Book Prints and Multiples

The 1919 original poster for Homunkulus, created by Hans Neumann, is a striking example of early 20th-century film advertising, capturing the spirit of the silent film era with bold ...

This elegant travel poster from the early 1930s was created for the Cunard White Star Line, promoting its cruises to the so-called New World Rivieras—a collection of warm, sunlit des...

Louis Icart, After, French (1888 - 1950) - Monte Carlo, Medium: Poster, Size: 24 x 36 in. (60.96 x 91.44 cm), Description: A modern reprinting of the classic Louis Icart print, fe...

Je Parle Avec Les Mains by Roland Breucker, published in 1985 by Gilbert Salachas, Paris, is a hardcover edition bound in cloth with a dust jacket. While the jacket shows a few small...

This lithographic poster was printed in 1984 at the Atelier Mourlot in Paris. It is based on a 1947 lithograph entitled La Femme au Fauteuil. The image was composed of six colors, an...

Marcel Duchamp was one of the pioneers of Dada, a movement that challenged preconceived notions of what art should be and how it should be made. In the years leading up to World War I, Duchamp enjoyed success as a painter in Paris. But he soon abandoned painting almost entirely, explaining, "I was interested in ideas, not just visual products." Seeking an alternative to representing objects in paint, Duchamp began to present objects as art...

Charles Herbert WOODBURY The July Century, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 32 of "Les Maîtres de l'A...

Kabuki - Scene in the snow is an original artwork realized in 1864 by Utagawa Kunisada II (1823 – 20 July 1880). Oban from a triptych. Scene in a snowy ...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 8.5 x 5.75 inches ( 21.59 x 14.605 cm ) Framed: No Condition: A: Mint Additional Details: First printing Litho...

Be Yourself Everyone Else Is Taken By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that ...

IIIII Will Always Love You By The Connor Brother The Connor Brothers are a British artistic duo, originally known for presenting themselves as fictional American twins raised in a ...

Commissioned by The Ault & Wiborg Co., USA. Color Zincograph on wove paper, 1896. Hand-signed in black crayon. Wittrock C (of C) edition. Reference: Wittrock; P28, vol. 2 pg 810. ...

Picasso in His Posters - Image and Work, Volume III by Luis Carlos Rodrigo, published by Arte Ediciones in 1992, is a significant volume in the comprehensi...

Hyland Ellis The Gay Parisienne, 1897 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 123 of "Les Maîtres de l'Affic...

Pierre Alechinsky's 1999 original poster for Le Printemps des Poètes (Spring of Poets) stands as a vibrant and visually captivating celebration of the written word and the artistic s...

Mademoiselle Eglantine’s Troupe is is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: La Troupe de Mademoi...

The 1896 original poster by Henry Detouche for the "22e Exposition des Cent" organized by La Plume is a remarkable piece of art nouveau. This poster advertises the 22nd exhibition of...

This original circa 1955 exhibition poster, titled "Peintres Américains Contemporains," was created for a prestigious show at the Musée Galliera in Paris, dedicated to showcasing con...

The circa 1990 original advertising poster by Philippe Sommer for Liquoristerie de Provence introduces Versinthe, a unique liquor infused with absinthe plants. Limited to just 550 co...

The 1923 original poster by Roger Broders for the Services Automobiles de la route du Jura promoting Salins-les-Bains et le Fort St André is an exquisite example of early 20th-century travel poster design. Commissioned by the P.L.M. (Paris-Lyon-Méditerranée) railway company, this artwork perfectly reflects the charm of the Jura region while showcasing Broders' mastery of composition, color, and visual storytelling. Roger Broders, one of the most celebrated travel poster artists of the Art Deco era, was renowned for his ability to capture the essence of a destination with elegance and clarity. His posters played a pivotal role in promoting tourism across France during the golden age of travel, often highlighting scenic routes, idyllic landscapes, and picturesque towns. In this particular work, Broders portrays the serene beauty of the Jura region with his characteristic style: clean lines, harmonious compositions, and a rich yet restrained color palette. The poster invites travelers to explore the famous Salins-les-Bains, a historic spa town celebrated for its saltwater springs, and the iconic Fort Saint-André, a stunning hilltop fortress offering panoramic views of the surrounding countryside. The artwork vividly conveys the natural splendor of the Jura, with rolling hills, lush greenery, and soft, sunlit skies. The carefully composed scene features winding roads, inviting travelers to journey through the tranquil region aboard the “Services Automobiles”—a service that complemented the P.L.M. railway network by connecting train passengers to remote and scenic destinations by road. Broders’ attention to detail is unmistakable. His use of warm earth tones and subtle shading creates a sense of depth and atmosphere, drawing the viewer into the landscape. The elegantly stylized typography adds to the poster’s charm, seamlessly integrating the text into the composition without distracting from the artwork itself. This poster is not only a masterpiece of travel advertising but also a reflection of the growing trend of leisure travel in the early 20th century. As rail travel flourished, companies like P.L.M. recognized the need to promote lesser-known but stunning destinations to affluent tourists seeking adventure, relaxation, and scenic beauty. Broders' work became an essential tool in this effort, helping to define the visual language of travel posters for decades to come. The 1923 Services Automobiles poster...

