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Old Masters Prints and Multiples

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
The School Master by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...
Category

19th Century Old Masters Prints and Multiples

Materials

Handmade Paper, Etching

Portrait of an infamous thief
Located in Middletown, NY
A fascinating image of a well-known theif robbing a merchant of goods held atop her head. Paris: circa 1670. Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...
Category

Mid-18th Century Old Masters Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

Dual Treasure - 21st Century, Contemporary, Figurative, Africa, Linocut, Women
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

Piranesi Etching of Hadrian s Ancient Roman Aqueduct and Baths, "Aquae Virginis"
Located in Alamo, CA
This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...
Category

Mid-18th Century Old Masters Prints and Multiples

Materials

Etching

Putorius Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Isl...
Category

1770s Old Masters Prints and Multiples

Materials

Watercolor, Handmade Paper, Etching, Intaglio

Amukoko (Enjoyment Galore -21st Century, Contemporary Figurative, Africa Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

Le Crucifiement (The Crucifixion) - Etching by Jacques Callot - 1614/24
Located in Roma, IT
Etching realized by Jacques Callot in 1619-24. Second state on two. Fair condition, with top corners missing.
Category

1610s Old Masters Prints and Multiples

Materials

Etching

Set of Three Engravings from Curtis s "Flora Londinensis" /// Botanical Flowers
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Titles: "Epilobium Tetragonum (Square Stalked Willow Herb)" (Vol. 2, Plate 131), "Stellaria Holostea (The Greater Stitchwort)" Vol. 2, Pla...
Category

1770s Old Masters Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Jan Six by Pierre François Basan, after Rembrandt
Located in Middletown, NY
Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...
Category

Early 19th Century Old Masters Prints and Multiples

Materials

Laid Paper, Etching, Handmade Paper

Self-Portrait Wearing a Soft Cap - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-portrait wearing a soft cap full face is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belong...
Category

19th Century Old Masters Prints and Multiples

Materials

Engraving

The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category

Mid-17th Century Old Masters Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

The Little Trellis - Etching by Jacques Callot - Mid-17th Century
Located in Roma, IT
Etching on laid paper printed after Jacques Callot in the mid-17th Century. Image dimension: 8.1x16.4 cm.; Matted dimension: 40x60 cm. Signed in plate lower right: Callot in et fe cu...
Category

1660s Old Masters Prints and Multiples

Materials

Etching

A study of whimsical architectural elements: Satyr s, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category

Mid-17th Century Old Masters Prints and Multiples

Materials

Laid Paper, Etching

The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna The Triumph of Caesar: Plate IV of IX 1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category

16th Century Old Masters Prints and Multiples

Materials

Handmade Paper, Laid Paper, Ink, Woodcut

Besler Autumn Snowflake and Meadow Saffron Flowers: 17th C. Botanical Engraving
Located in Alamo, CA
A hand-colored copperplate engraving entitled "Leucoium bulbosum autumnale tenufolium (Autumn Snowflake); Colchicum vulgare Polyanthos; Colchicum biflorum; Colchicum vulgare album; C...
Category

17th Century Old Masters Prints and Multiples

Materials

Engraving

Head of Donkey - Etching after Nicolaes Pietersz Berchem - 17th Century
Located in Roma, IT
Etching on paper, within a ruled border. A finely executed etching after Nicolaes Berchem depicting the head of a donkey in profile, rendered with remarkable sensitivity to texture ...
Category

17th Century Old Masters Prints and Multiples

Materials

Etching

Hercule Gaulois, ou L’Éloquence
By Charles-Nicolas II Cochin
Located in Middletown, NY
A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...
Category

Early 18th Century Old Masters Prints and Multiples

Materials

Laid Paper, Woodcut

Glaucus and Scylla - Etching after Salvator Rosa - 18th Century
Located in Roma, IT
This etching, representing Glaucus and Scylla, is an 18th century copy after Salvator Rosa (ca. 1661). Signed lower right “S.Rosa” The state of preservation is very good. Foxings d...
Category

18th Century Old Masters Prints and Multiples

Materials

Etching

The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium...
Category

1680s Old Masters Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Etching, Intaglio

Head of Camel - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt Camel head is an etching by Stefano Della Bella executed in 17th century. Monogrammed “SDB fec.” Plate 8,1x8,5...
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17th Century Old Masters Prints and Multiples

Materials

Etching

Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...
Category

18th Century Old Masters Prints and Multiples

Materials

Etching

Wura (Sweet Mother) - 21st Century, Contemporary, Figurative, Africa, Chhild
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linen, Ink, Linocut

