Modern Art Prints and Multiples

HENRI DE TOULOUSE-LAUTREC Etude de femme 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Strong and vibrant color lithograph by the American artist, Benton Murdoch Spruance. Edition size in pencil lower left margin 7/40. Titled in pencil middle margin and signed in penc...

"EROTIC DREAM" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (10.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) ...

Composition is an original lithography, realized by Pietro Carabellese in the 1970s. Hand-signed on the bottom right. Numbered on the bottom left. Edition of 100.

This exquisite lithograph by Georges Rouault (1871–1958), titled Margot (Margot), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by Editio...

ARTIST: Salvador Dali TITLE: Le Decameron L'ange Gabriel MEDIUM: Etching on Japon Paper SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Pamela Verlog EDITION NUMBER: XIX/X...

Karl Brandstätter Tache Jaune Year: 1975 Etching and aquatint Signed and numbered by the artist Edition: E.A. (from an edition of 60) Size: 26 x 19.5 inches COA provided Karl Brands...

This piece titled "Breeze Before the Leap" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 44.25"h x 31.25"w fr...

Hummingbird 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint Edition of 100 copies. On the back oh the artwork there is an inscription...

Artist: Peter Max (1937) Title: Tropical Flowers Year: 1979 Edition: A.P./45, plus proofs Medium: Silkcreen on Arches paper Size: 23 x 30 inches Condition: Excellent Inscription: Sig...

Sketch for a theatrical Costume is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 45 x 34 cm Fair condit...

Apocalypse is an artwork realized by Charles Lapicque in 1974. Colored lithograph.  Not signed. as issued. Excellent condition. Printed by Mourlot , France. This lithograph was r...

Seascape is an artwork realized by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching and drypoint. Good conditions. Giovanni Omiccioli (February 25, 1901 – March 1, ...

Jean-Baptiste VALADIE A Long Wait Original lithograph Handsigned in pencil Limited /250 copies On vellum 35 x 45 cm (c. 14 x 18 in) Excellent condition

Warrington Colescott A Wild West: Cowboys and Indians - 1969 Print - Lithograph   23'' x 31'' Edition: signed and numbered in pencil 17/75 Unframed Warrington Wickham Colescott Jr....

The 1988 original lithography by Chu Teh-Chun, titled "Universal Peace (La paix universelle)," is a captivating masterpiece that reflects the artist's profound vision and dedication ...

Marc Chagall (1887-1985) - Job Praying Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condit...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Benjamin, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

This exquisite lithograph by Max Ernst (1891–1976), titled Un chant damour (A Song of Love), from the album XXe Siecle, Nouvelle serie, No. 11 (double), Noel 1958, originates from the 1958 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This work reflects Ernsts mature Surrealist language, merging dream, myth, and poetic abstraction into a visionary composition. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris Artwork Details: Artist: Max Ernst (1891–1976) Title: Un chant damour (A Song of Love) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Ernst, Max, et al. Max Ernst: Graphische Welten: Die Sammlung Schneppenheim. DuMont, 2003, illustration 71C Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, No. 11 (double), Noel 1958, published by Societe Internationale dArt XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1958 About the Publication: Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagalls most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagalls reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Max Ernst (1891–1976) was a German-French painter, sculptor, printmaker, and poet whose groundbreaking imagination and experimental techniques made him one of the most revolutionary figures of 20th century art. A founding member of both Dada and Surrealism, Ernst dismantled traditional notions of art through chance, dream imagery, and psychological exploration, transforming painting, sculpture, and collage into instruments of the unconscious mind. Born in Bruhl, Germany, he studied philosophy and psychology at the University of Bonn before rejecting academic convention to pursue art, inspired by the Symbolists, Cubists, and the early abstractions of Pablo Picasso and Wassily Kandinsky. His traumatic experience serving in World War I left him disillusioned with logic and order, propelling him toward the Dada movement in Cologne in 1919, where he began creating his seminal collages that fused scientific diagrams and Victorian engravings into surreal dreamscapes. By 1922, Ernst had moved to Paris and joined a circle of avant garde luminaries that included Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, Man Ray, and Andre Breton, each of whom shared his fascination with the irrational and the unseen. Ernsts invention of frottage (rubbing) and grattage (scraping) revolutionized modern painting, revealing textures and hidden images beneath the surface and allowing chance to become an active participant in creation. His visionary paintings such as The Elephant Celebes (1921), Two Children Are Threatened by a Nightingale (1924), and Europe After the Rain II (1940–42) blend myth, science, and dream into vast symbolic landscapes that remain among the defining masterpieces of Surrealism. A restless innovator, Ernst expanded into sculpture, crafting enigmatic totemic forms such as Capricorne (1948–1963) that bridged organic abstraction and surreal fantasy, echoing the fluid equilibrium of Calders mobiles and the conceptual wit of Duchamp. Fleeing Nazi occupied France during World War II, Ernst emigrated to the United States with the support of Peggy Guggenheim, whom he later married, influencing the emerging Abstract Expressionists among them Jackson Pollock, Robert Motherwell, and Willem de Kooning through his fusion of automatism, texture, and mythic narrative. Returning to Europe after the war, he continued to refine his poetic, alchemical approach to painting, blending chaos and order into cosmic landscapes that inspired later artists such as Anselm Kiefer, Robert Rauschenberg, Cy Twombly, and Kiki Smith. His work, housed in major museums including MoMA, the Tate, and the Centre Pompidou, stands as a testament to his belief that art could bridge the conscious and unconscious, the rational and the fantastic. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Max Ernst remains a cornerstone of modern art an artist philosopher whose limitless curiosity reshaped visual language and influenced generations of creators. His highest auction record was achieved by Le roi jouant avec la reine (The King Playing with the Queen) (1944), which sold for approximately 24.4 million USD at Christies, New York, in November 2022, reaffirming Max Ernsts enduring legacy as one of the most visionary, provocative, and collectible masters of 20th century modernism. Max Ernst XXe Siecle 1958, Max Ernst lithograph...