The 1895 original poster by Fernand Fau for the Salon des 100 14th Exhibition is a fascinating piece of art that captures the spirit of the Belle Époque in France. The Salon des 100 ...

In 1955, Swiss artist Hans Erni created an iconic poster for the Assemblée Mondiale de la Paix (World Peace Assembly) held in Helsinki from June 22 to 29. This original lithographic ...

The circa 1910 poster by French artist Hugo d'Alési, promoting Paray-le-Monial on the Chemins de Fer de Paris Lyon Méditerranée (PLM) railway line, is a beautiful example of early 20...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Kabuki Scene is an original Woodcut print realized in mid 19th century after Utagawa Kuniyoshi (1797-1861). Good condition and Beautiful colored woodblock print. This wonderful mo...

Les Fleurs du Mal is an original series of 12 etching, realized by Martin Van Maele in 1917, illustrations for Charles Baudelaire’s poems, printed by La Bibliothèque des Curieux, loose leaves each of them. The artworks are illustreting of Les Fleurs du mal "The Flowers of Evil" that is well-known poetry written by Charles Baudelaire, Which first published in 1857 that was important in the symbolist and has a great impact on modernist movement of the era. In very good conditions. Maurice François...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Les Banderilles (The Banners), from the album A Los Toros Avec Picasso (To the Bulls with Picasso), originates from the...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Hommage a Jean Cocteau for the Ville de Nantes 1964 By (after) Jean Cocteau Jean Cocteau (1889–1963) was a versatile French artist whose influence spanned across literature, film, ...

This circa 1950 original poster, designed by Standenmeyer, is a powerful representation of the French Air Force ("L’Armée de l’Air") and its protective role. With its bold graphic de...

The 1972 original poster for Brose und Partner, Berlin, exemplifies the bold and innovative design trends of the early 1970s, reflecting the dynamic spirit of the era. As one of Berl...

The circa 1920 original poster by Trianon Trinquier, titled Paris-Milan via Frasne-Vallorbe, promotes the Paris-Lyon-Méditerranée (PLM) railway line, highlighting it as "la plus cour...

This original circa 1970 travel poster captures the breathtaking skyline of Hong Kong's Central District at dusk, showcasing the city's vibrant energy as lights illuminate Victoria Harbour. The high-rise buildings, bustling waterfront, and iconic junks dotting the harbor embody Hong Kong’s rapid urbanization and economic boom during the mid-20th century. The poster design features a striking aerial photograph, framed by a muted beige border that enhances the dramatic cityscape. At the top, bold red Chinese calligraphy spells out "香港" (Hong Kong), providing an elegant cultural touch. The bottom is anchored by a strong, modern black “HONG KONG” typography, reinforcing the city’s bold and cosmopolitan identity. This vintage piece reflects Hong Kong’s transformation into a global financial powerhouse during the 1970s. Central District, the heart of the city’s business and commercial hub, became a symbol of progress, attracting international trade, banking, and luxury developments. A true collector’s item, this poster is a timeless representation of Hong Kong’s skyline before its modern skyscraper boom. It encapsulates the charm of old Hong Kong...

This is a 19th century color lithograph entitled "Palais de Glace, Champs-Elysees" (Ice Palace, Champs-Elysees) created by Jules Cheret and published in 1896 in Paris, France by Cher...

A beautiful poster on the theme of railroads, made by François Desnoyer 🇫🇷 (1894-1957) a French painter, sculptor and lithographer. This poster was made to promote the Roussillon,...