The Basilica of Constantine
Located in Chicago, IL
A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...
Category

18th Century and Earlier Old Masters Prints and Multiples

Materials

Etching

Ancient Roman Scene - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good condit...
Category

Late 18th Century Old Masters Prints and Multiples

Materials

Etching

Moscovian Christening - by G. Pivati - 1746-1751
Located in Roma, IT
Moscovian Christening Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXXIX Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Wonderful Etchings, Ha...
Category

1740s Old Masters Prints and Multiples

Materials

Etching

Moscovite Funeral Ceremony - by G. Pivati - 1746-1751
Located in Roma, IT
Moscovite Funeral Ceremony Etchings, Hand-Watercoloured. Vol. VIII, Plate XC Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Wonderful etching, ha...
Category

1740s Old Masters Prints and Multiples

Materials

Etching

Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category

Early 17th Century Old Masters Prints and Multiples

Materials

Laid Paper, Engraving

William Hogarth s "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs. These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition. The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco. The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe. A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene. The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate. Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category

Mid-18th Century Old Masters Prints and Multiples

Materials

Engraving, Etching

Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant. This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title. This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition. Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving. Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers. Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category

Mid-17th Century Old Masters Prints and Multiples

Materials

Engraving

Letter N - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter N is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...
Category

18th Century Old Masters Prints and Multiples

Materials

Etching

The Mother Seated in an Inn
Located in Middletown, NY
Etching on cream laid paper with an indiscernible horizontal watermark, 6 1/8 x 4 11/16 inches (154 x 120 mm). Thread margins. The first state (of two), before the additional work on...
Category

17th Century Old Masters Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Letter N - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter N is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...
Category

18th Century Old Masters Prints and Multiples

Materials

Etching

Deux Têtes d Enfant -Lithograph after Albrecht Durer - Early 20th Century
Located in Roma, IT
Lithograph after Durer, realized in the early 20th Century. Signed in the plate. Very good condition.
Category

Early 20th Century Old Masters Prints and Multiples

Materials

Lithograph

Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category

1760s Old Masters Prints and Multiples

Materials

Etching

Fishermen resting by a riverbank
Located in Middletown, NY
Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...
Category

Late 18th Century Old Masters Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure. The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition. The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category

Mid-18th Century Old Masters Prints and Multiples

Materials

Etching

Original AJANTA INDIA Bodhisattva Padmapani vintage travel poster 1959
Located in Spokane, WA
Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...
Category

1950s Old Masters Prints and Multiples

Materials

Lithograph

Genesis 7 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Genesis 7 - Old Testament Story is an original Etching print realized by the artist Giovanni Lanfranco. About The Old Testament Story, 1607ca. Passpartout included 29 x 39 cm The ...
Category

Early 1600s Old Masters Prints and Multiples

Materials

Etching

The Large Village Fair
Located in Middletown, NY
Hamburg: Lippmann, 1895. Copperplate engraving on cream wove paper with a deckle edge, 10 1/8 x 13 1/2 inches (256 x 342 mm), full margins. In generally good condition with some lig...
Category

Late 19th Century Old Masters Prints and Multiples

Materials

Engraving, Handmade Paper

Si Son de Otro Linage - Etching by Francisco Goya - 1863
Located in Roma, IT
Si son de otro linage is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los...
Category

1860s Old Masters Prints and Multiples

Materials

Etching, Aquatint

Letter T - Etching by Luigi Vanvitelli - 1780
Located in Roma, IT
Letter T is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...
Category

1780s Old Masters Prints and Multiples

Materials

Etching

Capital Letter R from the... - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching hand watercolored realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...
Category

18th Century Old Masters Prints and Multiples

Materials

Etching

Letter of the Alphabet O - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet O, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions with minor foxing. ...
Category

Late 18th Century Old Masters Prints and Multiples

Materials

Etching

ÀGÙNBÁNIRÒ - 21st Century, Contemporary, Figurative, Africa, Women, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

ÀSÁLĘ (Nightfall) - 21st Century, Contemporary, Figurative, Africa, Hut, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

This or That (Ona Kan O Woja) - 21st Century, Contemporary Figurative, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

Perception - 21st Century, Contemporary, Figurative, Africa, Women, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linen, Ink, Linocut

Rugen Island, Germany: An Early 17th Century Map by Mercator and Hondius
Located in Alamo, CA
This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...
Category