This exquisite lithograph after Georges Braque (1882–1963), titled La Palette et le vase de fleurs (The Palette and the Vase of Flowers), from Carnets intimes (Private Sketchbooks), ...

ROBED MAN AND VASE is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techn...

Introducing "Polvo de Estrellas" by renowned Chilean artist Inti. This exquisite art print is a true masterpiece, limited to only 100 editions. Created with an 18-color lithograph, this print was produced at a historic print...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Foreurs (The Drillers), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Leger, War ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Zebulun, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by A...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 056 Subject: Malibu Cliffs, Framed Size: 21" x 17" x 0.8''inch, 53x23x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wra...

6 colour screenprint with hand applied glitter on Somerset Tub Sized Satin Radiant White 410gsm Edition 48 of 125 Signed and dated by the artist on archival label on the back Mint. D...

Varujan Boghosian (American, 1926-2020), "Profile", Woodblock Print on Paper, signed in pencil and numbered edition "4/40" lower center, giltwood frame. Image: 15.5" H x 8" W; frame:...

Nude of Woman is an original artwork realized by Osvaldo Peruzzi in 1988 . Mixed colored lithograph . Hand-signed by the artist on the lower right. Numbered on the lower left margin 123/125. On the artwork there are printed inscriptions: Paris and Defendu , Good conditions. Osvaldo Peruzzi (Milan, 1907 - Livorno, 2004) was an Italian painter, attracted by the artistic researches of Prampolini, Fillia and Munari. In 1933 he participated in the exhibition "Futurist homage to Umberto Boccioni...

Linda Plotkin, American (1938 - ) - Plants II, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 14/75, Image Size: 7.75 x 6.75 inch...

A bright cubist screenprint of a woman seated with a cello. She wears a long red skirt and blue blouse and is posed in front of a background composed of intersecting geometric shapes. This piece is signed and numbered in pencil by the artist and is floating in an ornate burnished gold frame. Woman with Cello...

This exquisite lithograph by Georges Rouault (1871–1958), titled Petit Page Rouge et Or (Little Page in Red and Gold), from the album Georges Rouault, Divertissement, originates from...

This piece titled "Jake Yeager Untitled 5" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. About Space 1026...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 12.5 x 11.75 inches ( 31.75 x 29.845 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

Wild Path by Ronald Julius Christensen, American (1923–1999) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 295 Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 69 (Plate 69), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Etching with drypoint, 1912, on Arches wove paper, a fine impression printing with plate tone and much burr, hand signed and numbered. Eiditon of 50 prints (there were also ten  hors...

Paper Size: 14.25 x 17.25 inches ( 36.195 x 43.815 cm ) Image Size: 14.25 x 17.25 inches ( 36.195 x 43.815 cm ) Framed: Yes Frame Size: H: 15.25 x W: 18.25 x D: .75 in. Condition...

Jane Hammond Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

A coloured lithograph of Buffet's famous work titled 'Pensees'. The piece depicts three pansies in black, red and yellow. The artist signature has been printed in the upper left corn...

René Gruau LES IRIS - 1998 Print -Lithograph on Arches Archival Paper    46'' x 20'' inches Edition: signed in pencil, titled and marked 285/300 Embossed with the printers stamp M...

Title: Blushing Beauty II Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

Harem is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fontai...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Vase de Fleurs, Medium: Lithograph on Arches (unsigned), Image Size: 21 x 17 inches, Size: 29 x 22 in. (73.66 x 55.88 cm)

'Un-Masked' (2011) by HUSH, 3-Print-Set 3 Prints – hand finished with acrylic, spray paint and tea on 300 gsm Somerset Paper Size 23 cm x 17,5 cm. Limited Edition of 133 All pieces a...

Medium: pochoir (after the painting). Issued for XXe Siecle (No. 7) and printed by Daniel Jacomet. Published in Paris by San Lazzaro in 1956. Sheet size: 12 1/4 x 9 1/2 inches (313 x...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Mireille Kramer, Egyptian/American (1932 - ) - Lovers V, Year: Circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 14 x 17 inches, Size:...

Lloyd Lozes Goff, American (1918 - 1982) - Mt. Taylor, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Size: 22 i...

Richard Lindner, German/American (1901 - 1978) - The Heart, Portfolio: After Noon Portfolio, Year: 1969, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 2...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

Paper Size: 24.25 x 38.5 inches ( 61.595 x 97.79 cm ) Image Size: 24.25 x 38.5 inches ( 61.595 x 97.79 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Alain BONNEFOIT Dreaming Nude, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Naphtali, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 60cm x 79cm, 53cmx 70cm . Excellent condition, no defects. Work number P.A.; Artist Signature and date ‘92 Renzo Vespignani, ...

This exquisite lithograph after Fernand Leger (1881–1955), titled Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Nature morte (Still Life), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Nature morte 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

Raul Martinez (Cuba, 1927-1995) 'Flores y Frutas', 1978 silkscreen on paper 20.2 x 26.3 in. (51.3 x 66.8 cm.) Edition of 30 ID: MRT-302 Unframed

Etching by Pierre Alechinsky. The piece is called "Motus Vivendi" from 2008. It is hand signed in pencil and numbered 62/90. dimensions of the paper : 225mm x 155mm. Dimension of the...