Book Prints and Multiples

Original poster: Spartacus, Beutsche Staatsoper Berlin (Germany) vintage theater poster. Printed in 1973 to promote a performance of Spartacus ...

This is a set of 6 signed and numbered prints created by the great French poster artist, Gerard Courbouleix, known as Razzia. Each print measures 10.5” x 14.5” and is from a limite...

Original Anno Santo 1983 Italian travel poster map. Linen-backed in Grade A condition, ready to frame. A large yellow sun invites you into this image as it shines down on the entire ...

This joyful and expressive original travel poster, created circa 1950 by artist H. Koller, invites viewers to the stunning alpine region of Allgäu and the Kleinwalsertal valley, nest...

VALERIO ADAMI b. 1935 Born in Bologna 1935 (Italian) Title: Man with Cigarette Technique: Original Hand Signed and hand numbered Serigraph/SilkScreen in colours on vellum pap...

In this rare and evocative 1896 theatre program, Pierre Bonnard—then a rising figure of the Nabis movement—brings his unique visual language to the printed stage. Commissioned by the...

Paper Size: 30 x 20.75 inches ( 76.2 x 52.705 cm ) Image Size: 20 x 17 inches ( 50.8 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

In the realm of Belle Époque Paris, Jules Chéret emerges as a luminary, casting his artistic brilliance on the city's vibrant cultural scene. Known as the "father of the modern poste...

Jonas Wood 24 Tennis Court Drawings book (hand signed, inscribed to Kevin and dated by the artist) Hardback monograph (signed, inscribed and dated 2003) 13 1/2 × 9 1/4 × 2/5 inches M...

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Ex Libris - Memento Vivere is a colored woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a ...

Pablo PICASSO (after) Woman Portrait Lithograph (Mourlot workshop) On wove paper 70 x 50 cm (c. 28 x 20 in) REFERENCES : Catalogue raisonné Cwiklitzer #386 Original vintage lithogr...

Donald Baechler ArT RANDOM Donald Baechler Japanese catalog (hand signed and inscribed to writer and art critic Anthony Haden-Guest), 1989 Hardback monograph Hand signed and inscribed to writer and art critic Anthony Haden-Guest 12 × 9 1/4 × 1/2 inches Unframed This uncommon 1989 Japanese hardback monograph with no dust jacket as issued, is hand signed and inscribed by artist Donald Baechler to the art critic Anthony Haden-Guest. Inscription reads: For Anthony 4.April. 91 Donald Baechler Book information: First edition. Published by Kyoto: Kyoto Shoin International Co., Ltd., 1989. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Paintings and drawings by Donald Baechler. Text (in English and Japanese) by Lisa Liebmann. Unpaginated (48 pp.), with 36 four-color plates. About Donald Baechler: Donald Baechler was one of the most promising artists of the 1980s. He was associated with a group of painters in New York that included Julian Schnabel, David Salle, Jean-Michel Basquiat and Philip Taaffe...

This visually captivating poster depicts a traditional Japanese family at the center, rendered with intricate detail and cultural sensitivity. Designed for the Riccar Museum, the pos...

The circa 1970 original psychedelic poster by Ronald Slabbers, titled "Eat Flowers," encapsulates the vibrant and eclectic spirit of the psychedelic ar...

Original poster: Ring it Again Third Liberty Loan. Buy U. S. Gov't Bonds. World War 1 lithograph poster over 100 years old. It is mounted on acid-free archival linen. It looks l...

The poster, which displays surrealist elements as observed by the burnt orange background and a blue floating earth, was created for the 1939 World’s Fair i...

Original 1922 Swedish Vintage Silent Movie Poster – “Döda Stadens Hemlighet: Guldådern” (Frank Mayo, Universal) – Very Fine Condition, archival linen-backed and ready to frame. This ...

An icon of American graphic design, Milton Glaser lent his visionary aesthetic to this 1979 poster celebrating the Morris A. Mechanic Theatre in Baltimore, known here as “The New Mec...

This vibrant lithograph, created by Pablo Picasso in 1968, was designed to promote a show at the Centre Culturel International. The artwork is a striking example of Picasso's innovat...

Vol. In-Folio 45,2x34,2 cm., 205 pp. Edition of 220 copies including a xylographic vignette, 14 xylographic illustrations (on heads and footers of chapters) and 22 original lithograp...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Nature morte a la pipe (Still Life with Pipe), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 20 x 26 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Paris: Imprimerie Chaix, 1863. Stone lithograph in colors on light card stock, 15 1/2 x 11 1/4 inches (392 x 284 mm), full margins. Light mat tone and scattered edge wear, nicks and...

Les Amériques en Bal Original Poster by Razzia – Linen-Backed, Excellent Condition. Archival linen-backed and ready to frame. This poster is hand-signed in the lower right corner by...

London: Thomas McLean, 1820. Second Edition. Etching with handcoloring in watercolor on cream wove paper (published 1835), 8 3/8 x 11 1/2 inches (210 x 29 0mm), full margins. Second...

The 1970 original exhibition poster by Enzo Mari, titled "Contenir Regarder Jouer," serves as a captivating invitation into the world of design and creativity. Created for the exhibi...