Early 17th Century Old Masters Prints and Multiples

Materials

Engraving

The Golden Calf - Nuremberg Chronicle, (528 Years Old)
Located in Santa Monica, CA
NUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...
Category

15th Century and Earlier Old Masters Prints and Multiples

Materials

Woodcut

Self-Portrait - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...
Category

19th Century Old Masters Prints and Multiples

Materials

Engraving

Iwoye (Perception 2) - 21st Century, Contemporary Figurative, Africa Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

Venetian School: Neoclassical banquet scene with angels and putti.
Located in Middletown, NY
Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...
Category

18th Century Old Masters Prints and Multiples

Materials

Ink, Handmade Paper, Laid Paper

The Tribute Money - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...
Category

19th Century Old Masters Prints and Multiples

Materials

Engraving

One People - 21st Century, Contemporary, Figurative, Africa, People, Linocut
Located in Ibadan, Oyo
Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...
Category

21st Century and Contemporary Old Masters Prints and Multiples

Materials

Canvas, Linocut

(Large!) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTRO VITTORIE
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (1710-1778) UNA DELLE QUATTRO FIGURE RAPPRESENTANTI QUATTTRO VITTORIE, (Focillon 330, Wilton-Ely 463) 1750-1756 Etching, Plate 48 from “Le Antichita Romane“ vol. 3. Engraved by Jean Barbault...
Category

1750s Old Masters Prints and Multiples

Materials

Etching

Two military studies, a preparatory red chalk drawing by Jean-Baptiste Pater
By Jean-Baptiste Pater
Located in PARIS, FR
As Florence Ingersoll-Smouse wrote in 1921 in her book devoted to Jean-Baptiste Pater, "a painter of the Fête galante, Pater is interesting both by his intimacy with Watteau, to whom many of his works are still attributed, and by his own value as an artist.” This sanguine, full of life and spontaneity, is typical of the preparatory studies made by the painter to be used later in the composition of his paintings. 1. Jean-Baptiste Pater, pupil and disciple of Antoine Watteau Antoine Pater, Jean-Baptiste's father, belonged to the petty bourgeoisie of Valenciennes where he worked as a merchant-sculptor. His brother Jacques was a local painter who was probably involved in his nephew's training. Born on December 29, 1695, Jean-Baptiste Pater was first trained with Jean-Baptiste Guider, a local painter whose death in 1711 was probably the reason for Jean-Baptiste’s departure alongside Watteau, who was visiting Valenciennes. Watteau's difficult character led to their separation in 1713. Back in Valenciennes, Jean-Baptiste Pater encountered difficulties with the powerful Corporation of Saint-Luke (to which he refused to belong) which forced him to return to Paris in 1718. He reconciled with Watteau shortly before his death (on July 18th 1721), inherited the commissions that Watteau had been unable to fulfil and completed some of his paintings. Pater was accepted by the Académie Royale in 1725 but did not produce his reception painting The soldier’s revels until three years later. Throughout his brief career (he died at the age of forty on July 25th 1736), he mainly had a clientele of amateurs and received only one royal commission, shortly before his death. 2. Description of the drawing and related artworks Pater had adopted his master Watteau's method of composition. His study drawings were carefully glued in a notebook and were used to animate his compositions. His paintings sometimes suffer from a somewhat artificial composition, since the figures seem to be pasted one next to the other. This point has also been made about Watteau’s. The theme of military scenes (which was at the time included in the genre of Fêtes galantes!) was one of Pater’s favourite subjects. Together with the Bathing Women...
Category

1720s Old Masters Prints and Multiples

Materials

Chalk

A Portrait of a Pensive Woman in a Head Scarf: An Etching by George Rhead
Located in Alamo, CA
This is an etched portrait of a pensive woman wearing a detailed cloth head scarf by George Woolliscroft Rhead (1854-1920). It may be entitled "A Fisher Wife", but this can not be co...
Category

Late 19th Century Old Masters Prints and Multiples

Materials

Etching

Seated Woman Holding her Shirt - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Seated Woman Holding her Shirt is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1658. This wonderful piece of art belongs ...
Category

19th Century Old Masters Prints and Multiples

Materials

Engraving

Persia Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category

Early 19th Century Old Masters Prints and Multiples

Materials

Engraving

The Bohemians
Located in New York, NY
Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621. Reference: Lieure 374 (second state of four); Lieure 375-77 (second state of two). In ve...
Category

1620s Old Masters Prints and Multiples

Materials

Etching

Old Masters prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Old Masters prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters prints and multiples, so small editions measuring 1.58 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $350,000, while the average work sells for $333.