Baby Prints and Multiples

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: When Abdullah got the Net Ashore…, from: Four Tales...

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her career, Chicago has consistently challenge...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Madeline Luka (French 1894-1989) was a self taught painter known for her landscapes, portraits, nudes and still lifes. She typically portrayed her family and close friends set within...

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited editio...

Roy Lichtenstein (after) Eddie Diptych: Selections from the Ileana and Michael Sonnabend Collection, Princeton University Art Museum poster, 1985 Off...

Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water ...

This poster was made around 1940s by Henry Lemonnier 🇫🇷 (1890-1954) a French poster artist. He worked for various printers as well as in advertising. The original Cordial - Médoc ...

Bricklayers at Rest is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1945. Phototype print. Good ...

Peter Max, German/American (1937 - ) - Zero's Friend, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 165, HC, Image Size: 22.5 x 19 inches, Size: 27 in....

Joy in the Hudson Bay as they take a Difonto into a hut – Manner of accompanying him to the hut. Etchings, Hand-Watercoloured. Vol. VIII, Plate LIII Image...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Tete a tete (Head to Head), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coctea...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Oskar Kokoschka, Austrian (1886 - 1980) - Der Beobachter, Year: circa 1959, Medium: Etching on natural laid paper, signed and numbered in pencil, Edition: 96, Image Size: 9.25 x 7 ...

This exquisite silkscreen by Jacob Lawrence (1917–2000), titled Market, from the album Hiroshima, originates from the 1983 edition published by The Limited Editions Club, New York, a...

Ronard Brooks KITAJ Swimmer Screen print Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent condition

Jules Chéret Folies-Bergère (L'Arc-en-Ciel), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 21 of "Les Maîtres...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Keith Haring 1982: A rare printed announcement card offset illustrated by Keith Haring to promote the Dutch art publication, Museumjournaal. Medium: offset printed announcement card...

Salvador Dali - Six Eggs - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Richard Mock, American (1944 - 2006) - Democrats, Year: 1996, Medium: Linocut on BFK Rives, signed, titled, dated and numbered in pencil, Edition: 80, Image Size: 16.25 x 19 inch...

Valerio Adami Jacques Derrida's Portrait Original Signed Lithograph Signed and Numbered Dimensions: 90 x 60 cm Edition: 50

Fine 18th century engraving by French artist Jean-Jacques Lagrenée. Presented with hand cut mount and gilt filet in fine wood and gilt 'ribbon and reed' frame. Very charming renditi...

This advertising poster, printed by Mourlot for the Office of French Tourism, is a captivating detail from Marc Chagall’s Ceiling of the Opera, specifically a fragment paying tribute...

The Gathering (TL) Color woodcut, signed and titled in pencil Edition: WP/III (Workshop Proof) This vibrant abstract woodcut by Fernando Reyes showcases his signature blend of bold ...

Vincent HADDELSEY (1934-2010) Horse : The Jockey, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

"La Danse" is a popular, colorful, Fauvist work by Henri Matisse in which he depicts the movement of dancers in an abstract way. The colors Matisse chooses are vibrant and the shapes...

Title: Cosmic Flyer Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

Silverprint photograph, 1973 (printed later). Signed by the artist in pencil, lower right. Titled and numbered 2/90 in pencil in lower left. Published in 1987 by Palm Press. Full...

Todos Caeran is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  T...

James Jean's "The Bear" is a mesmerizing exploration of myth and nature, blending intricate detail with a narrative steeped in symbolism. The artwork depicts the celestial bear desce...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Ben Allen Mickey 3D-construction on Hahnemühle Velvet Year: 2022 Signed by hand and inscribed Edition: E.A. Size: 23.6 × 20.3 on 24.0 × 20.7 inches COA provided Ref.: 924802-1557 Born in 1979 in the UK, Ben Allen is a contemporary artist known for his fresh and exciting take on Pop Art. Armed with a range of complex collage techniques, Ben creates eclectic artworks that bring together the best bits of pop culture. Ben uses a bold colour palette to create Collages dripping with both paint and energy, drawing upon some of the most ubiquitous images in the modern world, from Disney characters to dollar signs. Ben Allen’s Career The standout style of Ben’s artwork has earned him spots in galleries in the UK, across the pond and even further afield. He has exhibited in countless galleries and festivals, in locations ranging from his hometown Brighton to more exotic locales like Miami, Hong Kong, Sydney and Seoul. He was also shortlisted for our Rise Art Prize in the Street Art category back in 2018. Clients and Collections Ben Allen’s wide appeal has made him a popular choice for commercial clients and private collectors alike. He has worked with big name brands...