Original Serigraphy This electrifying 1969 original exhibition poster was created for a show by Martial Raysse at the iconic Galerie Alexandre Iolas, a gallery that was instrumental in championing avant-garde artists across the major art capitals of the time. The poster is a bold visual manifesto of the Pop-infused, Neo-figurative aesthetic that defined Raysse’s work in the 1960s. A pioneer of the French Nouveau Réalisme movement, Raysse blended glamour and critique in his exploration of consumer culture, plastic beauty, and artificial color. This poster is no exception: with its blazing fuchsia backdrop, cutout-style female profile, and shadowy black forms outlined in acid-yellow, it creates a near-hallucinogenic contrast that pulses with visual energy. The hand-rendered neon typography glows against the black bands above and below, recalling the commercial signage of American pop culture while exuding an unmistakably European sophistication. The poster not only served to promote the exhibition—it was a work of art in its own right. Galerie Iolas...

Sku: EF5549-D Artist: Jacques Carlu Title: La Marseillaise Year: 1915 Signed: No Medium: Lithograph Paper Size: 49 x 33.5 inches ( 124.46 x 85.09 cm ) Image Size: 47 x 31.5 inches ( 119.38 x 80.01 cm ) Edition Size: Unknown Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: the item presented for auction is an original Vintage Poster of French WWI propaganda (1914-1919). Wartime posters...

Jim Dine's exhibition at the University Gallery at Memphis State in 1987, featuring a poster depicting two Venus de Milo figures side by side, is a notable event in the artist's care...

This elegant original poster captures the magic and grandeur of the famous Grandes Eaux Nocturnes at the Château de Versailles—an enchanting nighttime spectacle where water, light, a...

Jim Dine Recents Prints is an artwork realized in 1984, in occasion of a Jim's Dine exhibition.  12 oktober - 3 november 1984. Offset colored poster.  h 125 x 80 cm. Good conditi...

Bieres De La Meuse is an original colored offset from an original advertising affiche realized by Marc Auguste Bastard in 1896. Good conditions, ex...

Original Wiesbaden (Germany) Heilbad und Festliche Stadt vintage mid-century modern vintage poster. Archival linen backed in excellent condition, ready to frame. Grade A, A-. Th...

This is one of the illustrations of Dizionario di scienze naturali Natural sciences dictionary edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds of e...

This striking original 1962 poster was created for the historic exhibition “Le Cubisme” held at the renowned Galerie Beyeler in Basel, Switzerland. The show featured major works by t...

Original poster, lithograph, linen-backed, Nathan Hale poster reading," I only regret that I have but one life to lose for my country." Step into history with this 1939 Kelly Read & Co. Rochester (NY) poster, a testament to the principles our patriots died for. This very rare original poster is the only documented copy remaining. Archival linen-backed and ready to frame. The poster features a stylized image of Nathan Hale, an American Revolutionary War soldier...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Image Size: 32 x 23.25 inches ( 81.28 x 59.055 cm ) Framed: No Condition: A: Mint Additional Details: This is an original exhibitio...

Jules-Alexandre GRUN Monaco, exposition and concours automobiles Lithographic poster Signed in the plate Printed by Arte Paris and published by Maeght Size 98 x 65 cm (c. 38.6 x 25....

An original woodcut print by the listed Italian-Argentinian artist Victor Luciano Rebuffo (1903-1983). Entitled 'Estudio De Las Estrellas' Stargazing. The print depicts a couple lyin...

Original Les Vignobles de France - Cote du Rhone vintage wine map poster. Horizontal. Size 36.5" x 27". Archival linen backed and ready to fram...

Original vintage French movie poster: THE PRODIGAL SON; Le Fils Prodigue. Rare linen-backed poster Stars: Lana Turner and Edmund Purdom, Louis Calhern, Audrey Dalton, Neville Brand, James Mitchell...

Sku: BK7053 Artist: Jean-Paul Riopelle Title: Riopelle (ETE) Year: 1967 Signed: No Medium: Book Paper Size: 8.75 x 7.5 inches ( 22.225 x 19.05 cm ) Image Size: 8.75 x 7.5 inches ( 22...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Original Biere Allary vintage French beer poster. Art Deco time frame. Excellent condition and ready to frame. The image features a Viking-style name...

Original Ski Western Airlines vintage travel and skiing poster. Professional archival acid-free linen backed in very good condition, ready to frame. Artist: Don Weller. Capt...

MORIN-JEAN (1877-1940) Poem : The Happiness of this World, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of...

Maximilien VOX (1894-1974) Bad Romance : The Duel, 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edi...

MOULIN ROUGE, original 1952 vintage movie poster; size: 47" x 63"; acid free archival linen backed and ready to frame full lithograph. Excellent condition. The poster is archival...

David Shrigley Human Behaviour and Animals and Existentialism, 2022 The complete suite of 8 digital posters on 200gsm Munken Lynx wove paper 27 3/5 × 19 7/10 in / 70 × 50 cm Limit...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

"Ghosted" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is shipped in the pictured white frame. Edition of 5. Jor...

This original 1950s poster by legendary French graphic artist Paul Colin announces “La Nuit de Mai à Bobino”—a festive gala evening held on Thursday, May 25th, at the iconic Parisian...

Artist: Christo (1935 - 2020) Title: Project for the Gates VIII Size: 39.25" 27.5" inches Type: Lithograph Poster Hand Signed Christo was born in 1935 in Gabrova, Bulgaria. (He woul...

"Somebody is trying to take your rhythm but not know your blues" is a limited edition print by Jordan Plain printed on archival paper. This piece measures 21"h x 21"w framed and is s...

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Rf Art Self Isolation Giclee on Hahnemuehle Velvet 2021 Size: 24.01 x 17.32 inches (61 x 44 cm) Edition: BAT from a limited edtion of 25 Signed and numbered by the artist *Framing O...

Beautiful original US threesheet (104×206 cm) for CAT GIRL directed by Peter Hennessy in 1957 starring Barbara Shelley. Poster is linen backed for restoration and longevity purpose...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...