Book Prints and Multiples

Original linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...

Drenched in neon allure and undeniable Pop power, this 1989 original poster was created for the exhibition Le Cento Immagini di Andy Warhol ("The Hundred Images of Andy Warhol") held...

Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp. 1913. Color lithograph Cardinaux created an extensive work of different media, he illu...

Tsukioka Yoshitoshi Taira no Koremochi Vanquishing the Demon of Mount Togakushi From Series: “New Forms of Thirty-six Ghosts” 「新形三十六怪撰」 「平惟茂戸隠山に悪鬼を退治す図」 C. 1890 Size: Oban Ex...

Freres. Clerice. Claudine 1910.On Linen. Color lithograph poster for the Operette en 3 Actes de Willy. d'après les Romans de Willy & Colette Willy with music by Rodolphe Berger. Ref. Broido No. 21 The Clerice Frères...

Offset lithograph in colors on wove paper. Hand signed and dated lower front by Mr. Hand numbered 134/300 lower front. Artwork size 25.6 x 19.6 inches. Frame size approx. 31.5 x ...

Epinal Print Battalle De Fleur US is a Hand-colored lithograph probably realized by Francis Pellerin of the 19th century. It depicts the Battle of Fleurus, a significant engagement ...

This poster, titled Festival d'Avignon, was produced in 1970 and features the image Le Corsaire, engraved by Henri Deschamps and printed by Mourlot on BFK Rives paper. Although the p...

Hergé (1907-1983) Destination Moon (Objectif Lune), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authorized edition of the ...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

Epinal Print Batalle De Rivoli is a Hand-colored lithograph realized by an anonymous french artist of the 19th Century. It depicts the Battle of Rivoli, a significant military engag...

Artist: Henri de Toulouse-Lautrec Medium: Lithographic Poster, 1966 Dimensions: 27.5" x 19.75", 70 cm x 50 cm Heavy Poster Paper - Perfect Condition A This lithographic reproduction was created in 1966 after the lithograph Le Divan Japonais...

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Theatre De La Renaissance. Printed: 1896 Printed By: F. Champenois, Paris Signed in plate; Mucha, F. Champenois, Paris Lithograph paper ...

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

Medium: original lithograph. This lithograph was printed for the front cover of the 1955 "Improvisations" portfolio, published by the Artists Equity Association of New York on the oc...

Dior Eau Sauvage Perfume poster By René Gruau René Gruau was one of the most influential fashion illustrators of the 20th century, celebrated for his elegant, expressive, and insta...

The 1950 original travel poster featuring Claude Monet's iconic painting of the Cathédrale de Rouen captures the timeless beauty of French architecture and the artist's mastery of li...

Neil Welliver at O'Farrel Gallery poster, 1998 Offset lithograph 24 × 18 inches Unframed This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986. Publisher O'Farrell Gallery, Brunswick, Maine About Neil Welliver: Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning. Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships. By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005. Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others. - Courtesy of Alexandre Gallery

Striking, sculptural, and unmistakably modern, this original 1956 poster was created for the XIIIème Salon de Mai, held at the Musée d’Art Moderne de la Ville de Paris. Featuring a b...

Divan Japonais is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H- de Toulouse-Lautrec. The artwork is a reproduction of the original affiche re...

This vintage 1970 exhibition poster for Fairfield Porter’s show at the Tibor de Nagy Gallery in New York captures the refined, intimate realism that defines Porter’s work and his pla...

Elegant exhibition poster created for The Royal Belgian Exhibition, organized by The Veranneman Foundation and The Belgian Art Foundation in the U.S., and presented at Marlborough Ga...

This original poster was created by legendary American Pop artist James Rosenquist for the XIV Olympic Winter Games, held in Sarajevo, Yugoslavia, in 1984. Commissioned as part of th...

Originally designed in 1960 by Dutch designers Benno Wissing and Jan A. Begeer for the Frank Lloyd Wright exhibition in Rotterdam, this poster exemplifies the bold visual language of...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, Inscribed 'Life is Beautiful' with signature, edition, date and thumb print on verso...

Lithograph on wove paper, realized in 1838. Signed and dated in the plate. Image 19.5x28 This finely executed lithograph by Auguste Raffet depicts two Hungarian fishermen on the b...

This 1954 original exhibition poster, printed by the renowned Mourlot Studios, was created for the exhibition Peintres Lithographes: De Manet et Toulouse-Lautrec à Matisse et Picasso...

20" x 15" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Those individuals who just have that power to seduce you. Some definitely have it more than others and it gets dangerous when they know how to use...

The original vintage poster celebrating Mercedes-Benz’s double victory at the 24 Hours of Le Mans is a dynamic tribute to one of the brand’s most iconic moments in motorsport history. Featuring the legendary Mercedes-Benz Typ 300 SL, the poster highlights the triumph of Lang-Riess in first place and Helfrich-Niedermayr in second, marking a dominant performance at the world’s most famous endurance race. Rendered in a striking black-and-white illustration, the artwork captures the speed, intensity, and drama of the race. The perspective places the viewer directly behind the Mercedes-Benz 300 SL as it speeds down the track, its sleek, aerodynamic design cutting through the night. A race official is seen holding a lap board, reinforcing the sense of movement and competition. The hand-drawn style conveys the raw energy of endurance racing, where precision engineering and human determination combine for victory. The typography emphasizes the "double victoire" in bold blue, underscoring the unprecedented achievement. The mention of a new distance record of 3,733.780 km in 24 hours further highlights the engineering excellence of the 300 SL, a car that would go on to become one of the most celebrated sports cars in history. This poster is a rare and valuable collectible, not only for motorsport and automotive enthusiasts but also for lovers of mid-century racing memorabilia...