Celestial Music is an original black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754), the well-known ...

KAWS: HOLIDAY Shanghai: complete set of 3 works: KAWS' signature character COMPANION presented holding the moon, and gazing at the sky. New in original packaging - published to comm...

First edition advertising poster by Alexander Calder for Amnesty International in 1977. Artists for Amnesty, a series of art posters created by ...

Marc Chagall, Russian (1887 - 1985) - Gravure XXII from Poemes, Year: 1968, Medium: Woodcut, Size: 14.5 x 11.25 in. (36.83 x 28.58 cm), Printer: Atelier Lacouriere et Frelaut, Paris...

Plate number 6, Etrille, Ebalia, Portune, from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.

Henri PRIVAT-LIVEMONT (1861-1936) Normandy, Cabourg, 1897 Stone lithograph Printed signature in the plate On vellum Size 29 x 39 cm (c. 11.4 x 15.3 in) Bears the blind stamp of the...

Artist: Peter Max (1937) Title: Cosmic Jumper, Detail I Year: 2003 Edition: 495/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent I...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...

"Bad Seeds" by FAILE is a 24 color silkscreen print on Coventry Rag 325 gsm with deckled edges, 23 x 35 Inches. Signed, embossed, stamped and numbered (67/300) in the FAILE studio. ...

This original lithographic poster by Jules Chéret was published in 1898 as Plate 165 in the prestigious Les Maîtres de l’Affiche series. Created to promote the famous Concert des Amb...

Paper Size: 28 x 20 inches ( 71.12 x 50.8 cm ) Image Size: 17 x 15 inches ( 43.18 x 38.1 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and H...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Giacomo da Prato Reggia di Caserta, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

At the concert is an original modern artwork realized in 1970s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original black and white etching and drypoint. Hand-...

Image dimensions: 12.5 x 15.5 cm. Drypoint, etching. Not signed. Good condition.

In the world of travel advertising and design, David Klein's name shines brightly as a master of capturing the spirit and allure of distant destinations. Created in 1960, his origina...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Lac des Cygnes (Swan Lake), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Par...

Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich. Mounted on passepartout. Edition of 260, hand signed in pencil by the ...

Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...

This elegant 1894 lithographic poster by Armand Rassenfosse was created to advertise the Grande Brasserie Van Velsen Frères, a Belgian brewery based in Bornhem. With its minimalist c...

Paul Jacoulet, 'Une Histoire très Drôle, Mongols', color woodblock print, 1949. A fine impression, with fresh colors, on the artist's handmade, personally watermarked Japan paper, in...

This exquisite lithograph by Andre Derain (1880–1954), titled La Grande Chasse (The Great Hunt), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 ...

Paper Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Image Size: 29.5 x 35.5 inches ( 74.93 x 90.17 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Poisson Bleu (The Blue Fish), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This enchanting composition exemplifies Chagall’s poetic imagination and his symbolic use of color to express emotion, spirituality, and dreamlike wonder. In Le Poisson Bleu, a radiant blue fish glides across a fantastical landscape, surrounded by floating figures and luminous forms that evoke the harmony between nature and the divine. The deep blue tones suggest both serenity and transcendence, capturing the mystical lyricism that defines Chagall’s vision. The work transforms the natural motif into a metaphor for freedom, renewal, and the boundless vitality of life. Executed as a lithograph on velin paper, this work measures 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Poisson Bleu (The Blue Fish), from Chagall, 1957 Medium: Lithograph on velin paper Dimensions: 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1957 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 198. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34. Condition: Well preserved, consistent with age and medium Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. About the Publication: The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, stands among the most celebrated achievements of mid-century art publishing. Each lithograph within the volume reflects Marc Chagall’s synthesis of visual poetry and spiritual resonance, revealing the painter’s unique ability to weave emotion and imagination into color. Through the technical excellence of the Mourlot atelier, Chagall’s luminous palette and ethereal forms were translated into lithography with remarkable fidelity. Conceived under the direction of Aime Maeght, the album highlights the enduring dialogue between artist, printer, and publisher—a creative partnership that elevated the printed image to a work of fine art and helped define the legacy of modernist bookmaking. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Le...

Nude is a modern artwork realized by Andrè Derain in Early 20th century. Lithograph on simili-Japan paper. Realized for "Les Travaux et les Jeux" by Vincent Muselli. Published by J...