Nice poster for the exhibition "Nice-Côte d'Azur" at the TWA Salons (December 8-January 16, 1955), signed and dated in the plate 1954. Jean Maurice Eugène Clément Cocteau was a Frenc...

Malory, Thomas. MORTE D'ARTHUR. J. M. Dent, London, 1893. First Edition thus. Edition of 300 printed on Dutch handmade paper, this copy Numbered "72." (There was a "regular" editi...

A beautiful fashion poster made in 1962 by Pierre Simon 🇫🇷 (1907-1999) a famous French painter, illustrator and draughtsman, known in particul...

In the vibrant art world of the 1960s, the 1965 exhibition poster by Max Ernst for the showcase "Gravures et Lithographies Originales pour René Crevel" stands out as a significant pi...

The original poster by J. Basté in 1918, promoting the 4th national loan for the Banque Industrielle de Chine, stands as a testament to the financial mobilization efforts during Worl...

Nakamura Daikichi and Seki Sanjuro is an original modern artwork realized by Utagawa Toyokuni I in 1820-30. Woodcut Print Oban Dyptich Format Nakamura Da...

Beautiful Art Deco style poster by Jean Carlu for the Pigalle Theater - Feu du ciel. Jean Carlu (Bonnires-sur-Seine France 1900 - 1989) was a French graphic designer specialised in posters. He was member of a family of architects; his brother Jacques Carlu...

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

"CORRENTE litografie. 30 anni dopo" edited in 1967 Folder containing 12 lithographs by various artists (Arnaldo Badoni, Renato Birolli, Bruno Cassinari, Sandro Cherchi, Lucio Fontana...

This striking work by Léon Bakst, titled “Le grand peintre russe nous promet pour bientôt…” (“The great Russian painter promises us soon…”), vividly captures the spirit of early 20th...

This 1918 original poster by Camille Boutet, titled "Nous Saurons Nous en Priver" ("We Will Know How to Do Without"), is a striking piece of World War I propaganda, designed to encou...

Original poster printed in silkscreen in 1952 for Aer Lingus, the Irish airline. We can see a Lockheed super-constellation flying over the Statue of Liberty...

There are certain poster images that transcend the medium in their beauty and importance; this is one such piece. Cacao Van Houten by Henri Privat-Livemont is acknowledged as one of ...

Original David Klein, Germany Fly TWA Jets (Larger format). Professional acid-free archival linen backing; ready to frame. Very good to excellent condition. The image of this or...

Raoul Dufy, French (1877 - 1953) - Le Serpent, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Descr...

Very nice psychedelic poster from 1968 for the Jeff Beck Group. Lee Conklin's early influences were pen and ink masters Heinrich Kley and Saul Steinberg.Aft...

Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...

The 1957 original travel poster by Gronowski, "Visitez la Pologne - L'Église en bois à Sekowa (1540)," is a captivating piece of mid-20th-century promotional art created to entice tr...

La Dentellière after Johannes Vermeer’s (1632–1675) painting “The Lacemaker” (1669–71) realized by Achille Isidore Gilbert (1828–1899) in 1883. Etching with drypoint on laid paper w...

The 1930 original poster for the "Exposición de Barcelona" by the artist Rojas is a striking piece of early 20th-century design, reflecting the cultural vibrancy and artistic innovat...

Manifesto for Circus is an original poster realized by Waldemar Swierzy (Poland, 1931-2013) in the 1980s. Good condition. Hand-signed. Waldemar Swierzy (Poland, 1931 - 2013); born in Katowice, Poland, he graduated from the Kraków Academy of Fine Arts in 1952. He was subsequently Professor in the University of Fine Arts in Poznań from 1965 and Professor in the Academy of Fine Arts in Warsaw from 1994. In 1992 the government of Poland issued a postage stamp to honor one of his Cyrk posters, 'Clown with derby'. Swierzy is one of the Polish School of Posters' most prolific artists, having created over 2500 posters. He employed unusual concepts with a variety of techniques, frequently mirroring Polish social history from 1950s through 1980s, with a myriad of styles: folk art from the 50s, pop art from the 60s...

Visual Poem is an original Screen Print realized by Ennio Pouchard in 1970. Good condition on a white cardboard. Signature with pencil. Ennio Pouchard is Painter, photographer and...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...

Sunrise on the Lake is an original lithograph realized by Mario Sportelli in the 1970s Hand-signed on the lower right Artist's proof The artwork represents a beautiful landscape w...