No. Artist biography: Kate Boxer, a...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Paper, Drypoint

Flashman, Original art print, Kate Boxer
Located in Deddington, GB
Flashman by Kate boxer consists of  red and orange tones that display a man in uniform  Additional information: Sold unframed Limited Edition of 30 Made with Drypoint, carborundu...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Paper, Drypoint

Tennessee Williams and Mr Moon The Infanta and Tiaga, diptych, original print
Located in Deddington, GB
Tennessee Williams and Mr Moon is a handmade dry point print by artist Kate Boxer, featuring a boxer dog sitting obediently with his owner. ADDITIONAL INFROMATION: Drypoint print, ...
Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Handmade Paper, Drypoint

Minimalist prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Minimalist prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, yellow, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Ellsworth Kelly, Michael Kenna, Sol LeWitt, and Osvaldo Mariscotti. Frequently made by artists working with Screen Print, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Minimalist prints and multiples, so small editions measuring 1.58 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $75 and tops out at $114,750, while the average work sells for $1,500.