Roy Lichtenstein Mirror Images Offset Lithograph 2000 33.07 x 23.22 inches (84 x 59 cm) Unsigned as issued Publisher: VG Bild-Kunst, Bonn - Germany COA provided The exhibition in Wo...

Original exhibition poster created for the Women Impressionists show held at the Academy of Fine Arts, Musée Marmottan, Paris, in 1993. The poster features Reading in the Garden by E...

Poster for the Rosenquist exhibition at the Museum of Contemporary Art in Chicago in 1972. Paper Size: 30.25 x 22 inches ( 77 x 56 cm ) Image Size: 30 x 22 inches ( 76 x 56 cm ) Fra...

1966 exhibition poster for Ernst's Gallerie Alphonse Chave show. Paper Size: 28.5 x 18.75 inches ( 72 x 48 cm ) Image Size: 18.5 x 15.25 inches ( 47 x 39 cm ) Framed: Framing avai...

The image of “Landscape with Figures and Rainbow, 1980” was used for the design of this exhibition poster held at the Museum Ludwig Koln in 1989. The serigraph/poster measures 39.25 ...

Six color screenprint and photoscreenprint. Signed and numbered out of 125 in pencil by Kitaj in the top right corner. Printed at Kelpra Studio, London and published by Marlborough ...

Screenprint on off-white wove paper Signed and numbered in pencil: 44 from 300 plus an unknown number of AP (inscribed A/P).

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Printed: 1896 Printed By: F. Champenois, Paris Hand signed in lower left. Signed in plate; Mucha, F. Champenois, Paris Lithograph paper ...

Rare Original 1912 Théâtre National de L'Opéra Paris Poster - ROMA Opera - Rochegrosse Art - Jules Massenet - Classical Theater Collectible. This poster is archival, linen-backed, ...

Mokuchu URUSHIBARA Pair of horses playing (red), c. 1930 Woodcut after on an ink drawing Signed with the artist's stamp On paper 28 x 39 cm (c. 11.02 x 15.35 in) INFORMATION : Engr...

Raoul Dufy, French (1877 - 1953) - Harlequin Venitienne, Year: circa 1950, Medium: Lithograph, signed in the plate, Image Size: 23 x 17.5 inches, Size: 25.5 x 18.5 in. (64.77 x 4...

This charming 1962 original travel poster by André Dignimont was commissioned by the SNCF (Société Nationale des Chemins de Fer Français) to celebrate Parisian elegance, highlighting...

Fritz Eichenberg, 'The Steps', wood engraving, 1933, edition 200. Signed, titled, and annotated 'Ed. 200' in pencil. Initialed in the block, lower right. A superb, richly-inked impr...

Paul Gauguin, After, French (1848 - 1903) - Nave Nave Fenua, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 13.25 x 7...

Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718. Depicts a ceiling design commissioned for the Hot...

This 1961 original exhibition poster, designed by Georges Braque, was created for the prestigious annual exhibition "Les Peintres Témoins de Leur Temps" at the Musée Galliera in Pari...

Original U. S. Marines enlistment antique poster. World War I recruitment poster by *Sidney H. Riesenberg* ranks among the most potent visual achievements of U.S. wartime art. Arch...

This poster, created for the Yale University Art Gallery in 1991, recreates Roy Lichtenstein’s iconic 1962 oil on canvas work Blam. Printed by Springdale Graphic in Springdale, Conne...

Lithograph for Luigi Emilio Caldanzano’s Art Nouveau advertisement for Lenti Radio-Attive, which marketed “radioactive” eyeglass lenses claim...

After Roy Lichtenstein As I Opened Fire Poster (after the painting from 1923) Offset lithograph triptych on thick, woven paper Each Frame: 33.5 x 29.25 ...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Minimal, radical, and unmistakably visceral, this circa 1970 original exhibition poster for Lucio Fontana captures the conceptual power of his groundbreaking Concetto Spaziale series...

French caricature print from the satirical series Panthéon Charivariqure ,published in the humoristic illustrated newspaper Le Charivari, realized by Alfred Darjou (1832 – 1874) in t...

This exhibition poster was created for The Prints of David Hockney, held at The Center for Contemporary Graphic Art and the Tyler Graphics Archive Collection in 1996. Featuring Hockn...

Medium: collotype (after the wood engraving). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Sheet size: 10 5/8 x 8 3/4 inch...

Original Unwanted: Ronnie Hood / Takes from the Poor. Helps the Rich. 1982 original poster. Printed by: Bay Area Reproduction, Inc., Kleinschmidt. Color offset lithograph poster dep...

Artist: Warrington Colescott Title Fracas at Calamity's Place Year: 1969 Medium: Lithograph Dimensions: 22.5” x 29.5” inches Edition: Signed, titled, and numbered 32/40 About the A...

BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone. A superb, richl...

A finely detailed engraving with hand colouring by Samuel (1696-1779) and Nathaniel Buck (c.1695-c.1775) depicting St. Osyth's Priory in Essex. Signed within the plate. On laid.

This striking 1961 original exhibition poster was created for the retrospective of Théophile Alexandre Steinlen at the Maison de la Pensée Française in Paris. A master of social real...

In the early 20th century, aviation emerged as a symbol of progress and adventure, capturing the imagination of a world on the brink of technological revolution. Among the pioneers w...